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* ''Film/FortySecondStreet'' has it's opening number be a tap audition sequence for the chorus of the show's show The Pretty Lady.
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* ''Film/FortySecondStreet'' has it's its opening number be a tap audition sequence for the chorus of the show's show The Pretty Lady.
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Removing Linking To An Article Within The Article.
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The OpeningBallet is another method for opening a musical show besides the OpeningChorus. The dance or mime can range from wild slapstick to a mild series of vignettes. Major characters may or may not be introduced during this sequence - the entrance of one may bring it to an abrupt end; most of the figures in this sequence may be purely incidental, never to seen again.
Staging what was originally written as a overture as an OpeningBallet has become a common director's trick.
Staging what was originally written as a overture as an OpeningBallet has become a common director's trick.
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The OpeningBallet Opening Ballet is another method for opening a musical show besides the OpeningChorus. The dance or mime can range from wild slapstick to a mild series of vignettes. Major characters may or may not be introduced during this sequence - the entrance of one may bring it to an abrupt end; most of the figures in this sequence may be purely incidental, never to seen again.
Staging what was originally written as a overture as anOpeningBallet Opening Ballet has become a common director's trick.
Staging what was originally written as a overture as an
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* OlderThanRadio: When Creator/RichardWagner was revising ''Theatre/{{Tannhaeuser}}'' in preparation for the 1861 Paris production, he had to accommodate the Grand Opéra's demands that every opera should have a ballet, preferably in the middle of the evening. Wagner objected to placing the ballet in the second act, instead provided a ballet at the very beginning.
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* OlderThanRadio: When Creator/RichardWagner Music/RichardWagner was revising ''Theatre/{{Tannhaeuser}}'' in preparation for the 1861 Paris production, he had to accommodate the Grand Opéra's demands that every opera should have a ballet, preferably in the middle of the evening. Wagner objected to placing the ballet in the second act, instead provided a ballet at the very beginning.
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* Some productions of Maury Yeston's ''{{Theatre/Nine}}'' treat "Overture Delle Donne" as a ballet sequence between Guido and the women in his life.
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* Some productions of Maury Yeston's ''{{Theatre/Nine}}'' ''Theatre/NineMusical'' treat "Overture Delle Donne" as a ballet sequence between Guido and the women in his life.
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* The Carousel Waltz from ''{{Carousel}}'' is another famous example.
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* The Carousel Waltz from ''{{Carousel}}'' ''Theatre/{{Carousel}}'' is another famous example.
