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* The final boss battle against [[BigBad Bowser]] in ''VideoGame/SuperMarioGalaxy'' has electronic music mixed with OminousLatinChanting.
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* ''Series/MagnificentCenturyKosem'': "[[https://www.youtube.com/watch?v=t7x2_gr0bTo&list=RDt7x2_gr0bTo&start_radio=1 Saltanat MüziÄŸi]]" as Kosem's leitmotif becomes used later in the series as she slowly becomes DrunkWithPower and starts to shift from a pure-hearted IdealHeroine to [[PragmaticHero the hardened and pragmatic Haseki Sultan]] and finally to [[GodSaveUsFromTheQueen the ruthless empress of the Ottoman Empire.]] The soundtrack is mostly used in scenes where she enters a scene to amplify how intimidating her presence can be or when she wins against her enemies.

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* ''Series/MagnificentCenturyKosem'': "[[https://www.youtube.com/watch?v=t7x2_gr0bTo&list=RDt7x2_gr0bTo&start_radio=1 Saltanat MüziÄŸi]]" as Kosem's leitmotif becomes used later in the series as she Kosem slowly becomes DrunkWithPower and starts to shift from a the pure-hearted IdealHeroine [[IdealHero Anastasia]] to [[PragmaticHero the hardened and pragmatic Haseki Kosem Sultan]] and finally to [[GodSaveUsFromTheQueen the ruthless empress of the Ottoman Empire.]] The soundtrack is mostly used in scenes where she enters a scene to amplify how intimidating her presence can be or when she wins against her enemies.
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* ''Series/MagnificentCenturyKosem'': "[[https://www.youtube.com/watch?v=t7x2_gr0bTo&list=RDt7x2_gr0bTo&start_radio=1 Saltanat MüziÄŸi]]" as Kosem's leitmotif becomes used later in the series as she slowly becomes DrunkWithPower and starts to shift from a pure-hearted IdealHeroine to [[PragmaticHero the hardened and pragmatic Haseki Sultan]] and finally to [[GodSaveUsFromTheQueen the ruthless empress of the Ottoman Empire.]] The soundtrack is mostly used in scenes where she enters a scene to amplify how intimidating her presence can be or when she wins against her enemies.

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replaced dead links with official releases


** The Pillar Men have [[https://www.youtube.com/watch?v=XUhVCoTsBaM a theme]] mixing electronic and [[RegionalRiff arabic]] music with some {{rotten|RockAndRoll}} riffs here and there. Their battle themes, [[https://youtu.be/XR10jZsuTEs Elephant]] [[https://youtu.be/ebEyXDq7JPM Talk]], also are dubstep-filled madness.

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** The arc's main villains, the Pillar Men Men, have [[https://www.youtube.com/watch?v=XUhVCoTsBaM [[https://youtu.be/-W8MBjTk2E8 a theme]] mixing electronic and [[RegionalRiff arabic]] Arabic]] music with some {{rotten|RockAndRoll}} riffs here and there. Their battle themes, [[https://youtu.be/XR10jZsuTEs "[[https://youtu.be/tRRfhldsa0U Elephant]] [[https://youtu.be/ebEyXDq7JPM Talk]], be/UsMYL7EkwRk Talk]]", also are dubstep-filled madness.madness. The Pillar Men's leader, Kars, also has a dubstep theme, "[[https://youtu.be/IMnDxrG1jGg Avalon]]", that plays [[spoiler:after he became the Ultimate Thing]].



* ''VideoGame/PokemonLegendsArceus'' is set in a FantasyCounterpartCulture of 19th century Hokkaido, and appropriately the soundtrack has mostly Japanese-themed instrumentation. However, two tracks move dramatically away from that:
** In the finale of the main story, one of [[OlympusMons Dialga or Palkia, the lords of Time and Space]], goes insane and reverts to a freakish "Origin Forme" resembling a deformed version of [[{{God}} Arceus]]. This causes its previously slow, majestic battle music with [[SavedByTheChurchBell heavenly bells]] to abruptly switch to fast-paced {{Eurobeat}}.
** The post-game {{Superboss}} fight against the avatar of Arceus itself is a {{Glitch}} remix of its (already unnerving) theme from ''Diamond & Pearl'', which starts subtle but gradually devolves into unpredictable pauses, tempo changes and audio distortions.
* ''VideoGame/PokemonSunAndMoon'' has two examples:
** Team Skull have a techno punk GenreMotif, which fits the group of thugs and delinquents like a glove.
** The [[EldritchAbomination Ultra Beasts]] have nearly all of the tracks associated with them has synthesizers as the main instruments to emphasize their alien and dangerous nature.

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* ''Franchise/{{Pokemon}}'':
** ''VideoGame/PokemonSunAndMoon'' has two examples:
*** Team Skull have a techno punk GenreMotif, which fits the group of thugs and delinquents like a glove.
*** The tracks associated with the [[EldritchAbomination Ultra Beasts]] have synthesizers as the main instruments to emphasize their alien and dangerous nature.
**
''VideoGame/PokemonLegendsArceus'' is set in a FantasyCounterpartCulture of 19th century Hokkaido, and appropriately the soundtrack has mostly Japanese-themed instrumentation. However, two tracks move dramatically away from that:
** *** In the finale of the main story, one of [[OlympusMons Dialga or Palkia, the lords of Time and Space]], goes insane and reverts to a freakish "Origin Forme" resembling a deformed version of [[{{God}} Arceus]]. This causes its previously slow, majestic battle music with [[SavedByTheChurchBell heavenly bells]] to abruptly switch to fast-paced {{Eurobeat}}.
** *** The post-game {{Superboss}} fight against the avatar of Arceus itself is a {{Glitch}} remix of its (already unnerving) theme from ''Diamond & Pearl'', which starts subtle but gradually devolves into unpredictable pauses, tempo changes and audio distortions.
* ''VideoGame/PokemonSunAndMoon'' has two examples:
** Team Skull have a techno punk GenreMotif, which fits the group of thugs and delinquents like a glove.
** The [[EldritchAbomination Ultra Beasts]] have nearly all of the tracks associated with them has synthesizers as the main instruments to emphasize their alien and dangerous nature.
distortions.
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** In ''VideoGame/SonicCD'''s Japanese version, all of the BadFuture themes are techno.

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** In ''VideoGame/SonicCD'''s ''VideoGame/SonicTheHedgehogCD'''s Japanese version, all of the BadFuture themes are techno.



** Infinite's theme from ''VideoGame/SonicForces'' is a BoastfulRap set to hardcore dubstep, and his battle themes are all {{Boss Remix}}es in a similar style, but more fast-paced and intense[[note]]the sole exception is the theme that plays during the final confrontation against him, which is an (admittedly still bombastic) orchestral piece[[/note]]. Metal Sonic's boss theme also leans into this, being a dubstep-heavy remix of the [[VideoGame/SonicCD Stardust Speedway Bad Future]] theme.

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** Infinite's theme from ''VideoGame/SonicForces'' is a BoastfulRap set to hardcore dubstep, and his battle themes are all {{Boss Remix}}es in a similar style, but more fast-paced and intense[[note]]the sole exception is the theme that plays during the final confrontation against him, which is an (admittedly still bombastic) orchestral piece[[/note]]. Metal Sonic's boss theme also leans into this, being a dubstep-heavy remix of the [[VideoGame/SonicCD [[VideoGame/SonicTheHedgehogCD Stardust Speedway Bad Future]] theme.
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** Allegro is a [[PandaingToTheAudience panda]] who brainwashes everyone to [[GettingSmiliesPaintedOnYourSoul make them happy]]. His own world is a giant rave party. In a nice touch, the rave music progressively turns into dubstep the more Allegro's physical body is damaged.

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** Allegro is a [[PandaingToTheAudience panda]] panda who brainwashes everyone to [[GettingSmiliesPaintedOnYourSoul make them happy]]. His own world is a giant rave party. In a nice touch, the rave music progressively turns into dubstep the more Allegro's physical body is damaged.

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* The Pillar Men from ''Manga/JoJosBizarreAdventure: Battle Tendency'' have [[https://www.youtube.com/watch?v=XUhVCoTsBaM a theme]] mixing electronic and [[RegionalRiff arabic]] music with some {{rotten|RockAndRoll}} riffs here and there. Their battle themes, [[https://youtu.be/XR10jZsuTEs Elephant]] [[https://youtu.be/ebEyXDq7JPM Talk]], also are dubstep-filled madness.

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* ''Manga/JoJosBizarreAdventureBattleTendency'':
**
The Pillar Men from ''Manga/JoJosBizarreAdventure: Battle Tendency'' have [[https://www.youtube.com/watch?v=XUhVCoTsBaM a theme]] mixing electronic and [[RegionalRiff arabic]] music with some {{rotten|RockAndRoll}} riffs here and there. Their battle themes, [[https://youtu.be/XR10jZsuTEs Elephant]] [[https://youtu.be/ebEyXDq7JPM Talk]], also are dubstep-filled madness.



** In ''G'': "Distorted Mirror Shénshòujìng" is a dubstep song backed by [[OminousLatinChanting ominous moans]], sung by a BrainwashedAndCrazy {{Yandere}}. While the Chinese "truth-revealing mirror" at the core of her armour is a fairly minor Relic normally unsuited for combat, the obsession which she pours into her singing warps it into a dangerous weapon which "eradicates the false" through AntiMagic laser beams. In other words, [[MemeticMutation it's powered by wub]].

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** In ''G'': "Distorted Mirror Shénshòujìng" is a dubstep song backed by [[OminousLatinChanting ominous moans]], sung by a BrainwashedAndCrazy {{Yandere}}. While the Chinese [[TheMirrorShowsYourTrueSelf "truth-revealing mirror" mirror"]] at the core of her armour is a fairly minor Relic normally unsuited for combat, the obsession which she pours into her singing warps it into a dangerous weapon which "eradicates the false" through AntiMagic laser beams. In other words, [[MemeticMutation it's powered by wub]].
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* ''WesternAnimation/StevenUniverse'': To emphasize the alien nature of [[BigBadEnsemble the Diamonds]], their leitmotif is heavy synthesizer beats.

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* ''WesternAnimation/StevenUniverse'': To emphasize the alien nature of [[BigBadEnsemble the Diamonds]], their leitmotif is heavy synthesizer beats.beats, intended by WordOfGod to sound almost atonal and like no instrument on Earth.

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** There's also Rudolf von Stroheim's theme, ''Propaganda'', which is basically eletronic music mixed with MusicToInvadePolandTo. This is a ZigZaggingTrope in the regard that, while Stroheim was introduced as a minor villain, he later joins the protagonists ([[PoliticallyIncorrectHero although he remains a nazi]]).

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** There's also Rudolf von Stroheim's theme, ''Propaganda'', which is basically eletronic electronic music mixed with MusicToInvadePolandTo. This is a ZigZaggingTrope in the regard that, while Stroheim was introduced as a minor villain, he later joins the protagonists ([[PoliticallyIncorrectHero although he remains a nazi]]).Nazi]]).



** In ''G'': "Shénshòujìng, the Distorted Mirror" is a dubstep song, and is sung by a BrainwashedAndCrazy {{Yandere}}.

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** In ''G'': "Shénshòujìng, the Distorted Mirror" "Distorted Mirror Shénshòujìng" is a dubstep song, and is song backed by [[OminousLatinChanting ominous moans]], sung by a BrainwashedAndCrazy {{Yandere}}.{{Yandere}}. While the Chinese "truth-revealing mirror" at the core of her armour is a fairly minor Relic normally unsuited for combat, the obsession which she pours into her singing warps it into a dangerous weapon which "eradicates the false" through AntiMagic laser beams. In other words, [[MemeticMutation it's powered by wub]].
*** In the ExpandedUniverse, her post-redemption battle songs retain electronic instruments but shift more in the direction of EBM, {{Eurobeat}} and SynthPop.


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* ''VideoGame/PokemonLegendsArceus'' is set in a FantasyCounterpartCulture of 19th century Hokkaido, and appropriately the soundtrack has mostly Japanese-themed instrumentation. However, two tracks move dramatically away from that:
** In the finale of the main story, one of [[OlympusMons Dialga or Palkia, the lords of Time and Space]], goes insane and reverts to a freakish "Origin Forme" resembling a deformed version of [[{{God}} Arceus]]. This causes its previously slow, majestic battle music with [[SavedByTheChurchBell heavenly bells]] to abruptly switch to fast-paced {{Eurobeat}}.
** The post-game {{Superboss}} fight against the avatar of Arceus itself is a {{Glitch}} remix of its (already unnerving) theme from ''Diamond & Pearl'', which starts subtle but gradually devolves into unpredictable pauses, tempo changes and audio distortions.
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* In later ''VideoGame/StreetFighter'' titles, electronic music is often (but not always) associated with antagonistic characters.

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* In later ''VideoGame/StreetFighter'' ''Franchise/StreetFighter'' titles, electronic music is often (but not always) associated with antagonistic characters.
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* ''WesternAnimation/MoonGirlAndDevilDinosaur2023'': The Beyonder's [[spoiler:erasure of humanity]] in episode 6 is accompanied by a dubstep orchestra he conducts. It really underscores the callous menace of such an act.
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** Infinite's theme from ''VideoGame/SonicForces'' is a BoastfulRap set to hardcore dubstep, and his battle themes are all {{Boss Remix}}es in a similar style, but more fast-paced and intense. Metal Sonic's boss theme also leans into this, being a dubstep-heavy remix of the [[VideoGame/SonicCD Stardust Speedway Bad Future]] theme.

to:

** Infinite's theme from ''VideoGame/SonicForces'' is a BoastfulRap set to hardcore dubstep, and his battle themes are all {{Boss Remix}}es in a similar style, but more fast-paced and intense.intense[[note]]the sole exception is the theme that plays during the final confrontation against him, which is an (admittedly still bombastic) orchestral piece[[/note]]. Metal Sonic's boss theme also leans into this, being a dubstep-heavy remix of the [[VideoGame/SonicCD Stardust Speedway Bad Future]] theme.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


* [[spoiler: Omega/Photoshop Flowey]]'s theme "Your Best Nightmare" in ''VideoGame/{{Undertale}}'' -- which in itself is a DarkReprise of an upbeat chiptune theme -- is some kind of orchestral/breakcore combination which, combined with [[spoiler:the InterfaceScrew and his [[NonStandardCharacterDesign over-realistic sprites]]]], really inspires an eerie feeling of UncannyValley.

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* [[spoiler: Omega/Photoshop Flowey]]'s theme "Your Best Nightmare" in ''VideoGame/{{Undertale}}'' -- which in itself is a DarkReprise of an upbeat chiptune theme -- is some kind of orchestral/breakcore combination which, combined with [[spoiler:the InterfaceScrew and his [[NonStandardCharacterDesign over-realistic sprites]]]], really inspires an eerie feeling of UncannyValley.feeling.
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* ''VideoGame/JetSetRadio'': [[CorruptCorporateExecutive Goji Rokkaku]] plays the part of a villainous DJ in the finale, and his Leitmotif Grace & Glory uses funky electronic beats mixed with discordant piano notes, domineering voice samples, and screaming to get his evil across. In universe, this song is recorded on the Devil's Contract, made by a "freaky evil sound engineer" and rumored to be able to summon a demon.
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* ''Film/LetsScareJessicaToDeath'' was one of the first horror films to utilize this trope, employing frequent bursts of tape hiss and wibbly Moog melodies to convey the title character's slowly disintegrating mental state.
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* [[spoiler:TheCollector]]'s [[https://youtu.be/SAqyPwtA970?t=1230 theme]] from ''WesternAnimation/TheOwlHouse'' is filled with synths and other electronic instruments, in ''sharp'' contrast to the rest of the soundtrack, which only uses orchestral instruments, supplemented with the occasional electric guitar. [[spoiler:This serves to highlight their [[OutsideContextProblem very otherworldly nature]], and illustrates that as a creature that's neither human nor from the Boiling Isles, they pose a ''very'' different kind of threat.]]

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* [[spoiler:TheCollector]]'s [[spoiler:The Collector]]'s [[https://youtu.be/SAqyPwtA970?t=1230 theme]] from ''WesternAnimation/TheOwlHouse'' is filled with synths and other electronic instruments, in ''sharp'' contrast to the rest of the soundtrack, which only uses orchestral instruments, supplemented with the occasional electric guitar. [[spoiler:This serves to highlight their [[OutsideContextProblem very otherworldly nature]], and illustrates that as a creature that's neither human nor from the Boiling Isles, they pose a ''very'' different kind of threat.]]
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* [[spoiler:TheCollector]]'s [[https://www.youtube.com/watch?v=XFYxI7gNwl8 theme]] from ''WesternAnimation/TheOwlHouse'' is filled with synths and other electronic instruments, in ''sharp'' contrast to the rest of the soundtrack, which only uses orchestral instruments, supplemented with the occasional electric guitar. [[spoiler:This serves to highlight their [[OutsideContextProblem very otherworldly nature]], and illustrates that as a creature that's neither human nor from the Boiling Isles, they pose a ''very'' different kind of threat.]]

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* [[spoiler:TheCollector]]'s [[https://www.youtube.com/watch?v=XFYxI7gNwl8 [[https://youtu.be/SAqyPwtA970?t=1230 theme]] from ''WesternAnimation/TheOwlHouse'' is filled with synths and other electronic instruments, in ''sharp'' contrast to the rest of the soundtrack, which only uses orchestral instruments, supplemented with the occasional electric guitar. [[spoiler:This serves to highlight their [[OutsideContextProblem very otherworldly nature]], and illustrates that as a creature that's neither human nor from the Boiling Isles, they pose a ''very'' different kind of threat.]]

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