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Changed line(s) 47 (click to see context) from:
* ShoutOutToShakespeare: The "terrors of the Earth" line is from ''Theatre/KingLear''.
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* ShoutOutToShakespeare: A "most mechanical and dirty hand" is from ''Theatre/HenryIVPart2''. The "terrors of the Earth" line is from ''Theatre/KingLear''.
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Deleted line(s) 61 (click to see context) :
* YouGotSpunk: The Man in Black enjoys it more when Dolores resists him, and so rejects her PleaseIWillDoAnything plea.
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Changed line(s) 49 (click to see context) from:
* SoundtrackDissonance / AnachronismStew: An instrumental version of ''Paint It Black'' by Music/TheRollingStones plays during the excessively bloody saloon robbery.
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* SoundtrackDissonance / AnachronismStew: An instrumental version of ''Paint It Black'' by Music/TheRollingStones Music/{{The Rolling Stones|Band}} plays during the excessively bloody saloon robbery.
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Added DiffLines:
* BaitAndSwitch: Teddy is introduced in a manner that makes him look like a Guest playing out a harmless romantic fantasy with Host Dolores as the FarmersDaughter. Then they are attacked by the actual Guest; the Man in Black who murders Teddy with impunity, knowing Teddy is unable to harm him, then drags off Dolores to be raped.
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* DeceptivelyHumanRobots: Bill, an early model host that Ford is using for TheConfidant. Its movements are [[NoisyRobots noisy]] and jerky and it repeats phrases,. Ford comments that "even a simple handshake would give them away." The latter may be a MythologyGag to the original film, where the hands were the only way of telling a robot from a real person as they couldn't get them quite right.
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* DeceptivelyHumanRobots: Bill, an early model host Host that Ford is using for TheConfidant. Its movements are [[NoisyRobots noisy]] and jerky and it repeats phrases,.phrases. Ford comments that "even a simple handshake would give them away." The latter may be a MythologyGag to the original film, where the hands were the only way of telling a robot from a real person as they couldn't get them quite right.
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Changed line(s) 41 (click to see context) from:
* KissMeIAmVirtual: And not just the guests; one of the female programmers waits till her boss has left, then kisses a [[DudeShesLikeInAComa deactivated female Host]].
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* KissMeIAmVirtual: KissMeImVirtual: And not just the guests; one of the female programmers waits till her boss has left, then kisses a [[DudeShesLikeInAComa deactivated female Host]].
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Changed line(s) 16,17 (click to see context) from:
* AmbiguousSituation: When Ford is trying to get to the bottom of Peter Abernathy's glitch, is Peter just reciting buried fragments of previous 'builds' or showing glimmers of self-awareness? He starts to glitch when saying "I wouldn't have it any other way", and talking of how he has to warn Dolores of "The things you do (not 'he does') to her!" Then he does a creepy MoodWhiplash to another build (a lunatic cult leader) who looks Ford in the eye and says he wants to meet his Maker (Ford: "Well, you're in luck").
-->'''Ford:''' Well, you're in luck. And what do you want to say to your Maker?
-->'''Ford:''' Well, you're in luck. And what do you want to say to your Maker?
to:
* AmbiguousSituation: When Ford is trying to get to the bottom of Peter Abernathy's glitch, is Peter just reciting buried fragments of previous 'builds' or showing glimmers of self-awareness? He starts to glitch when saying "I wouldn't have it any other way", and talking of how he has to warn Dolores of "The things you do (not 'he does') to her!" Then he does a creepy MoodWhiplash to another build (a lunatic cult leader) who looks Ford in the eye and says he wants to meet his Maker (Ford: "Well, you're in luck").
Maker.
-->'''Ford:''' Well, [[DeadpanSnarker you're inluck.luck]]. And what do you want to say to your Maker?
-->'''Ford:''' Well, [[DeadpanSnarker you're in
