[005]
Wyldchyld
Current Version
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Is Kubo refining the personalities of his characters the more they appear? Yes, we\'ve seen it in every character in the story. All that means, however, is that this is a story-level trope and any one single character can\'t be singled out for special treatment. Not Liltotto, anyway.
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Is Kubo refining the personalities of his characters the more they appear? Yes, we\\\'ve seen it in every character in the story. To the extent where this trope kicks in? Only if we\\\'re talking Kubo\\\'s growing experience with his own work - which wouldn\\\'t single out any individual character.
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Is Kubo refining the personalities of his characters the more they appear? Yes, we\\\'ve seen it in every character in the story. All that means, however, is that this is a story-level trope and any one single character can\\\'t be singled out for special treatment. Not Liltotto, anyway.
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There is one scene which probably can be interpreted unambiguously as stoic - it\'s the scene where the shinigami and quincies confront each other. She does a moment of analysis, which can interpreted as concentration, focus, solemn or stoic, but then the characters all charge in for the attack. The quincies are given a mosic panel of their faces. Eight quincies, and six of them looks solemn/stoic. It\'s the mood of the scene, not proof that Liltotto has undergone a personality change from her first appearance.
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There is one scene which probably can be interpreted unambiguously as stoic - it\\\'s the scene where the shinigami and quincies confront each other. She does a moment of analysis, which can interpreted as concentration, focus, solemn or stoic, but then the characters all charge in for the attack. The quincies are given a mosic panel of their faces. Eight quincies, and six of them look solemn/stoic. It\\\'s the mood of the scene, not proof that Liltotto has undergone a personality change from her first appearance.
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There is one scene which probably can be interpreted unambiguously as stoic - it\'s the scene where the shinigami and quincies confront each other. She does a moment of analysis, which can interpreted as concentration, focus, solemn or stoic, but then the characters all charge in for the attlac. The quincies are given a mosic panel of their faces. Eight quincies, and six of them looks solemn/stoic. It\'s the mood of the scene, not proof that Liltotto has undergone a personality change from her first appearance.
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There is one scene which probably can be interpreted unambiguously as stoic - it\\\'s the scene where the shinigami and quincies confront each other. She does a moment of analysis, which can interpreted as concentration, focus, solemn or stoic, but then the characters all charge in for the attack. The quincies are given a mosic panel of their faces. Eight quincies, and six of them looks solemn/stoic. It\\\'s the mood of the scene, not proof that Liltotto has undergone a personality change from her first appearance.
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There is one scene which probably can be interpreted unambiguously as stoic - it\\\'s the scene where the shinigami and quincies confront each other. She does a moment of analysis, which can interpreted as concentration, focus, solemn or stoic, but then the characters all charge in for the attlac. The quincies are given a mosic panel of their faces. Eight quincies, and six of them looks solemn/stoic. It\\\'s the mood of the scene, not proof that Liltotto has undergone a personality change from her first appearance.
