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Fixing the links from the Russian version.
Changed line(s) 12 (click to see context) from:
** [[https://www.youtube.com/watch?v=pf3BQYikAcc Russian version]].
to:
** [[https://www.youtube.com/watch?v=pf3BQYikAcc com/watch?v=uxAqpGuIIaI Russian version]].
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Removing Flame Bait.
Changed line(s) 13 (click to see context) from:
* "Mad Machine" contrasts sharply against "Kon'ya wa Hurricane" with cold, deliberate notes, matching the ChaoticGood vs. LawfulEvil tone of the series.
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* "Mad Machine" contrasts sharply against "Kon'ya wa Hurricane" with cold, deliberate notes, matching the ChaoticGood vs. LawfulEvil tone of the series.notes.
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Formatting an entry as "[Title], that [does X]" instead of "[Title] [does X]" is Word Cruft.
Changed line(s) 22 (click to see context) from:
* [[https://www.youtube.com/watch?v=BXzn5GE5ifc Largo's theme]], that fittingly sounds like a cyberpunk boss battle tune with the synth and electric guitar riffs.
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* [[https://www.youtube.com/watch?v=BXzn5GE5ifc Largo's theme]], that theme]] fittingly sounds like a cyberpunk boss battle tune with the synth and electric guitar riffs.
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** [[https://www.youtube.com/watch?v=an_0IIRDlc4 Japanese version]].
** [[https://www.youtube.com/watch?v=N0thAIvSCSI English version]].
** [[https://www.youtube.com/watch?v=pf3BQYikAcc Russian version]].
** [[https://www.youtube.com/watch?v=N0thAIvSCSI English version]].
** [[https://www.youtube.com/watch?v=pf3BQYikAcc Russian version]].
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* [[https://www.youtube.com/watch?v=BXzn5GE5ifc Largo's theme]], that fittingly sounds like a cyberpunk boss battle tune with the synth and electric guitar riffs.
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Changed line(s) 11 (click to see context) from:
* "Asu e Touchdown", the insert song for Episode 3, seems at first a song about childhood friends turned lovers learning to find hope for tomorrow even in the face of the dystopia of series setting. However, the song itself actually works on many levels, since all of the Knight Sabers are singing it, it can also beseen as them giving hope to the people of [=MegaTokyo=], especially with how the official video set them up on a stage rising up over the city. The same video also shows the past lives of the members as well as how Sylia recruited them, so it can be seen as Sylia's song for them to join her in her quest.
to:
* "Asu e Touchdown", the insert song for Episode 3, seems at first a song about childhood friends turned lovers learning to find hope for tomorrow even in the face of the dystopia of series setting. However, the song itself actually works on many levels, since all of the Knight Sabers are singing it, it can also beseen be seen as them giving hope to the people of [=MegaTokyo=], especially with how the official video set them up on a stage rising up over the city. The same video also shows the past lives of the members as well as how Sylia recruited them, so it can be seen as Sylia's song for them to join her in her quest.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/screenshot_20220315_174059_samsung_internet.jpg]]
[[caption-width-right:350:''"Kabe wo BREAKDOWN (koeru made), Yume wo TOUCHDOWN (tsukamu made), Sou shiawase ni naru tame ni umareta kara"''[[labelnote:Translation]]Until we overcome and break down the walls, until we touch down and seize our dreams, because we were born, yes, to be happy[[/labelnote]]]]
[[caption-width-right:350:''"Kabe wo BREAKDOWN (koeru made), Yume wo TOUCHDOWN (tsukamu made), Sou shiawase ni naru tame ni umareta kara"''[[labelnote:Translation]]Until we overcome and break down the walls, until we touch down and seize our dreams, because we were born, yes, to be happy[[/labelnote]]]]
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Changed line(s) 16 (click to see context) from:
* [[https://www.youtube.com/watch?v=AXUq4HG7fo8 "Say Yes!"]] (which just may be the most 80s song ever recorded, in the best possible way) and "Never The End" are a testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
to:
* [[https://www.youtube.com/watch?v=AXUq4HG7fo8 "Say Yes!"]] (which just may be the most 80s song ever recorded, in the best possible way) and [[http://www.youtube.com/watch?v=dsVYcavImio "Never The End" End"]] are a testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
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Changed line(s) 16 (click to see context) from:
* "Say Yes!" (which just may be the most 80s song ever recorded, in the best possible way) and "Never The End" are a testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
to:
* [[http://www.youtube.com/watch?v=AXUq4HG7fo8 "Say Yes!" Yes!"]] (which just may be the most 80s song ever recorded, in the best possible way) and "Never The End" are a testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
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Changed line(s) 16 (click to see context) from:
* "Say Yes!" and "Never The End" are a testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
to:
* "Say Yes!" (which just may be the most 80s song ever recorded, in the best possible way) and "Never The End" are a testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.artist.
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None
Changed line(s) 9 (click to see context) from:
* "Asu e Touchdown", the insert song for Episode 3, seems at first a song about childhood friends turned lovers learning to find hope for tomorrow even in the face of the dystopia of series setting. However, the song itself actually works on many levels, since all of the Knight Sabers are singing it, it can also beseen as them giving hope to the people of [=MegaTokyo=]. Taken with the official video, which details the recruitment of the Knight Sabers, it could be seen as Sylia's song, reaching out to them to join her in her quest.
to:
* "Asu e Touchdown", the insert song for Episode 3, seems at first a song about childhood friends turned lovers learning to find hope for tomorrow even in the face of the dystopia of series setting. However, the song itself actually works on many levels, since all of the Knight Sabers are singing it, it can also beseen as them giving hope to the people of [=MegaTokyo=]. Taken [=MegaTokyo=], especially with how the official video, which details video set them up on a stage rising up over the recruitment city. The same video also shows the past lives of the Knight Sabers, members as well as how Sylia recruited them, so it could can be seen as Sylia's song, reaching out to song for them to join her in her quest.
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None
Changed line(s) 9 (click to see context) from:
%% * "Asu e Touchdown"
to:
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Changed line(s) 14 (click to see context) from:
%% * "Mysterious Night"
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Formatting the entry as \"\'Song title\': description\" comes across as a bit clunky. It\'s possible to work the track title into the sentence rather than fencing it off from the rest of the entry.
Changed line(s) 7,8 (click to see context) from:
* "Kon'ya wa Hurricane": Establishes the mood of the entire series. It's chaotic, fast paced and knows what nerve to hit.
* "Mad Machine": Contrasts sharply against "Kon'ya wa Hurricane" with cold, deliberate notes, matching the ChaoticGood vs. LawfulEvil tone of the series.
* "Mad Machine": Contrasts sharply against "Kon'ya wa Hurricane" with cold, deliberate notes, matching the ChaoticGood vs. LawfulEvil tone of the series.
to:
* "Kon'ya wa Hurricane": Establishes Hurricane" establishes the mood of the entire series. It's chaotic, fast paced and knows what nerve to hit.
* "MadMachine": Contrasts Machine" contrasts sharply against "Kon'ya wa Hurricane" with cold, deliberate notes, matching the ChaoticGood vs. LawfulEvil tone of the series.
* "Mad
Changed line(s) 15,17 (click to see context) from:
* "Rock Me": After an episode that eschewed an opening song for an eerie soundtrack, having a heart-pumping song like this just screams of triumph.
* "Say Yes!" & "Never The End": A testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
* "Bye Bye My Crisis" & "Chase the Dream": Just the best songs to have for a finale. Despite the loose ends, you just know the Knight Sabers will handle it.
* "Say Yes!" & "Never The End": A testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
* "Bye Bye My Crisis" & "Chase the Dream": Just the best songs to have for a finale. Despite the loose ends, you just know the Knight Sabers will handle it.
to:
* "Rock Me": After an episode that eschewed an opening song for an eerie soundtrack, having a heart-pumping song like this "Rock Me" just screams of triumph.
* "Say Yes!"& and "Never The End": A End" are a testament to Vision's awesomeness and proof that underneath her gruff exterior is the heart of an artist.
* "Bye Bye My Crisis"& and "Chase the Dream": Just Dream" are just the best songs to have for a finale. Despite the loose ends, you just know the Knight Sabers will handle it.
* "Say Yes!"
* "Bye Bye My Crisis"
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Changed line(s) 6 (click to see context) from:
%%* OVA series: "Kon'ya wa Hurricane", "Mad Machine", "Asu e Touchdown", "Victory", "Crisis ~ Ikari o Komete Hashire", "Akuma no Tenshi no Kiss", "Bara no Soldier", "Mysterious Night", "Rock Me", "Say Yes!", "Never The End", "Bye Bye My Crisis", "Chase the Dream".
to:
* "Kon'ya wa
* "Mad
%% * "Asu e
%% * "Victory"
%% * "Crisis ~ Ikari o Komete
%% * "Akuma no Tenshi no
%% * "Bara no
%% * "Mysterious
* "Rock
* "Say
* "Bye Bye My
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Leaving aside the fact that every entry needs to end with some sort of punctuation mark, there isn\'t a single meaningful example on this page as they are currently written. I\'ve never heard of any of these tracks. And after reading this page, I know just as much about why they are awesome as I did before I started reading it. You\'re writing this page for everyone, not just for yourself and not just for fans. To assume that a list of song titles is all the context an example needs is a form of Fan Myopia. Do not uncomment these examples without expanding them to explain why they are awesome in a way that ANY reader can appreciate.
Changed line(s) 1,5 (click to see context) from:
* OVA series: "Kon'ya wa Hurricane", "Mad Machine", "Asu e Touchdown", "Victory", "Crisis ~ Ikari o Komete Hashire", "Akuma no Tenshi no Kiss", "Bara no Soldier", "Mysterious Night", "Rock Me", "Say Yes!", "Never The End", "Bye Bye My Crisis", "Chase the Dream"
* ''Bubblegum Crash!'': "Hateshitenai Tabi" (OP)
* ''AD Police'' OVA: "Dead End City" (OP)
* ''BGC Tokyo 2040'': "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Ame", "Waiting For You" (ED), and BGM tracks "DGR-1" and "Innocence"
* ''AD Police'' TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
* ''Bubblegum Crash!'': "Hateshitenai Tabi" (OP)
* ''AD Police'' OVA: "Dead End City" (OP)
* ''BGC Tokyo 2040'': "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Ame", "Waiting For You" (ED), and BGM tracks "DGR-1" and "Innocence"
* ''AD Police'' TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
to:
%%
%% A list of track titles is not a proper example. Do not uncomment these examples without adding context to explain why EACH ONE is awesome.
%%
%%
%%* OVA series: "Kon'ya wa Hurricane", "Mad Machine", "Asu e Touchdown", "Victory", "Crisis ~ Ikari o Komete Hashire", "Akuma no Tenshi no Kiss", "Bara no Soldier", "Mysterious Night", "Rock Me", "Say Yes!", "Never The End", "Bye Bye My Crisis", "Chase the
*
%%* ''Bubblegum Crash!'': "Hateshitenai Tabi"
*
%%* ''AD Police'' OVA: "Dead End City"
*
%%* ''BGC Tokyo 2040'': "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Ame", "Waiting For You" (ED), and BGM tracks "DGR-1" and
*
%%* ''AD Police'' TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
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Changed line(s) 1,5 (click to see context) from:
** OVA series: "Kon'ya wa Hurricane", "Mad Machine", "Asu e Touchdown", "Victory", "Crisis ~ Ikari o Komete Hashire", "Akuma no Tenshi no Kiss", "Bara no Soldier", "Mysterious Night", "Rock Me", "Say Yes!", "Never The End", "Bye Bye My Crisis", "Chase the Dream"
** ''Bubblegum Crash!'': "Hateshitenai Tabi" (OP)
** ''AD Police'' OVA: "Dead End City" (OP)
** ''BGC Tokyo 2040'': "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Ame", "Waiting For You" (ED), and BGM tracks "DGR-1" and "Innocence"
** ''AD Police'' TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
** ''Bubblegum Crash!'': "Hateshitenai Tabi" (OP)
** ''AD Police'' OVA: "Dead End City" (OP)
** ''BGC Tokyo 2040'': "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Ame", "Waiting For You" (ED), and BGM tracks "DGR-1" and "Innocence"
** ''AD Police'' TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
to:
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Added DiffLines:
** OVA series: "Kon'ya wa Hurricane", "Mad Machine", "Asu e Touchdown", "Victory", "Crisis ~ Ikari o Komete Hashire", "Akuma no Tenshi no Kiss", "Bara no Soldier", "Mysterious Night", "Rock Me", "Say Yes!", "Never The End", "Bye Bye My Crisis", "Chase the Dream"
** ''Bubblegum Crash!'': "Hateshitenai Tabi" (OP)
** ''AD Police'' OVA: "Dead End City" (OP)
** ''BGC Tokyo 2040'': "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Ame", "Waiting For You" (ED), and BGM tracks "DGR-1" and "Innocence"
** ''AD Police'' TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
** ''Bubblegum Crash!'': "Hateshitenai Tabi" (OP)
** ''AD Police'' OVA: "Dead End City" (OP)
** ''BGC Tokyo 2040'': "y'Know" (OP), "Idea", "Bukkirabou na Ai ni Oboreta", "Ame", "Waiting For You" (ED), and BGM tracks "DGR-1" and "Innocence"
** ''AD Police'' TV: "Toki no Naka de" (ED; in a rare example of the ending theme being better than the opening, even ADV used it in all of its trailers for this series.)
