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Recap / Criminal Minds S 9 E 12 The Black Queen

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The Black Queen

Directed by Tawnia Mckiernan
Written by Breen Frazier
Morgan: "People often say that this or that person has not yet found himself. But the self is not something one finds. It is something one creates." Thomas Szasz.
A serial killer who took the fall for his partner is in prison, while his old partner has joined Garcia's old hacker community.

Tropes in this episode

  • Big Entrance: Garcia goes to her ex-boyfriend's internet cafe. Before doing so, she cuts off the internet in the shop, turns off the lights, makes a giggling skull appear on everyone's screens and starts playing music as she walks in, dressed to the nines.
  • Frame-Up: Garcia's ex is framed for the murders.
  • In Medias Res: The episode begins one year before the first season, with Garcia being interrogated by Hotch and Morgan, the former offering her a position in the B.A.U. to avoid being prosecuted for hacking into a major company's database.
  • Memetic Mutation: Garcia references the 4chan "tradition" of putting a shoe on your head to get attention.
  • Mistaken for Romance: Garcia's ex thinks her and Morgan are a couple, in a big part because of how flirty their interactions always seem. She uses it against him.
  • Reverse Psychology: Garcia convinces Shane to survive by gloating about winning.
  • Sensitivity Training: The first present day scene in the episode, showing the BAU attending a sexual harassment seminar—using Morgan and Garcia's phone banter as examples.
  • Shout-Out: Garcia's entrance music/in-universe leitmotif is "Bootylicious" by Destiny's Child.

Garcia: "To invent your own life's meaning is not easy, but it's still allowed, and I think you'll be happier for the trouble." Bill Watterson.

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