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* Any time an episode had movies that all received two thumbs up, such as the episode where they reviewed ''Film/{{Armistad}}'', ''Film/GoodWillHunting'', ''Film/Titanic1997'', and ''The Apostle''.

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* Any time an episode had movies that all received two thumbs up, such as the episode where they reviewed ''Film/{{Armistad}}'', ''Armistad'', ''Film/GoodWillHunting'', ''Film/Titanic1997'', and ''The Apostle''.
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* Any time an episode had movies that all received two thumbs up, such as the episode where they reviewed ''Amistad'', ''Film/GoodWillHunting'', ''Film/Titanic1997'', and ''The Apostle''.

to:

* Any time an episode had movies that all received two thumbs up, such as the episode where they reviewed ''Amistad'', ''Film/{{Armistad}}'', ''Film/GoodWillHunting'', ''Film/Titanic1997'', and ''The Apostle''.
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--> '''Ebert''': If you were to name the top three people responsible for violence in movies today, as far as the box office is concerned, Creator/OliverStone wouldn't be anywhere on that list. The three top names would be [[Creator/ArnoldSchwarzenegger Schwarzenegger]], [[Creator/SylvesterStallone Stallone]], and [[Creator/BruceWillis Bruce Willis]]. And what do those three names have in common? Conservative Republicans who donate a lot of money to the party, and so somehow, Dole doesn't mention those. In fact, he recommends the Schwarzenegger picture, ''Film/TrueLies'', says he likes it, even though he hasn't seen that ''either'', yet he says he doesn't like "loveless sex" in the movies. If he had ''seen'' "True Lies", he would've seen a scene in which a woman stripteases for a man she doesn't know is her own husband! I bet he really would've considered that to be "love in marriage". He doesn't seem to be able to make the connection between real things that make a difference in our society, and the shadows of those things, which are the movies. He approves of guns in the streets, but he doesn't approve of guns on the screen. So it seems to me that by making this speech, based on movies he hasn't seen, hasn't thought about, he's basically revealing himself as somebody who only wants to cater to what he thinks is his constituency, doesn't want to make a serious contribution to the national debate.

to:

--> '''Ebert''': If you were to name the top three people responsible for violence in movies today, as far as the box office is concerned, Creator/OliverStone wouldn't be anywhere on that list. The three top names would be [[Creator/ArnoldSchwarzenegger Schwarzenegger]], [[Creator/SylvesterStallone Stallone]], and [[Creator/BruceWillis Bruce Willis]]. And what do those three names have in common? Conservative Republicans who donate a lot of money to the party, and so somehow, Dole doesn't mention those. In fact, he recommends the Schwarzenegger picture, ''Film/TrueLies'', says he likes it, even though he hasn't seen that ''either'', yet he says he doesn't like "loveless sex" in the movies. If he had ''seen'' "True Lies", '''seen''' ''True Lies'', he would've seen a scene in which a woman stripteases for a man she doesn't know is her own husband! I bet he really would've considered that to be "love in marriage". He doesn't seem to be able to make the connection between real things that make a difference in our society, and the shadows of those things, which are the movies. He approves of guns in the streets, but he doesn't approve of guns on the screen. So it seems to me that by making this speech, based on movies he hasn't seen, hasn't thought about, he's basically revealing himself as somebody who only wants to cater to what he thinks is his constituency, doesn't want to make a serious contribution to the national debate.



* Any time an episode had movies that all revived two thumbs up, such as the episode where they reviewed ''Armistad'', ''Film/GoodWillHunting'', ''Film/Titanic1997'', and ''The Apostle''.

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* Any time an episode had movies that all revived received two thumbs up, such as the episode where they reviewed ''Armistad'', ''Amistad'', ''Film/GoodWillHunting'', ''Film/Titanic1997'', and ''The Apostle''.
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* Any time an episode had movies that all revived two thumbs up, such as the episode where they reviewed ''Armistad'', ''Film/GoodWillHunting'', ''Film/Titanic1997'', and ''The Apostle''.
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-->'''Ebert''': Now, what do I know about Nintendo? Very little. But I know ''this''. I once got to the ''second level'' of ''VideoGame/TeenageMutantNinjaTurtles''. And so in this movie, when they talk about "Hey, I got to the third level!", and they show the screen, even dummy like ''me'', I know enough that [[PacManFever they only got to the]] ''[[PacManFever first]]'' [[PacManFever level!]]

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-->'''Ebert''': Now, what do I know about Nintendo? Very little. But I know ''this''. I once got to the ''second level'' of ''VideoGame/TeenageMutantNinjaTurtles''.''VideoGame/{{Teenage Mutant Ninja Turtles|1989}}''. And so in this movie, when they talk about "Hey, I got to the third level!", and they show the screen, even dummy like ''me'', I know enough that [[PacManFever they only got to the]] ''[[PacManFever first]]'' [[PacManFever level!]]
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* Ebert proves his wisdom on film criticism (such as comparing/contrasting similar movies instead of comparing apples and oranges) when the duo reviewed ''Film/WarOfTheWorlds'':

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* Ebert proves his wisdom on film criticism (such as comparing/contrasting similar movies instead of comparing apples and oranges) when the duo reviewed ''Film/WarOfTheWorlds'':''Film/WarOfTheWorlds2005'':
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** Siskel, who can be heard laughing throughout Ebert's rant, has a perfect response:
--> '''Siskel''': [[{{Understatement}} Boy... you're upset]]. [[SuddenlyShouting AND YOU KNOW I AM TOO!]]
--> (''Ebert bursts out laughing'')
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* Siskel and Ebert devoted an entire segment in a 1995 episode to calling out Bob Dole's ignorant MoralGuardian comments on recent movies, including criticizing his ComplainingAboutShowsYouDontWatch and PraisingShowsYouDontWatch.

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* Siskel and Ebert devoted an entire segment in a 1995 episode to calling out Bob Dole's UsefulNotes/BobDole's ignorant MoralGuardian comments on recent movies, including criticizing his ComplainingAboutShowsYouDontWatch and PraisingShowsYouDontWatch.

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Changed: 10

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* After Siskel gives a thumbs up review to ''Film/BrokenArrow'', Ebert's thumbs down review is so well-argued that Siskel actually changes his vote, the ''only'' time that happened to either of them in the entire series.

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* After Siskel gives a thumbs up review to ''Film/BrokenArrow'', ''Film/{{Broken Arrow|1996}}'', Ebert's thumbs down review is so well-argued that Siskel actually changes his vote, the ''only'' time that happened to either of them in the entire series.series.

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Removed: 204

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--> '''Ebert''': Y'know, Gene, I was talking to Barbara Kopple, who won two Academy Awards. And she said, "This committee is in love with talking heads and stock footage." And that's exactly what they are. These old-fashioned television-oriented films, with battleships bombing the beaches of Normandy while some deep voice says how many troops went ashore. They are not interested in living, breathing documentaries, and there's another problem, and that is: The committee that picks these documentaries is volunteers, mostly retired people, not most of them documentarians at all. But, they have four hours free, two nights a week, for eleven weeks, to see 64 documentaries, almost 100 hours of documentaries. So they go night after night, and they get to know each other, and they chat, and they arrive, and they leave. And until this year, they had a chairman. This year, the woman who was the chairman stepped aside for the year because she had a film that was in the running, and what do you know? They nominated it. It's the Stockholm Syndrome. They're so friendly, that of course they wanted to do her a favor. And every year, if you go back year after year and look at the nominees, you'll find one or two nominees that are
''fishy'', because the people that manipulate the committee are trying to get their pictures nominated. This situation stinks, it's rotten, and until the Academy reforms it, they have shame on their name.

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--> '''Ebert''': Y'know, Gene, I was talking to Barbara Kopple, who won two Academy Awards. And she said, "This committee is in love with talking heads and stock footage." And that's exactly what they are. These old-fashioned television-oriented films, with battleships bombing the beaches of Normandy while some deep voice says how many troops went ashore. They are not interested in living, breathing documentaries, and there's another problem, and that is: The committee that picks these documentaries is volunteers, mostly retired people, not most of them documentarians at all. But, they have four hours free, two nights a week, for eleven weeks, to see 64 documentaries, almost 100 hours of documentaries. So they go night after night, and they get to know each other, and they chat, and they arrive, and they leave. And until this year, they had a chairman. This year, the woman who was the chairman stepped aside for the year because she had a film that was in the running, and what do you know? They nominated it. It's the Stockholm Syndrome. They're so friendly, that of course they wanted to do her a favor. And every year, if you go back year after year and look at the nominees, you'll find one or two nominees that are
are ''fishy'', because the people that manipulate the committee are trying to get their pictures nominated. This situation stinks, it's rotten, and until the Academy reforms it, they have shame on their name.
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--> '''Ebert''': Y'know, Gene, I was talking to Barbara Kopple, who won two Academy Awards. And she said, "This committee is in love with talking heads and stock footage." And that's exactly what they are. These old-fashioned television-oriented films, with battleships bombing the beaches of Normandy while some deep voice says how many troops went ashore. They are not interested in living, breathing documentaries, and there's another problem, and that is: The committee that picks these documentaries is volunteers, mostly retired people, not most of them documentarians at all. But, they have four hours free, two nights a week, for eleven weeks, to see 64 documentaries, almost 100 hours of documentaries. So they go night after night, and they get to know each other, and they chat, and they arrive, and they leave. And until this year, they had a chairman. This year, the woman who was the chairman stepped aside for the year because she had a film that was in the running, and what do you know? They nominated it. It's the Stockholm Syndrome. They're so friendly, that of course they wanted to do her a favor. And every year, if you go back year after year and look at the nominees, you'll find one or two nominees that are
''fishy'', because the people that manipulate the committee are trying to get their pictures nominated. This situation stinks, it's rotten, and until the Academy reforms it, they have shame on their name.


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--> '''Ebert''': Maybe at some point, there was an inspiration for a good comedy here, I dunno, they certainly were not reluctant to spend a lot of money looking ridiculous in this movie, and sometimes that works. But not this time. The whole movie is a mess, and even though Cosby has disowned it, he cannot escape all the blame. I don't think so. In one scene, his twenty-year-old daughter brings home a sixty-six-year-old man that she wants to marry. Cosby is appalled; this guy is robbing the cradle! What does he do? He calls for a sandwich and a Coke. And then he holds the Coke bottle prominently next to his face for the rest of the scene. First it says "Coca-Cola", and then the next shot, it says "Coke", in case you missed the point. Who released this movie? Columbia. Who owns Columbia? Coca-Cola. What is Coca-Cola doing with this movie? They have a lot of products in this movie, Gene, that you can get a tie-in where you can get the product in connection with buying a ticket for the movie. I think that that is an all-time low: Bill Cosby, the richest man in show business, $67.5 million income last year, reduced to holding a Coca-Cola bottle next to his face in order to get a picture made at Columbia. He ought to be ashamed of himself.
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--> '''Ebert''': If you were to name the top three people responsible for violence in movies today, as far as the box office is concerned, Creator/OliverStone wouldn't be anywhere on that list. The three top names would be [[Creator/ArnoldSchwarzenegger Schwarzenegger]], [[Creator/SylvesterStallone Stallone]], and [[Creator/Bruce Willis Bruce Willis]]. And what do those three names have in common? Conservative Republicans who donate a lot of money to the party, and so somehow, Dole doesn't mention those. In fact, he recommends the Schwarzenegger picture, ''Film/TrueLies'', says he likes it, even though he hasn't seen that ''either'', yet he says he doesn't like "loveless sex" in the movies. If he had ''seen'' "True Lies", he would've seen a scene in which a woman stripteases for a man she doesn't know is her own husband! I bet he really would've considered that to be "love in marriage". He doesn't seem to be able to make the connection between real things that make a difference in our society, and the shadows of those things, which are the movies. He approves of guns in the streets, but he doesn't approve of guns on the screen. So it seems to me that by making this speech, based on movies he hasn't seen, hasn't thought about, he's basically revealing himself as somebody who only wants to cater to what he thinks is his constituency, doesn't want to make a serious contribution to the national debate.

to:

--> '''Ebert''': If you were to name the top three people responsible for violence in movies today, as far as the box office is concerned, Creator/OliverStone wouldn't be anywhere on that list. The three top names would be [[Creator/ArnoldSchwarzenegger Schwarzenegger]], [[Creator/SylvesterStallone Stallone]], and [[Creator/Bruce Willis [[Creator/BruceWillis Bruce Willis]]. And what do those three names have in common? Conservative Republicans who donate a lot of money to the party, and so somehow, Dole doesn't mention those. In fact, he recommends the Schwarzenegger picture, ''Film/TrueLies'', says he likes it, even though he hasn't seen that ''either'', yet he says he doesn't like "loveless sex" in the movies. If he had ''seen'' "True Lies", he would've seen a scene in which a woman stripteases for a man she doesn't know is her own husband! I bet he really would've considered that to be "love in marriage". He doesn't seem to be able to make the connection between real things that make a difference in our society, and the shadows of those things, which are the movies. He approves of guns in the streets, but he doesn't approve of guns on the screen. So it seems to me that by making this speech, based on movies he hasn't seen, hasn't thought about, he's basically revealing himself as somebody who only wants to cater to what he thinks is his constituency, doesn't want to make a serious contribution to the national debate.
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Added DiffLines:

--> '''Ebert''': If you were to name the top three people responsible for violence in movies today, as far as the box office is concerned, Creator/OliverStone wouldn't be anywhere on that list. The three top names would be [[Creator/ArnoldSchwarzenegger Schwarzenegger]], [[Creator/SylvesterStallone Stallone]], and [[Creator/Bruce Willis Bruce Willis]]. And what do those three names have in common? Conservative Republicans who donate a lot of money to the party, and so somehow, Dole doesn't mention those. In fact, he recommends the Schwarzenegger picture, ''Film/TrueLies'', says he likes it, even though he hasn't seen that ''either'', yet he says he doesn't like "loveless sex" in the movies. If he had ''seen'' "True Lies", he would've seen a scene in which a woman stripteases for a man she doesn't know is her own husband! I bet he really would've considered that to be "love in marriage". He doesn't seem to be able to make the connection between real things that make a difference in our society, and the shadows of those things, which are the movies. He approves of guns in the streets, but he doesn't approve of guns on the screen. So it seems to me that by making this speech, based on movies he hasn't seen, hasn't thought about, he's basically revealing himself as somebody who only wants to cater to what he thinks is his constituency, doesn't want to make a serious contribution to the national debate.
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* Siskel continued to do reviews from his hospital bed, communicating through a phone despite his illness. That's dedication.

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* Siskel continued to do reviews from his hospital bed, communicating through a phone despite his illness. That's dedication.dedication.
* After Siskel gives a thumbs up review to ''Film/BrokenArrow'', Ebert's thumbs down review is so well-argued that Siskel actually changes his vote, the ''only'' time that happened to either of them in the entire series.
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** Siskel then points out a similar but more blatant way of knowing they lied: he managed to catch a glimpse of the lower left-hand corner of the screen and saw that the score had jumped from 300 to 500, meaning the game had ''just started''.

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** Siskel then points out a similar but more blatant way of knowing they lied: he managed to catch a glimpse of the lower left-hand corner of the screen and saw that the score had jumped from 300 to 500, meaning the game had ''just started''.started''.
* Siskel continued to do reviews from his hospital bed, communicating through a phone despite his illness. That's dedication.
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-->'''Ebert''': Now, what do I know about Nintendo? Very little. But I know ''this''. I once got to the ''second level'' of ''VideoGame/TeenageMutantNinjaTurtles''. And so in this movie, when they talk about "Hey, I got to the third level!", and they show the screen, even dummy like ''me'', I know enough that [[PacManFever they only got to the]] ''[[PacManFever first]]'' [[PacManFever level!]]

to:

-->'''Ebert''': Now, what do I know about Nintendo? Very little. But I know ''this''. I once got to the ''second level'' of ''VideoGame/TeenageMutantNinjaTurtles''. And so in this movie, when they talk about "Hey, I got to the third level!", and they show the screen, even dummy like ''me'', I know enough that [[PacManFever they only got to the]] ''[[PacManFever first]]'' [[PacManFever level!]]level!]]
** Siskel then points out a similar but more blatant way of knowing they lied: he managed to catch a glimpse of the lower left-hand corner of the screen and saw that the score had jumped from 300 to 500, meaning the game had ''just started''.
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* Ebert's epic rant against ProductPlacement and Creator/BillCosby selling out during their review of ''Film/LeonardPart6''.

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* Ebert's epic rant against ProductPlacement and Creator/BillCosby selling out during their review of ''Film/LeonardPart6''.''Film/LeonardPart6''.
* Minor: in their review of ''Film/TheWizard'', Ebert makes a point (when discussing how Nintendo fans will most likely not like the film) of stating that, although he isn't ''that'' familiar with the UsefulNotes/NintendoEntertainmentSystem, he ''is'' familiar enough to notice a particular flub:
-->'''Ebert''': Now, what do I know about Nintendo? Very little. But I know ''this''. I once got to the ''second level'' of ''VideoGame/TeenageMutantNinjaTurtles''. And so in this movie, when they talk about "Hey, I got to the third level!", and they show the screen, even dummy like ''me'', I know enough that [[PacManFever they only got to the]] ''[[PacManFever first]]'' [[PacManFever level!]]
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* The episode "Hollywood's Outdated Ratings System", a pre-NC-17 episode that both called out hypocrisy among the MPAA and championed for an adults only rating that isn't porn.

to:

* The episode "Hollywood's Outdated Ratings System", a pre-NC-17 episode that both called out hypocrisy among the MPAA and championed for an adults only rating that isn't porn.porn.
* The duo was highly impressed with the documentary ''Film/HoopDreams'', so when it wasn't even ''nominated'' for best documentary in the 1995 Academy Awards (the most it got was a nomination in the editing category, which it lost to ''Film/ForrestGump''), they didn't take it well and called out the flawed documentary branch in the nomination process.
* Ebert's epic rant against ProductPlacement and Creator/BillCosby selling out during their review of ''Film/LeonardPart6''.
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'''Ebert''': ...To listen to what we say instead of looking at the dumb thumbs and the dumb stars, because there are gradations and ''contexts'' that go on.

to:

'''Ebert''': ...To listen to what we say instead of looking at the dumb thumbs and the dumb stars, because there are gradations and ''contexts'' that go on.on.
* Siskel and Ebert devoted an entire segment in a 1995 episode to calling out Bob Dole's ignorant MoralGuardian comments on recent movies, including criticizing his ComplainingAboutShowsYouDontWatch and PraisingShowsYouDontWatch.
* The episode "Hollywood's Outdated Ratings System", a pre-NC-17 episode that both called out hypocrisy among the MPAA and championed for an adults only rating that isn't porn.
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Added DiffLines:

* Ebert proves his wisdom on film criticism (such as comparing/contrasting similar movies instead of comparing apples and oranges) when the duo reviewed ''Film/WarOfTheWorlds'':
--> '''Roeper''': Before we move on, I just want to make this clear. So if you're standing there in a multiplex, and you've got your nine or ten bucks in your hand, you're saying that you should go see ''Film/TheLongestYard'' or ''The Honeymooners'' before you should go see ''War of the Worlds''.\\
'''Ebert''': I'm saying- well, how many times do I have to explain to you that ratings are relative, not absolute?\\
'''Roeper''': You, you know, I understand it, I'm just saying-\\
'''Ebert''': I'm saying if ''[[Film/ETTheExtraTerrestrial E.T.]]'' gets four stars and ''[[Film/CloseEncountersOfTheThirdKind Close Encounters]]'' gets four stars, this gets two stars.\\
'''Roeper''': And ''Longest Yard'' gets thumbs up, and this gets thumbs down.\\
'''Ebert''': Well, y'know, oddly enough, no. It doesn't work that way.\\
'''Roeper''': Well how does it not work that way?\\
'''Ebert''': ''Because'', people should be ''smart'' enough-\\
'''Roeper''': Right.\\
'''Ebert''': ...To listen to what we say instead of looking at the dumb thumbs and the dumb stars, because there are gradations and ''contexts'' that go on.

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