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* SugarWiki/VisualEffectsOfAwesome: Between the way her eyes glow and the beautiful colors on her wings, this version of Mothra is one of the most visually striking puppets of the character.
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* SugarWiki/VisualEffectsOfAwesome: SugarWiki/VisualEffectsOfAwesome:
** In addition to the striking Mothra and Battra models, the BeamOWar battles in this movie can be more captivating than in subsequent entries.
** Between the way her eyes glow and the beautiful colors on her wings, this version of Mothra is one of the most visually striking puppets of the character.
** In addition to the striking Mothra and Battra models, the BeamOWar battles in this movie can be more captivating than in subsequent entries.
** Between the way her eyes glow and the beautiful colors on her wings, this version of Mothra is one of the most visually striking puppets of the character.
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* SignatureScene: Godzilla emerging from the crater of Mount Fuji as it erupts, complete with Ifukube’s classic theme playing in the background.
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* SignatureScene: SignatureScene:
** Godzilla emerging from the crater of Mount Fuji as it erupts, complete with Ifukube’s classic theme playing in thebackground.background.
** The AdventurerArchaeologist sequence at the beginning is viewed as a unique sequence for the series and is one of the first things many people trying to learn more about the movie will hear about.
** The conclusion of the final showdown, where Mothra and Battra carry a beaten but still gamely fighting Godzilla out to sea [[spoiler:and he kills Battra]] is a powerful sequence of images that still warrants some talk.
** Godzilla emerging from the crater of Mount Fuji as it erupts, complete with Ifukube’s classic theme playing in the
** The AdventurerArchaeologist sequence at the beginning is viewed as a unique sequence for the series and is one of the first things many people trying to learn more about the movie will hear about.
** The conclusion of the final showdown, where Mothra and Battra carry a beaten but still gamely fighting Godzilla out to sea [[spoiler:and he kills Battra]] is a powerful sequence of images that still warrants some talk.
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* UglyCute: As usual, Mothra.
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* UglyCute: As usual, Mothra.Mothra is both a frightening mutant and adorably mannered and colored.
* SugarWiki/VisualEffectsOfAwesome: Between the way her eyes glow and the beautiful colors on her wings, this version of Mothra is one of the most visually striking puppets of the character.
* SugarWiki/VisualEffectsOfAwesome: Between the way her eyes glow and the beautiful colors on her wings, this version of Mothra is one of the most visually striking puppets of the character.
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* TheyWastedAPerfectlyGoodCharacter: Godzilla is offscreen for much of the film and has no real motivation for being involved in the plot, which revolves almost entirely around Mothra and Battra. Arguably, the only reason he’s here is to allow Battra to have a HeelFaceTurn and team with Mothra against a common enemy.
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* AndYouThoughtItWouldFail: From 1989 to 1991, [[ExecutiveMeddling Toho execs shot down three proposed Mothra films]] thinking she was unprofitable. And then Battle For Earth released, and became the highest-grossing film of the entire Heisei Era.
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* AlternateCharacterInterpretation: At the end did Mothra genuinely hope to remain at peace with Battra and thus the loss of the latter was a tragedy? [[GuileHero Or did she deviously plan to take care of two birds with one stone?]]
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* AlternateCharacterInterpretation: At the end did Mothra genuinely hope to remain at peace with Battra and thus the loss of the latter was a tragedy? [[GuileHero Or Or, knowing Battra was still a risky wildcard, did she deviously plan have Battra sacrifice himself to take care of two birds with one stone?]]
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** The elderly man in the Environmental Bureau constantly delivers panicked speeches directly at the camera with increasingly over-the-top expressions.
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** Honestly, the BeamOWar battles had already begun way back in ''Godzilla vs. Biollante''. ''Godzilla vs. King Ghidorah'' literally has several shots where Godzilla is on one side of the screen and King Ghidorah is on the other and laser beams blast in the center.
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** Honestly, the BeamOWar battles had already begun way back in ''Godzilla vs. Biollante''. ''Godzilla vs. King Ghidorah'' literally has several shots where Godzilla is on one side of the screen and King Ghidorah is on the other and laser beams blast in the center.
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* SignatureScene: Godzilla emerging from the crater of Mount Fuji, complete with Ifukube’s classic theme playing in the background.
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* SignatureScene: Godzilla emerging from the crater of Mount Fuji, Fuji as it erupts, complete with Ifukube’s classic theme playing in the background.
