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* TheCorrupter: Acts as one to both Sarah and Alfred,:
** For Sarah, he invades her private bathtime and tempts her, by saying that she always believed that her family's teachings about danger and sin were a great lie to her. As shown later, during "Die roten Stiefel" (a number that was inserted ''after'' the original production), Krolock goads her into doing what reason forbids and ask questions later, and Sarah answers she wants to let temptation have her.
** For Alfred, during "Wohl der Mann" (Finale Erster Akt), the vampire bids Alfred break the chains of morality and accept his hidden urges.
** For Sarah, he invades her private bathtime and tempts her, by saying that she always believed that her family's teachings about danger and sin were a great lie to her. As shown later, during "Die roten Stiefel" (a number that was inserted ''after'' the original production), Krolock goads her into doing what reason forbids and ask questions later, and Sarah answers she wants to let temptation have her.
** For Alfred, during "Wohl der Mann" (Finale Erster Akt), the vampire bids Alfred break the chains of morality and accept his hidden urges.
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* HeroesWantRedheads: In several versions, most obviously the Hamburg production, she is redheaded.
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* BroughtToYouByTheLetterS: After the transformation, he wears some sort of a valet/doorman apparel with a large "K" emblazoned on his chest, representing his subservience to Von Krolock.
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* ExpositionOfImmortality: His eleven o' clock number, taken at face value, is this: he recalls previous victims he killed during his vampiric existence: the first from a summer in 1617, the pastor's daughter in May, 1730, and even Napoleon's page from 1813.
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* DisposableWoman: Nadja and Zsa Zsa's only purpose in the show is to get kidnapped and bitten in the very first scene.
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* OriginalGeneration: The girls were created for the American version and did not exist either in the Austrian original, nor in the Hungarian production and its replicas.
