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* MonsterMisogyny: While Mr. Scratch has no trouble killing men, the majority of his victims seem to be women with a special attention to degrading them like using his powers to make one BrainwashedAndCrazy into loving him. He also stalks Alan's wife, Alice, and makes numerous threats to her to Alan. While fighting Saga, most of his BossBanter is snarling out "You bitch!" as he tries to beat her to death with a steel bar.

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* MonsterMisogyny: While Mr. Scratch has no trouble killing men, the majority of his victims seem to be women with a special attention to degrading them like using his powers to make one BrainwashedAndCrazy into loving him. He also stalks Alan's wife, Alice, and makes numerous threats to her to Alan. While He retains this trait in ''II'', in which he calls Saga a "fucking cow" when demanding the Clicker after revealing himself, and when fighting Saga, her, most of his BossBanter is has him snarling out "You bitch!" as he tries to beat her to death with a steel bar.
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* DemotedToExtra: They barely appear in ''Alan Wake II''. What's more, they don't even attack the player characters any more, and are used exclusively to block paths.

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* HoistByHisOwnPetard: His plans in both ''AN'' and ''II'' revolve around a TimeLoopTrap he either starts or helps to perpetuate to torment his foes while furthering his goals. Both times this backfires on him, with the time loop being turned around and Scratch being just as trapped and the heroes gaining an upper hand because of it.

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* HoistByHisOwnPetard: His plans in both ''AN'' ''American Nightmare'' and ''II'' revolve around a TimeLoopTrap he either starts or helps to perpetuate to torment his foes while furthering his goals. Both times this backfires on him, with the time loop being turned around and Scratch being just as trapped and the heroes gaining an upper hand because of it.



* KnightOfCerebus: When compared to his LaughablyEvil persona in "American Nightmare", he is this ''in spades'' in "II". Any levity in a scene disappears whenever he's mentioned and once he finally makes a physical appearance, the game becomes a race against time to stop him.

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* KnightOfCerebus: When compared to his LaughablyEvil persona in "American Nightmare", he is this ''in spades'' in "II".''II''. Any levity in a scene disappears whenever he's mentioned and once he finally makes a physical appearance, the game becomes a race against time to stop him.



* VillainousBreakdown: Over the course of ''American Nightmare'', his gloating becomes more and more transparently pathetic, as if trying to reassert dominance rather than actually having it, to the point that Alan points it out in the final loop. He really falls apart into full-blown panic when he is about to die, screaming that it was ''his'' life now.

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* VillainousBreakdown: VillainousBreakdown:
**
Over the course of ''American Nightmare'', his gloating becomes more and more transparently pathetic, as if trying to reassert dominance rather than actually having it, to the point that Alan points it out in the final loop. He really falls apart into full-blown panic when he is about to die, screaming that it was ''his'' life now.

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* DiligentHeroSlothfulVillain: {{Sloth}} proves to be his FatalFlaw throughout ''American Nightmare''. While Alan works like hell to find a way out of Night Springs, Mr. Scratch idles and murders random people while letting the Taken do the work in killing Alan. This backfires when Alan succeeds due to his diligence, and Mr. Scratch is (seemingly) destroyed once he finally decides to do something about it himself.
** Inverted in the sequel, where Alan, exhausted by his numerous escape attempts and increasingly wary of the havoc his stories might be wreaking in the real world, decides to give up writing completely and stay sealed under Cauldron Lake along with the Dark Presence. Unfortunately, Scratch takes advantage of this lapse to write an entire novel of his own without any counter-edits from Alan, tilting the balance of power completely in Scratch's favor.

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* DiligentHeroSlothfulVillain: DiligentHeroSlothfulVillain:
**
{{Sloth}} proves to be his FatalFlaw throughout ''American Nightmare''. While Alan works like hell to find a way out of Night Springs, Mr. Scratch idles and murders random people while letting the Taken do the work in killing Alan. This backfires when Alan succeeds due to his diligence, and Mr. Scratch is (seemingly) destroyed once he finally decides to do something about it himself.
** Inverted in the sequel, where ''II''. Alan, exhausted by his numerous escape attempts and increasingly wary of the havoc his stories might be wreaking in the real world, decides to give up writing completely and stay sealed under Cauldron Lake along with the Dark Presence. Unfortunately, Scratch takes advantage of this lapse to write an entire novel of his own without any counter-edits from Alan, tilting the balance of power completely in Scratch's favor.



* EvilIsPetty: In the [[https://www.youtube.com/watch?v=6Pi1qKifXU8 Super Effective Sales Trailer]], he goes to Remedy's offices, kills people with a sledgehammer, stuffs their bodies in a freezer, and enslaves Sam Lake to write for him. He also steals candy, rides a scooter around in the halls, flips off a picture of Alan, and enslaves a potted plant to write for him.

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* EvilIsPetty: EvilIsPetty:
**
In the [[https://www.youtube.com/watch?v=6Pi1qKifXU8 Super Effective Sales Trailer]], he goes to Remedy's offices, kills people with a sledgehammer, stuffs their bodies in a freezer, and enslaves Sam Lake to write for him. He also steals candy, rides a scooter around in the halls, flips off a picture of Alan, and enslaves a potted plant to write for him.



* LaughablyEvil: Despite all his nastiness, his commentary is actually pretty entertaining. The complete dissonance between his monstrous actions and unrelenting joviality lead to most of his appearances having a gut buster in it, usually ''following'' some form of violence. Averted with a ''vengeance'' in ''II'', which excises his FauxAffablyEvil and LargeHam traits in favor of portraying him as a full-on KnightOfCerebus by way of being an unrelenting force of wrathful malevolence.

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* LaughablyEvil: Despite all his nastiness, his commentary is actually pretty entertaining. The complete dissonance between his monstrous actions and unrelenting joviality lead to most of his appearances having a gut buster in it, usually ''following'' some form of violence. Averted with a ''vengeance'' in ''II'', which excises his FauxAffablyEvil and LargeHam traits in favor of portraying him as a full-on KnightOfCerebus by way of being an unrelenting force maelstrom of wrathful malevolence.



* SameCharacterButDifferent: No longer a SharpDressedMan, LaughablyEvil, or FauxAffablyEvil in the second game, as well as a far more calculating and loyal servant of the Dark Presence. Only his egotism and ShadowArchetype traits are maintained from ''American Nightmare''. Though as he is mostly just called "Scratch" in ''2'', minus the "Mr.", there is an implication that Mr. Scratch is something of a different entity than Scratch. Particularly since [[spoiler:Mr. Scratch appears to be able to act separately from Alan, while Scratch appears to be an EnemyWithin, particularly when Alan finally escapes the Dark Place in ''2''.]]

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* SameCharacterButDifferent: No longer a SharpDressedMan, LaughablyEvil, or FauxAffablyEvil in by the second game, as well as time of ''Alan Wake II'', on top of having become a far more calculating and loyal servant of the Dark Presence. Only his egotism and ShadowArchetype traits are maintained from ''American Nightmare''. Though as Nightmare'' are retained. Given that he is mostly just called exclusively referred to as "Scratch" in ''2'', minus and lacks the prefix of "Mr.", there is an implication that Mr. Scratch is something of a different entity than Scratch. altogether. Particularly since [[spoiler:Mr. Mr. Scratch appears to be able to act separately from Alan, while Scratch appears to be an EnemyWithin, particularly when Alan finally escapes the Dark Place in ''2''.]]''II''.



* SatanicArchetype: He's an embodiment of all of Alan's more evil qualities (both real and imagined) who desires nothing more to escape the Hellish realm that spawned him so that he could wreak havoc on the Earthly plane. He's a master manipulator and a corrupting influence, motivated entirely by his own {{Pride}} (a trait typically associated with Lucifer in theology and demonology) and his own petty amusement, partakes in demonic possession, plays god with the power of Cauldron Lake and his ideal world has him worshipped by a humanity robbed of its free will. Even his name is a reference to "Old Scratch", an old nickname for {{Satan}}.

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* SatanicArchetype: SatanicArchetype:
**
He's an embodiment of all of Alan's more evil qualities (both real and imagined) who desires nothing more to escape the Hellish realm that spawned him so that he could wreak havoc on the Earthly plane. He's a master manipulator and a corrupting influence, motivated entirely by his own {{Pride}} (a trait typically associated with Lucifer in theology and demonology) and his own petty amusement, partakes in demonic possession, plays god with the power of Cauldron Lake and his ideal world has him worshipped by a humanity robbed of its free will. Even his name is a reference to "Old Scratch", an old nickname for {{Satan}}.



* UnexplainedRecovery: He seemed to have been disintegrated by the movie Alan plays at the end of ''American Nightmare''. Instead, when the ''AWE'' expansion released, it was revealed he somehow recuperated offscreen and continued his work to make Alan's life hell far more seriously while Alan's mind degraded.

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* UnexplainedRecovery: UnexplainedRecovery:
**
He seemed to have been disintegrated by the movie Alan plays at the end of ''American Nightmare''. Instead, when the ''AWE'' expansion released, it was revealed he somehow recuperated offscreen and continued his work to make Alan's life hell far more seriously while Alan's mind degraded.



** By ''Alan Wake II'', it's clear that his defeat at Night Springs and the following decade has stripped away all pretence of sanity he ever had, spending every moment of his screen time locked in a barely-coherent psychotic rage. It gets even worse towards the end, as he realizes that Alan and Saga have stolen his victory away from him, affixing Saga with a murderous DeathGlare before she shoots him in Alan's body.

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** By ''Alan Wake II'', it's clear that his defeat at Night Springs and the following decade has stripped away all pretence pretense of sanity he ever had, spending every moment of his screen time locked in a barely-coherent psychotic rage. It gets even worse towards the end, as he realizes that Alan and Saga have stolen his victory away from him, affixing Saga with a murderous DeathGlare before she shoots him in Alan's body.
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* LaughablyEvil: Despite all his nastiness his, commentary is actually pretty entertaining. The complete dissonance between his monstrous actions and unrelenting joviality lead to most of his appearances having a gut buster in it, usually ''following'' some form of violence. Averted with a ''vengeance'' in ''II'', which excises his FauxAffablyEvil and LargeHam traits in favor of portraying him as a full-on KnightOfCerebus by way of being an unrelenting force of wrathful malevolence.

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* LaughablyEvil: Despite all his nastiness his, nastiness, his commentary is actually pretty entertaining. The complete dissonance between his monstrous actions and unrelenting joviality lead to most of his appearances having a gut buster in it, usually ''following'' some form of violence. Averted with a ''vengeance'' in ''II'', which excises his FauxAffablyEvil and LargeHam traits in favor of portraying him as a full-on KnightOfCerebus by way of being an unrelenting force of wrathful malevolence.

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* ContrastingSequelAntagonist: Unlike the Dark Presence, who interacted with Alan sparingly and was humorless, Mr. Scratch talks to Alan frequently (especially if the player seeks out the TV sets) and has a much more casual and humorous demeanor. Alan also notes that while the Dark Presence [[CreativeSterility wasn't very creative]], Mr. Scratch's Taken are much more aggressive and distinct. However, ''II'' states that Mr. Scratch and the Dark Presence are in fact more or less interchangeable.
** Does this again by contrasting ''himself''. Unlike the cheerful, charismatic psychopath that gleefully taunts Alan through ''American Nightmare'', Scratch in ''II'' is a deadly serious, feral, raging monster, that shows up sparingly and is terrifyingly efficient with getting what he wants. It's heavily implied that Alan's defeat of him in ''American Nightmare'' is what caused this change in behavior.

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* ContrastingSequelAntagonist: ContrastingSequelAntagonist:
**
Unlike the Dark Presence, who interacted with Alan sparingly and was humorless, Mr. Scratch talks to Alan frequently (especially if the player seeks out the TV sets) and has a much more casual and humorous demeanor. Alan also notes that while the Dark Presence [[CreativeSterility wasn't very creative]], Mr. Scratch's Taken are much more aggressive and distinct. However, ''II'' states that Mr. Scratch and the Dark Presence are in fact more or less interchangeable.
** Does this again by contrasting ''himself''. The sequel also has Scratch contrast ''himself'', specifically his portrayal in ''American Nightmare''. Unlike the cheerful, charismatic psychopath that who gleefully taunts taunted Alan through ''American Nightmare'', throughout the game, Scratch in ''II'' is a deadly serious, feral, raging monster, that monster who shows up sparingly and is terrifyingly efficient with getting what he wants. It's heavily implied that Alan's defeat of him in ''American Nightmare'' is what caused this change in behavior.



* TheDreaded: As Alan falls further into madness from being trapped, he begins to grow fearful at the thought of Scratch coming back for him. In ''Alan Wake II'' he sounds downright manic as he talks about his double to Saga.

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* TheDreaded: As Alan falls further into madness from being trapped, he begins to grow fearful at the thought of Scratch coming back for him. In ''Alan Wake II'' II'', he sounds downright manic as he talks about his double to Saga.



* EvilHasABadSenseOfHumor: He treats some of the things he does like they're simply cruel-minded pranks, most prominently with the female fan. He hides in the bathroom and invites Alan to watch like it's a ''Series/{{Jackass}}'' bit as he sneaks up behind her and slits her throat, before laughing like it's the funniest thing in the world.
** A lesser example, but the Dark Place Echo of Casey says this trope basically verbatim when he found out the killer in the hotel who was playing the devil, implied to be Scratch, asked to stay in Room 666.

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* EvilHasABadSenseOfHumor: EvilHasABadSenseOfHumor:
**
He treats some of the things he does like they're simply cruel-minded pranks, most prominently with the female fan. He hides in the bathroom and invites Alan to watch like it's a ''Series/{{Jackass}}'' bit as he sneaks up behind her and slits her throat, before laughing like it's the funniest thing in the world.
** A lesser example, but In ''II'', the Dark Place Echo of Casey says this trope basically verbatim when he found out the killer in the hotel who was playing the devil, implied to be Scratch, asked to stay in Room 666.



* LaughablyEvil: Despite all his nastiness his commentary is actually pretty entertaining. The complete dissonance between his monstrous actions and unrelenting joviality lead to most of his appearances having a gut buster in it, usually ''following'' some form of violence.

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* LaughablyEvil: Despite all his nastiness his his, commentary is actually pretty entertaining. The complete dissonance between his monstrous actions and unrelenting joviality lead to most of his appearances having a gut buster in it, usually ''following'' some form of violence. Averted with a ''vengeance'' in ''II'', which excises his FauxAffablyEvil and LargeHam traits in favor of portraying him as a full-on KnightOfCerebus by way of being an unrelenting force of wrathful malevolence.
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* {{Expy}}: Of [[Series/TwinPeaks Dale Cooper's]] Doppelganger, the similarly named Mr. C. Both are [[EvilDoppelganger physically identical copies of the protagonist]] with a sadistic streak (especially toward women) who go out of their way to ruin the reputation of their counterpart while they are missing. ''II'''s [[SameCharacterButDifferent reimagining]] of Scratch even has him physically resemble Mr. C on account of his BarbarianLonghair and [[HellbentForLeather leather jacket]].

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* {{Expy}}: Of [[Series/TwinPeaks Dale Cooper's]] Doppelganger, the similarly named Mr. C. Both are [[EvilDoppelganger physically identical copies of the protagonist]] with a sadistic streak (especially toward women) who go out of their way to ruin the reputation of their counterpart while they are missing. ''II'''s [[SameCharacterButDifferent reimagining]] of Scratch even has him physically resemble Mr. C on account of his BarbarianLonghair BarbarianLongHair and [[HellbentForLeather leather jacket]].

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* {{Expy}}: Of [[Series/TwinPeaks Dale Cooper's]] Doppelganger, the similarly named Mr. C. Both are physically identical copies of the protagonist with a sadistic streak (especially toward women) who go out of their way to ruin the reputation of their counterpart while they are missing.

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* {{Expy}}: Of [[Series/TwinPeaks Dale Cooper's]] Doppelganger, the similarly named Mr. C. Both are [[EvilDoppelganger physically identical copies of the protagonist protagonist]] with a sadistic streak (especially toward women) who go out of their way to ruin the reputation of their counterpart while they are missing.missing. ''II'''s [[SameCharacterButDifferent reimagining]] of Scratch even has him physically resemble Mr. C on account of his BarbarianLonghair and [[HellbentForLeather leather jacket]].
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* DesperatelyCravesAffection: ''Hoooo boy.'' It's extemely telling that Scratch's default response to just about any interaction with another person in ''American Nightmare'' that isn't just killing them for kicks is to try and get them to pay as much attention to him and flatter him as much as possible, which he even tries to do with ''Alan'' in one of the videos he leaves before the party next door to him pisses him off into abandoning it. He's fully capable of using his powers to wreak havoc on the world around him, but frequently only bothers to use it to make the people he meets worship him or to desire him.
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* PsychopathicManchild: One of his primary character traits as a tulpa created from all of Alan's worst attributes in both ''American Nightmare'' and ''II.'' He's extremely immature, impulsive, and desperately craves attention from just about anyone willing to give it to him, even Alan, whom he despises for having had a life that Scratch can never have himself. ''The Super-Effective Sales Trailer'' highlights this trait extremely well, with Scratch taking over and slaughtering Remedy's staff... all so that he can read compliments about himself off of their slide projector, steal their food, and make a potted plant write a story for him.

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-->'''Door:''' Thank you for the strangest interview of my entire career, Alan. All this talk of meta-narratives, [[LampshadeHanging I'm half-expecting to disappear once this scene ends]]!



* BadBadActing: When he shows up in the back of the Poet's Cinema, he is begging very stiffly for Wake not to [[CouldSayItBut go behind him, take the knife there, and use it to sacrifice him to open the way forward.]] Alan even [[LampshadeHanging comments]] on how flat Lake's dialogue is and how contrived the whole situation feels, like a scene's first draft.

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* BadBadActing: When he shows up in the back of the Poet's Cinema, he is begging very stiffly for Wake not to [[CouldSayItBut to not go behind him, take the knife BEHIND HIM and TAKE THE KNIFE there, and then use it to sacrifice him SACRIFICE HIM to open the way forward.]] OPEN THE WAY FORWARD]]. Alan even [[LampshadeHanging comments]] on how flat Lake's dialogue is and how contrived the whole situation feels, like a scene's first draft.
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* AmbiguouslyBi: He compliments Alan as a "handsome devil" and gushes over Darling's muscular physique, but even with his rewritten backstory, he was apparently still in love with Barbara Jagger. An interview with Ilkka Villi had him comment he distinguished his portrayals of Alan and Tom by having Seine be fluid and unconcerned about everything in contrast to the perpetually stressed Alan, which extended to his view of gender and sexuality.

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* AmbiguouslyBi: He compliments Alan as a "handsome devil" and gushes over Darling's muscular physique, but even with his rewritten backstory, he was apparently still in love with Barbara Jagger. An interview with Ilkka Villi had him comment he distinguished his portrayals of Alan and Tom by having Seine be fluid and unconcerned about everything in contrast to the perpetually stressed Alan, which extended to his view of gender and sexuality.sexuality, quite literally describing him as InTouchWithHisFeminineSide.
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* AndTheAdventureContinues: His final fate in ''II'', portrayed in the bleakest manner possible. In the final echo Alan finds, he survives his trip to the Poet's Cinema, but comes away with the unnerving revelation that he's merely a fictional character, bound by the conventions of his genre, doomed to only ever find crimes too late to stop them, too bizarre to solve them, and never being able to find any peace as long as there are still more stories about him to be told. He resigns himself to his fate and walks off into the night in search of his next case.

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* AndTheAdventureContinues: His final fate in ''II'', portrayed in the bleakest manner possible. In the final echo Alan finds, he survives his trip to the Poet's Cinema, but comes away with the unnerving revelation that he's merely a fictional character, character bound by the conventions of his genre, doomed genre. As a noir detective protagonist, he'll never be able to only ever find crimes too late to truly stop them, too any crimes, merely solve them after they occur (unless they're so bizarre to solve them, he can't even do that, as is the case this time), and he'll never being be able to find any peace for as long as there are still more stories about him to be told. He resigns Resigning himself to his fate and fate, he walks off into the night in search of his next case.
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* DarkerAndEdgier: His hammy, LaughablyEvil persona has been completely removed in ''Alan Wake II''. Instead he's a screaming and barely-coherent force that manifests like a hurricane, usually with an appropriate body count. It is suggested he became a far more direct extension of the Dark Presence after his first defeat. There's also the fact that he's been trapped in the Dark Place just as long as Alan has, so he's probably long since lost all patience he may or may not have once had, and is now 100% focused on getting results rather than enjoying himself. He does retain a few aspects of his fomer personality, though, such as getting utterly shitfaced with Tom Zane while brainstorming story ideas, taking Jaakko Koskela's biker jacket for himself after killing him for seemingly no reason other than he thought it looked good, and his ideal version of Bright Falls being a never-ending Deerfest where everyone showers him and his new book with glowing praise.

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* DarkerAndEdgier: His hammy, LaughablyEvil persona has been completely removed in ''Alan Wake II''. Instead he's a screaming and barely-coherent force that manifests like a hurricane, usually with an appropriate body count. It is suggested he became a far more direct extension of the Dark Presence after his first defeat. There's also the fact that he's been trapped in the Dark Place just as long as Alan has, so he's probably long since lost all patience he may or may not have once had, and is now 100% focused on getting results rather than enjoying himself. He does retain a few aspects of his fomer former personality, though, such as getting utterly shitfaced with Tom Zane while brainstorming story ideas, taking Jaakko Koskela's biker jacket for himself after killing him for seemingly no reason other than he thought it looked good, and his ideal version of Bright Falls being a never-ending Deerfest where everyone showers him and his new book with glowing praise.
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* DarkerAndEdgier: His hammy, LaughablyEvil persona has been completely removed in ''Alan Wake II''. Instead he's a screaming and barely-coherent force that manifests like a hurricane, usually with an appropriate body count. It is suggested he became a far more direct extension of the Dark Presence after his first defeat.

to:

* DarkerAndEdgier: His hammy, LaughablyEvil persona has been completely removed in ''Alan Wake II''. Instead he's a screaming and barely-coherent force that manifests like a hurricane, usually with an appropriate body count. It is suggested he became a far more direct extension of the Dark Presence after his first defeat. There's also the fact that he's been trapped in the Dark Place just as long as Alan has, so he's probably long since lost all patience he may or may not have once had, and is now 100% focused on getting results rather than enjoying himself. He does retain a few aspects of his fomer personality, though, such as getting utterly shitfaced with Tom Zane while brainstorming story ideas, taking Jaakko Koskela's biker jacket for himself after killing him for seemingly no reason other than he thought it looked good, and his ideal version of Bright Falls being a never-ending Deerfest where everyone showers him and his new book with glowing praise.
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* CharacterFilibuster: His narration always takes a turn for the verbose, and with dozens of "Echos" of the man to listen to throughout New York, optional and mandatory, Alan will get to hear him talk a lot.

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* CharacterFilibuster: His narration always takes a turn for the verbose, and with dozens of "Echos" "Echoes" of the man to listen to throughout New York, optional and mandatory, Alan will get to hear him talk a lot.



* InspectorJavert: He comes to believe Alan is the leader of the Cult of the Word and for "Scratch" to simply be a synonym, due to the Cult's obsession with Wake's writing and his reputation. He confronts him as such repeatedly in the Dark Place.

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* InspectorJavert: He comes to believe Alan is the leader of the Cult of the Word and for "Scratch" to simply be a synonym, an alias he's using, due to the Cult's obsession with Wake's writing and his reputation. He confronts him as such repeatedly in the Dark Place.
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* KnightOfCerebus: When compared to his LaughablyEvil persona in “American Nightmare”, he is this ''in spades'' in “II”. Any levity in a scene disappears whenever he’s mentioned and once he finally makes a physical appearance, the game becomes a race against time to stop him.
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* AndTheAdventureContinues: His final fate in ''II'', portrayed in the bleakest manner possible. In the final echo Alan finds, he survives his trip to the Poet's Cinema, but notes he was [[UselessProtagonist unable to change anything or stop the Cult of the Word, and only ever felt like a conduit for someone else's advancements]]. He sets out into the night to look for more crime, noting this cycle of finding things too late to stop them he is stuck in will continue without as long as there are more stories to be told.
-->'''Casey:''' There would always be another case for Casey. A million stories in this dark city. The night opened up to welcome me. I walked into her arms. Roll credits.

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* AndTheAdventureContinues: His final fate in ''II'', portrayed in the bleakest manner possible. In the final echo Alan finds, he survives his trip to the Poet's Cinema, but notes he was [[UselessProtagonist unable to change anything or stop comes away with the Cult of unnerving revelation that he's merely a fictional character, bound by the Word, and conventions of his genre, doomed to only ever felt like a conduit for someone else's advancements]]. He sets out into the night to look for more crime, noting this cycle of finding things find crimes too late to stop them he is stuck in will continue without them, too bizarre to solve them, and never being able to find any peace as long as there are still more stories about him to be told.
told. He resigns himself to his fate and walks off into the night in search of his next case.
-->'''Casey:''' [[INeedAFreakingDrink There wasn't enough alcohol in this city to drown the memories of this nightmare, but I'd damn well try]]. This case would never be closed, I had more questions now than at the start, the irony of being trapped in a postmodern detective story. I felt watched, the eyes of some unseen audience on me. I wanted to turn to the hidden camera and tell them to fuck off, but I didn't know where to look to break the fourth wall. There would always be another case for Casey. A million stories in this dark city. The night opened up to welcome me. I walked into her arms. Roll credits.
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[[folder: Sam Lake]]

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[[folder: Sam [[folder:Sam Lake]]
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** Does this again by contrasting ''himself''. Unlike the cheerful, charismatic psychopath that gleefully taunts Alan through ''American Nightmare'', Scratch in ''II'' is a deadly serious, feral, raging monster, that shows up sparingly and is terrifyingly efficient with getting what he wants. It's heavily implied that Alan's defeat of him in ''American Nightmare'' is what caused this change in behavior.
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* SameLanguageDub: He's physically played by Creator/IlkkaVilli just as Alan is, and due to Ilkka's thick accent not matching a native New Yorker, he and his double are dubbed over by actor Creator/MatthewPorretta.

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* SameLanguageDub: He's physically played by Creator/IlkkaVilli just as Alan is, and due to Ilkka's thick Villi's natural heavy accent at the time not matching a native New Yorker, he and his double are dubbed over by actor Creator/MatthewPorretta.

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* AmbiguouslyBi: He compliments Alan as a "handsome devil" and gushes over Darling's muscular physique, but even with his rewritten backstory, he was apparently still in love with Barbara Jagger. An interview with Ilkka Villi had him comment he distinguished his portrayals of Alan and Tom by having Seine be fluid and unconcerned about everything in contrast to the perpetually stressed Alan, which extended to his view of gender and sexuality.



* AmbiguouslyBi: He compliments Alan as a "handsome devil" and gushes over Darling's muscular physique, but even with his rewritten backstory, he was apparently still in love with Barbara Jagger. An interview with Ilkka Villi had him comment he distinguished his portrayals of Alan and Tom by having Seine be fluid and unconcerned about everything in contrast to the perpetually stressed Alan, which extended to his view of gender and sexuality.

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Added example(s), Alphabetizing example(s)


* SuperpoweredEvilSide: While Alan is still a normal guy with realistically limited physical capabilities, when Scratch overtakes his body, he suddenly becomes completely ImmuneToBullets, strong enough to effectively fight by beating his enemies to death, and mainly unaffected by the Taken's weakness to light, making him one of the most dangerous single paranatural entities seen in the franchise.



* AmbiguouslyEvil: What his true motivations are is wrapped in mystery. He lies to Alan throughout the second game and collaborates with Scratch to write a story that would enslave the world, but also willingly gives Alan the means to defeat Scratch with a final murder site when he comes knocking. He claims Scratch betrayed him and he only wants to get out of the Dark Place, but also seems to try and kill Alan immediately after he says this. He also shows distrust toward the FBC, a group much more definitively trying to help Wake.



* AmbiguouslyEvil: What his true motivations are is wrapped in mystery. He lies to Alan throughout the second game and collaborates with Scratch to write a story that would enslave the world, but also willingly gives Alan the means to defeat Scratch with a final murder site when he comes knocking. He claims Scratch betrayed him and he only wants to get out of the Dark Place, but also seems to try and kill Alan immediately after he says this. He also shows distrust toward the FBC, a group much more definitively trying to help Wake.
* AmbiguouslyBi: He compliments Alan as a "handsome devil" and gushes over Darling's muscular physique, but even with his rewritten backstory, he was apparently still in love with Barbara Jagger. An interview with Ilkka Villi had him comment he distinguished his portrayals of Alan and Tom by having Seine be fluid and unconcerned about everything in contrast to the perpetually stressed Alan, which extended to his view of gender and sexuality.



* IronicName: His last name is phonetically identical to the word "sane", but he spends all of his time on screen acting distinctly kooky and insane.



* SuspiciouslySimilarSubstitute: Oddly, with Scratch in ''Alan Wake II'' the SameCharacterButDifferent, Tom takes on most of the traits he loses. He is also a {{Doppelganger}} of Alan in a suit, is prominently associated with screens and communicating through visual mediums to his double, and acts obsessively chummy with him while hiding darker intentions. "The Happy Song" from ''American Nightmare'' even becomes associated with him instead of Scratch.



* EarlyBirdCameo: A brief flash of his face shows up when Tim vanishes into the Dark Place at the tail end of "Return 1: Invitation", while he isn't properly introduced into the narrative until two episodes later in "Initiation 1: Late Night".

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* EarlyBirdCameo: A brief flash of his face shows up when Tim vanishes into the Dark Place at the tail end of "Return 1: Invitation", "Invitation", while he isn't properly introduced into the narrative until two episodes later in "Initiation 1: Late "Late Night".



* YouAreNotAlone: Door notes this to Alan in their last meeting. His tone is unusually tense, likely due to Alan trying to always make things as subtle as indirect as possible and not taking proper advantage of the assistance he has.

to:

* YouAreNotAlone: Door notes this to Alan in their last meeting. His tone is unusually tense, tense and aggressive for this trope, likely due to Alan trying to always make things as subtle as indirect as possible and not taking proper advantage of the assistance he has.
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** The satanic comparison is even lampshaded in ''Alan Wake II'', where Mr. Scratch as a character in ''Initiation'' is written as a DarkMessiah to a MysteryCult who believe him to be [[TheAntichrist the Devil on the Earthly plane]]. He even stays in room 666 for extra irony.

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** The satanic comparison is even lampshaded in ''Alan Wake II'', where Mr. Scratch as a character in ''Initiation'' is written as a DarkMessiah to a MysteryCult who believe him to be [[TheAntichrist the Devil on the Earthly plane]]. He even stays in room 666 for extra irony.irony (note that he [[CardCarryingVillain specifically asks to stay in that particular room]]).

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