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* Another review [[InUniverse he addressed the]] UltimateShowdownOfUltimateDestiny where one comment said that [[{{X-Men}} Wolverine would beat Storm]] in a fight because he could heal, whereas Storm would die once stabbed by Wolverine. His reply was simply a question of how could someone whose power is [[GoodThingYouCanHeal healing]] be more powerful than someone who can ''[[ElementalPowers control the elements]].''

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* Another review [[InUniverse he addressed the]] UltimateShowdownOfUltimateDestiny where one comment said that [[{{X-Men}} [[Franchise/{{X-Men}} Wolverine would beat Storm]] in a fight because he could heal, whereas Storm would die once stabbed by Wolverine. His reply was simply a question of how could someone whose power is [[GoodThingYouCanHeal healing]] be more powerful than someone who can ''[[ElementalPowers control the elements]].''
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Gained a bit of flak from the gamer community when [[http://blogs.suntimes.com/ebert/2010/04/video_games_can_never_be_art.html he commented video games not being an art form]], but [[http://blogs.suntimes.com/ebert/2010/07/okay_kids_play_on_my_lawn.html he eventually came around]] and at least decided he's not in a position to judge them. Despite that episode, he is considered as the most OneOfUs of major critics, as he admires [[{{Anime}} Japanese animated film]] and has an incredible knowledge of science fiction, which is among his favorite genres. While he claims ignorance to a lot of TV shows due to his heavy schedule of writing and watching films, he's found time to become a fan of the WWE, ''WesternAnimation/SouthPark'', and ''WesternAnimation/AvatarTheLastAirbender''. Ebert has also a fondness of other film analysis and criticism, such as Tim Dirk's Filmsite.org (which Ebert has frequently quoted) and RedLetterMedia; of the ''RevengeOfTheSith'' review, Ebert stated, "I was pretty much sure I didn't have it with me to endure another review of (Revenge of the Sith). Mr. Plinkett demonstrates to me that I was mistaken."

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Gained a bit of flak from the gamer community when [[http://blogs.suntimes.com/ebert/2010/04/video_games_can_never_be_art.html he commented video games not being an art form]], but [[http://blogs.suntimes.com/ebert/2010/07/okay_kids_play_on_my_lawn.html he eventually came around]] and at least decided he's not in a position to judge them. Despite that episode, he is considered as the most OneOfUs of major critics, as he admires [[{{Anime}} Japanese animated film]] and has an incredible knowledge of science fiction, which is among his favorite genres. While he claims ignorance to a lot of TV shows due to his heavy schedule of writing and watching films, he's found time to become a fan of the WWE, ''WesternAnimation/SouthPark'', and ''WesternAnimation/AvatarTheLastAirbender''. Ebert has also a fondness of other film analysis and criticism, such as Tim Dirk's Filmsite.org (which Ebert has frequently quoted) and RedLetterMedia; of the ''RevengeOfTheSith'' review, Ebert stated, "I was pretty much sure I didn't have it with me to endure another review of (Revenge of the Sith). Mr. Plinkett demonstrates to me that I was mistaken."
" (This is especially interesting considering that said review criticized critics, specifically naming Ebert, who "sucked up to Lucas" and gave ''Revenge of the Sith'' good reviews.)

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-->-- '''Roger Ebert''' on ''DeuceBigalowEuropeanGigolo''

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-->-- '''Roger Ebert''' on ''DeuceBigalowEuropeanGigolo''
''DeuceBigalow: European Gigolo''
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-->-- '''Roger Ebert''' on ''DeuceBigalow European Gigolo''

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-->-- '''Roger Ebert''' on ''DeuceBigalow European Gigolo''
''DeuceBigalowEuropeanGigolo''



He has also written many books on great films. He has been one of the great proponents of film preservation, letterboxing (back when most televisions were square and most movies in theaters weren't), and giving credit to directors and screenwriters; he probably helped make these issues important. He has also been a proponent of seeing films ''in'' theaters, but he's accepted modern viewing habits enough to write {{DVD}} reviews. He has done a few [[DVDCommentary audio commentaries]] notably ones for two of his all time favorite films, ''Film/CitizenKane'' and ''DarkCity'', which have appeared on most releases of those films on DVD.

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He has also written many books on great films. He has been one of the great proponents of film preservation, letterboxing (back when most televisions were square and most movies in theaters weren't), and giving credit to directors and screenwriters; he probably helped make these issues important. He has also been a proponent of seeing films ''in'' theaters, but he's accepted modern viewing habits enough to write {{DVD}} reviews. He has done a few [[DVDCommentary audio commentaries]] notably ones for two of his all time favorite films, ''Film/CitizenKane'' and ''DarkCity'', ''Film/DarkCity'', which have appeared on most releases of those films on DVD.
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Incidentally, [[http://academic.sun.ac.za/forlang/bergman/tech/glossary/ebert_glos.htm described several tropes decades before TV Tropes even came into existance]].

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Incidentally, [[http://academic.sun.ac.za/forlang/bergman/tech/glossary/ebert_glos.htm [[EbertsGlossaryOfMovieTerms described several tropes decades before TV Tropes even came into existance]].
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* Quotes/TheHumanCentipede (One of the films that he wouldn't rate, the other being PinkFlamingos)

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* TheHumanCentipede (One of the films that he wouldn't rate, the other being PinkFlamingos)

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* TheHumanCentipede Quotes/TheHumanCentipede (One of the films that he wouldn't rate, the other being PinkFlamingos)
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Ebert still writes weekly review columns as well as a daily blog and maintains a very active Twitter account, and every single one of his reviews are available on the Internet, where he is still an influential force in movie criticism's new dominant medium. In recent years, he has also picked up a reputation for being soft on movies; however, his wrath, when deployed, is [[{{North}} legendary]]. ''I Hated, Hated, HATED This Movie!'' and ''Your Movie Sucks'' are two compilations of his two star and under reviews; a third, titled ''A Horrible Experience of Unbearable Length'', has been announced for spring 2012.

to:

Ebert still writes weekly review columns as well as a daily blog and maintains a very active Twitter account, and every single one of his reviews are available on the Internet, where he is still an influential force in movie criticism's new dominant medium. In recent years, he has also picked up a reputation for being soft on movies; however, movies, or (depending on who you ask) [[GrumpyOldMan even more ruthless than before]]. However, his wrath, when deployed, is [[{{North}} legendary]]. ''I Hated, Hated, HATED This Movie!'' and ''Your Movie Sucks'' are two compilations of his two star and under reviews; a third, titled ''A Horrible Experience of Unbearable Length'', has been announced for spring 2012.



* One reader comment said that a positive review of a certain film gave him HypeBacklash[[invoked]] while a negative review of another film [[BileFascination made him want to see it]].[[invoked]] Ebert's reply was that a critic's job is not to pass judgement on a particular movie, but to give the reader an impression as to whether or not they would want to see it themselves.

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* One reader comment said that a positive review of a certain film gave him HypeBacklash[[invoked]] while a negative review of another film [[BileFascination made him want to see it]].[[invoked]] Ebert's reply was that a critic's job is not to pass judgement judgment on a particular movie, but to give the reader an impression as to whether or not they would want to see it themselves.
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->''As chance would have it, I have won the Pulitzer Prize, and so I am qualified. [[SophisticatedAsHell Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.]]''

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->''As ->''"As chance would have it, I have won the Pulitzer Prize, and so I am qualified. [[SophisticatedAsHell Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.]]'']]"''
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In 1975, Ebert teamed up with Gene Siskel, reviewer-in-chief at the ''Chicago Tribune'', to present a film review program called ''Sneak Previews'' on the local PBS station. The program went to national syndication in 1978; in 1982 Series/SiskelAndEbert moved to a new network and a new but very similar program called ''At The Movies with Siskel and Ebert'' (or vice versa). Unexpectedly, this made him one of the two most important movie critics in America. Because the show was televised, [[RuleOfPerception many more Americans saw it]] than read the reviews in the newspapers; because Ebert and Siskel had credentials in real newspapers in a major city first, and didn't review every movie favorably, they could be taken more seriously than most other movie reviewers on television. Siskel and Ebert's passive-aggressive chemistry was the stuff of legend. It was often thought that due to their occasionally hostile on-screen presence when they disagreed, that the two hated each other. However, [[VitriolicBestBuds both considered the other a close friend]], even if their relationship was competitive by nature. In fact, on the tenth anniversary of Siskel's death in 2009, Ebert posted a [[http://blogs.suntimes.com/ebert/2009/02/i_remember_gene.html touching remembrance]] of his friend on his blog.

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In 1975, Ebert teamed up with Gene Siskel, reviewer-in-chief at the ''Chicago Tribune'', to present a film review program called ''Sneak Previews'' on the local PBS station. The program went to national syndication in 1978; in 1982 Series/SiskelAndEbert moved to a new network and a new but very similar program called ''At The Movies with Siskel and Ebert'' (or vice versa). Unexpectedly, this made him one of the two most important movie critics in America. Because the show was televised, [[RuleOfPerception many more Americans saw it]] than read the reviews in the newspapers; because Ebert and Siskel had credentials in real newspapers in a major city first, and didn't review every movie favorably, they could be taken more seriously than most other movie reviewers on television. Siskel and Ebert's [[LikeAnOldMarriedCouple passive-aggressive chemistry chemistry]] was the stuff of legend. It was often thought that due to their occasionally hostile on-screen presence when they disagreed, that the two hated each other. However, [[VitriolicBestBuds both considered the other a close friend]], even if their relationship was competitive by nature. In fact, on the tenth anniversary of Siskel's death in 2009, Ebert posted a [[http://blogs.suntimes.com/ebert/2009/02/i_remember_gene.html touching remembrance]] of his friend on his blog.
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* DefangedHorrors
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->''"As chance would have it, I have won the Pulitzer Prize, and so I am qualified. [[SophisticatedAsHell Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.]]"''

to:

->''"As ->''As chance would have it, I have won the Pulitzer Prize, and so I am qualified. [[SophisticatedAsHell Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.]]"'']]''
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In 1975, Ebert teamed up with Gene Siskel, reviewer-in-chief at the ''Chicago Tribune'', to present a film review program called ''Sneak Previews'' on the local PBS station. The program went to national syndication in 1978; in 1982 Series/SiskelAndEbert moved to a new network and a new but very similar program called ''At The Movies with Siskel and Ebert'' (or vice versa). Unexpectedly, this made him one of the two most important movie critics in America. Because the show was televised, [[RuleOfPerception many more Americans saw it]] than read the reviews in the newspapers; because Ebert and Siskel had credentials in real newspapers in a major city first, and didn't review every movie favorably, they could be taken more seriously than most other movie reviewers on television. Siskel and Ebert's passive-aggressive chemistry was the stuff of legend. It was often thought that due to their occasionally hostile on-screen presence when they disagreed, that the two hated each other. However, both considered the other a close friend, even if their relationship was competitive by nature. In fact, on the tenth anniversary of Siskel's death in 2009, Ebert posted a [[http://blogs.suntimes.com/ebert/2009/02/i_remember_gene.html touching remembrance]] of his friend on his blog.

to:

In 1975, Ebert teamed up with Gene Siskel, reviewer-in-chief at the ''Chicago Tribune'', to present a film review program called ''Sneak Previews'' on the local PBS station. The program went to national syndication in 1978; in 1982 Series/SiskelAndEbert moved to a new network and a new but very similar program called ''At The Movies with Siskel and Ebert'' (or vice versa). Unexpectedly, this made him one of the two most important movie critics in America. Because the show was televised, [[RuleOfPerception many more Americans saw it]] than read the reviews in the newspapers; because Ebert and Siskel had credentials in real newspapers in a major city first, and didn't review every movie favorably, they could be taken more seriously than most other movie reviewers on television. Siskel and Ebert's passive-aggressive chemistry was the stuff of legend. It was often thought that due to their occasionally hostile on-screen presence when they disagreed, that the two hated each other. However, [[VitriolicBestBuds both considered the other a close friend, friend]], even if their relationship was competitive by nature. In fact, on the tenth anniversary of Siskel's death in 2009, Ebert posted a [[http://blogs.suntimes.com/ebert/2009/02/i_remember_gene.html touching remembrance]] of his friend on his blog.
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In 1975, Ebert teamed up with Gene Siskel, reviewer-in-chief at the ''Chicago Tribune'', to present a film review program called ''Sneak Previews'' on the local PBS station. The program went to national syndication in 1978; in 1982 SiskelAndEbert moved to a new network and a new but very similar program called ''At The Movies with Siskel and Ebert'' (or vice versa). Unexpectedly, this made him one of the two most important movie critics in America. Because the show was televised, [[RuleOfPerception many more Americans saw it]] than read the reviews in the newspapers; because Ebert and Siskel had credentials in real newspapers in a major city first, and didn't review every movie favorably, they could be taken more seriously than most other movie reviewers on television. Siskel and Ebert's passive-aggressive chemistry was the stuff of legend. It was often thought that due to their occasionally hostile on-screen presence when they disagreed, that the two hated each other. However, both considered the other a close friend, even if their relationship was competitive by nature. In fact, on the tenth anniversary of Siskel's death in 2009, Ebert posted a [[http://blogs.suntimes.com/ebert/2009/02/i_remember_gene.html touching remembrance]] of his friend on his blog.

to:

In 1975, Ebert teamed up with Gene Siskel, reviewer-in-chief at the ''Chicago Tribune'', to present a film review program called ''Sneak Previews'' on the local PBS station. The program went to national syndication in 1978; in 1982 SiskelAndEbert Series/SiskelAndEbert moved to a new network and a new but very similar program called ''At The Movies with Siskel and Ebert'' (or vice versa). Unexpectedly, this made him one of the two most important movie critics in America. Because the show was televised, [[RuleOfPerception many more Americans saw it]] than read the reviews in the newspapers; because Ebert and Siskel had credentials in real newspapers in a major city first, and didn't review every movie favorably, they could be taken more seriously than most other movie reviewers on television. Siskel and Ebert's passive-aggressive chemistry was the stuff of legend. It was often thought that due to their occasionally hostile on-screen presence when they disagreed, that the two hated each other. However, both considered the other a close friend, even if their relationship was competitive by nature. In fact, on the tenth anniversary of Siskel's death in 2009, Ebert posted a [[http://blogs.suntimes.com/ebert/2009/02/i_remember_gene.html touching remembrance]] of his friend on his blog.
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[[quoteright:136:http://static.tvtropes.org/pmwiki/pub/images/Roger_Ebert.jpg]]

->''"As chance would have it, I have won the Pulitzer Prize, and so I am qualified. [[SophisticatedAsHell Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.]]"''
-->-- '''Roger Ebert''' on ''DeuceBigalow European Gigolo''

[[http://rogerebert.suntimes.com/ Roger Ebert]] (born 1942) is {{film}} reviewer-in-chief at the ''Chicago Sun-Times'', and has been since [[TheSixties 1967]]. In itself, that would make him important as the elder statesman of film criticism.

In 1975, Ebert teamed up with Gene Siskel, reviewer-in-chief at the ''Chicago Tribune'', to present a film review program called ''Sneak Previews'' on the local PBS station. The program went to national syndication in 1978; in 1982 SiskelAndEbert moved to a new network and a new but very similar program called ''At The Movies with Siskel and Ebert'' (or vice versa). Unexpectedly, this made him one of the two most important movie critics in America. Because the show was televised, [[RuleOfPerception many more Americans saw it]] than read the reviews in the newspapers; because Ebert and Siskel had credentials in real newspapers in a major city first, and didn't review every movie favorably, they could be taken more seriously than most other movie reviewers on television. Siskel and Ebert's passive-aggressive chemistry was the stuff of legend. It was often thought that due to their occasionally hostile on-screen presence when they disagreed, that the two hated each other. However, both considered the other a close friend, even if their relationship was competitive by nature. In fact, on the tenth anniversary of Siskel's death in 2009, Ebert posted a [[http://blogs.suntimes.com/ebert/2009/02/i_remember_gene.html touching remembrance]] of his friend on his blog.

When Siskel [[AuthorExistenceFailure died in 1999]], Ebert kept on the show with guest hosts until it was settled that it would be ''At The Movies with Ebert and Roeper'', with Richard Roeper, another ''Chicago Sun-Times'' critic. This made him the most important living movie critic in America. The show ended in 2008 partially because his throat cancer was preventing him from doing most of the episodes for over a year and a half. (To do film reviews on television, you have to be able to speak). Sadly, due to a few surgeries that successfully eradicated his cancer, Ebert has lost the ability to speak entirely and part of his lower jaw has been removed. Currently he "speaks" via handwritten notes and a computer text-to-speech program. In 2010, a Scottish company created a voice similar to Ebert's own for him to use as his new "voice", using his DVD commentaries (and not his tv show, since there was always background movie noise and Gene Siskel/Richard Roeper interrupting him) and other similar recordings. Furthermore, his last treatments were so tough going with so much physical cost, he has vowed that if the cancer reemerges, he will let it take its course unto death.

In 2011, to replace the new ''At the Movies'' which had been canceled by its distributor, Ebert and his wife Chaz started their own movie review show on Creator/{{PBS}} called ''Ebert Presents At The Movies'' hosted by Christy Lemire of the Associated Press and Ignatiy Vishnevetsky of Mubi, which follows largely the same format as Ebert's other shows. Ebert himself appears in a segment on the show called "Roger's Office" which features voice over narration (either with the help of either his new "voice", or a famous friend such as Werner Herzog or Bill Curtis) of one of his recent reviews or musings.

Ebert still writes weekly review columns as well as a daily blog and maintains a very active Twitter account, and every single one of his reviews are available on the Internet, where he is still an influential force in movie criticism's new dominant medium. In recent years, he has also picked up a reputation for being soft on movies; however, his wrath, when deployed, is [[{{North}} legendary]]. ''I Hated, Hated, HATED This Movie!'' and ''Your Movie Sucks'' are two compilations of his two star and under reviews; a third, titled ''A Horrible Experience of Unbearable Length'', has been announced for spring 2012.

Roger Ebert has been printing compilations of his movie reviews every year on the year since TheEighties. The series is still going. Also Ebert has written three books of essays about his favorite movies entitled ''The Great Movies'', with these essays also available on his website in a condensed form.

He has also written ''Ebert's Little Movie Glossary'' and ''Ebert's Bigger Little Movie Glossary'', which are books of FilmTropes in DevilsDictionary form. (An even bigger movie glossary is on his web page.) They could be considered a proto-TVTropes in a sense (and the TropeNamer for many).

Another column he keeps up with is The Movie Answer-Man, where he addresses various topics given to him by reader comments. Sometimes addressing fandom aspects like...
* One reader comment said that a positive review of a certain film gave him HypeBacklash[[invoked]] while a negative review of another film [[BileFascination made him want to see it]].[[invoked]] Ebert's reply was that a critic's job is not to pass judgement on a particular movie, but to give the reader an impression as to whether or not they would want to see it themselves.
* Another review [[InUniverse he addressed the]] UltimateShowdownOfUltimateDestiny where one comment said that [[{{X-Men}} Wolverine would beat Storm]] in a fight because he could heal, whereas Storm would die once stabbed by Wolverine. His reply was simply a question of how could someone whose power is [[GoodThingYouCanHeal healing]] be more powerful than someone who can ''[[ElementalPowers control the elements]].''

He has also written many books on great films. He has been one of the great proponents of film preservation, letterboxing (back when most televisions were square and most movies in theaters weren't), and giving credit to directors and screenwriters; he probably helped make these issues important. He has also been a proponent of seeing films ''in'' theaters, but he's accepted modern viewing habits enough to write {{DVD}} reviews. He has done a few [[DVDCommentary audio commentaries]] notably ones for two of his all time favorite films, ''Film/CitizenKane'' and ''DarkCity'', which have appeared on most releases of those films on DVD.

He was one of the major opponents to Colorization. He often likes DeliberatelyMonochrome films, and ones that were monochrome because of when they were made, because of the light and shadow effects. He has also protested censorship in the name of AvoidTheDreadedGRating or avoiding the dreaded X/NC-17 rating. While he advocated for years for a properly copyrighted '''A''' rating to replace X since that sound more respectable, he had hoped NC-17 would become a respectable alternative, and was disappointed when it didn't. He's critical of what he sees as an overuse of [=3D=] technology in recent movies.

He was screenwriter for a notoriously bad film, ''BeyondTheValleyOfTheDolls''. Since that film was released in 1970, this hasn't affected his stature as a critic much. [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19700101/REVIEWS/708110301/1023 He makes fun of it himself, but says he's proud of it regardless.]]

Gained a bit of flak from the gamer community when [[http://blogs.suntimes.com/ebert/2010/04/video_games_can_never_be_art.html he commented video games not being an art form]], but [[http://blogs.suntimes.com/ebert/2010/07/okay_kids_play_on_my_lawn.html he eventually came around]] and at least decided he's not in a position to judge them. Despite that episode, he is considered as the most OneOfUs of major critics, as he admires [[{{Anime}} Japanese animated film]] and has an incredible knowledge of science fiction, which is among his favorite genres. While he claims ignorance to a lot of TV shows due to his heavy schedule of writing and watching films, he's found time to become a fan of the WWE, ''WesternAnimation/SouthPark'', and ''WesternAnimation/AvatarTheLastAirbender''. Ebert has also a fondness of other film analysis and criticism, such as Tim Dirk's Filmsite.org (which Ebert has frequently quoted) and RedLetterMedia; of the ''RevengeOfTheSith'' review, Ebert stated, "I was pretty much sure I didn't have it with me to endure another review of (Revenge of the Sith). Mr. Plinkett demonstrates to me that I was mistaken."

Also a master at uncovering the FreezeFrameBonus -- for years, he would spend a week at the University of Colorado's World Affairs Conference dissecting a film frame-by-frame with an audience's help to reveal small details.

Now we have his [[RogerEbertGreatMoviesList great movies list]] and his list of [[RogerEbertMostHatedFilmList his least favorite movies]].

Incidentally, [[http://academic.sun.ac.za/forlang/bergman/tech/glossary/ebert_glos.htm described several tropes decades before TV Tropes even came into existance]].

The website of his new show can be found [[http://www.ebertpresents.com/ here]] and there's an archive of the old ''Siskel & Ebert'' episodes [[http://siskelandebert.org/ here]].

!!TropeNamer for:
* FruitCart
* HyperlinkStory
* IdiotPlot[[invoked]]
----
!!Ebert has supplied us with quotes for the following:

* AdaptationExpansion
* AllGirlsWantBadBoys
* AlphaBitch
* AnimationAgeGhetto [[invoked]]
* {{Baraka}}
* Quotes/BeYourself
* BelleDeJour
* Film/TheBigSleep
* BrokeTheRatingScale
* CausticCritic
* ChristianityIsCatholic
* ChungkingExpress
* ClimbingClimax
* CrossesTheLineTwice[[invoked]]
* {{Departures}}
* TheDoubleLifeOfVeronique
* EvilOldFolks
* ExactlyWhatItSaysOnTheTin
* FallenAngels
* FauxSymbolism[[invoked]]
* Quotes/FanHater
* GeneticMemory
* GrandmaWhatMassiveHotnessYouHave
* GutPunch
* TheGoodThief
* Quotes/HamAndCheese
* HeelFaceDoorSlam [Ebert dubbed it "Deadly Change-Of-Heart".]
* HelenaBonhamCarter
* HeroesLoveDogs
* Quotes/HollywoodHomely
* HouHsiaoHsien
* Quotes/HoYay
* TheHumanCentipede (One of the films that he wouldn't rate, the other being PinkFlamingos)
* IdiotPlot [[invoked]]
* Quotes/ImperialStormtrooperMarksmanshipAcademy
* Quotes/ImpossiblyTackyClothes
* IncrediblyConspicuousDrag
* InformedFlaw
* ITakeOffenseToThatLastOne
* ItsNotSupposedToWinOscars [[invoked]]
* KeepItForeign
* LaBelleNoiseuse
* LaserHallway
* LenoDevice
* Film/LostInTranslation
* MagicalNegro
* TheMonkees
* NestedMouths
* Quotes/NeutralGood
* NicolasCage
* NoOSHACompliance
* PermaStubble
* PragmaticAdaptation
* ReviewIronicEcho
* {{Shoah}}
* SimpletonVoice
* SomeKindOfWonderful
* {{Stepmom}}
* StrawmanHasAPoint [[invoked]]
* Quotes/ThereCanBeOnlyOne
* ThreeTimes
* TradeSnark
* UnexplainedAccent
* Quotes/{{Wangst}}
* Quotes/WhoWantsToLiveForever
* XanatosRoulette
* YourHighness
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