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* "Come to Daddy" was one of the few music videos seen as being worthy of making the list of ''Series/The100GreatestScaryMoments''. Even better? It placed '''#35'''.

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* "Come to Daddy" was one of the few music videos seen as being worthy of making the list of ''Series/The100GreatestScaryMoments''. ''The 100 Greatest Scary Moments''. Even better? It placed '''#35'''.#35.

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* "Come to Daddy" was one of the few music videos seen as being worthy of making the list of ''Series/The100GreatestScaryMoments''. Even better? It placed '''#35'''. That's pretty impressive, no?

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* "Come to Daddy" was one of the few music videos seen as being worthy of making the list of ''Series/The100GreatestScaryMoments''. Even better? It placed '''#35'''. That's pretty impressive, no?



* Richard's two contributions to Music/NineInchNails' remix album of ''Music/TheDownwardSpiral'', ''Further Down the Spiral'', were highly seen as the biggest standout tracks on the album. The kicker? ''Richard never listened to the original album before making them.''

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* "Windowlicker" may be one of Aphex Twin's crowning moments of awesome and a moment establishing him as a legend of electronic music. Every part of that song is engineered to perfection, its being [[EarWorm commercial-sounding]] yet still retaining Aphex's weirdness is done to brilliance, and the bass section at the end. [[SugarWiki/MostWonderfulSound Oh God, that bass section.]]

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* "Windowlicker" may be one of Aphex Twin's crowning moments of awesome and a moment establishing him as a legend of electronic music. Every part of that song is engineered to perfection, its being [[EarWorm commercial-sounding]] commercial-sounding yet still retaining Aphex's weirdness is done to brilliance, and the bass section at the end. [[SugarWiki/MostWonderfulSound Oh God, that bass section.]]
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* "Windowlicker" may be one of Aphex Twin's crowning moments of awesome and a moment establishing him as a legend of electronic music. Every part of that song is engineered to perfection, its being [[EarWorm commercial-sounding]] yet still retaining Aphex's weirdness is done to brilliance, and the bass section at the end. '''''[[SugarWiki/MostWonderfulSound Oh God, that bass section.]]'''''
* The sheer impact that ''SAW 85-92'' had on the electronic music genre. Imagine putting the album on in 1992, listening to "Xtal" for the first time, and hearing sounds that have never before been heard..

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* "Windowlicker" may be one of Aphex Twin's crowning moments of awesome and a moment establishing him as a legend of electronic music. Every part of that song is engineered to perfection, its being [[EarWorm commercial-sounding]] yet still retaining Aphex's weirdness is done to brilliance, and the bass section at the end. '''''[[SugarWiki/MostWonderfulSound [[SugarWiki/MostWonderfulSound Oh God, that bass section.]]'''''
]]
* The sheer impact that ''SAW 85-92'' had on the electronic music genre. Imagine putting the album on in 1992, listening to "Xtal" for the first time, and hearing sounds that have never before been heard..heard...
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* "Windowlicker" may be one of Aphex Twin's crowning moments of awesome and a moment establishing him as a legend of electronic music. Every part of that song is engineered to perfection, its being [[EarWorm commercial-sounding]] yet still retaining Aphex's weirdness is done to brilliance, and the bass section at the end. '''''[[MostWonderfulSound Oh God, that bass section.]]'''''

to:

* "Windowlicker" may be one of Aphex Twin's crowning moments of awesome and a moment establishing him as a legend of electronic music. Every part of that song is engineered to perfection, its being [[EarWorm commercial-sounding]] yet still retaining Aphex's weirdness is done to brilliance, and the bass section at the end. '''''[[MostWonderfulSound '''''[[SugarWiki/MostWonderfulSound Oh God, that bass section.]]'''''
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cross-wicking


* ''Syro'' winning the Best Dance/Electronic Album award at the 2015 Grammys, which subsequently brought Aphex Twin back into mainstream buzz.

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* ''Syro'' ''Music/{{Syro}}'' winning the Best Dance/Electronic Album award at the 2015 Grammys, which subsequently brought Aphex Twin back into mainstream buzz.
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if someone actually checked the list they'd see that theres MORE than one music related item on the "scary moments" list


* "Come to Daddy" was the only music video seen as being worthy of making the list of ''Series/The100GreatestScaryMoments''. Even better? It placed '''#35'''. That's pretty impressive, no?

to:

* "Come to Daddy" was one of the only few music video videos seen as being worthy of making the list of ''Series/The100GreatestScaryMoments''. Even better? It placed '''#35'''. That's pretty impressive, no?
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** The fact that the album came out after 13 years and has been seen as Richard's best work yet, proving that he hasn't [[SeasonalRot gone down in quality]]; in fact, quite the opposite.


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* "Windowlicker" may be one of Aphex Twin's crowning moments of awesome and a moment establishing him as a legend of electronic music. Every part of that song is engineered to perfection, its being [[EarWorm commercial-sounding]] yet still retaining Aphex's weirdness is done to brilliance, and the bass section at the end. '''''[[MostWonderfulSound Oh God, that bass section.]]'''''
* The sheer impact that ''SAW 85-92'' had on the electronic music genre. Imagine putting the album on in 1992, listening to "Xtal" for the first time, and hearing sounds that have never before been heard..
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** [[CarefulWithThatAxe The screaming section]] is arguably the most intense moment in electronic music history, and it's bound to send chills rocketing down your spine.
* Richard's two contributions to Music/NineInchNails' remix album of ''Music/TheDownwardSpiral'', ''Further Down the Spiral'', were highly seen as the biggest standout tracks on the album. The kicker? ''Richard never listened to the original album before making them.''
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* If Aphex wasn't in ArchivePanic mode before, he sure is now, when he unleashed over 150 unreleased tracks on Soundcloud (under the name user48736353001) over the course of a couple months. Talk about making up for lost time.

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* If Aphex wasn't in ArchivePanic mode before, he sure is now, when he unleashed over 150 unreleased tracks on Soundcloud (under the name user48736353001) over the course of a couple months. Talk about making up for lost time.time.
* "Come to Daddy" was the only music video seen as being worthy of making the list of ''Series/The100GreatestScaryMoments''. Even better? It placed '''#35'''. That's pretty impressive, no?
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Added DiffLines:

* ''Syro'' winning the Best Dance/Electronic Album award at the 2015 Grammys, which subsequently brought Aphex Twin back into mainstream buzz.
* If Aphex wasn't in ArchivePanic mode before, he sure is now, when he unleashed over 150 unreleased tracks on Soundcloud (under the name user48736353001) over the course of a couple months. Talk about making up for lost time.

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