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Changed line(s) 610,611 (click to see context) from:
** ''Stalker'': a man stalks a woman. Although the stalker [[LoveMakesYouEvil expresses more of resentment towards his 'crush']].
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman feels uncomfortable about it and runs away from him.
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman feels uncomfortable about it and runs away from him.
to:
** ''Stalker'': a man stalks a woman. Although the stalker [[LoveMakesYouEvil expresses more of resentment towards his 'crush']].
'crush']]. The song implies that he started to stalk her only after she either broke up or rejected him.
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman seemingly feels uncomfortable about it and runs away fromhim.him, but ends up sneering at him when he tells her to stay.
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman seemingly feels uncomfortable about it and runs away from
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Added example(s)
Added DiffLines:
* Music/SophieEllisBextor's "Catch You", of which the verses consist of [[ListSong Ellis-Bextor listing all the ways in which she's apparently spying on the target of her affections]], and the chorus consists of her bragging about how said target will never be able to escape her.
-->''Run to where you want, run to where you want\\
I am gonna find you\\
There ain't no distance far enough\\
My love's gonna find you\\
Run to where you want, run to where you want\\
But may I remind you\\
There ain't no engine fast enough\\
My love's gonna catch you''
* Music/{{Portishead}}'s "All Mine" veers into this as the song goes on, and the instrumentation only makes it scarier.
-->''Make no mistake\\
You shan't escape\\
Tethered and tied, there's nowhere to hide from me...\\
ALL MIIIIIIIIIIIINE!\\
You have to be...''
-->''Run to where you want, run to where you want\\
I am gonna find you\\
There ain't no distance far enough\\
My love's gonna find you\\
Run to where you want, run to where you want\\
But may I remind you\\
There ain't no engine fast enough\\
My love's gonna catch you''
* Music/{{Portishead}}'s "All Mine" veers into this as the song goes on, and the instrumentation only makes it scarier.
-->''Make no mistake\\
You shan't escape\\
Tethered and tied, there's nowhere to hide from me...\\
ALL MIIIIIIIIIIIINE!\\
You have to be...''
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Changed line(s) 596 (click to see context) from:
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman feels uncomfortable about it and runs away from him.
to:
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman feels uncomfortable about it and runs away from him.him.
* The narrator of "It Should've Been Me" by R.I.P. is heavily implied to be one.
-->There you are\\
Can't they see it?\\
I'm enough\\
Could it be?\\
It's rude to stare\\
Yes, I'm aware!
* The narrator of "It Should've Been Me" by R.I.P. is heavily implied to be one.
-->There you are\\
Can't they see it?\\
I'm enough\\
Could it be?\\
It's rude to stare\\
Yes, I'm aware!
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Changed line(s) 180 (click to see context) from:
* "One Way or Another" by Music/{{Blondie}}:
to:
* "One Way or Another" by Music/{{Blondie}}:Music/{{Blondie|Band}}:
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Changed line(s) 1 (click to see context) from:
* The narrator of the song "I Am The Storm", on the Music/BlueOysterCult album ''Music/{{Mirrors}}'', is in no doubt. His one-sided love has passed over the event horizon into an obsessive desire to inflict vengeance for being spurned.
to:
* The narrator of the song "I Am The Storm", on the Music/BlueOysterCult album ''Music/{{Mirrors}}'', ''Music/{{Mirrors|Album}}'', is in no doubt. His one-sided love has passed over the event horizon into an obsessive desire to inflict vengeance for being spurned.
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Changed line(s) 593 (click to see context) from:
* "День народження Наташi," (Natasha's Birthday) a Ukrainian song first by Music/VechirnyaShkola and then [[CoveredUp Covered Up]] by Music/{{Russya}} is about one of these pining after the titular Natasha.
to:
* "День народження Наташi," (Natasha's Birthday) a Ukrainian song first by Music/VechirnyaShkola and then [[CoveredUp Covered Up]] by Music/{{Russya}} is about one of these pining after the titular Natasha.Natasha.
* Recoil (a.k.a. Alan Wilder from Music/DepecheMode),
** ''Stalker'': a man stalks a woman. Although the stalker [[LoveMakesYouEvil expresses more of resentment towards his 'crush']].
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman feels uncomfortable about it and runs away from him.
* Recoil (a.k.a. Alan Wilder from Music/DepecheMode),
** ''Stalker'': a man stalks a woman. Although the stalker [[LoveMakesYouEvil expresses more of resentment towards his 'crush']].
** ''Control Freak'': a woman stalks a man, but the attraction turns out to be mutual. Once they start making out, the woman feels uncomfortable about it and runs away from him.
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Changed line(s) 538 (click to see context) from:
* "[[https://www.youtube.com/watch?v=THRtKGX-czY An Unhealthy Obsession]]" by The Blake Robinson Synthetic Orchestra plays up the two stalkers (one male, one female) as being ''extremely'' creepy but it is [[LyricalDissonance surprisingly upbeat]]. There is a twist: It is implied that they are obsessing over each other. The cover image even shows the woman filming the man through her window, while he tries to steal her washing from the clothes-line.
to:
* "[[https://www.youtube.com/watch?v=THRtKGX-czY An Unhealthy Obsession]]" by The Blake Robinson Synthetic Orchestra plays up the two stalkers (one male, one female) as being ''extremely'' creepy extremely creepy, but it is [[LyricalDissonance surprisingly upbeat]]. There is a twist: It is implied that they are obsessing over each other.''each other''. The cover image even shows the woman filming the man through her window, while he tries to steal her washing from the clothes-line.
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tidying
Changed line(s) 1 (click to see context) from:
* The narrator of the song "I Am The Storm", on the Music/BlueOysterCult album ''Music/{{Mirrors}}'', is in now doubt. His one-sided love has passed over the event horizon into an obsessive desire to inflict vengeance for being spurned.
to:
* The narrator of the song "I Am The Storm", on the Music/BlueOysterCult album ''Music/{{Mirrors}}'', is in now no doubt. His one-sided love has passed over the event horizon into an obsessive desire to inflict vengeance for being spurned.
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Added DiffLines:
* The narrator of the song "I Am The Storm", on the Music/BlueOysterCult album ''Music/{{Mirrors}}'', is in now doubt. His one-sided love has passed over the event horizon into an obsessive desire to inflict vengeance for being spurned.
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Changed line(s) 15 (click to see context) from:
* Music/WeirdAlYankovic has written two songs about these, "Melanie" and "Do I Creep You Out."
to:
* Music/WeirdAlYankovic has written two songs about these, "Melanie" [[Music/EvenWorse "Melanie"]] and [[Music/StraightOuttaLynwood "Do I Creep You Out."Out"]].
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Changed line(s) 592 (click to see context) from:
* "День народження Наташi," (Natasha's Birthday) a Ukrainian song first by Music/VechirnyaShkola and then [[CoveredUp Covered Up]] by Music/Russya is about one of these pining after the titular Natasha.
to:
* "День народження Наташi," (Natasha's Birthday) a Ukrainian song first by Music/VechirnyaShkola and then [[CoveredUp Covered Up]] by Music/Russya Music/{{Russya}} is about one of these pining after the titular Natasha.
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Changed line(s) 591 (click to see context) from:
* "Lonely Town" solo work from Brandon Flower's (of Music/TheKillers fame), has the chorus suggest the stalker is ''attempting to break into his crush's house.''
to:
* "Lonely Town" solo work from Brandon Flower's (of Music/TheKillers fame), has the chorus suggest the stalker is ''attempting to break into his crush's house.''''
* "День народження Наташi," (Natasha's Birthday) a Ukrainian song first by Music/VechirnyaShkola and then [[CoveredUp Covered Up]] by Music/Russya is about one of these pining after the titular Natasha.
* "День народження Наташi," (Natasha's Birthday) a Ukrainian song first by Music/VechirnyaShkola and then [[CoveredUp Covered Up]] by Music/Russya is about one of these pining after the titular Natasha.
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Changed line(s) 15 (click to see context) from:
* Music/WeirdAlYankovic has written a few songs about these. "Melanie" and "Do I Creep You Out" are two of them.
to:
* Music/WeirdAlYankovic has written a few two songs about these. these, "Melanie" and "Do I Creep You Out" are two of them.Out."
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Changed line(s) 485 (click to see context) from:
* Surprised no one's mentioned it yet, but maybe most tropers are too young to remember GeorgeMichael's 'Father Figure' which is totally this, and the "taxi driver" music video plays this trope UpToEleven.
to:
* Surprised no one's mentioned it yet, but maybe most tropers are too young to remember GeorgeMichael's 'Father Figure' which is totally this, and the "taxi driver" music video plays this trope UpToEleven.up to eleven.
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Changed line(s) 591 (click to see context) from:
* "Lonely Town" solo work from Brandon Flower's (of Music/TheKillers) fame, has the chorus suggest the stalker is ''attempting to break into his crush's house.''
to:
* "Lonely Town" solo work from Brandon Flower's (of Music/TheKillers) fame, Music/TheKillers fame), has the chorus suggest the stalker is ''attempting to break into his crush's house.''
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Changed line(s) 591 (click to see context) from:
* "Lonely Town" solo from Brandon Flower's (of Music/TheKillers) fame, has the chorus suggest the stalker is ''attempting to break into his crush's house.''
to:
* "Lonely Town" solo work from Brandon Flower's (of Music/TheKillers) fame, has the chorus suggest the stalker is ''attempting to break into his crush's house.''
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Changed line(s) 590 (click to see context) from:
And I'll poke and prod you more
to:
And I'll poke and prod you moremore
*"Lonely Town" solo from Brandon Flower's (of Music/TheKillers) fame, has the chorus suggest the stalker is ''attempting to break into his crush's house.''
*"Lonely Town" solo from Brandon Flower's (of Music/TheKillers) fame, has the chorus suggest the stalker is ''attempting to break into his crush's house.''
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Changed line(s) 358 (click to see context) from:
* "Mama" by Music/{{Genesis}}
to:
* "Mama" by Music/{{Genesis}}Music/{{Genesis|Band}}
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Changed line(s) 578 (click to see context) from:
* "Out of My Head" by Mobile seems to be about this.
to:
* "Out of My Head" by Mobile seems to be about this.this.
* The Zutons' "Why Won't You Give Me Your Love?":
-->I chain you up\\
I make you mine\\
I keep you locked downstairs\\
With all the bugs\\
And all the knots\\
I feed you rodent hair\\
\\
I keep you in my cellar safe\\
Oughta keep you there til dawn\\
I wait until the sun comes up\\
And I'll poke and prod you more
* The Zutons' "Why Won't You Give Me Your Love?":
-->I chain you up\\
I make you mine\\
I keep you locked downstairs\\
With all the bugs\\
And all the knots\\
I feed you rodent hair\\
\\
I keep you in my cellar safe\\
Oughta keep you there til dawn\\
I wait until the sun comes up\\
And I'll poke and prod you more
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Changed line(s) 459,463 (click to see context) from:
-->''I can't stand it, I can't''
-->''I can't stand the way you're running home!''
-->''And I don't care if you don't want me''
-->'''Cause I'm yours anyhow!''
-->''I put a spell on you, because you're mine!''
-->''I can't stand the way you're running home!''
-->''And I don't care if you don't want me''
-->'''Cause I'm yours anyhow!''
-->''I put a spell on you, because you're mine!''
to:
-->''I can't stand it, love you, I can't''
-->''I can't stand the way you're running home!''
-->''Andlove you\\
Idon't care if you don't want me''
-->'''Causelove you, anyhow\\
And I DON'T CARE IF YOU DON'T WANT ME\\
I'm yoursanyhow!''
-->''Iright now\\
I put a spell onyou, because you\\
Because you'remine!''[[CarefulWithThatAxe MIIIIIIIIIIIIINE!]]''
-->''I can't stand the way you're running home!''
-->''And
I
-->'''Cause
And I DON'T CARE IF YOU DON'T WANT ME\\
I'm yours
-->''I
I put a spell on
Because you're
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Changed line(s) 501 (click to see context) from:
* Jimmy Reed has a few songs like this, "Knocking At Your Door" probably being the best-known example. Can overlap with DoggedNiceGuy, considering Jimmy Reed's overall persona.
to:
* Jimmy Reed Music/JimmyReed has a few songs like this, "Knocking At Your Door" probably being the best-known example. Can overlap with DoggedNiceGuy, considering Jimmy Reed's overall persona.
