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** 8 "The Enduring Chill" is similar, but Asbury is a fairly obvious poser even within his own social circle and his mother's reactionary attitudes are much less severe. Both are actually a lot more sympathetic than their counterparts in "Everything That Rises Must Converge".

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** 8 "The Enduring Chill" is similar, but Asbury is a fairly obvious poser even within his own social circle and his mother's reactionary attitudes are much less severe. Both are actually a lot more sympathetic than their counterparts in "Everything That Rises Must Converge".
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What? How? Wow... Just wow.


* ReiAyanamiExpy: Mrs. Freeman in "Good Country People"

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* AtrociousAlias: Hulga (née Joy) in "Good Country People" ''intentionally'' chooses the ugliest name she can think of as an act of rebellion against her positive thinking mother.



* FailOSuckyName: Hulga (née Joy) in "Good Country People" ''intentionally'' chooses the ugliest name she can think of as an act of rebellion against her positive thinking mother.
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* RapeIsASpecialKindOfEvil: As [[spoiler: Tarwater]] in ''The Violent Bear It Away'' will testify.
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* DirtyOldMan: George Poker Sash in "A Late Encounter with the Enemy" is one of these, being overfond of the 'beautiful guls' who'd fawned over him at the movie premiere he'd attended years earlier.

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* ShootTheShaggyDog: "A Good Man Is Hard To Find" is essentially this.
* SouthernGothic

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* ShootTheShaggyDog: Averted in "A Good Man Is Hard To Find" Find". [[spoiler: The family introduced at the beginning of the story is essentially this.
* SouthernGothic
all dead by the end of it, but it's implied that the grandmother at least went to her death in a state of grace, so from the religious point of view, the pointlessness implied by this trope is entirely averted.]]
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* HollywoodAtheist: There are a few of these in her work, to the point where you know that any character who's got more than a high school education is almost certain to get a serious dose of BreakTheHaughty by the end.
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* LaserGuidedKarma: Mrs May in "Greenleaf" is annoyed by her neighbour's bull and when it escapes onto her property, she orders its owner to kill it. [[spoiler: He doesn't kill it, and instead it gores Mrs May to death, much to her surprise.]]

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* LaserGuidedKarma: Mrs May in "Greenleaf" is annoyed by her neighbour's bull and when it escapes onto her property, she orders its owner to kill it. [[spoiler: He doesn't kill it, and instead much to Mrs May's surprise, it gores Mrs May to death, much to her surprise.to death.]]
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* LaserGuidedKarma: Mrs May in "Greenleaf" is annoyed by her neighbour's bull and when it escapes onto her property, she orders its owner to kill it. [[spoiler: He doesn't, and instead it gores her to death.]]

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* LaserGuidedKarma: Mrs May in "Greenleaf" is annoyed by her neighbour's bull and when it escapes onto her property, she orders its owner to kill it. [[spoiler: He doesn't, doesn't kill it, and instead it gores Mrs May to death, much to her to death.surprise.]]
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* WhatTheHellHero: In "The Lame Shall Enter First", the widowed main character, a cold, unsympathetic, rationalist {{Hypocrite}}, brings a charismatic, teenaged, club-footed tearaway [[TheSoulSaver Soul Saver]] into his own home, and treats the kid with more respect than he treats his own numb-with-grief son. Big mistake, pal. [[spoiler: The kid with the club foot persuades the protagonist's son that he'll be happier if he [[DrivenToSuicide joins his mommy in heaven]].]]

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* WhatTheHellHero: In "The Lame Shall Enter First", the widowed main character, a cold, unsympathetic, rationalist {{Hypocrite}}, brings a charismatic, teenaged, club-footed tearaway [[TheSoulSaver Soul Saver]] into his own home, and treats the kid with more respect than he treats his own numb-with-grief son. Big mistake, pal. [[spoiler: The kid with the club foot persuades the protagonist's son that he'll be happier if he to [[DrivenToSuicide joins his join mommy in heaven]].]]

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----* WhatTheHellHero: In "The Lame Shall Enter First", the widowed main character, a cold, unsympathetic, rationalist {{Hypocrite}}, brings a charismatic, teenaged, club-footed tearaway [[TheSoulSaver Soul Saver]] into his own home, and treats the kid with more respect than he treats his own numb-with-grief son. Big mistake, pal. [[spoiler: The kid with the club foot persuades the protagonist's son that he'll be happier if he [[DrivenToSuicide joins his mommy in heaven]].]]
---
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This is a character trope and shouldn\'t be applied to a creator, but even so, O\'Connor was an avid letter writer and had plenty of friends. She even almost got engaged once. She was solitary by nature, but not miserable-because-friendless.


* FriendlessBackground: [[RealLifeWritesThePlot Flannery herself.]]
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* RedemptionEqualsDeath: In "A Good Man is Hard to Find," the grandmother in a genuine moment of kindness calls the Misfit one of her own children and touches him on the shoulder. [[spoiler: He immediately shoots her in the chest three times. Seeing as she may have died in a state of grace, however, this may also be an example of DeathEqualsRedemption.]]
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* ManChild: Julian in "Everything That Rises Must Convierge" and Asbury in "The Enduring Chill." Despite their education, they seem petulant and childishly dependent on the mothers they resent.
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* SpoiltBrat: John Wesley and June Starr in "A Good Man is Hard to Find." (Just try to think of two more rude or hateful children in literature.)

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* SpoiltBrat: SpoiledBrat: John Wesley and June Starr in "A Good Man is Hard to Find." (Just try to think of two more rude or hateful children in literature.)
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* SpoiltBrat: John Wesley and June Starr in "A Good Man is Hard to Find." (Just try to think of two more rude or hateful children in literature.)
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* RightHandCat: Pitty Sing, the grandmother's cat, becomes this to the Misfit at the end of "A Good Man is Hard to Find."
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* MyBelovedSmother: Asbury's mother in "The Enduring Chill": [[spoiler: so much so that he is disappointed when he learns that he is not mortally ill but will live the rest of his life as a semi-invalid.]]
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* DarkAndTroubledPast: The Misfit in "A Good Man is Hard to Find."
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* ProperLady: Subverted in several stories. A number of middle class matrons such as Mrs. Turpin in "Revelation" and the grandmother in "A Good Man is Hard to Find" sees themselves as this, but they are clearly smug and hypocritical.
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* TalkingYourWayOut: How the grandmother tries to save herself in "A Good Man is Hard to Find."
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**Also subverted in [[spoiler: "A View of the Woods."]]
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* FailOSuckyName: Hulga (née Joy) in "Good Country People" ''intentionally'' chooses the ugliest name she can think of as an act of rebellion against her positive thinking mother.
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remove ZC Es


* BlackComedy
* ComicallyMissingThePoint



* CrapsackWorld



* ImpoverishedPatrician



* JesusSaves
* KarmaHoudini



* RapePortrayedAsRedemption
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Flannery O'Connor lived in rural Georgia in the middle of the 20th century and wrote two collections of extraordinarily grotesque...er..."realistic" short stories and two novels in the course of her very short life (she died in 1964 at the age of 39). From the mindset of her deep Catholic faith; her intimate and perceptive knowledge of the culture, mores, and personalities of the Deep South; and shaded by her long battle with lupus (which eventually killed her), she wove tales replete with deeply dysfunctional, highly flawed, and bizarre characters, many adhering to an unconventional or twisted form of fundamentalist Christianity. And many who died gruesome deaths.

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Flannery O'Connor lived in rural Georgia in the middle of the 20th century and wrote two collections of extraordinarily grotesque...er..."realistic" realistic short stories and two novels in the course of her very short life (she died in 1964 at the age of 39). From the mindset of her deep Catholic faith; her intimate and perceptive knowledge of the culture, mores, and personalities of the Deep South; and shaded by her long battle with lupus (which eventually killed her), she wove tales replete with deeply dysfunctional, highly flawed, and bizarre characters, many adhering to an unconventional or twisted form of fundamentalist Christianity. And many who died gruesome [[RunningGag realistic]] deaths.
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* ExecutiveMeddling: One of the only adaptations of her work O'Connor got to view first-hand in her lifetime was a dramatized version of the short story "The Life You Save May Be Your Own" on CBS's ''Schlitz Playhouse''. Between the [[StuntCasting horrible miscasting]] of GeneKelly (!) as the lead, and the [[RevisedEnding revision of the ending]] to make it more palatable, it was a sure bet O'Connor would be mortified. "The best thing I can say is that it conceivably could have been worse," she wrote to a friend. "Just conceivably."

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* ExecutiveMeddling: One of the only adaptations of her work O'Connor got to view first-hand in her lifetime was a dramatized version of the short story "The Life You Save May Be Your Own" on CBS's ''Schlitz Playhouse''. Between the [[StuntCasting horrible miscasting]] of GeneKelly (!) Creator/GeneKelly(!) as the lead, and the [[RevisedEnding revision of the ending]] to make it more palatable, it was a sure bet O'Connor would be mortified. "The best thing I can say is that it conceivably could have been worse," she wrote to a friend. "Just conceivably."
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http://static.tvtropes.org/pmwiki/pub/images/oconnor_4938.jpg

->"Anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic."
-->-- '''Flannery O'Connor'''

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http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/oconnor_4938.jpg

->"Anything
jpg]]

->''"Anything
that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic."
-->-- '''Flannery
"''
-->--'''Flannery
O'Connor'''
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* DumbIsGood: "Everything That Rises Must Converge" deals with a conflict between an "enlightened" young man and his more down-to-earth mother. The young man turns out to be an infantile hypocrite who justifies his pettiness with his "education." Some ValuesDissonance may come into play, too, since the sympathetic mother happens to be pretty blatantly racist.
** YMMV: The mother's racism is not downplayed.

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* DumbIsGood: "Everything That Rises Must Converge" deals with a conflict between an "enlightened" young man and his more down-to-earth mother. The young man turns out to be an infantile hypocrite who justifies his pettiness with his "education." Some ValuesDissonance may come into play, too, since the relatively sympathetic mother happens to be pretty blatantly racist.
** YMMV: The mother's racism is not downplayed. downplayed or excused, and readers can understand why her son finds her difficult to deal with.

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* DumbIsGood: "Everything That Rises Must Converge" deals with a conflict between an "enlightened" young man and his more down-to-earth mother. Naturally, the young man turns out to be an infantile hypocrite who justifies his pettiness with his "education." Some ValuesDissonance comes into play, too, since the sympathetic mother happens to be pretty blatantly racist.
** "The Enduring Chill" is similar, but Asbury is a fairly obvious poser even within his own social circle and his mother's reactionary attitudes are much less severe. Both are actually a lot more sympathetic than their counterparts in "Everything That Rises Must Converge".

to:

* DumbIsGood: "Everything That Rises Must Converge" deals with a conflict between an "enlightened" young man and his more down-to-earth mother. Naturally, the The young man turns out to be an infantile hypocrite who justifies his pettiness with his "education." Some ValuesDissonance comes may come into play, too, since the sympathetic mother happens to be pretty blatantly racist.
** YMMV: The mother's racism is not downplayed.
**8
"The Enduring Chill" is similar, but Asbury is a fairly obvious poser even within his own social circle and his mother's reactionary attitudes are much less severe. Both are actually a lot more sympathetic than their counterparts in "Everything That Rises Must Converge".
Is there an issue? Send a MessageReason:
None

Added DiffLines:

http://static.tvtropes.org/pmwiki/pub/images/oconnor_4938.jpg

->"Anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic."
-->-- '''Flannery O'Connor'''

Flannery O'Connor lived in rural Georgia in the middle of the 20th century and wrote two collections of extraordinarily grotesque...er..."realistic" short stories and two novels in the course of her very short life (she died in 1964 at the age of 39). From the mindset of her deep Catholic faith; her intimate and perceptive knowledge of the culture, mores, and personalities of the Deep South; and shaded by her long battle with lupus (which eventually killed her), she wove tales replete with deeply dysfunctional, highly flawed, and bizarre characters, many adhering to an unconventional or twisted form of fundamentalist Christianity. And many who died gruesome deaths.

Though she was quite the orthodox and theologically sound Catholic believer, and a "fish out of water" in the mostly Protestant (and what she called "Christ-haunted") South, her cultish preachers, itinerant evangelists, and lay people were, in her mind, closer to the unadulterated core of the Christian faith than most "institutional" believers. This has often proved befuddling to more secular readers who tend to see these people as mere buffoons in contrast to the more level-headed liberal and irreligious characters, only to learn that, in O'Connor’s mind, the "freaks" were the "heroes."

Though her stories were full of symbolism and metaphor, O'Connor had little patience for those who tried to over-analyze what she saw as the clear message of her work. She was once asked, about her short story "A Good Man is Hard to Find," [[WildMassGuessing "what is the meaning of the Misfit's hat?"]] [[WhatDoYouMeanItsNotSymbolic The question both confused and amused her.]] [[ShrugOfGod "To put on his head,"]] she replied.

Despite her relatively small body of work, O'Connor is regarded as one of the most influential and talented American writers of the mid-20th Century.

Her novel ''Literature/WiseBlood'' has its own page.


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!!Associated Tropes:
* BlackComedy
* ComicallyMissingThePoint
* CosmicHorrorStory: The ethos behind her work, that Faith can be horrifying and even damaging to Human sanity and yet is vital to the survival of the Human Spirit actually manages to turn Christianity itself into something that's almost Lovecraftian.
** Although there are some that say that is ''exactly'' what Christianity (and by extension, Judaism) are ''supposed'' to be; consider the [[EldritchAbomination descriptions of God and the angels]] in Literature/TheBible to get an idea.
* CrapsackWorld
* DeadpanSnarker: Flannery O'Connor herself, as well as many of her characters.
* DeathEqualsRedemption: From the woman herself: "Lots of people die in my stories, but nobody gets hurt."
* DeepSouth: Only one of O'Connor's stories takes place outside the South, and the main characters of that one are transplanted Southerners anyway.
* DumbIsGood: "Everything That Rises Must Converge" deals with a conflict between an "enlightened" young man and his more down-to-earth mother. Naturally, the young man turns out to be an infantile hypocrite who justifies his pettiness with his "education." Some ValuesDissonance comes into play, too, since the sympathetic mother happens to be pretty blatantly racist.
** "The Enduring Chill" is similar, but Asbury is a fairly obvious poser even within his own social circle and his mother's reactionary attitudes are much less severe. Both are actually a lot more sympathetic than their counterparts in "Everything That Rises Must Converge".
* EnfantTerrible: There are so many dreadful little monsters in her short stories [[spoiler: Steal from you? check. Burn down your farm? check. Talk your son into hanging himself? brrr. check.]]
* ExecutiveMeddling: One of the only adaptations of her work O'Connor got to view first-hand in her lifetime was a dramatized version of the short story "The Life You Save May Be Your Own" on CBS's ''Schlitz Playhouse''. Between the [[StuntCasting horrible miscasting]] of GeneKelly (!) as the lead, and the [[RevisedEnding revision of the ending]] to make it more palatable, it was a sure bet O'Connor would be mortified. "The best thing I can say is that it conceivably could have been worse," she wrote to a friend. "Just conceivably."
* FriendlessBackground: [[RealLifeWritesThePlot Flannery herself.]]
* ImpoverishedPatrician
* IncurableCoughOfDeath: Subverted in "The Enduring Chill". [[spoiler: Joke's on you, Asbury.]]
* InfantImmortality: Though "offscreen," this is subverted in [[spoiler: "A Good Man Is Hard To Find." Three times.]]
* JesusSaves
* KarmaHoudini
* KillEmAll: "A Good Man Is Hard To Find," natch.
* LaserGuidedKarma: Mrs May in "Greenleaf" is annoyed by her neighbour's bull and when it escapes onto her property, she orders its owner to kill it. [[spoiler: He doesn't, and instead it gores her to death.]]
* MeaningfulName: A good many of her characters have symbolic names; some subtle, many blatantly so.
* NWordPrivileges: Prolific use of the n-word in dialogue, but as a realistic depiction of the vernacular of the era and region. Even makes the title of one of her short stories ("The Artificial Nigger").
* RapePortrayedAsRedemption
* ReiAyanamiExpy: Mrs. Freeman in "Good Country People"
* ShootTheShaggyDog: "A Good Man Is Hard To Find" is essentially this.
* SouthernGothic
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