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Changed line(s) 2 (click to see context) from:
* If the scenes revolving around the arrest and imprisonment are real (it's deliberately ambiguous), then that means Chiyoko was brave enough to become an anti-imperialist/anti-fascist student activist with her career on the line (heck one piece of evidence pointing to it be real is due to how the bribe could've come from the studio) adding more to her already awesome legacy.
to:
* If the scenes revolving around the arrest and imprisonment are real (it's deliberately ambiguous), then that means Chiyoko was brave enough to become an anti-imperialist/anti-fascist student activist with her career on the line (heck one piece of evidence pointing to it be real is due to how the bribe could've come from the studio) adding more to her already awesome legacy.legacy.
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For the record I'm not trying to be too political with this post, I'm just saying it's pretty ballsy to do this kind of stuff under the most oppressive empires during World War II
Changed line(s) 1 (click to see context) from:
* Chiyoko going for the painter after having read his letter.
to:
* Chiyoko going for the painter after having read his letter.letter.
* If the scenes revolving around the arrest and imprisonment are real (it's deliberately ambiguous), then that means Chiyoko was brave enough to become an anti-imperialist/anti-fascist student activist with her career on the line (heck one piece of evidence pointing to it be real is due to how the bribe could've come from the studio) adding more to her already awesome legacy.
* If the scenes revolving around the arrest and imprisonment are real (it's deliberately ambiguous), then that means Chiyoko was brave enough to become an anti-imperialist/anti-fascist student activist with her career on the line (heck one piece of evidence pointing to it be real is due to how the bribe could've come from the studio) adding more to her already awesome legacy.
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Added DiffLines:
* Chiyoko going for the painter after having read his letter.
