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Changed line(s) 3 (click to see context) from:
'''Director Frank Paur:''' That broke my heart. I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it.
to:
'''Director Frank Paur:''' That broke my heart. I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it.it.
* YouLookFamiliar: Lucas is voiced by Creator/AronKincaid, who most frequently voiced Killer Croc on the show.
* YouLookFamiliar: Lucas is voiced by Creator/AronKincaid, who most frequently voiced Killer Croc on the show.
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Changed line(s) 2 (click to see context) from:
-->'''Creator/BruceTimm:''' If that whole end sequence with the spinning worlds in the observatory had gone to Creator/{{Junio}} or any other studio, it might have come off, but it went to AKOM. They just weren't able to pull off that level of animation.\\\
to:
-->'''Creator/BruceTimm:''' If that whole end sequence with the spinning worlds in the observatory had gone to Creator/{{Junio}} [[Creator/StudioJunio Junio]] or any other studio, it might have come off, but it went to AKOM. They just weren't able to pull off that level of animation.\\\
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Changed line(s) 1,5 (click to see context) from:
* CreatorBacklash: This was already considered a very average episode, but the creators disliked its terrible animation by Akom.
** Creator/BruceTimm said:
-->"If that whole end sequence with the spinning worlds in the observatory had gone to Junio or any other studio, it might have come off, but it went to AKOM. They just weren't able to pull off that level of animation."
** Director Frank Paur. "
-->"That broke my heart. I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it."
** Creator/BruceTimm said:
-->"If that whole end sequence with the spinning worlds in the observatory had gone to Junio or any other studio, it might have come off, but it went to AKOM. They just weren't able to pull off that level of animation."
** Director Frank Paur. "
-->"That broke my heart. I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it."
to:
* CreatorBacklash: This was already considered a very average episode, but the creators disliked its terrible animation by Akom.
** Creator/BruceTimm said:
-->"IfCreator/{{AKOM}}.
-->'''Creator/BruceTimm:''' If that whole end sequence with the spinning worlds in the observatory had gone toJunio Creator/{{Junio}} or any other studio, it might have come off, but it went to AKOM. They just weren't able to pull off that level of animation."
** Director\\\
'''Director FrankPaur. "
-->"ThatPaur:''' That broke my heart. I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it."
** Creator/BruceTimm said:
-->"If
-->'''Creator/BruceTimm:''' If that whole end sequence with the spinning worlds in the observatory had gone to
** Director
'''Director Frank
-->"That
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Changed line(s) 1 (click to see context) from:
* CreatorBacklash: This was already considered a very average episode, but its criticism was mainly singled out for its terrible animation by Akom.
to:
* CreatorBacklash: This was already considered a very average episode, but its criticism was mainly singled out for the creators disliked its terrible animation by Akom.
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Added DiffLines:
* CreatorBacklash: This was already considered a very average episode, but its criticism was mainly singled out for its terrible animation by Akom.
** Creator/BruceTimm said:
-->"If that whole end sequence with the spinning worlds in the observatory had gone to Junio or any other studio, it might have come off, but it went to AKOM. They just weren't able to pull off that level of animation."
** Director Frank Paur. "
-->"That broke my heart. I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it."
** Creator/BruceTimm said:
-->"If that whole end sequence with the spinning worlds in the observatory had gone to Junio or any other studio, it might have come off, but it went to AKOM. They just weren't able to pull off that level of animation."
** Director Frank Paur. "
-->"That broke my heart. I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it."
