Is there an issue? Send a MessageReason:
None
Changed line(s) 358 (click to see context) from:
* Mouse and Garden
to:
* Mouse and GardenWesternAnimation/MouseAndGarden
Is there an issue? Send a MessageReason:
None
Changed line(s) 207 (click to see context) from:
* Back Alley Oproar
to:
* Back Alley OproarWesternAnimation/BackAlleyOproar
Is there an issue? Send a MessageReason:
None
Changed line(s) 367,368 (click to see context) from:
* The Pied Piper of Guadalupe
* Prince Violent
* Prince Violent
to:
* The Pied Piper of Guadalupe
* Prince ViolentWesternAnimation/ThePiedPiperOfGuadalupe
* Prince Violent
Is there an issue? Send a MessageReason:
None
Changed line(s) 280 (click to see context) from:
* Sandy Claws
to:
* Sandy ClawsWesternAnimation/SandyClaws
Is there an issue? Send a MessageReason:
None
Changed line(s) 154 (click to see context) from:
* Greetings Bait
to:
* Greetings BaitWesternAnimation/GreetingsBait
Is there an issue? Send a MessageReason:
None
Changed line(s) 129 (click to see context) from:
* Hiawatha's Rabbit Hunt
to:
* Hiawatha's Rabbit HuntWesternAnimation/HiawathasRabbitHunt
Is there an issue? Send a MessageReason:
None
Changed line(s) 203,204 (click to see context) from:
* Slick Hare
to:
* Slick Hare
"WesternAnimation/SlickHare"
Is there an issue? Send a MessageReason:
None
Changed line(s) 152 (click to see context) from:
* Pigs in a Polka
to:
* Pigs in a PolkaWesternAnimation/PigsInAPolka
Is there an issue? Send a MessageReason:
None
Changed line(s) 346 (click to see context) from:
* Mexicali Shmoes
to:
* Mexicali ShmoesWesternAnimation/MexicaliShmoes
Is there an issue? Send a MessageReason:
None
Changed line(s) 180 (click to see context) from:
* Life with Feathers
to:
* Life with FeathersWesternAnimation/LifeWithFeathers
Is there an issue? Send a MessageReason:
None
Changed line(s) 134,135 (click to see context) from:
* Rhapsody in Rivets
to:
* Rhapsody in Rivets
WesternAnimation/RhapsodyInRivets
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
Isadore "Friz" Freleng (1905-1995) was a prominent animator and director of the WesternAnimation/LooneyTunes and [[WesternAnimation/LooneyTunes Merrie Melodies]] animated shorts during UsefulNotes/TheGoldenAgeOfAnimation and UsefulNotes/TheDarkAgeOfAnimation. Friz got his start during the twilight years of UsefulNotes/TheSilentAgeOfAnimation, working for Creator/WaltDisney alongside Creator/UbIwerks and Creator/HarmanAndIsing on the WesternAnimation/OswaldTheLuckyRabbit comedy shorts. After Disney left, he stuck around with Hugh and Rudy at the Charles Mintz studio, even getting the chance to direct on one Mintz Oswald, "Fiery Fireman", before they were fired.
to:
Isadore "Friz" Freleng (1905-1995) (August 21, 1906 – May 26, 1995) was a prominent animator and director of the WesternAnimation/LooneyTunes and [[WesternAnimation/LooneyTunes Merrie Melodies]] animated shorts during UsefulNotes/TheGoldenAgeOfAnimation and UsefulNotes/TheDarkAgeOfAnimation. Friz got his start during the twilight years of UsefulNotes/TheSilentAgeOfAnimation, working for Creator/WaltDisney alongside Creator/UbIwerks and Creator/HarmanAndIsing on the WesternAnimation/OswaldTheLuckyRabbit comedy shorts. After Disney left, he stuck around with Hugh and Rudy at the Charles Mintz studio, even getting the chance to direct on one Mintz Oswald, "Fiery Fireman", before they were fired.
Is there an issue? Send a MessageReason:
None
Changed line(s) 96 (click to see context) from:
* Jungle Jitters
to:
* Jungle JittersWesternAnimation/JungleJitters
Is there an issue? Send a MessageReason:
None
Changed line(s) 42 (click to see context) from:
* How Do I Know It's sunday
to:
* How Do I Know It's sundaySunday
Changed line(s) 73 (click to see context) from:
* Sunday Go To Meetin' Time
to:
* Sunday Go To Meetin' TimeWesternAnimation/SundayGoToMeetinTime
Changed line(s) 426 (click to see context) from:
* FireAndBrimstoneHell: Was a big fan of this. Shorts taking place here include "Sunday Go to Meetin' Time," "Devil's Feud Cake," "Satan's Waiting" and "The Three Little Bops."
to:
* FireAndBrimstoneHell: Was a big fan of this. Shorts taking place here include "Sunday Go to Meetin' Time," "WesternAnimation/SundayGoToMeetinTime," "Devil's Feud Cake," "Satan's Waiting" and "The Three Little Bops."
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
Friz is often (and unfairly) taken for granted because his sense of humor and visual style were more reserved than those of the other directors. Nevertheless, Friz is legendary among animation fans for his strong emphasis on literal, mechanical musical timing - while all of the staff at the studio were capable of this, nobody used it in quite the way Friz did. Having directed more cartoons than any other director at the studio, Freleng directed many, many worthy classics, such as the groundbreaking RogerRabbitEffect short ''Film/YouOughtToBeInPictures'', ''WesternAnimation/TheWabbitWhoCameToSupper'', "Rhapsody In Rivets", ''WesternAnimation/ThreeLittleBops'', among others. He also the majority of the Sylvester and Tweety cartoons, including the acclaimed ''WesternAnimation/BirdsAnonymous'', which is considered his best cartoon.
to:
Friz is often (and unfairly) taken for granted because his sense of humor and visual style were more reserved than those of the other directors. Nevertheless, Friz is legendary among animation fans for his strong emphasis on literal, mechanical musical timing - while all of the staff at the studio were capable of this, nobody used it in quite the way Friz did. Having directed more cartoons than any other director at the studio, Freleng directed many, many worthy classics, such as the groundbreaking RogerRabbitEffect short ''Film/YouOughtToBeInPictures'', ''WesternAnimation/TheWabbitWhoCameToSupper'', "Rhapsody In Rivets", ''WesternAnimation/ThreeLittleBops'', among others. He also directed the majority of the Sylvester and Tweety cartoons, including the acclaimed ''WesternAnimation/BirdsAnonymous'', which is considered his best cartoon.
Is there an issue? Send a MessageReason:
None
Changed line(s) 407 (click to see context) from:
* The Great [=DeGaulle=] Stone Operation (1965)
to:
* The Great [=DeGaulle=] Stone Operation (1965)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[folder: Other Freleng-directed theatrical shorts]]
!1964
* WesternAnimation/ThePinkPhink
* The Pink Pajamas
!1965
* Dial 'P' for Pink
* The Great [=DeGaulle=] Stone Operation (1965)
* Pinkfinger
* The Pink Ice
* The Pink Tail Fly
* Shocking Pink
* We Give Pink Stamps
!1969
* The Ant and the Aardvark
[[/folder]]
!1964
* WesternAnimation/ThePinkPhink
* The Pink Pajamas
!1965
* Dial 'P' for Pink
* The Great [=DeGaulle=] Stone Operation (1965)
* Pinkfinger
* The Pink Ice
* The Pink Tail Fly
* Shocking Pink
* We Give Pink Stamps
!1969
* The Ant and the Aardvark
[[/folder]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
However, he would later leave the studio to go to the then new Leon Schlesinger cartoon studio alongside Creator/HarmanAndIsing when they requested his help in making their WesternAnimation/BoskoTheTalkInkKid short subjects. Even after Harman and Ising left the studio in '33, Friz came back to Leon to help him touch up some rejected "Buddy" comedies. Friz would continue to be a prominent director in the 30's, cranking out many classic cartoons-including ''WesternAnimation/IHaventGotAHat'', the debut of his character WesternAnimation/PorkyPig in 1935. However, in the late 30's, Friz became interested in MGM's big budget animation department and quit Leon's studio to work there...only to be put onto the mediocre "Captain and the Kids" cartoon series with little to no creative freedom like he had at Leon's studio. Friz despised working on the cartoons, and as soon as his contract expired, he fled the studio and went straight back to Termite Terrace, where he would work until its demise in the early 60's.
to:
However, he would later leave the studio to go to the then new Leon Schlesinger cartoon studio alongside Creator/HarmanAndIsing when they requested his help in making their WesternAnimation/BoskoTheTalkInkKid short subjects. He worked as an animator on the early Looney Tunes, with an early work of his being the opening scene of Bosko and Honey playing the piano and tap dancing in "Bosko In Person". Even after Harman and Ising left the studio in '33, Friz came back to Leon to help him touch up some rejected "Buddy" comedies. Friz would continue to be a prominent director in the 30's, cranking out many classic cartoons-including ''WesternAnimation/IHaventGotAHat'', the debut of his character WesternAnimation/PorkyPig in 1935. However, in the late 30's, Friz became interested in MGM's big budget animation department and quit Leon's studio to work there...only to be put onto the mediocre "Captain and the Kids" cartoon series with little to no creative freedom like he had at Leon's studio. Friz despised working on the cartoons, and as soon as his contract expired, he fled the studio and went straight back to Termite Terrace, where he would work until its demise in the early 60's.
Is there an issue? Send a MessageReason:
How To Create A Works Page explicitly says "No bolding is used for work titles."
Changed line(s) 3,4 (click to see context) from:
'''Isadore "Friz" Freleng''' (1905-1995) was a prominent animator and director of the WesternAnimation/LooneyTunes and [[WesternAnimation/LooneyTunes Merrie Melodies]] animated shorts during UsefulNotes/TheGoldenAgeOfAnimation and UsefulNotes/TheDarkAgeOfAnimation. Friz got his start during the twilight years of UsefulNotes/TheSilentAgeOfAnimation, working for Creator/WaltDisney alongside Creator/UbIwerks and Creator/HarmanAndIsing on the WesternAnimation/OswaldTheLuckyRabbit comedy shorts. After Disney left, he stuck around with Hugh and Rudy at the Charles Mintz studio, even getting the chance to direct on one Mintz Oswald, "Fiery Fireman", before they were fired.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 304 (click to see context) from:
* Speedy Gonzales
to:
* [[WesternAnimation/SpeedyGonzales1955 Speedy GonzalesGonzales]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 9,10 (click to see context) from:
After the original Warner Bros. animation studio shut down, Friz teamed up with its last chief executive, David [=DePatie=], to form a new studio on the original lot named Creator/DePatieFrelengEnterprises. With this studio, they not only attempted to revive Warner Bros. cartoons but also created the smash hit WesternAnimation/PinkPanther theatrical and TV cartoons. He also assumed creative duties from Creator/ChuckJones on TV adaptations of Creator/DrSeuss books after Jones's studio closed down. Friz also directed animation for the bridging segments of ''WesternAnimation/TheBugsBunnyRoadRunnerShow'' and even made a few anthology movies like The Looney Looney Looney Bugs Bunny Movie and 1001 Rabbit Tales.
to:
After the original Warner Bros. animation studio shut down, Friz teamed up with its last chief executive, David [=DePatie=], to form a new studio on the original lot named Creator/DePatieFrelengEnterprises. With this studio, they not only attempted to revive Warner Bros. cartoons but also created the smash hit WesternAnimation/PinkPanther theatrical and TV cartoons. (Freleng's first Pink Panther short, ''WesternAnimation/ThePinkPhink'', won an Oscar.) He also assumed creative duties from Creator/ChuckJones on TV adaptations of Creator/DrSeuss books after Jones's studio closed down. Friz also directed animation for the bridging segments of ''WesternAnimation/TheBugsBunnyRoadRunnerShow'' and even made a few anthology movies like The Looney Looney Looney Bugs Bunny Movie and 1001 Rabbit Tales.
Is there an issue? Send a MessageReason:
None
Changed line(s) 199 (click to see context) from:
* Tweetie Pie
to:
* Tweetie Pie"WesternAnimation/TweetiePie"
Is there an issue? Send a MessageReason:
None
Deleted line(s) 410 (click to see context) :
* ProductionPosse: From the mid-40s until his departure from WB in 1962, Friz's unit consisted of animators Virgil Ross and Gerry Chiniquy, along with layout artist Hawley Pratt. Once Art Davis's unit folded in 1949, he joined Friz too, also sticking around until the early '60s. Other animators that were in Friz's unit for a while include Ken Champin and Manny Perez, both of whom started in the '40s and left in 1953 (though Perez would return when Friz opened Creator/DePatieFrelengEnterprises).
Is there an issue? Send a MessageReason:
None
Changed line(s) 20,21 (click to see context) from:
* Fiery Fireman: An OswaldTheLuckyRabbit short.
to:
* Fiery Fireman: An OswaldTheLuckyRabbit WesternAnimation/OswaldTheLuckyRabbit short.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
'''Isadore "Friz" Freleng''' (1905-1995) was a prominent animator and director of the WesternAnimation/LooneyTunes and [[WesternAnimation/LooneyTunes Merrie Melodies]] animated shorts during UsefulNotes/TheGoldenAgeOfAnimation and UsefulNotes/TheDarkAgeOfAnimation. Friz got his start during the twilight years of TheSilentAgeOfAnimation, working for WaltDisney alongside Creator/UbIwerks and Creator/HarmanAndIsing on the WesternAnimation/OswaldTheLuckyRabbit comedy shorts. After Disney left, he stuck around with Hugh and Rudy at the Charles Mintz studio, even getting the chance to direct on one Mintz Oswald, "Fiery Fireman", before they were fired.
to:
'''Isadore "Friz" Freleng''' (1905-1995) was a prominent animator and director of the WesternAnimation/LooneyTunes and [[WesternAnimation/LooneyTunes Merrie Melodies]] animated shorts during UsefulNotes/TheGoldenAgeOfAnimation and UsefulNotes/TheDarkAgeOfAnimation. Friz got his start during the twilight years of TheSilentAgeOfAnimation, UsefulNotes/TheSilentAgeOfAnimation, working for WaltDisney Creator/WaltDisney alongside Creator/UbIwerks and Creator/HarmanAndIsing on the WesternAnimation/OswaldTheLuckyRabbit comedy shorts. After Disney left, he stuck around with Hugh and Rudy at the Charles Mintz studio, even getting the chance to direct on one Mintz Oswald, "Fiery Fireman", before they were fired.
Is there an issue? Send a MessageReason:
Copy pasta fail. Edit reason is as follows: By decision of the Trope Repair Shop, Magnum Opus is now In Universe Examples Only.
Is there an issue? Send a MessageReason:
- Magnum Opus: As expected for a musician with such a long career, Zappa has several contenders. Commonly cited choices include \'\'Freak Out\'\', \'\'Absolutely Free\'\', \'\'Were Only In It For The Money\'\', \'\'Hot Rats\'\', \'\'Lather\'\', and \'\'Civilization Phaze III\'\'. The last two, given their length and the fact that Zappa was dying when he composed the latter, seem to have been consciously crafted as such.
Changed line(s) 7,8 (click to see context) from:
Friz is often (and unfairly) taken for granted because his sense of humor and visual style were more reserved than those of the other directors. Nevertheless, Friz is legendary among animation fans for his strong emphasis on literal, mechanical musical timing - while all of the staff at the studio were capable of this, nobody used it in quite the way Friz did. Having directed more cartoons than any other director at the studio, Freleng directed many, many worthy classics, such as the groundbreaking RogerRabbitEffect short ''Film/YouOughtToBeInPictures'', ''WesternAnimation/TheWabbitWhoCameToSupper'', "Rhapsody In Rivets", ''WesternAnimation/ThreeLittleBops'', among others. He also the majority of the Sylvester and Tweety cartoons, including the acclaimed ''WesternAnimation/BirdsAnonymous'', which is considered his [[MagnumOpus best cartoon]].
to:
Friz is often (and unfairly) taken for granted because his sense of humor and visual style were more reserved than those of the other directors. Nevertheless, Friz is legendary among animation fans for his strong emphasis on literal, mechanical musical timing - while all of the staff at the studio were capable of this, nobody used it in quite the way Friz did. Having directed more cartoons than any other director at the studio, Freleng directed many, many worthy classics, such as the groundbreaking RogerRabbitEffect short ''Film/YouOughtToBeInPictures'', ''WesternAnimation/TheWabbitWhoCameToSupper'', "Rhapsody In Rivets", ''WesternAnimation/ThreeLittleBops'', among others. He also the majority of the Sylvester and Tweety cartoons, including the acclaimed ''WesternAnimation/BirdsAnonymous'', which is considered his [[MagnumOpus best cartoon]].
cartoon.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
'''Isadore "Friz" Freleng''' (1905-1995) was a prominent animator and director of the WesternAnimation/LooneyTunes and [[WesternAnimation/LooneyTunes Merrie Melodies]] animated shorts during TheGoldenAgeOfAnimation and TheDarkAgeOfAnimation. Friz got his start during the twilight years of TheSilentAgeOfAnimation, working for WaltDisney alongside Creator/UbIwerks and Creator/HarmanAndIsing on the WesternAnimation/OswaldTheLuckyRabbit comedy shorts. After Disney left, he stuck around with Hugh and Rudy at the Charles Mintz studio, even getting the chance to direct on one Mintz Oswald, "Fiery Fireman", before they were fired.
to:
'''Isadore "Friz" Freleng''' (1905-1995) was a prominent animator and director of the WesternAnimation/LooneyTunes and [[WesternAnimation/LooneyTunes Merrie Melodies]] animated shorts during TheGoldenAgeOfAnimation UsefulNotes/TheGoldenAgeOfAnimation and TheDarkAgeOfAnimation.UsefulNotes/TheDarkAgeOfAnimation. Friz got his start during the twilight years of TheSilentAgeOfAnimation, working for WaltDisney alongside Creator/UbIwerks and Creator/HarmanAndIsing on the WesternAnimation/OswaldTheLuckyRabbit comedy shorts. After Disney left, he stuck around with Hugh and Rudy at the Charles Mintz studio, even getting the chance to direct on one Mintz Oswald, "Fiery Fireman", before they were fired.