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Trope disambig'd per TRS. Don't link it anywhere.
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* FaceOfTheBand: Kozelek.
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* JerkassWoobie: Kozelek ''really'' can be seen as this: Dude makes some very depressing and melancholic music that everyone can sympathize with (even the current music where it's just him discussing autobiographical situations), but there's no doubt that his ego driven behavior doesn't help matters either.
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* MemeticMutation: The titles Mark gives songs tend to be this by fans, simply because of how over the top they are.
* {{Narm}}: As mentioned above, certain song titles tend to be this for fans, due to how awkward they care compared to how the song is.
** The album covers, which seem like something straight out of an Instagram account, with ''Benji'' coming into mind.
** "The War on Drugs, Suck My Cock", that is all.
* {{Narm}}: As mentioned above, certain song titles tend to be this for fans, due to how awkward they care compared to how the song is.
** The album covers, which seem like something straight out of an Instagram account, with ''Benji'' coming into mind.
** "The War on Drugs, Suck My Cock", that is all.
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* TearJerker: The majority of ''April'' basically qualifies for this.
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* TearJerker: The majority of ''April'' basically qualifies for this.this, since it's themes of loss revolve around Mark's feelings after the death of his muse.
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** The transition from "songs" to "rambles" tend to bother fans, especially those who see the project as a RHP successor and miss Mark's singing style. Not helped later albums are seen as just "Mark ranting/rambling about something in his life".
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* AwesomeMusic: All the albums have moments like this, but ''Ghosts on the Great Highway'' is often considered a prime example of amazing work, in particular with the EpicRocking track of "Duk Koo Kim".
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* AwesomeMusic: SugarWiki/AwesomeMusic: All the albums have moments like this, but ''Ghosts on the Great Highway'' is often considered a prime example of amazing work, in particular with the EpicRocking track of "Duk Koo Kim".