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Changed line(s) 37 (click to see context) from:
* DeadpanSnarker: Several of his lines show his dry sense of humor, particularly his ([[BlatantLies intentionally, blatantly false]]) angry rant at Amanda about his [[TripleShifter double life]] as [[DamnItFeelsGoodToBeAGangster criminal kingpin 'Killer' Wingfield]].
to:
* DeadpanSnarker: Several of his lines show his dry sense of humor, particularly his ([[BlatantLies intentionally, blatantly false]]) angry rant at Amanda about his [[TripleShifter double life]] as [[DamnItFeelsGoodToBeAGangster criminal kingpin 'Killer' Wingfield]]. A less emotionally charged and more typical example:
-->'''Amanda''': Rise and shine!
-->'''Tom''': I'll rise, but I won't shine.
-->'''Amanda''': Rise and shine!
-->'''Tom''': I'll rise, but I won't shine.
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Changed line(s) 24 (click to see context) from:
* TurnOutLikeHisFather: Pleads Tom not to make a rash decision and join the Merchant Navy, admitting that she and Laura would be lost without him. She's right of course, but Tom will realise that far too late.
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* TurnOutLikeHisFather: Pleads Tom not to make a rash decision and join the Merchant Navy, admitting that she and Laura would be lost without him. She's right of course, but Tom will realise that far too late. And her own behavior contributed to driving Tom away. Had she been less overbearing, Tom might have stayed with her and Laura, especially Laura.
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Changed line(s) 56 (click to see context) from:
* MoralityChain: Tom's love for Laura is the ''only'' thing keeping him from up and leaving St. Louis and his family behind for most of the play. [[spoiler: And in the end, even that isn't enough]].
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* MoralityChain: Tom's love for Laura is the ''only'' thing keeping him from up and leaving St. Louis and his family behind for most of the play. [[spoiler: And in the end, even that isn't enough]].enough when Amanda accuses him of knowingly inviting an engaged man home to meet Laura, causing him to reach his breaking point and leave]].
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Changed line(s) 34 (click to see context) from:
* AuthorAvatar: The play is semi-autobiographical and Tom represents Tennessee Williams himself: the playwright's given first name ''was'' "Thomas", he also held a job he loathed in a shoe factory, and he also had to deal with an [[AddedAlliterativeAppeal abusive, alcoholic absentee]] father.
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* AuthorAvatar: The play is semi-autobiographical and Tom represents Tennessee Williams himself: the playwright's given first name ''was'' "Thomas", he also held a job he loathed in a shoe factory, and he also had to deal with an [[AddedAlliterativeAppeal abusive, alcoholic absentee]] father.father and a mentally ill sister he regretted not being able to help.
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misuse
Deleted line(s) 43 (click to see context) :
* OutDamnedSpot: [[spoiler:His whole motivation for telling the story is his guilt over abandoning his family.]]
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Changed line(s) 34 (click to see context) from:
* AuthorAvatar: The play is semi-autobiographical and Tom represents Tennessee Williams himself: the playwright's given first name ''was'' "Thomas" and he also held a job he loathed in a shoe factory.
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* AuthorAvatar: The play is semi-autobiographical and Tom represents Tennessee Williams himself: the playwright's given first name ''was'' "Thomas" and "Thomas", he also held a job he loathed in a shoe factory. factory, and he also had to deal with an [[AddedAlliterativeAppeal abusive, alcoholic absentee]] father.
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Changed line(s) 84,85 (click to see context) from:
A cheerful, polite young man and Tom’s OnlyFriend at the warehouse. He hasn’t attained the lofty heights of success he seemed destined for at high school, but remains optimistic and ''extremely'' [[PatrioticFervour patriotic]].
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A cheerful, polite young man and Tom’s OnlyFriend at the warehouse. He hasn’t attained the lofty heights of success he seemed destined for at high school, but remains optimistic and ''extremely'' [[PatrioticFervour [[PatrioticFervor patriotic]].
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* PatrioticFervour: Unless it's all part of an act, he clearly '''loves''' America, describing its present state as "wonderful"... During TheGreatDepression.
to:
* PatrioticFervour: PatrioticFervor: Unless it's all part of an act, he clearly '''loves''' America, describing its present state as "wonderful"... During TheGreatDepression.
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Changed line(s) 59 (click to see context) from:
* ShrinkingViolet: She's so shy that being in a ''typing class'' caused her to vomit, but this is {{Justified}} given the implications she has a form of social anxiety disorder.
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* ShrinkingViolet: She's so shy that being in a ''typing class'' caused her to vomit, [[StressVomit vomit]], but this is {{Justified}} given the implications she has a form of social anxiety disorder.
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Changed line(s) 37 (click to see context) from:
* DeadpanSnarker: Several of his lines show his dry sense of humor, particularly his angry rant at Amanda about his ([[BlatantLies intentionally, blatantly false]]) [[TripleShifter double life]] as [[DamnItFeelsGoodToBeAGangster criminal kingpin 'Killer' Wingfield]].
to:
* DeadpanSnarker: Several of his lines show his dry sense of humor, particularly his angry rant at Amanda about his ([[BlatantLies intentionally, blatantly false]]) angry rant at Amanda about his [[TripleShifter double life]] as [[DamnItFeelsGoodToBeAGangster criminal kingpin 'Killer' Wingfield]].
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Changed line(s) 36 (click to see context) from:
* CallingTheOldManOut: Angry {{Jerkass}} he may be, but he makes [[JerkassHasAPoint a good point]] about Amanda's obsession with the past causing her to become detached from reality.
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* CallingTheOldManOut: CallingTheOldWomanOut: Angry {{Jerkass}} he may be, but he makes [[JerkassHasAPoint a good point]] about Amanda's obsession with the past causing her to become detached from reality.
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Changed line(s) 50 (click to see context) from:
Amanda’s [[ShrinkingViolet shy and delicate daughter]], who is actually older than Tom, although her [[TheIngenue childlike innocence]] means this is not immediately obvious. She lives a lonely existence in the family’s apartment, with her "[[TitleDrop glass menagerie]]" a collection of miniature animals she obsessively cleans and polishes.
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Amanda’s [[ShrinkingViolet shy and delicate daughter]], who is actually older than Tom, although her [[TheIngenue childlike innocence]] means this is not immediately obvious. She lives a lonely existence in the family’s apartment, with her "[[TitleDrop glass menagerie]]" menagerie]]", a collection of miniature animals she obsessively cleans and polishes.
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[[/folder]]
to:
----
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Deleted line(s) 52 (click to see context) :
* AmbiguousDisorder: Laura's disorder is never named, but she may be suffering from anxiety disorder and/or mild schizophrenia. Her poor social skills and fixation on glass figurines could indicate some form of autism.
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Changed line(s) 68 (click to see context) from:
-> '''Laura Wingfield'''
to:
-> '''Laura Wingfield'''-- '''Amanda'''
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Up To Eleven is a defunct trope
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* StrugglingSingleMother: Mr. Wingfield left long ago, leaving the near-penniless Amanda to raise Tom and Laura by herself, [[UpToEleven in the 1920s and 30s no less, when attitudes towards single moms would be far worse than they are now]].
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* StrugglingSingleMother: Mr. Wingfield left long ago, leaving the near-penniless Amanda to raise Tom and Laura by herself, [[UpToEleven in the 1920s and 30s no less, when attitudes towards single moms would be far worse than they are now]].now.