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* MegaCorp: You work for one in the game-within-a-game of Ultra Business Tycoon III
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* MegaCorp: You work for one in the game-within-a-game of Ultra ''Ultra Business Tycoon IIIIII''.
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Corrected objectively inaccurate descriptions.
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* ''[mutant]heat''
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* TransTribulations: Many of her works (''Parasite, Vesp,'' and ''How to Speak Atlantean'' for example) revolve around being transgender, hormones, and/or living in a transphobic society. Most if not all of the games' protagonists are trans women.
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Creator isn't trans and uses they pronouns. Source: https://retrospring.net/@charity/a/111999781621709736 and https://retrospring.net/@charity/a/112040521173804035.
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[[caption-width-right:240:[[https://twitter.com/aliendovecote ''trash harpy | little shit girl | queer tranarchofeminist | luxury cartel'']]]]
Porpentine Charity Heartscape, also known mononymously as Porpentine (born 1987), is an American video game designer who mainly creates hypertext games/InteractiveFiction. She is a self-described queer [[UsefulNotes/{{Transgender}} tran]][[UsefulNotes/PoliticalIdeologies archo]][[UsefulNotes/{{Feminism}} feminist]]/SlimeGirl, produces a variety of other content including erotic photography, and writes for several gaming websites.
Her games can be found [[http://slimedaughter.com/games/ here.]]
Porpentine Charity Heartscape, also known mononymously as Porpentine (born 1987), is an American video game designer who mainly creates hypertext games/InteractiveFiction. She is a self-described queer [[UsefulNotes/{{Transgender}} tran]][[UsefulNotes/PoliticalIdeologies archo]][[UsefulNotes/{{Feminism}} feminist]]/SlimeGirl, produces a variety of other content including erotic photography, and writes for several gaming websites.
Her games can be found [[http://slimedaughter.com/games/ here.]]
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Her games
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* CastFullOfGay: Porpentine works tend to revolve around trans and/or sapphic women.
* CrapsackWorld: It's rare that the world in a Porpentine game is portrayed positively. Everything is broken, polluted, and oppressed. In many cases, this is an allegory for being a trans woman surviving in a transphobic world.
* CrapsackWorld: It's rare that the world in a Porpentine game is portrayed positively. Everything is broken, polluted, and oppressed. In many cases, this is an allegory for being a trans woman surviving in a transphobic world.
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