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Morris's comedy seems to have taken a calmer route afterwards, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity, it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and -- perhaps more damningly -- for not being particularly funny, though in later years it has been {{vindicated|ByHistory}} for predicting the rise of social media.

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Morris's Morris' comedy seems to have taken a calmer route afterwards, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity, it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and -- perhaps more damningly -- for not being particularly funny, though in later years it has been {{vindicated|ByHistory}} for predicting the rise of social media.




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Morris's career began as a radio presenter on Greater London Radio, but he was soon at work on satirical news show ''On The Hour'', which he co-wrote with occasional collaborator Creator/ArmandoIannucci and a number of other writers. He also starred in it as stern anchorman "Christopher Morris" and various other characters. This was then adapted for television as ''Series/TheDayToday'', with Morris reprising his roles. That was followed by semi-spin-off ''Series/BrassEye'' and the dark "ambient comedy" for radio, ''Blue Jam'' (later adapted for television as ''Series/{{Jam}}'').

His penchant for pitch black humour and fearless parody of public figures made him something of a televisual ''enfant terrible'' for a time, particularly after the 2001 ''Series/BrassEye'' paedophile special was attacked for supposedly making fun of paedophilia and child abuse (it was ''actually'' satirising the media's then-preoccupation with sensationalised paedophile stories, and the subsequent bouts of civil unrest that they caused). In one notable case ''The Daily Star'' published an article attacking the "paeodphile comedy" opposite [[https://static.tvtropes.org/pmwiki/pub/images/star-1.jpg a photograph of then-15-year-old singer Charlotte Church]] [[{{Hypocrite}} in which it commended the size of her breasts]].

It didn't exactly help him that once, in a fit of pique at Creator/Channel4 bureaucracy, he inserted a subliminal message in a ''Series/BrassEye'' episode attacking Channel 4 bigwig Michael Grade (the words ''Grade Is A Cunt'' were displayed onscreen for [[https://static.tvtropes.org/pmwiki/pub/images/Grade.gif a single frame]]).

However, his comedy of late seems to have taken a calmer route, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny, though in recent years it has been vindicated for predicting the rise of social media.

As of 2010 he is back to his old tricks: his first feature film, ''Film/FourLions'', is a comedy about Islamic suicide bombers.

to:

Morris's career began as a radio presenter on Greater London Radio, but he was soon at work on the satirical news show ''On The Hour'', which he co-wrote with occasional collaborator Creator/ArmandoIannucci and a number of other writers. He also starred in it as stern anchorman "Christopher Morris" and various other characters. This was then adapted for television as ''Series/TheDayToday'', with Morris reprising his roles. That was followed by semi-spin-off ''Series/BrassEye'' ''Brass Eye'', a semi-[[SpinOff spin-off]], and the dark "ambient comedy" for radio, radio programme ''Blue Jam'' (later adapted for television as ''Series/{{Jam}}'').

His penchant for pitch black humour [[BlackComedy pitch-black humour]] and fearless parody {{parody}} of public figures made him something of a televisual ''enfant terrible'' for a time, particularly after the 2001 ''Series/BrassEye'' ''Brass Eye'' paedophile special was attacked for supposedly making fun of paedophilia and child abuse (it was ''actually'' satirising the media's then-preoccupation with sensationalised paedophile stories, and the subsequent bouts of civil unrest that they caused). In one notable case case, ''The Daily Star'' published an article attacking the "paeodphile comedy" opposite [[https://static.tvtropes.org/pmwiki/pub/images/star-1.jpg a photograph of then-15-year-old singer Charlotte Church]] [[{{Hypocrite}} in which it commended the size of her breasts]].

It didn't exactly help him that once, in a fit of pique at Creator/Channel4 bureaucracy, he inserted a subliminal message in a ''Series/BrassEye'' episode attacking Channel 4 bigwig Michael Grade (the words ''Grade "Grade Is A Cunt'' Cunt" were displayed onscreen for [[https://static.tvtropes.org/pmwiki/pub/images/Grade.gif a single frame]]).

However, his Morris's comedy of late seems to have taken a calmer route, route afterwards, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity publicity, it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - -- perhaps more damningly - -- for not being particularly funny, though in recent later years it has been vindicated {{vindicated|ByHistory}} for predicting the rise of social media.

As of 2010 he is back to his old tricks: his first He has also directed two feature film, films: ''Film/FourLions'', is a comedy about Islamic suicide bombers.
bombers, and ''Film/TheDayShallCome'', a satire about a number of real-life FBI sting operations.



Selected filmography:

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Selected !!Selected filmography:
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[[caption-width-right:320:Chris Morris being his typically modest self.]]

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[[caption-width-right:320:Chris Morris being his on typically modest self.form.]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/chrismorris.png]]
[[caption-width-right:350:Chris Morris being his typically modest self.]]

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[[caption-width-right:350:Chris [[caption-width-right:320:Chris Morris being his typically modest self.]]
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[[quoteright:292:https://static.tvtropes.org/pmwiki/pub/images/morris_9.jpg]]

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[[caption-width-right:350:Chris Morris being his typically modest self.]]
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Christopher J Morris (born 15 June 1962) is an acclaimed English actor, writer, producer, composer and director whose best-known work is probably the satirical current affairs programme ''Series/BrassEye'', in which he fooled a Member of Parliament into asking the House of Commons to ban a fictional drug and tricked pudgy rocker Music/PhilCollins into representing a fake anti-paedophile campaign called "Nonce Sense".

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Christopher J Morris (born 15 June 1962) 1962 in Colchester, England) is an acclaimed English actor, writer, producer, composer and director whose best-known work is probably the satirical current affairs programme ''Series/BrassEye'', in which he fooled a Member of Parliament into asking the House of Commons to ban a fictional drug and tricked pudgy rocker Music/PhilCollins into representing a fake anti-paedophile campaign called "Nonce Sense".
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* ''Film/TheDayWillCome'' (co-writer/director, 2019)

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* ''Film/TheDayWillCome'' ''Film/TheDayShallCome'' (co-writer/director, 2019)
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* ''Film/TheDayWillCome'' (co-writer/director, 2019)
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Added DiffLines:

[[quoteright:292:https://static.tvtropes.org/pmwiki/pub/images/morris_9.jpg]]
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Christopher J Morris (born 15 June 1962) is an acclaimed English actor, writer, producer, composer and director whose best-known work is probably the satirical current affairs programme ''Series/BrassEye'', in which he fooled a Member of Parliament into asking the House of Commons to ban a fictional drug and tricked pudgy rocker Phil Collins into representing a fake anti-paedophile campaign called "Nonce Sense".

to:

Christopher J Morris (born 15 June 1962) is an acclaimed English actor, writer, producer, composer and director whose best-known work is probably the satirical current affairs programme ''Series/BrassEye'', in which he fooled a Member of Parliament into asking the House of Commons to ban a fictional drug and tricked pudgy rocker Phil Collins Music/PhilCollins into representing a fake anti-paedophile campaign called "Nonce Sense".
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Acclaimed actor, writer, producer, composer and director whose best-known work is probably the satirical current affairs programme ''Series/BrassEye'', in which he fooled a Member of Parliament into asking the House of Commons to ban a fictional drug and tricked pudgy rocker Phil Collins into representing a fake anti-paedophile campaign called "Nonce Sense".

to:

Acclaimed Christopher J Morris (born 15 June 1962) is an acclaimed English actor, writer, producer, composer and director whose best-known work is probably the satirical current affairs programme ''Series/BrassEye'', in which he fooled a Member of Parliament into asking the House of Commons to ban a fictional drug and tricked pudgy rocker Phil Collins into representing a fake anti-paedophile campaign called "Nonce Sense".
Is there an issue? Send a MessageReason:
None


His penchant for pitch black humour and fearless parody of public figures made him something of a televisual ''enfant terrible'' for a time, particularly after the 2001 ''Series/BrassEye'' paedophile special was attacked for supposedly making fun of paedophilia and childd abuse (it was ''actually'' satirising the media's then-preoccupation with sensationalised paedophile stories, and the subsequent bouts of civil unrest that they caused). In one notable case ''The Daily Star'' published an article attacking the "paeodphile comedy" opposite [[http://static.tvtropes.org/pmwiki/pub/images/star-1.jpg a photograph of then-15-year-old singer Charlotte Church]] [[{{Hypocrite}} in which it commended the size of her breasts]].

to:

His penchant for pitch black humour and fearless parody of public figures made him something of a televisual ''enfant terrible'' for a time, particularly after the 2001 ''Series/BrassEye'' paedophile special was attacked for supposedly making fun of paedophilia and childd child abuse (it was ''actually'' satirising the media's then-preoccupation with sensationalised paedophile stories, and the subsequent bouts of civil unrest that they caused). In one notable case ''The Daily Star'' published an article attacking the "paeodphile comedy" opposite [[http://static.tvtropes.org/pmwiki/pub/images/star-1.jpg a photograph of then-15-year-old singer Charlotte Church]] [[{{Hypocrite}} in which it commended the size of her breasts]].
Is there an issue? Send a MessageReason:
None


However, his comedy of late seems to have taken a calmer route, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny, though in recent years it has been vindicated the predicting the rise of social media.

to:

However, his comedy of late seems to have taken a calmer route, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny, though in recent years it has been vindicated the for predicting the rise of social media.
Is there an issue? Send a MessageReason:
None


However, his comedy of late seems to have taken a calmer route, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny.

to:

However, his comedy of late seems to have taken a calmer route, with 2005's ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny.
funny, though in recent years it has been vindicated the predicting the rise of social media.
Is there an issue? Send a MessageReason:
None


It didn't exactly help him that once, in a fit of pique at ChannelFour bureaucracy, he inserted a subliminal message in a ''Series/BrassEye'' episode attacking ChannelFour bigwig Michael Grade (the words ''Grade Is A Cunt'' were displayed onscreen for [[http://static.tvtropes.org/pmwiki/pub/images/Grade.gif a single frame]]).

to:

It didn't exactly help him that once, in a fit of pique at ChannelFour Creator/Channel4 bureaucracy, he inserted a subliminal message in a ''Series/BrassEye'' episode attacking ChannelFour Channel 4 bigwig Michael Grade (the words ''Grade Is A Cunt'' were displayed onscreen for [[http://static.tvtropes.org/pmwiki/pub/images/Grade.gif a single frame]]).
Is there an issue? Send a MessageReason:
None


His penchant for pitch black humour and fearless parody of public figures made him something of a televisual ''enfant terrible'' for a time, particularly after the 2001 ''Series/BrassEye'' paedophile special was attacked for supposedly making fun of paedophilia and chlid abuse (it was ''actually'' satirising the media's then-preoccupation with sensationalised paedophile stories, and the subsequent bouts of civil unrest that they caused). In one notable case ''The Daily Star'' published an article attacking the "paeodphile comedy" opposite [[http://static.tvtropes.org/pmwiki/pub/images/star-1.jpg a photograph of then-15-year-old singer Charlotte Church]] [[{{Hypocrite}} in which it commended the size of her breasts]].

to:

His penchant for pitch black humour and fearless parody of public figures made him something of a televisual ''enfant terrible'' for a time, particularly after the 2001 ''Series/BrassEye'' paedophile special was attacked for supposedly making fun of paedophilia and chlid childd abuse (it was ''actually'' satirising the media's then-preoccupation with sensationalised paedophile stories, and the subsequent bouts of civil unrest that they caused). In one notable case ''The Daily Star'' published an article attacking the "paeodphile comedy" opposite [[http://static.tvtropes.org/pmwiki/pub/images/star-1.jpg a photograph of then-15-year-old singer Charlotte Church]] [[{{Hypocrite}} in which it commended the size of her breasts]].
Is there an issue? Send a MessageReason:
None


However, his comedy of late seems to have taken a calmer route, with 2005's ''NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny.

to:

However, his comedy of late seems to have taken a calmer route, with 2005's ''NathanBarley'' ''Series/NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny.



* ''NathanBarley'' (producer/writer, 2005)

to:

* ''NathanBarley'' ''Series/NathanBarley'' (producer/writer, 2005)
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Added DiffLines:

Acclaimed actor, writer, producer, composer and director whose best-known work is probably the satirical current affairs programme ''Series/BrassEye'', in which he fooled a Member of Parliament into asking the House of Commons to ban a fictional drug and tricked pudgy rocker Phil Collins into representing a fake anti-paedophile campaign called "Nonce Sense".

Morris's career began as a radio presenter on Greater London Radio, but he was soon at work on satirical news show ''On The Hour'', which he co-wrote with occasional collaborator Creator/ArmandoIannucci and a number of other writers. He also starred in it as stern anchorman "Christopher Morris" and various other characters. This was then adapted for television as ''Series/TheDayToday'', with Morris reprising his roles. That was followed by semi-spin-off ''Series/BrassEye'' and the dark "ambient comedy" for radio, ''Blue Jam'' (later adapted for television as ''Series/{{Jam}}'').

His penchant for pitch black humour and fearless parody of public figures made him something of a televisual ''enfant terrible'' for a time, particularly after the 2001 ''Series/BrassEye'' paedophile special was attacked for supposedly making fun of paedophilia and chlid abuse (it was ''actually'' satirising the media's then-preoccupation with sensationalised paedophile stories, and the subsequent bouts of civil unrest that they caused). In one notable case ''The Daily Star'' published an article attacking the "paeodphile comedy" opposite [[http://static.tvtropes.org/pmwiki/pub/images/star-1.jpg a photograph of then-15-year-old singer Charlotte Church]] [[{{Hypocrite}} in which it commended the size of her breasts]].

It didn't exactly help him that once, in a fit of pique at ChannelFour bureaucracy, he inserted a subliminal message in a ''Series/BrassEye'' episode attacking ChannelFour bigwig Michael Grade (the words ''Grade Is A Cunt'' were displayed onscreen for [[http://static.tvtropes.org/pmwiki/pub/images/Grade.gif a single frame]]).

However, his comedy of late seems to have taken a calmer route, with 2005's ''NathanBarley'' being a relatively conventional sitcom satirising shallow media halfwits in London's Hoxton area. However, despite extensive publicity it was a ratings disaster and alienated some members of Morris's fandom, who derided it for attacking easy, harmless targets and - perhaps more damningly - for not being particularly funny.

As of 2010 he is back to his old tricks: his first feature film, ''Film/FourLions'', is a comedy about Islamic suicide bombers.

He also once recorded a spot-on parody of Music/ThePixies called [[http://www.youtube.com/watch?v=EQqzF7NdoXI "Motherbanger"]], which was handed out with free copies of the ''NME'' in 1992.

Selected filmography:

* ''Series/TheDayToday'' (producer/writer/actor, 1994)
* ''Series/BrassEye'' (producer/writer/actor, 1997-2001)
* ''Series/{{Jam}}'' (producer/writer/actor, 2000)
* ''NathanBarley'' (producer/writer, 2005)
* ''Series/TheITCrowd'' (actor, 2006-2007)
* ''Film/FourLions'' (writer/director, 2010)

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