History YMMV / GreenRoom

* AcceptableTargets: No one in the audience is really going to mind seeing neo-Nazi skinheads get mowed down in the course of the film.

* AcceptableBreaksFromReality / AnachronismStew: It is extremely unlikely to the point of being essentially impossible for any post-90s punk band, especially one with implied anarchist views like the Ain't Rights, to accept and play a show for neo-Nazis, regardless of how much money was offered to them to do so. Had this film been set in the 1970s or 80s, when punk bands were often less focused in their politics and the DIY touring scene much rougher and more desperate, this scenario might be somewhat more plausible, not to mention the inherent lack of cellphones of that period creating a much more likely reason for the band's isolation.

* AcceptableBreaksFromReality / AnachronismStew: It is extremely unlikely to the point of being essentially impossible for any post-90s punk band, especially one with implied anarchist views like the Ain't Rights, to accept and play a show for neo-Nazis, regardless of how much money was offered to them to do so. Had this film been set in the 1970s or 80s, when punk bands were often less focused in their politics and the DIY touring scene much rougher and more desparate, this scenario might be somewhat more plausible, not to mention the inherent lack of cellphones of that period creating a much more likely reason for the band's isolation.

* AcceptableBreaksFromReality / AnachronismStew: It is extremely unlikely to the point of being essentially impossible for any post-90s punk band, especially one with implied anarchist views like the Ain't Rights, to accept and play a show for neo-Nazis, regardless of how much money was offered to them to do so. Had this film been set in the 1970s or 80s, when bands were often less focused in their politics and the DIY touring scene much rougher and more desparate, this scenario might be somewhat more plausible, not to mention the inherent lack of cellphones of that period creating a much more likely reason for the band's isolation.

* SugarWiki/FunnyMoments: Even in an impressively dark and intense movie such as this, the BrickJoke at the end (see the main page) is ''hilarious''.
** Also, the fact that once the Ain't Rights realize they're in a nazi bar, they start their set off with [[RefugeInAudacity 'Nazi Punks Fuck Off']] by the Music/DeadKennedys.

* JerkassWoobie: If you listen closely, you can hear Amber give her explanation for why she hangs around neo-Nazis. She heavily implies[[labelnote:note]]And in the script, confirms it[[/labelnote]] that she was raped by men of color at one point. She's also the most violent and ready to kill out of the good guys.

** The film opens with the band having gotten in a car accident, which is incredibly uncomfortable given how Anton Yelchin would die in ''a similar car accident'' a year later.

* AcceptableTargets: No one in the audience is really going to mind seeing neo-Nazi skinheads get mown down in the course of the film.

* CatharsisFactor: [[spoiler:After seeing the neo-Nazis slaughter an entire punk band, seeing the final survivors turn the table and kill Darcy is ''incredibly satisfying'']].

* JerkassWoobie:
** Darcy is a murderous, dope-dealing white supremacist, but he's also an old man who just looks and sounds ''tired,'' long past the period where he believes in anything he espouses, and only keeps going because he needs the money the drugs bring in.
** If you listen closely, you can hear Amber give her explanation for why she hangs around neo-Nazis. She heavily implies[[labelnote:note]]And in the script, confirms it[[/labelnote]] that she was raped by men of color at one point. She's also the most violent and ready to kill out of the good guys.

** The film opens with the band having gotten in a car accident, which is incredibly uncomfortable given how Anton Yelchin would die a year later.

* HarsherInHindsight: A summer thriller about violent, murderous Neo-Nazis murdering teenagers became much harder to watch the following year, when ''actual'' Neo-Nazis descended on Charlottesville, Virginia, sparking violent clashes with police and protesters that left at least one young woman dead.

* ValuesResonance: This is a movie about left-wing punks fighting for their lives against a gang of murderous, heroin-slinging neo-Nazis... and it came out ''before'' the aforementioned Charlottesville rally (see HarsherInHindsight). While the events since the movie's release have made the movie more viscerally frightening, they've also added an undeniable CatharsisFactor to the band turning the tables.

** Also, the fact that once the Ain't Rights realize they're in a nazi bar, they start their set off with 'Nazi Punks Fuck Off' by the Music/DeadKennedys.

* JerkassWoobie: Darcy is a murderous, dope-dealing white supremacist, but he's also an old man who just looks and sounds ''tired,'' long past the period where he believes in anything he espouses, and only keeps going because he needs the money the drugs bring in.

** [[SubvertedTrope Subverted]] for some, who find the ''beginning'' hard to watch, but find an increased CatharsisFactor in the neo-Nazis getting their comeuppance as a result of these factors.

* {{Squick}}: The violence and gore in the film is extremely realistic: Big Justin and Daniel's deaths stand out, as does Pat's [[spoiler: mutilated arm]].

* JerkAssWoobie: Darcy is a murderous, dope-dealing white supremacist, but he's also an old man who just looks and sounds ''tired,'' long past the period where he believes in anything he espouses, and only keeps going because he needs the money the drugs bring in.