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* GiantEyeOfDoom: In short story "Fair Game", a nuclear physicist, Professor Douglas, is startled to see an eye the size of a piano looking at him. It turns out to belong to a monstrous being from another dimension that Douglas assumes wants him for his scientific knowledge. It turns out that the monstrous being wanted him for dinner.

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* ANaziByAnyOtherName: Constantly and repeatedly, starting with his second published novel, ''The World Jones Made''. It's about a seemingly-prophetic tyrant who starts a race war against harmless alien jellyfish as a means to unify the world, both for him ''and'' against him. His subsequent books would routinely invoke Nazism, whether it be actual Nazis (the Reich taking over the United States in ''The Man in the High Castle''), clear analogues (the android-executioners of ''Do Androids Dream of Electric Sheep?''), or just cautionary tales about human society regressing towards Nazi policy (mentions of [=UN=] eugenics programs in ''Martian Time-Slip'').


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* ANaziByAnyOtherName: Constantly and repeatedly, starting with his second published novel, ''The World Jones Made''. It's about a seemingly-prophetic tyrant who starts a race war against harmless alien jellyfish as a means to unify the world, both for him ''and'' against him. His subsequent books would routinely invoke Nazism, whether it be actual Nazis (the Reich taking over the United States in ''The Man in the High Castle''), clear analogues (the android-executioners of ''Do Androids Dream of Electric Sheep?''), or just cautionary tales about human society regressing towards Nazi policy (mentions of [=UN=] eugenics programs in ''Martian Time-Slip'').
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** ''Deus Irae'', a novel he cowrote with Creator/RogerZelazny, depicts a world with a reduced and mutated population due to a past nuclear war. A religion has sprung up around one of the scientists behind it.
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* AmbiguousDisorder: Both Jack Isidore from ''Confessions Of A Crap Artist'' and J.R. Isidore from ''Literature/DoAndroidsDreamOfElectricSheep'' fall under this. J.R. is a ShrinkingViolet, insecure, lonely and quite convinced that he's stupid and everyone knows what's going on but him. Jack's a ConspiracyTheorist (he often sounds like ''Series/AncientAliens'', explaining other peoples' lack of interest or belief as them being "unscientific"), collects and categorises everything, is good with kids and animals, but has trouble understanding grown-ups' emotions. To sum it up, J.R. is sort-of-anxious-avoidant, while Jack is kind-of-autistic.

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* ChildSoldiers: Played with in ''The Counter-Clock World'', where aging reversed decades ago, and there's a commando squad of elderly soldiers who are now the size of small children and infants.

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* ChildSoldiers: Played with in ''The Counter-Clock ''Counter-Clock World'', where aging reversed decades ago, and there's a commando squad of elderly soldiers who are now the size of small children and infants.



* DoAnythingRobot: ''Sales Pitch'' is about a DoAnythingRobot that serves as its own salesman and touts its ability to do absolutely anything, so you don't have to do anything at all.

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* DoAnythingRobot: ''Sales Pitch'' "Sales Pitch" is about a DoAnythingRobot that serves as its own salesman and touts its ability to do absolutely anything, so you don't have to do anything at all.



** In ''The Eyes Have It'' an InspectorJavert character who hunts aliens (indistinguishable from humans except for glow-in-the-dark eyes) and dissects them informs his superiors that there is an [[TheMole alien spy]] among them. It turns out they are all aliens except him.

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** In ''The "The Eyes Have It'' It" an InspectorJavert character who hunts aliens (indistinguishable from humans except for glow-in-the-dark eyes) and dissects them informs his superiors that there is an [[TheMole alien spy]] among them. It turns out they are all aliens except him.



* GenreSavvy: In ''Cosmic Puppets'' the male protagonist returns to his home town to find that what he remembered never existed and the ''first'' thing he thinks of is the possibility that someone implanted false memories into his mind in order to manipulate him for nefarious causes... unfortunately he isn't GenreSavvy ''enough'' to listen to his first instinct that he should leave the town before he gets stuck there.

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* GenreSavvy: In ''Cosmic ''The Cosmic Puppets'' the male protagonist returns to his home town to find that what he remembered never existed and the ''first'' thing he thinks of is the possibility that someone implanted false memories into his mind in order to manipulate him for nefarious causes... unfortunately he isn't GenreSavvy ''enough'' to listen to his first instinct that he should leave the town before he gets stuck there.



* LighterAndSofter: ''Galactic Pot-Healer'' isn't exactly a delightful feelgood comedy--its protagonist is still a bit of a shmoe--but it's definitely one of Dick's more straightforwardly comic novels.



-->"I'm not married. I've got no wife. Nothing. Just my damn job at the record store. All those damn German songs and those bubblegum rock lyrics; they go through my head night and day, constantly, mixtures of Goethe and Heine and Neil Diamond. ... So why should I live on? Call that living? It's existence, not living."

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-->"I'm -->I'm not married. I've got no wife. Nothing. Just my damn job at the record store. All those damn German songs and those bubblegum rock lyrics; they go through my head night and day, constantly, mixtures of Goethe and Heine and Neil Diamond. ... So why should I live on? Call that living? It's existence, not living."



* MindScrew: At the end of Radio Free Albemuth, Philip K Dick's self-insert (by the same name) is told that [[spoiler: the government]] will be releasing [[spoiler: pro-government propaganda]] science-fiction under his name. The first working title was to be ''The Mind Screwers''.
* MissingEpisode: [[http://en.wikipedia.org/wiki/Philip_K._Dick_bibliography In his bibliography]], A Time for George Stavros, Pilgrim on the Hill, Nicholas and the Higgs, etc. were (the manuscripts) lost before publishing.

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* MindScrew: At the end of Radio ''Radio Free Albemuth, Albemuth'', Philip K Dick's self-insert (by the same name) is told that [[spoiler: the government]] will be releasing [[spoiler: pro-government propaganda]] science-fiction under his name. The first working title was to be ''The Mind Screwers''.
* MissingEpisode: [[http://en.wikipedia.org/wiki/Philip_K._Dick_bibliography In his bibliography]], A ''A Time for George Stavros, Pilgrim Stavros'', ''Pilgrim on the Hill, Nicholas Hill'', ''Nicholas and the Higgs, Higgs'', etc. were (the manuscripts) lost before publishing.



* TheNondescript: Keith Pellig, the assassin in ''Solar Lottery'', who's described as so physically unmemorable that it's easier for him to get past security systems.



** ''Second Variety'' with human looking robots. As well as many stories with artificial human-looking robots or aliens, some who have no idea that they are not human - and [[ParanoiaFuel some who are terrified that they are]].

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** ''Second Variety'' "Second Variety" with human looking robots. As well as many stories with artificial human-looking robots or aliens, some who have no idea that they are not human - and [[ParanoiaFuel some who are terrified that they are]].
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* EarlyInstallmentWeirdness: The unambiguously optimistic ending of ''Eye in the Sky''. Dick's clear-cut idealism and faith in the power of people working collectively would soon desert him, majorly.

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* EarlyInstallmentWeirdness: The unambiguously optimistic ending of ''Eye in the Sky''. Dick's clear-cut idealism and faith in the power of people working collectively would soon desert him, majorly.be severely shaken; he spent the rest of his life struggling with this theme and his counter-tendencies towards paranoia and mental breakdown.
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** "Colony", in which a group of human colonists on a new planet discover that it's inhabited by a lifeform which can perfectly mimic inanimate objects, and which can kill and absorb the colonists by e.g. towels and clothing and even vehicles, and enveloping its victims. Eventually they call for a rescue ship, and gather in a group to wait for it, having discarded anything that might be anything that could kill them, including all their clothes. The rescue ship arrives ahead of schedule and the naked colonists go up the ramp inside; the mission commander fears that something is wrong, but she's persuaded by the others that it's fine, so they enter and the ramp closes behind them. [[spoiler: Some time later, the ''actual'' rescue ship arrives, and its crew wonders where everyone is.]]

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** "Colony", in which a group of human colonists on a new planet discover that it's inhabited by a lifeform which can perfectly mimic inanimate objects, and which can kill and absorb the colonists by disguising itself as e.g. towels and clothing and even vehicles, and enveloping its victims. Eventually they call for a rescue ship, and gather in a group to wait for it, having discarded anything that might be anything that could kill them, including all their clothes. The rescue ship arrives ahead of schedule and the naked colonists go up the ramp inside; the mission commander fears that something is wrong, but she's persuaded by the others that it's fine, so they enter and the ramp closes behind them. [[spoiler: Some time later, the ''actual'' rescue ship arrives, and its crew wonders where everyone is.]]
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** "Sales Pitch".

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** "Sales Pitch". A man is harassed to the point of insanity by a robot that's determined to demonstrate to him how useful it is. [[spoiler: He ends up flying away into space on his ship, to get away from it, but it manages to get aboard, and even after he's wrecked his ship beyond repair, and is seriously injured and hours away from plunging to a fiery death, the damaged robot is still tormenting him with its unrelenting need to persuade him that he needs to buy it.]] Dick later thought better of this ending, and wished he'd written it so that the robot had dropped its sales pitch and helped the man.

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** ''Second Variety'' ends with the main character bleeding out as [[spoiler:the first of many homicidal robots exits the Earth's atmosphere towards humanity's final holdout on the moon, using a rocket and coordinates which he unwittingly provided to it. His only solace comes from noticing that the robot carried an EMP grenade--once they wipe out humankind, they just might avenge our race by killing each other]].
** ''Sales Pitch''.
** ''The Unreconstructed M''.

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** ''Second Variety'' "Second Variety" ends with the main character bleeding out as [[spoiler:the first of many homicidal robots exits the Earth's atmosphere towards humanity's final holdout on the moon, using a rocket and coordinates which he unwittingly provided to it. His only solace comes from noticing that the robot carried an EMP grenade--once they wipe out humankind, they just might avenge our race by killing each other]].
** ''Sales Pitch''.
"Sales Pitch".
** ''The "The Unreconstructed M''.M".
** "Colony", in which a group of human colonists on a new planet discover that it's inhabited by a lifeform which can perfectly mimic inanimate objects, and which can kill and absorb the colonists by e.g. towels and clothing and even vehicles, and enveloping its victims. Eventually they call for a rescue ship, and gather in a group to wait for it, having discarded anything that might be anything that could kill them, including all their clothes. The rescue ship arrives ahead of schedule and the naked colonists go up the ramp inside; the mission commander fears that something is wrong, but she's persuaded by the others that it's fine, so they enter and the ramp closes behind them. [[spoiler: Some time later, the ''actual'' rescue ship arrives, and its crew wonders where everyone is.]]
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Dick has said his writings revolve around two questions:\\
1) What is reality?\\
2) What does it mean to be human?

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Dick has said his writings revolve around two questions:\\
1)
questions:
##
What is reality?\\
2)
reality?
##
What does it mean to be human?
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TRS cleanup


* AndNowForSomethingCompletelyDifferent: ''The Golden Man'' contains several {{magic realism}} stories (such as a man obsessed with the model town in his basement having it change the town he lives in itself), an [[AuthorTract anti-abortion story]] (where a scientist challenges the abortion requirement that a fetus who cannot do simple math is eligible for abortion, demanding to be aborted because he claims he's forgotten simple math) and, surprisingly, a humorous (somewhat darkly) war against... alien midgets.
** "King of the Elves" is an UrbanFantasy short story.
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* {{Dystopia}}: ''Flow My Tears, the Policeman Said''.

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* {{Dystopia}}: ''Flow My Tears, the Policeman Said''.Said'' may be considered the most conventionally dystopian novel by Dick, but really, most of his writing is more or less this. AfterTheEnd anarchistic settings prevail over the totalitarian settings, though.
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* ANaziByAnyOtherName: Constantly and repeatedly, starting with his second published novel, ''The World Jones Made''. It's about a seemingly-prophetic tyrant who starts a race war against harmless alien jellyfish as a means to unify the world, both for him ''and'' against him. His subsequent books would routinely invoke Nazism, whether it be actual Nazis (the Reich taking over the United States in ''The Man in the High Castle''), clear analogues (the android-executioners of ''Do Androids Dream of Electric Sheep?''), or just cautionary tales about human society regressing towards Nazi policy (mentions of [=UN=] eugenics programs in ''Martian Time-Slip'').
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Despite being a contemporary of the NewWaveScienceFiction cohort, he is not generally considered one of the authors associated with that trend during TheSixties and TheSeventies. They were not generally associated with "weird" as much as they were associated with new literary sensibilities. And PKD works regarded more for the raw ideas than they are for their literary style and polish.


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Despite being a contemporary of the NewWaveScienceFiction cohort, he is not generally considered one of the authors associated with that trend during TheSixties and TheSeventies. They were not generally widely associated with "weird" as much as they were associated with new literary sensibilities. And PKD works are regarded more for the raw ideas than they are for their literary style and polish.

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* Despite being a contemporary of the NewWaveScienceFiction cohort, he is not generally considered one of the authors associated with that trend during TheSixties and TheSeventies. They were not generally associated with "weird" as much as they were associated with new literary sensibilities. And PKD works regarded more for the raw ideas than they are for their literary style and polish.


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* Despite being a contemporary of the NewWaveScienceFiction cohort, he is not generally considered one of the authors associated with that trend during TheSixties and TheSeventies. They were not generally associated with "weird" as much as they were associated with new literary sensibilities. And PKD works regarded more for the raw ideas than they are for their literary style and polish.

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None

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* Despite being a contemporary of the NewWaveScienceFiction cohort, he is not generally considered one of the authors associated with that trend during TheSixties and TheSeventies. They were not generally associated with "weird" as much as they were associated with new literary sensibilities. And PKD works regarded more for the raw ideas than they are for their literary style and polish.

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Corrected error.


** Also: The Black Iron Fortress

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** Also: The Black Iron FortressPrison
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He saw special effects footage, not the whole film. And that's a bit too irrelevant to be in the header.


Years of drug abuse (which inspired ''Literature/AScannerDarkly'', where he lists himself as a victim of this, and possibly fed into those weird thoughts detailed above) led to his death in 1982 of heart failure at age 53. However, Dick saw ''Film/BladeRunner'', the first adaptation of his work, prior to his death, reportedly enjoying it and [[ApprovalOfGod approving]].

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Years of drug abuse (which inspired ''Literature/AScannerDarkly'', where he lists himself as a victim of this, and possibly fed into those weird thoughts detailed above) led to his death in 1982 of heart failure at age 53. However, Dick saw ''Film/BladeRunner'', the first adaptation of his work, prior to his death, reportedly enjoying it and [[ApprovalOfGod approving]].
53.

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* DeadArtistsAreBetter: While he was a respected science fiction author during his lifetime, he only became recognized as a geek icon after his death in 1982.

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* DeadArtistsAreBetter: While he was a respected science fiction author[[note]] ''at least, as respected as a science fiction author could be at the time, which wasn't very much''[[/note]] during his lifetime, he only became recognized as a geek icon after his death in 1982.1982.
* DeliberateValuesDissonance: Dick's work often dealt heavily with perception, and that extended to his antagonists. Often, they would be [[SocietyIsToBlame shaped by the warped social structure around them,]] while the archetypal Dick protagonist was the OnlySaneMan ([[AuthorAvatar naturally, well-versed in classical music and esoteric philosophy and all the other things Dick himself enjoyed]]) who had the morality and tenacity to see through the false value system. Sometimes, however, he would invert this and make his protagonists the ones with the warped, false value system, using their inner monologue to demonstrate how delusional they were. The best example by far would be ''Do Androids Dream of Electric Sheep?'', a Nazi allegory about an ersatz Gestapo officer tasked with hunting down and executing the "subhuman" androids. Both his interior monologue and the society around him go to great lengths to scientifically and philosophically justify why androids aren't capable of empathy and thus pose a threat to "genuine" human civilization. However, since it was his most popular book due to its film adaptation, many people read that one first and confuse it for an earnest depiction of an anti-[=AI=] message.
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* FantasyKitchenSink: Had a habit of mashing all sorts of sci-fi tropes together, even when they're superfluous to the "main" sci-fi conceit[=/=]narrative. For instance, ''"Flow My Tears," the Policeman Said'' has a random psychic cab driver, and ''The Man in the High Castle'' mentions off-world colonies despite being an alternate universe TheSixties.
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* {{Cloneopoly}}: The short story "War Game" features a Monopoly-like board game called Syndrome that is designed to mentally undermine the youth of a planet in the lead-up to an invasion. In what may be a reference to the way nobody ever plays Monopoly by the actual rules, the customs team tasked with inspecting the game to make sure it's safe to import fail to notice the psychological warfare aspects of the rules because they just glance over the rule sheet and go "Oh, it's just like Monopoly".
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they're nothing alike


* AmbiguousDisorder: Both Jack Isidore from ''Confessions Of A Crap Artist'' and J.R. Isidore from ''Literature/DoAndroidsDreamOfElectricSheep'' fall under this. J.R. might be a descendant of Jack, given their similarities.

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* AmbiguousDisorder: Both Jack Isidore from ''Confessions Of A Crap Artist'' and J.R. Isidore from ''Literature/DoAndroidsDreamOfElectricSheep'' fall under this. J.R. might be is a descendant ShrinkingViolet, insecure, lonely and quite convinced that he's stupid and everyone knows what's going on but him. Jack's a ConspiracyTheorist (he often sounds like ''Series/AncientAliens'', explaining other peoples' lack of Jack, given their similarities.interest or belief as them being "unscientific"), collects and categorises everything, is good with kids and animals, but has trouble understanding grown-ups' emotions. To sum it up, J.R. is sort-of-anxious-avoidant, while Jack is kind-of-autistic.
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* HardTruthAesop: In "The Hanging Stranger": [[spoiler: if someone sees a dead body lying in plain sight and no one else around them is reacting to it, they might be better off keeping their mouth shut and moving on. It serves better as practical advice to take heed of your surroundings and not let on that you notice anything different if you suspect you are in danger. This option would not conflict with ValuesDissonance in this case, as the stranger is already dead and beyond help.]]
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* BrotherSisterIncest: ''In Flow My Tears, the Policeman Said''— the policeman in question is in a sexual relationship with his twin sister.
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* EvilDetectingDog: In ''Deus Irae'', Tibor is given a dog he names Toby. Toby's very friendly to everyone except Jack Schuld. [[spoiler: Who turns out not only to be a bad guy, but TheBigBad.]] Then again, [[MaybeMagicMaybeMundane Schuld keeps aggravating the dog]]...


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* SuicideByCop: Jack Shuld, the guy who claims to be out to kill Carlton Lufteufel in ''Deus Irae'', purposefully provokes Tibor into killing him. [[spoiler: Just as Pete works out that Schuld actually ''is'' Carlton Lufteufel.]]
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* "Literature/{{Autofac}}" (1955)

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* ''Literature/DoAndroidsDreamOfElectricSheep''
* "Faith of Our Fathers" in ''Literature/DangerousVisions''
* ''Literature/TheGanymedeTakeover''
* ''Literature/TheManInTheHighCastle''
* ''Literature/AScannerDarkly''
* ''Literature/TheThreeStigmataOfPalmerEldritch''
* ''Literature/TimeOutOfJoint''
* ''Literature/{{Ubik}}''
* ''Literature/{{VALIS}}''

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* ''Literature/DoAndroidsDreamOfElectricSheep''
''Literature/TimeOutOfJoint'' (1959)
* ''Literature/TheManInTheHighCastle'' (1962)
* ''Literature/MartianTimeSlip'' (1964)
* ''Literature/TheThreeStigmataOfPalmerEldritch'' (1965)
* "Faith of Our Fathers" in ''Literature/DangerousVisions''
''Literature/DangerousVisions'' (1967)
* ''Literature/TheGanymedeTakeover''
''Literature/TheGanymedeTakeover'' (1967)
* ''Literature/TheManInTheHighCastle''
''Literature/DoAndroidsDreamOfElectricSheep'' (1968)
* ''Literature/AScannerDarkly''
''Literature/{{Ubik}}'' (1969)
* ''Literature/TheThreeStigmataOfPalmerEldritch''
''Literature/AScannerDarkly'' (1977)
* ''Literature/TimeOutOfJoint''
* ''Literature/{{Ubik}}''
* ''Literature/{{VALIS}}''
''Literature/{{VALIS}}'' (1981)

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Misuse


* DirectLineToTheAuthor: Played with in "Waterspider". The protagonists decide to fix a technological problem of their era by time-travelling into the past, the golden age of precognatives, and consulting with the precog whose paper "Night Flight" foresaw their very predicament: Creator/PoulAnderson. The reader eventually realizes that the "precog society meeting" is actually a science fiction convention--it turns out that all the major SF authors were precogs without realizing it, and were accurately predicting the future in their writings.



* LiteraryAgentHypothesis: Played with in "Waterspider". The protagonists decide to fix a technological problem of their era by time-travelling into the past, the golden age of precognatives, and consulting with the precog whose paper "Night Flight" foresaw their very predicament: Creator/PoulAnderson. The reader eventually realizes that the "precog society meeting" is actually a science fiction convention--it turns out that all the major SF authors were precogs without realizing it, and were accurately predicting the future in their writings.
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* WhatMeasureIsANonHuman: Plenty of his writings involve ArtificialHumans or robots who can think, imagine and feel, and raise questions about whether their lives are just as valuable as "real" humans.

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* WhatMeasureIsANonHuman: Plenty of his writings involve ArtificialHumans or robots who can think, imagine and feel, RidiculouslyHumanRobots and raise questions about whether their lives are just as valuable as "real" humans.
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* WhatMeasureIsANonHuman: Plenty of his writings involve ArtificialHumans or robots who can think, imagine and feel, and raise questions about whether their lives are just as valuable as "real" humans.

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