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* CelebrityVoiceActor: In the Japanese dub, Antonio Salieri was voiced by the late movie and theater actor Takeshi Kusaka, who many {{Anime}} fans can recognize him as the voice of the main villain M.Bison in ''Anime/StreetFighterIITheAnimatedMovie''.

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* CelebrityVoiceActor: In the Japanese dub, Antonio Salieri was voiced by the late movie and theater actor Takeshi Kusaka, who many {{Anime}} fans can recognize him as the voice of the main villain M. Bison in ''Anime/StreetFighterIITheAnimatedMovie''.
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* DuelingDubs: There are two French dubs; the original from 1984 and the second made for the 2002 Director's Cut. In the case of the latter, Luq Hamet as Mozart and Creator/ClaudeGiraud as Emperor Joseph II are the only voice actors from the original dub who reprised their roles.

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* DuelingDubs: There are two French dubs; dubs for the film; the original from 1984 and the second made for the 2002 Director's Cut. In the case of the latter, Luq Hamet as Mozart and Creator/ClaudeGiraud as Emperor Joseph II are the only voice actors from the original dub who reprised their roles.

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* DuelingDubs: There are two French dubs; the original from 1984 and the second made for the 2002 Director's Cut. In the case of the latter, Luq Hamet as Mozart and Creator/ClaudeGiraud as Emperor Joseph II are the only voice actors from the original dub who reprised their roles.



* TheOtherDarrin: The Japanese dub has a very interesting case of this: The Director's Cut replaced some of the voice actors from the dub used in the original theatrical cut, In this case, Salieri, Emperor Joseph II and Leopold Mozart's voice actors were replaced with new ones, while keeping the rest of the voice cast intact.

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* TheOtherDarrin: The Japanese dub has a very interesting case of this: The the Director's Cut replaced some of the voice actors from the dub used in the original theatrical cut, cut. In this case, Salieri, Emperor Joseph II and Leopold Mozart's voice actors were replaced with new ones, while keeping the rest of the voice cast intact.



** Creator/MarkHamill was considered for the role of Mozart (for the film) and he had already played the role on Broadway. He was rejected because the director wanted lesser-known actors. Music/DavidBowie, Creator/KennethBranagh, Creator/TimCurry, Creator/MelGibson and Music/MickJagger were also among those rejected for the part. According to Creator/MilosForman's autobiography, one studio offered to fund the film on the condition that Forman cast Creator/WalterMatthau (a reported Mozart enthusiast). Forman refused the offer, considering Matthau to be too old for the role, since he was more than 60, and Mozart only lived to be 35. Creator/AndrewLloydWebber told ''The One Show'' that he was offered it, but turned it down.

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** Creator/MarkHamill was considered for the role of Mozart (for the film) and he had already played the role on Broadway. He was rejected because the director wanted lesser-known actors. Music/DavidBowie, Creator/KennethBranagh, Creator/TimCurry, Creator/MelGibson Creator/MelGibson, and Music/MickJagger were also among those rejected for the part. According to Creator/MilosForman's autobiography, one studio offered to fund the film on the condition that Forman cast Creator/WalterMatthau (a reported Mozart enthusiast). Forman refused the offer, considering Matthau to be too old for the role, since he was more than 60, and Mozart only lived to be 35. Creator/AndrewLloydWebber told ''The One Show'' that he was offered it, but turned it down.



** Creator/IanRichardson was originally cast as Emperor Jozef II.

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** Creator/IanRichardson was originally cast as Emperor Jozef Joseph II.
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* CelebrityVoiceActor: In the Japanese dub, Antonio Salieri was voiced by the late movie and theater actor Takeshi Kusaka, who many {{Anime}} fans can recognize him as the voice of the main villain M.Bison in ''Anime/StreetFighterIITheAnimatedMovie''.
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* TheOtherMarty: Creator/MegTilly was originally supposed to play Mozart's wife Constance, but she injured her leg the day before filming and the part had to be recast. Director Creator/MilosForman did later hire her again for a another period film set in the 18th century, ''Valmont'' (based on the novel ''Literature/DangerousLiaisons'').

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* TheOtherMarty: Creator/MegTilly was originally supposed to play Mozart's wife Constance, but she injured her leg the day before filming and the part had to be recast. Director Creator/MilosForman did later hire her again for a another period film set in the 18th century, ''Valmont'' (based on the novel ''Literature/DangerousLiaisons'').
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* CareerResurrection: A rare example in that ''Amadeus'' revived the career of a dead man. Before the movie came out, Salieri and his work were mostly forgotten, but the film has since revived interest in Salieri and his music. Wiki/{{Wikipedia}} describes [[https://en.wikipedia.org/wiki/Antonio_Salieri#Legacy modern-day performances of his music, including a festival in his hometown, where a theatre was renamed in his honor.]]

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* CareerResurrection: A rare example in that ''Amadeus'' revived the career of a dead man. Before the movie came out, Salieri and his work were mostly forgotten, but the film has since revived interest in Salieri and his music. Wiki/{{Wikipedia}} Website/{{Wikipedia}} describes [[https://en.wikipedia.org/wiki/Antonio_Salieri#Legacy modern-day performances of his music, including a festival in his hometown, where a theatre was renamed in his honor.]]
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* RevivalByCommercialization: According to Wiki/TheOtherWiki, the film ironically helped spark a revival of Salieri's music, which had previously languished in obscurity.

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* RevivalByCommercialization: According to Wiki/TheOtherWiki, Website/TheOtherWiki, the film ironically helped spark a revival of Salieri's music, which had previously languished in obscurity.

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* HostilityOnTheSet:
** "Hostility" is a strong word, but Tom Hulce and Creator/FMurrayAbraham consciously maintained a deliberately distant working relationship during the making of the film, to emulate their characters. The cast and crew describe both Hulce and Abraham becoming LostInCharacter to an extent; Elizabeth Berridge, who played his character's wife, lived with Hulce for a time after filming wrapped and noted that he was like a completely different person. Abraham, meanwhile, largely kept to himself, turning down invitations to get-togethers at the end of shooting days.
** Writer Peter Shaffer and director Milos Forman were holed up together in Forman's house in Connecticut developing the screenplay, and very quickly tired of each other. It seems to have been a case of proximity breeding contempt, as the two were able to laugh about it once they weren't forced to live together in close quarters for an extended period.

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* HostilityOnTheSet:
** "Hostility" is
HostilityOnTheSet: Writer Peter Shaffer and director Milos Forman were holed up together in Forman's house in Connecticut developing the screenplay, and very quickly tired of each other. It seems to have been a strong word, but case of proximity breeding contempt, as the two were able to laugh about it once they weren't forced to live together in close quarters for an extended period.
* MethodActing:
Tom Hulce and Creator/FMurrayAbraham consciously maintained a deliberately distant working relationship during the making of the film, to emulate their characters. The cast and crew describe both Hulce and Abraham becoming LostInCharacter to an extent; Elizabeth Berridge, who played his character's wife, lived with Hulce for a time after filming wrapped and noted that he was like a completely different person. Abraham, meanwhile, largely kept to himself, turning down invitations to get-togethers at the end of shooting days.
** Writer Peter Shaffer and director Milos Forman were holed up together in Forman's house in Connecticut developing the screenplay, and very quickly tired of each other. It seems to have been a case of proximity breeding contempt, as the two were able to laugh about it once they weren't forced to live together in close quarters for an extended period.
days.

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* HostilityOnTheSet: "Hostility" is a strong word, but Tom Hulce and Creator/FMurrayAbraham consciously maintained a deliberately distant working relationship during the making of the film, to emulate their characters. The cast and crew describe both Hulce and Abraham becoming LostInCharacter to an extent; Elizabeth Berridge, who played his character's wife, lived with Hulce for a time after filming wrapped and noted that he was like a completely different person. Abraham, meanwhile, largely kept to himself, turning down invitations to get-togethers at the end of shooting days.

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* HostilityOnTheSet: HostilityOnTheSet:
**
"Hostility" is a strong word, but Tom Hulce and Creator/FMurrayAbraham consciously maintained a deliberately distant working relationship during the making of the film, to emulate their characters. The cast and crew describe both Hulce and Abraham becoming LostInCharacter to an extent; Elizabeth Berridge, who played his character's wife, lived with Hulce for a time after filming wrapped and noted that he was like a completely different person. Abraham, meanwhile, largely kept to himself, turning down invitations to get-togethers at the end of shooting days.days.
** Writer Peter Shaffer and director Milos Forman were holed up together in Forman's house in Connecticut developing the screenplay, and very quickly tired of each other. It seems to have been a case of proximity breeding contempt, as the two were able to laugh about it once they weren't forced to live together in close quarters for an extended period.



* SelfAdaptation: Peter Shaffer who wrote the play wrote the screenplay of the film adaptation

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* SelfAdaptation: Playwright Peter Shaffer who wrote the adapted his play wrote to the screenplay of screen, reworking it almost from the film adaptation ground up to suit the new medium, including changing several plotlines and beefing up Mozart's role to a co-lead with Salieri. Both Shaffer and director Milos Forman acknowledged having worked on the script together, but only Shaffer receives credit in the finished film.
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* CareerResurrection: A rare example in that ''Amadeus'' revived the career of a dead man. Before the movie came out, Salieri and his work were mostly forgotten, but the film has since revived interest in Salieri and his music. Wiki/{{Wikipedia}} describes [[https://en.wikipedia.org/wiki/Antonio_Salieri#Legacy modern-day performances of his music, including a festival in his hometown, where a theatre was recently renamed in his honor.]]

to:

* CareerResurrection: A rare example in that ''Amadeus'' revived the career of a dead man. Before the movie came out, Salieri and his work were mostly forgotten, but the film has since revived interest in Salieri and his music. Wiki/{{Wikipedia}} describes [[https://en.wikipedia.org/wiki/Antonio_Salieri#Legacy modern-day performances of his music, including a festival in his hometown, where a theatre was recently renamed in his honor.]]
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* AFIS100Years100Movies: #53
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* FakeNationality: The Austrian Mozart and the Italian Salieri are played by Americans Tom Hulce and Creator/FMurrayAbraham.

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* FakeNationality: The Austrian Mozart and the Italian Salieri characters are all played by Americans Tom Hulce American and Creator/FMurrayAbraham.British actors, though Creator/FMurrayAbraham has Italian ancestry.
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** Forman wanted Creator/AmyIrving to repeat her Broadway role of Mozart's wife. To his disappointment, she passed, unable to cope with six months in Prague. Creator/RebeccaDeMornay and Creator/ElizabethMcGovern screen-tested for the role.

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** Forman wanted Creator/AmyIrving to repeat her Broadway role of Mozart's wife. To his disappointment, she passed, unable to cope with six months in Prague. Creator/RebeccaDeMornay and Creator/ElizabethMcGovern (who had previously worked with Forman in ''Film/{{Ragtime}}'') screen-tested for the role.
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* HostilityOnTheSet: Tom Hulce and Creator/FMurrayAbraham had a deliberately distant working relationship during the making of the film, much their characters do.

to:

* HostilityOnTheSet: "Hostility" is a strong word, but Tom Hulce and Creator/FMurrayAbraham had consciously maintained a deliberately distant working relationship during the making of the film, much to emulate their characters do.characters. The cast and crew describe both Hulce and Abraham becoming LostInCharacter to an extent; Elizabeth Berridge, who played his character's wife, lived with Hulce for a time after filming wrapped and noted that he was like a completely different person. Abraham, meanwhile, largely kept to himself, turning down invitations to get-togethers at the end of shooting days.
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* TheOtherMarty: Meg Tilly was originally supposed to play Mozart's wife Constance, but she injured her leg the day before filming and the part had to be recast. Director Creator/MilosForman did later hire her again for a another period film set in the 18th century, ''Valmont'' (based on the novel ''Literature/DangerousLiaisons'').

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* TheOtherMarty: Meg Tilly Creator/MegTilly was originally supposed to play Mozart's wife Constance, but she injured her leg the day before filming and the part had to be recast. Director Creator/MilosForman did later hire her again for a another period film set in the 18th century, ''Valmont'' (based on the novel ''Literature/DangerousLiaisons'').
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** Forman wanted Creator/AmyIrving to repeat her Broadway role of Mozart's wife. To his disappointment, she passed, unable to cope with six months in Prague. Creator/ElizabethMcGovern screen-tested for the role.

to:

** Forman wanted Creator/AmyIrving to repeat her Broadway role of Mozart's wife. To his disappointment, she passed, unable to cope with six months in Prague. Creator/RebeccaDeMornay and Creator/ElizabethMcGovern screen-tested for the role.
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** ''Creator/BurtReynolds'' was an early candidate for Salieri. Creator/SamWaterson auditioned for the role.

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** ''Creator/BurtReynolds'' was an early candidate for Salieri. Creator/SamWaterson Creator/SamWaterston auditioned for the role.
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* DeletedScene: Forman's ''Director's Cut'' version has twenty minutes of extra scenes that were cut for pacing or in order to get a G rating. Many of them fill in minor PlotHoles.

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* DeletedScene: Forman's R-rated ''Director's Cut'' version has twenty minutes of extra scenes that were cut for pacing or in order to get a G PG rating. Many of them fill in minor PlotHoles.
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Its true Peter shaffer not only wrote his play Amadeus but he wrote the screenplay of the film adaptation.

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* SelfAdaptation: Peter Shaffer who wrote the play wrote the screenplay of the film adaptation
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* CastTheRunnerUp: Creator/FMurrayAbraham originally sought for the small role of Rosenberg. During one audition session, Creator/MilosForman asked him to read for the part of the old Salieri. His reading was so good that Forman has already had in mind of him playing the lead role but deliberately stopped short of saying "you got the part" because Forman knew that casting him for that would clash with his work on ''Film/Scarface1983'', so he deliberately waited until he nearly completed all his scenes. A few days later, Forman asked Abraham to do the same reading for a few more audition sessions, but his refusal to do so eventually convinced Forman to cast him because he felt Abraham "could be a great actor if there are no breaks in between."

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* AbilityOverAppearance: Creator/MilosForman insisted that his lead actors retain their American accents so that they could concentrate on their characters and performance instead.



* TheCastShowoff: That really is Tom Hulce playing the piano on his back in one scene.



* HostilityOnTheSet: Tom Hulce and Creator/FMurrayAbraham had a deliberately distant working relationship during the making of the film, much their characters do.



* TheOtherMarty: Meg Tilly was originally supposed to play Mozart's wife Constance, but she injured her leg the day before filming and the part had to be recast. Director Creator/MilosForman did later hire her again for a another period film set in the 18th century, ''Valmont'' (based on the novel ''Literature/DangerousLiaisons'').



** Creator/MarkHamill was considered for the role of Mozart (for the film) and he had already played the role on Broadway. He was rejected because the director wanted lesser-known actors.
** Creator/KennethBranagh, Creator/TimCurry and Creator/MelGibson were also among those rejected for the part of Mozart.
** Meg Tilly was originally supposed to play Mozart's wife Constance, but she injured her leg the day before filming and the part had to be recast. Director Creator/MilosForman did later hire her again for a another period film set in the 18th century, ''Valmont'' (based on the novel ''Literature/DangerousLiaisons'').

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** The original script saw a number of variations in character actions and roles: Salieri's initial suicide attempt saw him attempt to jump out of his bedroom window as his servants tried to coax him away from the window and back to his own room (at which point they, as in the finished film, break down the door and find Salieri wounded); Salieri's servant girl Lorl played a slightly larger role; Leopold Mozart took a more vehement stance against stopping his son Wolfgang's marriage to Constanze; and the Baron Van Swieten was cast as "Von Swieten".
** Creator/MarkHamill was considered for the role of Mozart (for the film) and he had already played the role on Broadway. He was rejected because the director wanted lesser-known actors.
**
actors. Music/DavidBowie, Creator/KennethBranagh, Creator/TimCurry and Creator/TimCurry, Creator/MelGibson and Music/MickJagger were also among those rejected for the part part. According to Creator/MilosForman's autobiography, one studio offered to fund the film on the condition that Forman cast Creator/WalterMatthau (a reported Mozart enthusiast). Forman refused the offer, considering Matthau to be too old for the role, since he was more than 60, and Mozart only lived to be 35. Creator/AndrewLloydWebber told ''The One Show'' that he was offered it, but turned it down.
** ''Creator/BurtReynolds'' was an early candidate for Salieri. Creator/SamWaterson auditioned for the role.
** Forman wanted Creator/AmyIrving to repeat her Broadway role
of Mozart.
Mozart's wife. To his disappointment, she passed, unable to cope with six months in Prague. Creator/ElizabethMcGovern screen-tested for the role.
** Meg Tilly Creator/IanRichardson was originally supposed to play Mozart's wife Constance, but she injured her leg the day before filming and the part had to be recast. Director Creator/MilosForman did later hire her again for a another period film set in the 18th century, ''Valmont'' (based on the novel ''Literature/DangerousLiaisons'').cast as Emperor Jozef II.
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