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Okay, a lot of problems here, most of which are covered on How To Write An Example, so please give that page a thorough read. For a start, examples are not written in the past tense, they're written in "historical present" tense. Second, many of these entries are padded with Word Cruft. And third, there are numerous grammatical and punctuation errors scattered throughout.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/animal_school_musical.png]]My Gym Partner's a Monkey probably isn't best known for its music, as aside from its obligatory theme song, there aren't many musical numbers in the show. However, whenever the show does introduce a song. It's usually going to be a damn epic head-banger.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/animal_school_musical.png]]My png]]
''My Gym Partner's aMonkey Monkey'' probably isn't best known for its music, as aside from its obligatory theme song, there aren't many musical numbers in the show. However, whenever the show does introduce a song. It's song, it's usually going to be a damn epic head-banger.
''My Gym Partner's a
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* The theme song is the most memorable and quoted song of the series. In fact, when most people hear the name of the show, the chorus is more often than not, the first thing that comes to mind.
to:
* The theme song is the most memorable and quoted song of the series. In fact, when most people hear the name of the show, the chorus is is, more often than not, the first thing that comes to mind.
Changed line(s) 5,6 (click to see context) from:
* "What's the Point?" from "I Got a New Aptitude". The stern, somber, and harshly real melancholy of this song powerfully emulate Adam and Jake's depression and sense of hopelessness, when they realized they'll never get the future they desire.
** The very existence of the song is rather odd, as MIGPAM is definitely not the kind of show that goes for deep, emotional scenes like this. Yet for some reason, the writers wanted to make the conflict of this specific episode as painfully heart-wrenching as possible.
** The very existence of the song is rather odd, as MIGPAM is definitely not the kind of show that goes for deep, emotional scenes like this. Yet for some reason, the writers wanted to make the conflict of this specific episode as painfully heart-wrenching as possible.
to:
* "What's the Point?" from "I Got a New Aptitude". The stern, somber, and harshly real melancholy of this song powerfully emulate emulates Adam and Jake's depression and sense of hopelessness, when they realized realize they'll never get the future they desire.
**desire. The very existence of the song is rather odd, as MIGPAM ''MIGPAM'' is definitely not the kind of show that goes for deep, emotional scenes like this. Yet for some reason, the writers wanted to make the conflict of this specific episode as painfully heart-wrenching as possible.
**
Changed line(s) 8,15 (click to see context) from:
** The intro to Middle School Musical was short & sweet, and a perfect example of the kind of earworms the following musical will be delivering. Following that was the parody version, which put a creative and humorous spin on it.
** "We'd Rather Do Anything Than Sing" did great at including every recurring character and fleshing out their personalities and musical talent all in one song. Not to mention, it featured the [[SuddenlyVoiced one and only speaking line of Horace Ferret]].
** "I Got No Rhyme" was catchy, funny, and easily Jake's second-best moments in the musical, with the best, of course, being "I Love My Butt".
** "Waiting in the Wings" was a damn good song that carried a story with it. All of the background characters and less popular recurring characters do a musical number about how they barely get to be in the show and how they wish they could take the places of any of the main cast members for [[ADayInTheLimelight a day in the limelight]]. It was good, it was interesting, and a whole episode could have been made from that concept.
** "Sunshine and Tulips" was sort of a breakout moment for Ingrid, as we got to see more of her personality than ever before. We got to see just how soft and kind of a girl she really was as well as a surprising development, in seeing her appreciation for Asian culture.
** Also, can we just take the time to appreciate how this entire musical was comprised solely of original music? The showrunners made sure not to use any stock cues or already existing public domain songs for their score. Everything from the numbers on the forefront to the tunes in the background were 100% original.
* Coach Gills' "Never Talk to Feral Cats" from "My Feral Lyon" may not have really carried a good tune to it, being one of those beatnik raps, but it had some funny lyrics that people were quoting all the way home.
* Then of course, there's the hilariously repetitive "Danza is the Boss" from "Mandrill of the House".
** "We'd Rather Do Anything Than Sing" did great at including every recurring character and fleshing out their personalities and musical talent all in one song. Not to mention, it featured the [[SuddenlyVoiced one and only speaking line of Horace Ferret]].
** "I Got No Rhyme" was catchy, funny, and easily Jake's second-best moments in the musical, with the best, of course, being "I Love My Butt".
** "Waiting in the Wings" was a damn good song that carried a story with it. All of the background characters and less popular recurring characters do a musical number about how they barely get to be in the show and how they wish they could take the places of any of the main cast members for [[ADayInTheLimelight a day in the limelight]]. It was good, it was interesting, and a whole episode could have been made from that concept.
** "Sunshine and Tulips" was sort of a breakout moment for Ingrid, as we got to see more of her personality than ever before. We got to see just how soft and kind of a girl she really was as well as a surprising development, in seeing her appreciation for Asian culture.
** Also, can we just take the time to appreciate how this entire musical was comprised solely of original music? The showrunners made sure not to use any stock cues or already existing public domain songs for their score. Everything from the numbers on the forefront to the tunes in the background were 100% original.
* Coach Gills' "Never Talk to Feral Cats" from "My Feral Lyon" may not have really carried a good tune to it, being one of those beatnik raps, but it had some funny lyrics that people were quoting all the way home.
* Then of course, there's the hilariously repetitive "Danza is the Boss" from "Mandrill of the House".
to:
** The intro to Middle School Musical was is short & and sweet, and a perfect example of the kind of earworms the following musical will be delivering. Following that was is the parody version, which put puts a creative and humorous spin on it.
** "We'd Rather Do Anything Than Sing"did great at including includes every recurring character and fleshing out their personalities and musical talent all in one song. Not to mention, it featured features the [[SuddenlyVoiced one and only speaking line of Horace Ferret]].
** "I Got No Rhyme"was is catchy, funny, and easily Jake's second-best moments in the musical, with the best, of course, being "I Love My Butt".
** "Waiting in the Wings"was is a damn good song that carried carries a story with it. All of the background characters and less popular recurring characters do a musical number about how they barely get to be in the show and how they wish they could take the places of any of the main cast members for [[ADayInTheLimelight a day in the limelight]]. It was good, it was interesting, and a ADayInTheLimelight. A whole episode could have been be made from that concept.
** "Sunshine and Tulips"was sort of is a breakout moment for Ingrid, as we got get to see more of her personality than ever before. We got to see just how soft and kind of a girl she really was is, as well as a surprising development, development in seeing her appreciation for Asian culture.
** Also, can we just take the time to appreciate how this entire musicalwas comprised solely of comprises original music? The showrunners made sure not to use any stock cues or already existing public domain songs for their score. Everything from the numbers on the forefront to the tunes in the background were are 100% original.
* Coach Gills' "Never Talk to Feral Cats" from "My Feral Lyon" may not havereally carried a good tune to it, being one of those beatnik raps, but it had has some funny lyrics that people were quoting quote all the way home.
*Then of course, there's the The hilariously repetitive "Danza is the Boss" from "Mandrill of the House".
** "We'd Rather Do Anything Than Sing"
** "I Got No Rhyme"
** "Waiting in the Wings"
** "Sunshine and Tulips"
** Also, can we just take the time to appreciate how this entire musical
* Coach Gills' "Never Talk to Feral Cats" from "My Feral Lyon" may not have
*
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Added DiffLines:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/animal_school_musical.png]]My Gym Partner's a Monkey probably isn't best known for its music, as aside from its obligatory theme song, there aren't many musical numbers in the show. However, whenever the show does introduce a song. It's usually going to be a damn epic head-banger.
----
* The theme song is the most memorable and quoted song of the series. In fact, when most people hear the name of the show, the chorus is more often than not, the first thing that comes to mind.
* "You Gotta Sell" from "Grub Drive". Most people don't know the lyrics, but Mrs. Warthog's chorus is what people quote and adore the most.
* "What's the Point?" from "I Got a New Aptitude". The stern, somber, and harshly real melancholy of this song powerfully emulate Adam and Jake's depression and sense of hopelessness, when they realized they'll never get the future they desire.
** The very existence of the song is rather odd, as MIGPAM is definitely not the kind of show that goes for deep, emotional scenes like this. Yet for some reason, the writers wanted to make the conflict of this specific episode as painfully heart-wrenching as possible.
* If a single song from "Animal School Musical" was left out of this page, it would be noticeably incomplete.
** The intro to Middle School Musical was short & sweet, and a perfect example of the kind of earworms the following musical will be delivering. Following that was the parody version, which put a creative and humorous spin on it.
** "We'd Rather Do Anything Than Sing" did great at including every recurring character and fleshing out their personalities and musical talent all in one song. Not to mention, it featured the [[SuddenlyVoiced one and only speaking line of Horace Ferret]].
** "I Got No Rhyme" was catchy, funny, and easily Jake's second-best moments in the musical, with the best, of course, being "I Love My Butt".
** "Waiting in the Wings" was a damn good song that carried a story with it. All of the background characters and less popular recurring characters do a musical number about how they barely get to be in the show and how they wish they could take the places of any of the main cast members for [[ADayInTheLimelight a day in the limelight]]. It was good, it was interesting, and a whole episode could have been made from that concept.
** "Sunshine and Tulips" was sort of a breakout moment for Ingrid, as we got to see more of her personality than ever before. We got to see just how soft and kind of a girl she really was as well as a surprising development, in seeing her appreciation for Asian culture.
** Also, can we just take the time to appreciate how this entire musical was comprised solely of original music? The showrunners made sure not to use any stock cues or already existing public domain songs for their score. Everything from the numbers on the forefront to the tunes in the background were 100% original.
* Coach Gills' "Never Talk to Feral Cats" from "My Feral Lyon" may not have really carried a good tune to it, being one of those beatnik raps, but it had some funny lyrics that people were quoting all the way home.
* Then of course, there's the hilariously repetitive "Danza is the Boss" from "Mandrill of the House".
----
* The theme song is the most memorable and quoted song of the series. In fact, when most people hear the name of the show, the chorus is more often than not, the first thing that comes to mind.
* "You Gotta Sell" from "Grub Drive". Most people don't know the lyrics, but Mrs. Warthog's chorus is what people quote and adore the most.
* "What's the Point?" from "I Got a New Aptitude". The stern, somber, and harshly real melancholy of this song powerfully emulate Adam and Jake's depression and sense of hopelessness, when they realized they'll never get the future they desire.
** The very existence of the song is rather odd, as MIGPAM is definitely not the kind of show that goes for deep, emotional scenes like this. Yet for some reason, the writers wanted to make the conflict of this specific episode as painfully heart-wrenching as possible.
* If a single song from "Animal School Musical" was left out of this page, it would be noticeably incomplete.
** The intro to Middle School Musical was short & sweet, and a perfect example of the kind of earworms the following musical will be delivering. Following that was the parody version, which put a creative and humorous spin on it.
** "We'd Rather Do Anything Than Sing" did great at including every recurring character and fleshing out their personalities and musical talent all in one song. Not to mention, it featured the [[SuddenlyVoiced one and only speaking line of Horace Ferret]].
** "I Got No Rhyme" was catchy, funny, and easily Jake's second-best moments in the musical, with the best, of course, being "I Love My Butt".
** "Waiting in the Wings" was a damn good song that carried a story with it. All of the background characters and less popular recurring characters do a musical number about how they barely get to be in the show and how they wish they could take the places of any of the main cast members for [[ADayInTheLimelight a day in the limelight]]. It was good, it was interesting, and a whole episode could have been made from that concept.
** "Sunshine and Tulips" was sort of a breakout moment for Ingrid, as we got to see more of her personality than ever before. We got to see just how soft and kind of a girl she really was as well as a surprising development, in seeing her appreciation for Asian culture.
** Also, can we just take the time to appreciate how this entire musical was comprised solely of original music? The showrunners made sure not to use any stock cues or already existing public domain songs for their score. Everything from the numbers on the forefront to the tunes in the background were 100% original.
* Coach Gills' "Never Talk to Feral Cats" from "My Feral Lyon" may not have really carried a good tune to it, being one of those beatnik raps, but it had some funny lyrics that people were quoting all the way home.
* Then of course, there's the hilariously repetitive "Danza is the Boss" from "Mandrill of the House".
