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[[folder:Ms. Anzai]]
!!Ms. Anzai
[[quoteright:297:https://static.tvtropes.org/pmwiki/pub/images/screenshot_2024_04_23_025122.png]]

Tokio's and Azuma's teacher.
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* CoolTeacher: Although she's rather abrasive at school, when she runs into Tokio in chapter 52, she talks with her student like he's an old friend and shows genuine interest in how his life's been going.
* HiddenDepths: She's developed a desire to study abroad and see how education is taught in other prefectures, feeling a disconnect from the teacher she wants to be and Yamato's school system.
* MsFanservice: I mean... the image speaks for itself.
* ReasonableAuthorityFigure: She's honestly very open-minded about Tokio dropping out of school, understanding that he had his reasons and doesn't judge him one bit for his decision.
* RecurringExtra: For a large chunk of the series, she's effectively a background character popping in whenever there's a scene going on at school. However, she has a more notable appearance in chapter 52 in which the audience sees a surprisingly genuine side to her.
* TookALevelInKindness: She acts pretty abrasive early on, but she's remarkable amicable when she runs into Tokio in chapter 52. She implies that Tokio's decision to drop out of school inspired her to spread her own wings and look ahead for new opportunities.
[[/folder]]
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[[folder:Noh Mask]]
!![[spoiler:Batista Hoshi]]

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[[folder:Noh Mask]]
!![[spoiler:Batista Hoshi]]
Mask (UNMARKED SPOILERS)]]
!!Batista Hoshi



A mysterious individual responsible for a drug that forces those with aptitude into becoming choujin. Currently allied with the Tower of Mourning. [[spoiler:He is later revealed to be the younger brother of Yamato Mori's second-in-command, Sandek Hoshi: Batista Hoshi]].

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A mysterious individual responsible for a drug that forces those with aptitude into becoming choujin. Currently allied with the Tower of Mourning. [[spoiler:He He is later revealed to be the younger brother of Yamato Mori's second-in-command, Sandek Hoshi: Batista Hoshi]].Hoshi.



* CainAndAbel: The Cain to Sandek's Abel. They actually used to get along quite well, but they ended up going down two very different paths in life.]]

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* CainAndAbel: The Cain to Sandek's Abel. They actually used to get along quite well, but they ended up going down two very different paths in life.]]
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* EvenEvilHasLovedOnes: It's clear that Batista genuinely, truly loves his wife [[TheLostLenore Hartley]]. While his motives are still largely a mystery, it's heavily implied that he's doing this for her above all else.
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* DeconstructedCharacterArchetype: Of the AlwaysSomeoneBetter best friend archetype. Compared to most of these character archetypes drifting apart because the friend takes their own path into darker territory, this friend is so reliant on the protagonist being there for him that Tokio taking his own path drives Azuma into a co-dependent InferioritySuperiorityComplex that creates a larger gap between the two as the story progresses. [[spoiler:It takes beating the crap out of each other to finally air their emotions out and reconcile, but it's taken as the pair venting and opening up rather than closing in further on themselves or one having to rescue the other.]]

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* {{Irony}}: After jumping in during Tokio's battle with a chaosified Palma, Azuma goes straight in for the kill and attempts to put her down before she can cause any collateral damage from those nearby. When Tokio responds with horror, Azuma criticizes him for not following the keepers' guidelines handling chaosification. This is in spite of the fact that Azuma himself awakened to his powers as a choujin under similarly violent circumstances.

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* {{Irony}}: {{Irony}}:
** At one point, Tokio is considered similar to a vulture, for "picking up the scraps" Azuma leaves behind. Tokio is completely fine with this, and Azuma ends up calling him out to think for himself. And yet ''Azuma'' secretly and unwittingly depends on Tokio being there to help keep up his InferioritySuperiorityComplex so that he can function, demonstrating that deep down he [[{{Hypocrite}} meant that a lot less than he thought he did]] without even realizing it.
**
After jumping in during Tokio's battle with a chaosified Palma, Azuma goes straight in for the kill and attempts to put her down before she can cause any collateral damage from those nearby. When Tokio responds with horror, Azuma criticizes him for not following the keepers' guidelines handling chaosification. This is in spite of the fact that Azuma himself awakened to his powers as a choujin under similarly violent circumstances.
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* TroubledFetalPosition: On the cover of Volume 9, Momoma is depicted sitting in a fetal position with a melancholic expression and a bloody handprint on her chest.

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!!Keepers



[[folder:Arthur One]]
!!Arthur One
!!!Sand Choujin

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/arthur_one.png]]

Yamato Mori's Chief Administrator.
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* MrExposition: He delivers a lengthy monologue about Sora's action during the War of Nanasu in chapter 38.
* ReasonableAuthorityFigure: Arthur's shown to have a pretty good head on his shoulders, taking Tokio's constructive criticism of his plans pretty well and agreeing to adjust them.
[[/folder]]

!!Keepers



[[folder:Arthur One]]
!!Arthur One
!!!Sand Choujin

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/arthur_one.png]]

Yamato Mori's Chief Administrator.
----
* MrExposition: He delivers a lengthy monologue about Sora's action during the War of Nanasu in chapter 38.
* ReasonableAuthorityFigure: Arthur's shown to have a pretty good head on his shoulders, taking Tokio's constructive criticism of his plans pretty well and agreeing to adjust them.
[[/folder]]
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* CantTakeCriticism: Actually averted. Despite Azuma being a [[{{Pride}} rather prideful]] who is [[InferioritySuperiorityComplex extremely self-conscious with how other people see him]], he's surprisingly receptive to critcism. When Sandek talks to Azuma in chapter 24 about his personal failings, Azuma takes it with zero hesitation, making it clear that he doesn't blind himself to his own flaws. Furthermore, [[spoiler:Ely's willingness to call him out on his behavior is indicated to be a big part of why Azuma develops romantic feelings for her.]] While Azuma ''is'' prideful, it's largely based on his father's lessons to him that he ''needs'' to take the right path in life, and he needs to take accountability for when he does screw up, even if it's not easy for him.

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* CantTakeCriticism: Actually averted. Despite Azuma being a [[{{Pride}} rather prideful]] person who is [[InferioritySuperiorityComplex extremely self-conscious with how other people see him]], he's surprisingly receptive to critcism. When Sandek talks to Azuma in chapter 24 about his personal failings, Azuma takes it with zero hesitation, making it clear that he doesn't blind himself to his own flaws. Furthermore, [[spoiler:Ely's willingness to call him out on his behavior is indicated to be a big part of why Azuma develops romantic feelings for her.]] While Azuma ''is'' prideful, it's largely based on his father's lessons to him that he ''needs'' to take the right path in life, and he needs to take accountability for when he does screw up, even if it's not easy for him.
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* CelibateHeroine: Downplayed. While Ely is very open about having a crush on Sandek, she makes it clear that romance is generally something she treats as secondary to whatever her immediate concerns as a keeper are. [[spoiler:It's probably part of the reason why Ely doesn't seem to pick up that Azuma has feelings for her.]]

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* CelibateHeroine: ChasteHeroine: Downplayed. While Ely is very open about having a crush on Sandek, she makes it clear that romance is generally something she treats as secondary to whatever her immediate concerns as a keeper are. [[spoiler:It's probably part of the reason why Ely doesn't seem to pick up that Azuma has feelings for her.]]

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* CantTakeCriticism: Actually averted. Despite Azuma being a [[{{Pride}} rather prideful]] who is [[InferioritySuperiorityComplex extremely self-conscious with how other people see him]], he's surprisingly receptive to critcism. When Sandek talks to Azuma in chapter 24 about his personal failings, Azuma takes it with zero hesitation, making it clear that he doesn't blind himself to his own flaws. Furthermore, [[spoiler:Ely's willingness to call him out on his behavior is indicated to be a big part of why Azuma develops romantic feelings for her.]] While Azuma ''is'' prideful, it's largely based on his father's lessons to him that he ''needs'' to take the right path in life, and he needs to take accountability for when he does screw up, even if it's not easy for him.



* InferioritySuperiorityComplex: While Azuma seemingly has his life figured out, under the surface he's filled with insecurities, particularly over wanting to remain as Tokio's personal hero and not be left in his own friend's shadow.

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* ILoveYouBecauseICantControlYou: Azuma early on is indicated to be extremely popular at school, and as such has no [[ChickMagnet shortage of female admirers]]. However, [[spoiler:he ends up falling for Ely in the end because, unlike most girls he comes across, she actually gives him shit when he needs it and actively demands for him to be better when he screws up.]]
* InferioritySuperiorityComplex: A core part of Azuma's character. While Azuma seemingly has his life figured out, under the surface he's filled with insecurities, particularly over wanting to remain as Tokio's personal hero and not be left in his own friend's shadow.

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* FreudianTrio: Tokio, Ely, and Azuma are all {{foil}}s to each other. A major point of focus in the development of all three characters is how their ideals and decision-making processes change, and as such the three of them can be mapped onto the .

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* FighterMageThief: Tokio is the fighter, being the most physically powerful of the main trio and has the ability to deal permanent damage to choujin. Azuma is the mage, having a far more utility-centric powerset which allows him to create an infinite amount of tools for any scenario. Ely is the thief, being the most nimble but fragile of the group and seems to specialize far more in being stealthy with her opponents. [[spoiler:Also worth noting that the "thief" label with Ely is entirely literal.]]
* FreudianTrio: Tokio, Ely, and Azuma are all {{foil}}s to each other. A major point of focus in the development of all three characters is how their ideals and decision-making processes change, and as such the three of them can be mapped onto the .this in a lot of different ways.
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** One could '''also''' argue that Tokio is the Id, Azuma is the Ego, and Ely is the Superego. Tokio is very much TheDitherer, basing most of his decisions on spur-of-the-moment hunches rather than on any sort of established principles. When he does have to make a decision that he's forced to think long and hard on, Tokio oftentimes gets hung up on being too scared to make a decision at all. Ely, by contrast, has a defined worldview and set of principles from the get-go. She doesn't really need to think on whether something is right or wrong. If something goes according to her principles, she'll do it. If not, she won't do it. Her worldview, although it works wonders at stopping her from getting bogged down with indecision, also lacks a ''lot'' of nuance, leading Ely to somewhat ignore a lot of the messier implications of her decisions. Azuma is kind of in the middle where he certainly places a lot of importance on having principles, but it's clear that he's still figuring out what exactly he wants those principles to ''be''. While he does more-or-less try to stick with whatever principles society tells him, he's noticeably not that consistent about it either, and will decide to go against them in more messier personal matters. This is probably best seen in how all three of them respond to their experiences at the Tower. [[spoiler:Tokio is ''very'' split on whether or not to believe Zora, saying that BothSidesHaveAPoint, yet has no idea which side to pick over the other. Ely, after seeing the casualties created by Zora, sticks to her guns and goes against her and refuses to even entertain anything she's saying. Azuma is sort of in the middle. He agrees with Zora ''at first'', but after seeing that Zora is flat-out insane, he quickly goes back on it.]]

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** One could '''also''' argue that Tokio is the Id, Azuma is the Ego, and Ely is the Superego. Tokio is very much TheDitherer, basing most of his decisions on spur-of-the-moment hunches rather than on any sort of established principles. When he does have to make a decision that he's forced to think long and hard on, Tokio oftentimes gets hung up on being too scared to make a decision at all. Ely, by contrast, has a defined worldview and set of principles from the get-go. She doesn't really need to think on whether something is right or wrong. If something goes according to her principles, she'll do it. If not, she won't do it. Her worldview, although it works wonders at stopping her from getting bogged down with indecision, also lacks a ''lot'' of nuance, leading Ely to somewhat ignore a lot of the messier implications of her decisions. Azuma is kind of in the middle where he certainly places a lot of importance on having principles, but it's clear that he's still figuring out what exactly he wants those principles to ''be''. While he does more-or-less try to stick with whatever principles society tells him, he's noticeably not that consistent about it either, and will decide to go against them in more messier personal matters. This is probably best seen in how all three of them respond to their experiences at the Tower. [[spoiler:Tokio is ''very'' split on whether or not to believe Zora, Zora's ideology, saying that BothSidesHaveAPoint, yet has no idea which side and even a year later is unable to pick over the other.really comes to a decision on whether she's right or wrong. Ely, after seeing the casualties created by Zora, sticks to her guns and goes against her and refuses to even entertain anything she's saying. Azuma is sort of in the middle. He agrees with Zora ''at first'', but after seeing that Zora is flat-out insane, he quickly goes back on it.]]



* BothSidesHaveAPoint: [[spoiler:When meeting with Zora, Tokio comes to the conclusion that both Azuma and Ely made good points on whether or not to take Zora's power and that they should have a discussion with the rest of Yamato Mori before making a decision. Unfortunately for him, Zora is ''not'' looking to negotiate.]]

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* BothSidesHaveAPoint: [[spoiler:When meeting with Zora, Tokio comes to the conclusion that both Azuma and Ely made good points on whether or not to take Zora's power and that they should have a discussion with the rest of Yamato Mori before making a decision. Unfortunately for him, Zora is ''not'' looking to negotiate.]] After the {{timeskip}}, [[spoiler:Tokio still has yet to come to a decision on whether to believe Zora or not. Even when he confides in Ely that he's starting to believe in Zora's prophecy, he immediately follows it with "I think," indicating that he's not even sure ''what'' he believes.]]
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* {{Deuteragonist}}: Decidedly both Ely and Azuma, with both of them receiving major focus and with [[TheHero Tokio]]'s relationships with both of them being a core part to who he is and how he develops.

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* {{Deuteragonist}}: Decidedly both Ely and Azuma, with both of them receiving major focus and with play critical roles for the progression of the plot. Likewise, [[TheHero Tokio]]'s development hinges heavily on his relationships with both of them being a core part to who he is and how he develops.them.

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* FreudianTrio: You could honestly argue it going either way.

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* {{Deuteragonist}}: Decidedly both Ely and Azuma, with both of them receiving major focus and with [[TheHero Tokio]]'s relationships with both of them being a core part to who he is and how he develops.
* FreudianTrio: You could honestly argue it going either way.Tokio, Ely, and Azuma are all {{foil}}s to each other. A major point of focus in the development of all three characters is how their ideals and decision-making processes change, and as such the three of them can be mapped onto the .


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** One could '''also''' argue that Tokio is the Id, Azuma is the Ego, and Ely is the Superego. Tokio is very much TheDitherer, basing most of his decisions on spur-of-the-moment hunches rather than on any sort of established principles. When he does have to make a decision that he's forced to think long and hard on, Tokio oftentimes gets hung up on being too scared to make a decision at all. Ely, by contrast, has a defined worldview and set of principles from the get-go. She doesn't really need to think on whether something is right or wrong. If something goes according to her principles, she'll do it. If not, she won't do it. Her worldview, although it works wonders at stopping her from getting bogged down with indecision, also lacks a ''lot'' of nuance, leading Ely to somewhat ignore a lot of the messier implications of her decisions. Azuma is kind of in the middle where he certainly places a lot of importance on having principles, but it's clear that he's still figuring out what exactly he wants those principles to ''be''. While he does more-or-less try to stick with whatever principles society tells him, he's noticeably not that consistent about it either, and will decide to go against them in more messier personal matters. This is probably best seen in how all three of them respond to their experiences at the Tower. [[spoiler:Tokio is ''very'' split on whether or not to believe Zora, saying that BothSidesHaveAPoint, yet has no idea which side to pick over the other. Ely, after seeing the casualties created by Zora, sticks to her guns and goes against her and refuses to even entertain anything she's saying. Azuma is sort of in the middle. He agrees with Zora ''at first'', but after seeing that Zora is flat-out insane, he quickly goes back on it.]]
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* ObliviousToLove: [[spoiler:Ely doesn't seem to notice that Azuma is into her, with her expressing confusion as to why Azuma acts [[CrazyJealousGuy so insecure]] with her in regards to other guys, [[InferioritySuperiorityComplex Tokio]] in particular. It also applies to cases outside of herself, as she doesn't seem to notice Palma's blatant crush on Tokio until Sandek literally spells it out, despite having literally walked in on Palma trying to make out with Tokio in his sleep. Justified, as romance isn't really something Ely focuses on as she views it as secondary to more immediate concerns.]]
* OlderThanTheyLook: As a result of her short height, Ely can easily seem like a child at first glance. However, she's actually the same age as Tokio and Azuma.

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* ObliviousToLove: [[spoiler:Ely doesn't seem to notice that Azuma is into her, with her expressing confusion as to why Azuma acts [[CrazyJealousGuy so insecure]] with her in regards to other guys, [[InferioritySuperiorityComplex Tokio]] in particular. It also applies to cases outside of herself, as she doesn't seem to notice Palma's blatant crush on Tokio until Sandek literally spells it out, despite having literally walked in on Palma trying to make out with Tokio in his sleep. Justified, as romance isn't really something Ely focuses on as she views it as secondary to more immediate concerns. It's somewhat reflective of the limits of her simple-and-straightforward worldview. While such a worldview certainly does help her not have to deal with any major anxieties, it sort of falls apart when it comes to more complex interpersonal situations.]]
* OlderThanTheyLook: As a result of her short height, Ely can easily seem like a child at first glance. However, she's actually the same age as Tokio and Azuma.[[note]]Ironically, she's slightly older than either of them[[/note]] It's more downplayed after the {{timeskip}}, as her character design definitely comes off as more mature-looking.

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