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* In Todd's review of ''Dangerous Game'', he notes that the parts where Music/{{Madonna}}'s character acts as a rape victim and discusses a harrowing experience with a rapist are Madonna's most eerily convincing performances in the movie. He then informs us that [[HarsherInHindsight Madonna was molested when she was 19, a fact only revealed years after the film was made.]]

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* In Todd's review of ''Dangerous Game'', he notes that the parts where Music/{{Madonna}}'s character acts as a rape victim and discusses a harrowing experience with a rapist are Madonna's most eerily convincing performances in the movie. He then informs us that [[HarsherInHindsight Madonna was molested sexually assaulted when she was 19, a fact only revealed years after the film was made.]]
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* Todd's piano cover of "Whip My Hair", which somehow makes a banal rap song into something out of an old horror movie. Immediately after performing it, [[LampshadeHanging he exclaims, "WHAT THE CRAP?!"]]

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* Todd's piano cover of "Whip My Hair", which somehow makes turns a banal rap song into something out of an old horror movie. Immediately after performing it, [[LampshadeHanging he exclaims, "WHAT THE CRAP?!"]]CRAP WAS THAT?!"]]
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moved to main/


* At the end of his "Tonight..." review, after the credits, audio from a WebAnimation/YouTubePoop ([[https://www.youtube.com/watch?v=TAKL3Og-zGc this one]]) of the ''WesternAnimation/AquaTeenHungerForce'' episode he referenced earlier is played over a black screen. It was later cut.

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* At the end of his "Tonight..." review, after the credits, audio from a WebAnimation/YouTubePoop YouTubePoop ([[https://www.youtube.com/watch?v=TAKL3Og-zGc this one]]) of the ''WesternAnimation/AquaTeenHungerForce'' episode he referenced earlier is played over a black screen. It was later cut.

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Removing a few examples that are really reaching, and tweaked the wording on some other entries.


* The ScareChord introducing Nickleback in his "Worst Hits of 2004" video.
* In his "Worst Songs of 1987" list, he combines Music/{{Europe}}'s "Carrie" with, [[Literature/{{Carrie}} well...]]



* His appearance in general is somewhat unsettling, of a shadowed man sitting at a piano.
** Lampshaded in [[http://www.deviantart.com/art/WTF-Todd-204046976 this TGWTG fanart]] which features Todd [[DoesThisRemindYouOfAnything with a scythe]].
* Todd's piano cover of "Whip My Hair", which somehow makes a banal rap song into something out of an old horror movie.
** The horror in his voice when he follows it up with, "WHAT THE CRAP?!"
* His video where he reviews "Pompeii" by Bastille uses gratuitous shots of the black eyes from the video for said song. At the end when it shows Smith with black eyes over a brief period of silence before Todd says, "wait- he's an alien now?" is very unsettling. In addition the shots of the [[AndIMustScream preserved corpses under lava]]. -shudder-
* The JumpScare from the "Shake it Off" video, with the image of a demonic Music/TaylorSwift.

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* His appearance in general is somewhat unsettling, of a shadowed man sitting at a piano.
** Lampshaded in
piano. Some fans have taken to [[http://www.deviantart.com/art/WTF-Todd-204046976 this TGWTG making fanart]] which features depicting Todd [[DoesThisRemindYouOfAnything [[GrimReaper with a scythe]].
* Todd's piano cover of "Whip My Hair", which somehow makes a banal rap song into something out of an old horror movie.
** The horror in his voice when
movie. Immediately after performing it, [[LampshadeHanging he follows it up with, exclaims, "WHAT THE CRAP?!"
CRAP?!"]]
* His video where he reviews review of "Pompeii" by Bastille uses gratuitous shots of the black eyes black-eyed people from the video for said song. song's video. At the end end, when it shows Smith Bastille's frontman with black eyes over eyes, there's a brief period of silence before Todd says, "wait- he's an alien now?" now?", which is very a bit unsettling. In addition the shots addition, there are images of the [[AndIMustScream real preserved corpses under lava]]. -shudder-
* The JumpScare from
lava when Todd talks about the "Shake it Off" video, with city the image of a demonic Music/TaylorSwift.song's name comes from.



* [[https://www.deviantart.com/thebutterfly/art/Tonight-Tonight-258732735 The title card for his "Tonight, Tonight" review is pretty unsettling.]]

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* [[https://www.deviantart.com/thebutterfly/art/Tonight-Tonight-258732735 The title card for his "Tonight, Tonight" review review]], in which Todd is pretty unsettling.]]a giant MonsterClown threatening Hot Chelle Rae.
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--> '''Todd''': These two guys ate their fellow man, presumably a friend of theirs, and not because they were evil monsters, but they were in a desperate situation; they were starving; they had no choice! This could happen to you! You could have eaten Timothy. You could have ''been'' Timothy!

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--> '''Todd''': These two guys ate their fellow man, presumably a friend of theirs, and not because they were evil monsters, but they were in a desperate situation; they were starving; they had no choice! This could happen to you! You could have eaten Timothy. You could have ''been'' Timothy!Timothy! This is really dark. He is in agony!
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** Lampshaded in [[http://www.deviantart.com/art/WTF-Todd-204046976 this TGWTG fanart]] which features Todd [[DoesThisRemindYouOfAnything with a scythe]]

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** Lampshaded in [[http://www.deviantart.com/art/WTF-Todd-204046976 this TGWTG fanart]] which features Todd [[DoesThisRemindYouOfAnything with a scythe]]scythe]].
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** The ending title card that replaced it played a line from "Escape" by Igleseas which implied it all the same: "You can run, you can hide, but you can't escape my love".

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** The ending title card that replaced it played a line from "Escape" by Igleseas Iglesias which implied it all the same: "You can run, you can hide, but you can't escape my love".
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** There's also something a little unsettling about the footage of Rupert Holmes explaining how he came up with the song: he was deliberately trying to invoke {{No Such Thing As Bad Publicity}}, and at the time he was working on an arrangement of a song called "Sixteen Tons" (which is about coal miners) while an episode of a cooking show called ''The Galloping Gourmet'' played in the other room. Because of this, Holmes took note of they lyric "Muscle and blood and skin and bones" from the song, and decided that [[{{Main/Squick}} it sounded like a recipe]].
-->'''Todd''': No! No, it doesn't remotely! You're weird, man!

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** There's also something a little unsettling about the footage of Rupert Holmes explaining how he came up with the song: he was deliberately trying to invoke {{No Such Thing As Bad Publicity}}, and at the time he was working on an arrangement of a song called "Sixteen Tons" (which is about coal miners) while an episode of a cooking show called ''The Galloping Gourmet'' played in the other room. Because of this, Holmes took note of they the lyric "Muscle and blood and skin and bones" from the song, and decided that [[{{Main/Squick}} it sounded like a recipe]].
-->'''Todd''': --->'''Todd''': No! No, it doesn't remotely! You're weird, man!
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Added DiffLines:

** Once complaints about the song began pouring in, the band's record company tried to claim that Timothy was actually a mule, not a human. Todd points out that even if this was true (which, [[WordOfGod according to the song's writer]], it isn't), this doesn't really make the song any better since [[WhatMeasureIsANonHuman Timothy still has a name]], and the singer is still clearly distraught over [[MyGodWhatHaveIDone what he and Joe may have done]], especially since [[LaserGuidedAmnesia the singer can't remember what happened]].
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Added DiffLines:

** There's also something a little unsettling about the footage of Rupert Holmes explaining how he came up with the song: he was deliberately trying to invoke {{No Such Thing As Bad Publicity}}, and at the time he was working on an arrangement of a song called "Sixteen Tons" (which is about coal miners) while an episode of a cooking show called ''The Galloping Gourmet'' played in the other room. Because of this, Holmes took note of they lyric "Muscle and blood and skin and bones" from the song, and decided that [[{{Main/Squick}} it sounded like a recipe]].
-->'''Todd''': No! No, it doesn't remotely! You're weird, man!

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--> '''Todd''': These two guys ate there fellow man, presumably of friend of theirs, and not because they were evil monsters but they were in a desperate situation, they were starving, they had no choice! This could happen to you! You could have eaten Timothy. You could have ''been'' Timothy!

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--> '''Todd''': These two guys ate there their fellow man, presumably of a friend of theirs, and not because they were evil monsters monsters, but they were in a desperate situation, situation; they were starving, starving; they had no choice! This could happen to you! You could have eaten Timothy. You could have ''been'' Timothy!Timothy!
** He also brings up the eerie parallels between the story of the song and [[https://en.wikipedia.org/wiki/Sheppton_Mine_disaster_and_rescue the Sheppton Mine disaster]] (which, to be fair, the band and songwriter claim were coincidental.)

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* He listened to The Buoys' "Timothy" for the first time to make its One Hit Wonderland episode, and admits that even after all the hardcore shock rock he's heard in his life, this song made him physically nauseous with its frank depiction of cannibalism.

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* He listened to The Buoys' "Timothy" for the first time to make its One Hit Wonderland episode, and admits that even after all the hardcore shock rock he's heard in his life, this song made him physically nauseous with its frank depiction of cannibalism. And then he goes through the entirely understandable motivations of the singer and Joe:
--> '''Todd''': These two guys ate there fellow man, presumably of friend of theirs, and not because they were evil monsters but they were in a desperate situation, they were starving, they had no choice! This could happen to you! You could have eaten Timothy. You could have ''been'' Timothy!

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