Is there an issue? Send a MessageReason:
Poisonous Friend is no longer a trope
Deleted line(s) 37 (click to see context) :
* PoisonousFriend: Werner, in the second half.
Is there an issue? Send a MessageReason:
Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process
Added DiffLines:
* UncannyValley: Arsene. At the start, she's an incredibly beautiful and graceful dancer. But when Hoffman finds her alone -- after he's gotten word that she was executed -- she moves in a strange way, like a puppet, and speaks in a flat, emotionless voice. She also doesn't react when a burning hot coal touches her foot, won't eat, and when she drinks a little champagne, the champagne trickles out from underneath her velvet necklace. It turns out, [[spoiler: she was DeadAllAlong and somehow reanimated -- [[AllJustADream or may have been an insane hallucination from the start]].]]
Is there an issue? Send a MessageReason:
cut trope
Deleted line(s) 39 (click to see context) :
* RapunzelHair: Arsène -- her hair trails down on the floor behind her when she stands up.
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* EveryoneLooksSexierIfFrench: Although the very sexy Arsène is French, the narrator does not say she is desirable because she is French. Instead, Hoffmann's fiancée, Antonia, is half-German and half-Italian (the two races which Dumas says compete for the title of most beautiful), and explicitly owes her attractiveness to her heritage.
to:
* EveryoneLooksSexierIfFrench: Although the very sexy Arsène is French, the narrator does not say she is desirable because she is French. Instead, Hoffmann's fiancée, Antonia, is half-German and half-Italian (the two races which Dumas says compete for the title of most beautiful), and [[MixedAncestryIsAttractive explicitly owes her attractiveness to her heritage.heritage]].
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[quoteright:333:https://static.tvtropes.org/pmwiki/pub/images/la_femme_au_collier_de_velours.jpg]]
Is there an issue? Send a MessageReason:
Removed a ZCE. Spoiler tags are not allowed to cover trope names.
Deleted line(s) 12 (click to see context) :
* [[spoiler: AllJustADream -- OrWasItADream]]
Changed line(s) 18 (click to see context) from:
* [[spoiler: DeadAllAlong: Arsène is dead -- or possibly not even real -- from the moment that Hoffmann found her in the Place de la Révolution.]]
to:
* [[spoiler: DeadAllAlong: Arsène [[spoiler:Arsène is dead -- or possibly not even real -- from the moment that Hoffmann found her in the Place de la Révolution.]]
Is there an issue? Send a MessageReason:
Useful Notes/ pages are not tropes
Changed line(s) 5,6 (click to see context) from:
Just one thing Hoffmann forgot about. TheFrenchRevolution is in full swing.
to:
Just one thing Hoffmann forgot about. TheFrenchRevolution UsefulNotes/TheFrenchRevolution is in full swing.
Deleted line(s) 24 (click to see context) :
* TheFrenchRevolution: Arsène is supposed to be a metaphor for the same.
Is there an issue? Send a MessageReason:
None
Changed line(s) 40 (click to see context) from:
* RuleOfSymbolism: Loads and loads of symbolism. Hoffman first sees Antonia as she is coming out of church, her head modestly bowed. Her mother died in an opera of ''[[ClassicalMythology Alcèste]],'' a story about the most loving and self-sacrificing wife in history. Then, he first sees Arsène as she plays the spirit of "Spring" (like the Springtime of the French republic), and later Arsène dresses as a Maenad. His last encounter with Arsène, he finds her sitting at the feet of the guillotine, alone, at night, in the Revolution Square.
to:
* RuleOfSymbolism: Loads and loads of symbolism. Hoffman first sees Antonia as she is coming out of church, her head modestly bowed. Her mother died in an opera of ''[[ClassicalMythology ''[[Myth/ClassicalMythology Alcèste]],'' a story about the most loving and self-sacrificing wife in history. Then, he first sees Arsène as she plays the spirit of "Spring" (like the Springtime of the French republic), and later Arsène dresses as a Maenad. His last encounter with Arsène, he finds her sitting at the feet of the guillotine, alone, at night, in the Revolution Square.
Changed line(s) 42 (click to see context) from:
* ShoutOut: Many, as is normal for French literature. Particular note is Arsène’s costume as ‘Erigone,’ a Maenad from ClassicalMythology who committed suicide.
to:
* ShoutOut: Many, as is normal for French literature. Particular note is Arsène’s costume as ‘Erigone,’ a Maenad from ClassicalMythology Myth/ClassicalMythology who committed suicide.
Is there an issue? Send a MessageReason:
None
* CompensatingForSomething: See the note about pipes below.
Changed line(s) 39 (click to see context) from:
* RuleOfSymbolism: Loads and loads of symbolism. Hoffman first sees Antonia as she is coming out of church, her head modestly bowed. Her mother died in an opera of ''[[ClassicalMythology Alcèste]].'' Then, he first sees Arsène as she plays the spirit of "Spring" (like the Springtime of the French republic), and later Arsène dresses as a Maenad. His last encounter with Arsène, he finds her sitting at the feet of the guillotine, alone, at night, in the Revolution Square.
to:
* RuleOfSymbolism: Loads and loads of symbolism. Hoffman first sees Antonia as she is coming out of church, her head modestly bowed. Her mother died in an opera of ''[[ClassicalMythology Alcèste]].'' Alcèste]],'' a story about the most loving and self-sacrificing wife in history. Then, he first sees Arsène as she plays the spirit of "Spring" (like the Springtime of the French republic), and later Arsène dresses as a Maenad. His last encounter with Arsène, he finds her sitting at the feet of the guillotine, alone, at night, in the Revolution Square.