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Camp became well-known as [[StageName Bob Camp]] (no relation to one of the animators from ''WesternAnimation/RenAndStimpy'') when he played in a folk duo with Bob Gibson. Their influential album, ''Gibson and Camp at the Gate of Horn'', was recorded in UsefulNotes/{{Chicago}} in 1961. When they broke up, Camp continued to work as a solo act. He began using the name Hamilton Camp musically around the time his solo album ''Paths of Victory'' was released in 1964.

After working as a child actor, Camp began acting again in 1961 with the Second City in Chicago, and with The Committee in UsefulNotes/SanFrancisco in the mid-60s, leading to television and theatre work, and occasional films. One of his early appearances on American TV was the OneEpisodeWonder sketch show ''Turn-On'' in 1969, which, in most affiliates, was canceled 10 minutes into the episode due to complaints that it was too raunchy/too horrible to be seen (other affiliates either banned the show or aired the entire episode and never reran it).

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Camp became well-known as [[StageName Bob Camp]] (no relation to one of the animators from ''WesternAnimation/RenAndStimpy'') when he played in a folk duo with Bob Gibson. Their influential album, album ''Gibson and Camp at the Gate of Horn'', Horn'' (cited by Music/SimonAndGarfunkel and Music/TheByrds as an inspiration) was recorded in UsefulNotes/{{Chicago}} in 1961. When they broke up, Camp continued to work as a solo act. He began using the name Hamilton Camp musically around the time his solo album ''Paths of Victory'' was released in 1964.

After working as a child actor, Camp began acting again in 1961 with the Second City in Chicago, and with The Committee in UsefulNotes/SanFrancisco in the mid-60s, leading to television and theatre work, and occasional films. One of his early appearances on American TV was the OneEpisodeWonder sketch show ''Turn-On'' ''Series/TurnOn'' in 1969, which, in most affiliates, was canceled 10 minutes into the episode due to complaints that it was too raunchy/too horrible to be seen (other affiliates either banned the show or aired the entire episode and never reran it).



** His 1964 album ''Paths of Victory'' was notable for including five Music/BobDylan songs that Dylan never formally recorded himself: the TitleTrack, "Guess I'm Doin' Fine", "Walkin' Down The Line", "Only a Hobo" and "Tomorrow is a Long Time" (Dylan's own demo versions of all of them would eventually be released on various ''Bootleg Series'' volumes).

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** His 1964 album Since he shared manager Albert Grossman with Music/BobDylan, he had access to Dylan compositions that Dylan didn't formally record himself, with Camp including five of them on the ''Paths of Victory'' was notable for including five Music/BobDylan songs that Dylan never formally recorded himself: album in 1964: the TitleTrack, "Guess I'm Doin' Fine", "Walkin' Down The Line", "Only a Hobo" and "Tomorrow is a Long Time" (Dylan's own demo versions of all of them would eventually be released on various ''Bootleg Series'' volumes).
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** His 1964 album ''Paths of Victory'' was notable for including five Music/BobDylan songs that Dylan never formally recorded himself: the TitleTrack, "Guess I'm Doin' Fine", "Walkin' Down The Line", "Only a Hobo" and "Tomorrow is a Long Time" (Dylan's demo versions of all of them would eventually got released on various ''Bootleg Series'' volumes).

to:

** His 1964 album ''Paths of Victory'' was notable for including five Music/BobDylan songs that Dylan never formally recorded himself: the TitleTrack, "Guess I'm Doin' Fine", "Walkin' Down The Line", "Only a Hobo" and "Tomorrow is a Long Time" (Dylan's own demo versions of all of them would eventually got be released on various ''Bootleg Series'' volumes).

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