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trope split


* 15: [[CantRefuseTheCallAnymore Transference]] - The hero is taken to a new place. Physically. Emotionally. Spiritually. Grammatically.

to:

* 15: [[CantRefuseTheCallAnymore [[SymbolicHeroRebirth Transference]] - The hero is taken to a new place. Physically. Emotionally. Spiritually. Grammatically.
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grammar, punctuation


* 12: First function of donor - The hero run into a donor or a magic dude. This character can be [[MentorArchetype The Obi-Wan]], [[OracularUrchin a mysterious beggar]] or a [[ThresholdGuardians "None Shall Pass"]] kind of character. They may have to [[SecretTestOfCharacter pass a test]]. The hero may have to fight the donor. But on the bright side, the donor may have a magical object to help them on their quest.

to:

* 12: First function of donor - The hero run runs into a donor or a magic dude. This character can be [[MentorArchetype The Obi-Wan]], [[OracularUrchin a mysterious beggar]] or a [[ThresholdGuardians "None Shall Pass"]] kind of character. They may have to [[SecretTestOfCharacter pass a test]]. The hero may have to fight the donor. But on the bright side, the donor may have a magical object to help them on their quest.



* 14: [[{{Mentors}} Acquisition of Magical Agent]] - The obi-wan type character. Can be the donor. This character helps the hero on his quest, sometimes willingly, sometimes not.

to:

* 14: [[{{Mentors}} Acquisition of Magical Agent]] - The obi-wan Obi-Wan type character. Can be the donor. This character helps the hero on his quest, sometimes willingly, sometimes not.



* 17: Branding - Our hero for his efforts is marked out as a hero either with a token or with a [[AcheyScars mark on his body]].

to:

* 17: Branding - Our For his efforts, our hero for his efforts is marked out as a hero such either with a token or with a [[AcheyScars mark on his body]].



* 25: [[ImpossibleTask Difficult Task]] - To prove he's the Hero the Hero must, well prove himself. It can be an ordeal of choice, a riddle or a test of strength.

to:

* 25: [[ImpossibleTask Difficult Task]] - To prove he's the Hero Hero, the Hero must, well well, prove himself. It can be an ordeal of choice, a riddle or a test of strength.



* 27: [[TheReveal Recognition]] - Everyone realises that the hero is the hero through his special mark, the fact they got the right solution or through simple recognition.

to:

* 27: [[TheReveal Recognition]] - Everyone realises that the hero is the hero through his special mark, the fact they got the right solution solution, or through simple recognition.
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Wiki/ namespace clean up.


Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be created by instantiating a sequence of abstract plot elements. [[Wiki/TVTropes Sound familiar?]]

to:

Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be created by instantiating a sequence of abstract plot elements. [[Wiki/TVTropes [[Website/TVTropes Sound familiar?]]

Changed: 23

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None


* 15: [[BellyOfTheWhale Transference]] - The hero is taken to a new place. Physically. Emotionally. Spiritually. Grammatically.

to:

* 15: [[BellyOfTheWhale [[CantRefuseTheCallAnymore Transference]] - The hero is taken to a new place. Physically. Emotionally. Spiritually. Grammatically.
Is there an issue? Send a MessageReason:
Gub


Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be created by instantiating a sequence of abstract plot elements. [[Website/TVTropes Sound familiar?]]

to:

Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be created by instantiating a sequence of abstract plot elements. [[Website/TVTropes [[Wiki/TVTropes Sound familiar?]]
Is there an issue? Send a MessageReason:
None


Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be created by instantiating a sequence of abstract plot elements.

to:

Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be created by instantiating a sequence of abstract plot elements. \n [[Website/TVTropes Sound familiar?]]
Is there an issue? Send a MessageReason:
None


* 24: [[FakeUltimateHero Unfounded Claims]] - Some El Captiano-Zapp Brannigan-Gilderoy Lockhart character claims he saved the day.

to:

* 24: [[FakeUltimateHero Unfounded Claims]] - Some El Captiano-Zapp Il Capitano-Zapp Brannigan-Gilderoy Lockhart character claims he saved the day.
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None


Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be creted by instantiating a sequence of abstract plot elements.

to:

Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be creted created by instantiating a sequence of abstract plot elements.

Changed: 66

Removed: 92

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None


These are found in many folk tales, such as Cinderella and Snow White, but also in more modern works like ''{{Labyrinth}}'', ''TheLordOfTheRings'', ''StarWars'' and ''PansLabyrinth''. There are also elements of these devices found in even more ancient texts such as ''Literature/TheOdyssey''. See also TheHerosJourney.

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<<|MetaConcepts|>>
<<|FairyTale|>>
<<|{{Literature}}|>>
<<|{{Plots}}|>>
<<|IndexOverdosed|>>

to:

These are found in many folk tales, such as Cinderella "Literature/{{Cinderella}}" and Snow White, "Literature/SnowWhite", but also in more modern works like ''{{Labyrinth}}'', ''TheLordOfTheRings'', ''StarWars'' ''Film/{{Labyrinth}}'', ''Literature/TheLordOfTheRings'', ''Franchise/StarWars'' and ''PansLabyrinth''.''Film/PansLabyrinth''. There are also elements of these devices found in even more ancient texts such as ''Literature/TheOdyssey''. See also TheHerosJourney.

----
<<|MetaConcepts|>>
<<|FairyTale|>>
<<|{{Literature}}|>>
<<|{{Plots}}|>>
<<|IndexOverdosed|>>
TheHerosJourney.
----
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None


These are found in many folk tales, such as Cinderella and Snow White, but also in more modern works like {{Labyrinth}}, TheLordOfTheRings, StarWars and [[PansLabyrinth Pan's Labyrinth]]. There are also elements of these devices found in even more ancient texts such as ''Literature/TheOdyssey''. See also TheHerosJourney.

to:

These are found in many folk tales, such as Cinderella and Snow White, but also in more modern works like {{Labyrinth}}, TheLordOfTheRings, StarWars ''{{Labyrinth}}'', ''TheLordOfTheRings'', ''StarWars'' and [[PansLabyrinth Pan's Labyrinth]].''PansLabyrinth''. There are also elements of these devices found in even more ancient texts such as ''Literature/TheOdyssey''. See also TheHerosJourney.
Is there an issue? Send a MessageReason:
None


These are found in many folk tales, such as Cinderella and Snow White, but also in more modern works like {{Labyrinth}}, TheLordOfTheRings, StarWars and [[PansLabyrinth Pan's Labyrinth]]. There are also elements of these devices found in even more ancient texts such as TheOdyssey. See also TheHerosJourney.

to:

These are found in many folk tales, such as Cinderella and Snow White, but also in more modern works like {{Labyrinth}}, TheLordOfTheRings, StarWars and [[PansLabyrinth Pan's Labyrinth]]. There are also elements of these devices found in even more ancient texts such as TheOdyssey.''Literature/TheOdyssey''. See also TheHerosJourney.

Added: 592

Changed: 331

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rebuilt and expanded introduction


This is part of the structuralist theory that all fictional works have basically the same structure underneath. Created by Russian formalist Vladimir Propp and outlined in his book ''Morphology of the Folk Tale,'' the theory says that all fairy tales have the same plot devices. Not all of them are there and they don't all happen in order but they are a large part of how we recognize a text as a fairy tale; although sometimes you have to smush the tropes to make them fit right. This was probably one of the first critical trope-spottings. The plot devices include:

to:

This is part of the structuralist theory that all fictional works have basically the same structure underneath. Created by Russian formalist Vladimir Propp and outlined Propp, in his book ''Morphology of the Folk Tale,'' the theory says described in rather abstract terms a set of recurring plot devices that all fairy tales have the same plot devices. he found in a certain genre of Russian folk tales. Not all of them are there and they don't all happen in the same order in the stories he studied, but they are a large part of how we recognize a text as a fairy tale; although sometimes you have to smush the tropes to make them fit right. This was probably one of the first critical trope-spottings. The

Propp doesn't imply that the "functions" he found are universal in fiction (but some are very general), nor that they are an exhaustive description of fairy tales, nor that they are directly applicable to other traditions of fairy tales (but other European fairy tales are actually very similar to the ones Propp studied).

Propp's very popular work was important for two related structuralist ideas: that all fictional works have basically the same structure underneath, and that a story can be creted by instantiating a sequence of abstract
plot devices include:
elements.

The typical sequence of functions is:
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None


* 24: [[FakeUltimateHero Unfounded Claims]] - Some El Captiano-Zapp Branigan-Gilderoy Lockhart character claims he saved the day.

to:

* 24: [[FakeUltimateHero Unfounded Claims]] - Some El Captiano-Zapp Branigan-Gilderoy Brannigan-Gilderoy Lockhart character claims he saved the day.
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That\'s not what the trope currently called Narrow Escape is about.


* 22: [[NarrowEscape Rescue]] - The goodies run for it and escape by placing obstacles in the villain's path.

to:

* 22: [[NarrowEscape Rescue]] Rescue - The goodies run for it and escape by placing obstacles in the villain's path. path.
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None


* 22: [[NarrowEscape Rescue]] - The goodies run for it and escape by placing obstacles in the villains path.

to:

* 22: [[NarrowEscape Rescue]] - The goodies run for it and escape by placing obstacles in the villains villain's path.
Is there an issue? Send a MessageReason:
None


* 22: [[NarrowEscape Rescue]] - The goodies run for it and escape by placing obstacles in the villains’ path.

to:

* 22: [[NarrowEscape Rescue]] - The goodies run for it and escape by placing obstacles in the villains’ villains path.
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None


* 11: [[TheQuest Departure]] - They... depart.

to:

* 11: [[TheQuest Departure]] - They... depart. Voluntarily or not.
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These are found in many folk tales, such as Cinderella and Snow White, but also in more modern works like {{Labyrinth}}, TheLordOfTheRings, StarWars and [[PansLabyrinth Pan's Labyrinth]]. There are also elements of these devices found in even more ancient texts such as The Odyssey.

to:

These are found in many folk tales, such as Cinderella and Snow White, but also in more modern works like {{Labyrinth}}, TheLordOfTheRings, StarWars and [[PansLabyrinth Pan's Labyrinth]]. There are also elements of these devices found in even more ancient texts such as The Odyssey.
TheOdyssey. See also TheHerosJourney.

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