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Changed line(s) 261 (click to see context) from:
** One of the suspects is being interrogated and has a fresh out of law school lawyer representing him. When Booth accuses him of scalping 25 different people, the guy defends himself saying he gets the hair from his uncle's mortuary and supplied the victim of the week with the hair to use as extensions for women's hair. His lawyer, realizing that her extensions are from dead people, immediately pulls out her extensions, calls her client an animal and runs out of the interrogation room to go shave her head, quitting her job then and there.
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** One of the suspects is being interrogated and has a fresh out of law school lawyer representing him. When Booth accuses him of scalping 25 different people, the guy defends himself saying he gets the hair from his uncle's mortuary and supplied the victim of the week with the hair to use as extensions for women's hair. His lawyer, And apparently his lawyer bought some. Upon realizing that her extensions are from dead people, she immediately pulls out her extensions, calls her client an animal and runs out of the interrogation room to go shave her head, quitting her job then and there.
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* "The Couple in the Cave":
** Hannah joins Booth in D.C., prompting a lot of questions from the team to Brennan about her and Booth's relationship, and leading to Clark, despite his usual policy to stay out of workplace drama, cracking and weighing in:
--->'''Brennan:''' Why would I be jealous?\\
'''Clark:''' [[NotSoStoic Because it's obvious you and Agent Booth were attracted to each other!]] [[EveryoneCanSeeIt I mean, a blind man could see that!]] I just couldn't understand why you two didn't just rip each others' clothes off, I mean just get all butt-naked and- ''[face turns to utter bug-eyed horror]'' My God, oh my God, oh my God, I'm sorry, it just popped out.
** In order to prove a suspect's alibi based on her having severe allergies, the lab presents her with sample flowers present at the crime scene. One of them sends her into a violent sneezing fit. Then [[ButtMonkey Clark does too]], not having known that he is also allergic to the flower.
** Hannah joins Booth in D.C., prompting a lot of questions from the team to Brennan about her and Booth's relationship, and leading to Clark, despite his usual policy to stay out of workplace drama, cracking and weighing in:
--->'''Brennan:''' Why would I be jealous?\\
'''Clark:''' [[NotSoStoic Because it's obvious you and Agent Booth were attracted to each other!]] [[EveryoneCanSeeIt I mean, a blind man could see that!]] I just couldn't understand why you two didn't just rip each others' clothes off, I mean just get all butt-naked and- ''[face turns to utter bug-eyed horror]'' My God, oh my God, oh my God, I'm sorry, it just popped out.
** In order to prove a suspect's alibi based on her having severe allergies, the lab presents her with sample flowers present at the crime scene. One of them sends her into a violent sneezing fit. Then [[ButtMonkey Clark does too]], not having known that he is also allergic to the flower.
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Changed line(s) 124 (click to see context) from:
* In the episode "The Science in the Physicist", Hodgins try to prove the victim was frozen and then shattered by dropping a turkey off a balcony after freezing it in liquid nitrogen. It instead bounces off the floor and whacks Angela in the face.
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* In the episode "The Science in the Physicist", Hodgins and Vincent try to prove the victim was frozen and then shattered by dropping a turkey off a balcony after freezing it in liquid nitrogen. It instead bounces off the floor and whacks Angela in the face.
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Deleted line(s) 276 (click to see context) :
* Oliver Wells' introduction, in "The Fact in the Fiction." He comes in the diner looking disheveled, with dirt and blood on his clothes and a cloth bag on his shoulder. Brennan hasn't been reading Cam's emails about new interns so she doesn't know who he is and Booth doesn't trust him either. Booth orders him to get on the ground and push the bag toward them. Wells has to comply and as he pushes the bag, the plastic wrapped skull of the week's victim tumbles out, grossing out everyone in the diner. Wells is finally able to say "Hi, I'm your new intern..."
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* Oliver Wells' introduction, in "The Fact in the Fiction." He comes in the diner looking disheveled, with dirt and blood on his clothes and a cloth bag on his shoulder. Brennan hasn't been reading Cam's emails about new interns so she doesn't know who he is and Booth doesn't trust him either. Booth orders him to get on the ground and push the bag toward them. Wells has to comply and as he pushes the bag, the plastic wrapped skull of the week's victim tumbles out, grossing out everyone in the diner. Wells is finally able to say "Hi, I'm your new intern..."
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* "The Gunk In The Garage": Bones' PuppyDogEyes when Booth objects to her buying an 800-dollar stroller.
-->'''Booth''': Oh, you were never able to do this look before the baby. What did the baby do to you?
-->'''Booth''': Oh, you were never able to do this look before the baby. What did the baby do to you?
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Changed line(s) 221,222 (click to see context) from:
* "The Babe in the Bar:"
** Nigel's inability to hide that he already knows Angela & Hodgins are having a baby.
** Nigel's inability to hide that he already knows Angela & Hodgins are having a baby.
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* "The Babe in the Bar:"
**Bar:" Nigel's inability to hide that he already knows Angela & Hodgins are having a baby.
**
Changed line(s) 224 (click to see context) from:
* Hodgins’ hose drenching Cam, Booth and Brennan in body fluid saturated water in The Body in the Bag.
to:
* Hodgins’ hose drenching Cam, Booth and Brennan in body fluid saturated water in The "The Body in the Bag.Bag".
Changed line(s) 275 (click to see context) from:
* Oliver Wells’ introduction, in "The Fact in the Fiction." He comes in the diner looking disheveled, with dirt and blood on his clothes and a cloth bag on his shoulder. Brennan hasn’t been reading Cam’s emails about new interns so she doesn’t know who he is and Booth doesn’t trust him either. Booth orders him to get on the ground and push the bag toward them. Wells has to comply and as he pushes the bag, the plastic wrapped skull of the week’s victim tumbles out, grossing out everyone in the diner. Wells is finally able to say “Hi, I’m your new intern...”
to:
* Oliver Wells’ Wells' introduction, in "The Fact in the Fiction." He comes in the diner looking disheveled, with dirt and blood on his clothes and a cloth bag on his shoulder. Brennan hasn’t hasn't been reading Cam’s Cam's emails about new interns so she doesn’t doesn't know who he is and Booth doesn’t doesn't trust him either. Booth orders him to get on the ground and push the bag toward them. Wells has to comply and as he pushes the bag, the plastic wrapped skull of the week’s week's victim tumbles out, grossing out everyone in the diner. Wells is finally able to say “Hi, I’m "Hi, I'm your new intern...”"
* "The Doom in the Gloom":
** Hodgins spends most of the episode beside himself with glee over the weapons tests he has to conduct to gather enough evidence for a warrant.
*** As the victim has suffered leg injuries consistent with being hit by a cannonball, Hodgins smelts two cannonballs and performs the initial test in front of Cam and Angela. There is a {{Beat}} between when the fuse appears to burn down and when the cannon actually fires; as Hodgins offers to set up a second test, Cam and Angela privately admit that they thought it was awesome, but will never tell him as much. As soon as they are gone, Hodgins begins stoking the cannon again...
*** When it emerges that the victim was incinerated by a fire-loaded booby trap attached to the door of her shed, Hodgins rigs up a similar trap, explaining to an impatient Booth that they need proof that the trap works as they believe. However, rather than rigging the trap with fire, he rigs it with gelatin. While Booth is bent over looking into the "barrel" of the trap, Cam unwittingly opens the door. Hodgins trying (and failing) not to laugh at the incensed, gelatin-covered Booth is the icing on the cake.
** Sweets ''finally'' finds an apartment with two fellow psychologist roommates and moves out of Brennan and Booth's house. Not only are his roommates named [[Series/ThreesCompany Janet and Chrissy]], but they mistake Brennan and Booth for Sweets' parents.
--->'''Janet:''' ''[to Sweets]'' Your dad is hot.
* "The Doom in the Gloom":
** Hodgins spends most of the episode beside himself with glee over the weapons tests he has to conduct to gather enough evidence for a warrant.
*** As the victim has suffered leg injuries consistent with being hit by a cannonball, Hodgins smelts two cannonballs and performs the initial test in front of Cam and Angela. There is a {{Beat}} between when the fuse appears to burn down and when the cannon actually fires; as Hodgins offers to set up a second test, Cam and Angela privately admit that they thought it was awesome, but will never tell him as much. As soon as they are gone, Hodgins begins stoking the cannon again...
*** When it emerges that the victim was incinerated by a fire-loaded booby trap attached to the door of her shed, Hodgins rigs up a similar trap, explaining to an impatient Booth that they need proof that the trap works as they believe. However, rather than rigging the trap with fire, he rigs it with gelatin. While Booth is bent over looking into the "barrel" of the trap, Cam unwittingly opens the door. Hodgins trying (and failing) not to laugh at the incensed, gelatin-covered Booth is the icing on the cake.
** Sweets ''finally'' finds an apartment with two fellow psychologist roommates and moves out of Brennan and Booth's house. Not only are his roommates named [[Series/ThreesCompany Janet and Chrissy]], but they mistake Brennan and Booth for Sweets' parents.
--->'''Janet:''' ''[to Sweets]'' Your dad is hot.
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It's a mounted skeleton, not a live animal.
Changed line(s) 229 (click to see context) from:
* In 'The Truth in the Myth' Vincent Nigel-Murray has been going around apologizing to everyone for his actions while he was drinking as part of his AA program. This included relatively minor infractions like borrowing nail clippers and pet iguanas but he'd also been going around telling his friends that he had sexual relations with Cam, Angela and Bones. Cam and Angela let him off rather lightly but Bones laughs in his face and casually destroys his self esteem by telling him that his friends must be extremely gullible for believing him because she's way out of his league.
to:
* In 'The Truth in the Myth' Vincent Nigel-Murray has been going around apologizing to everyone for his actions while he was drinking as part of his AA program. This included relatively minor infractions like borrowing nail clippers and pet iguanas iguana skeletons but he'd also been going around telling his friends that he had sexual relations with Cam, Angela and Bones. Cam and Angela let him off rather lightly but Bones laughs in his face and casually destroys his self esteem by telling him that his friends must be extremely gullible for believing him because she's way out of his league.
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Changed line(s) 115 (click to see context) from:
-->''Daisy begins visibly doing just that''
to:
Changed line(s) 128 (click to see context) from:
** Gordon Gordon Wyatt's history as "Noddy Comet", a [[GlamRock glam rocker]] who, in his own words, "wore spandex, pancake makeup, and played a guitar shaped like a spaceship." Do note that he' played by Creator/StephenFry.
to:
** Gordon Gordon Wyatt's history as "Noddy Comet", a [[GlamRock glam rocker]] who, in his own words, "wore spandex, pancake makeup, and played a guitar shaped like a spaceship." Do note that he' he's played by Creator/StephenFry.
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Changed line(s) 265 (click to see context) from:
** When they question the victim's assistant, there's a [[FunnyBackgroundEvent poster]] on the wall for an airplane movie called ''Air Force Juan''.
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** When they question the victim's assistant, there's a [[FunnyBackgroundEvent poster]] on the wall for an airplane movie called ''Air ''[[Film/AirForceOne Air Force Juan''.Juan]]''.
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Changed line(s) 297 (click to see context) from:
** Angela's face when she learns that Hodgins is planning to play host for a South American larvae that is growing in his neck.
to:
** Angela's face when she learns that Hodgins is planning to play host for a South American larvae larva that is growing in his neck.
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Changed line(s) 5 (click to see context) from:
** Adding to it is a nearby SassyBlackWoman ''gets it'' and is supportive of her:
to:
** Adding to it is a nearby SassyBlackWoman who ''gets it'' and is supportive of her:
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Changed line(s) 288 (click to see context) from:
** Booth and Max light a candle at the church in honour of Brennan's mother. The church then burns down, with the fire starting near the candles. Max blames Booth and Booth blames Brennan's mother.
to:
** Booth and Max light a candle at the church in honour of Brennan's mother. The church then burns down, with the fire starting near the candles. Max blames Booth and Booth blames Brennan's mother.mother, even though she died in 1993.
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Changed line(s) 325 (click to see context) from:
-->Cam:(breathing heavily): I know Hodgins is your husband and your soul mate...
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-->Cam:(breathing heavily): heavily) I know Hodgins is your husband and your soul mate...
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*One of the b-plots of "The Tutor in the Tussle": Hodgins accidentally infests Cam's office with spiders and spends the rest of the episode hiding from her.
-->Cam:(breathing heavily): I know Hodgins is your husband and your soul mate...
-->Angela: No, we'll kill him together.
-->Cam:(breathing heavily): I know Hodgins is your husband and your soul mate...
-->Angela: No, we'll kill him together.
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Changed line(s) 325 (click to see context) from:
* Hodgins’ final scene in the series finale. Brennan says she doesn’t want to be in charge while Cam is gone and tells Hodgins he’s in charge. Hodgins rolls his wheelchair around the room yelling ecstatically
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* Hodgins’ final scene in the series finale. Brennan says she doesn’t want to be in charge while Cam is gone and tells Hodgins he’s in charge. Hodgins rolls his wheelchair around the room yelling ecstaticallyecstatically.
Changed line(s) 328 (click to see context) from:
-->Hodgins: [very excited] Yeah, right! You try to pry that scepter from my hands! And take away my crown. Oh, hey, hey, I need a crown! I need a crown! King of lab! Yeah!
to:
-->Hodgins: [very excited] Yeah, right! You try to pry that scepter from my hands! And take away my crown. Oh, hey, hey, I need a crown! I need a crown! King of the lab! Yeah!
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Deleted line(s) 307,308 (click to see context) :
* "The Last Shot at a Second Chance":
** Booth and Bones choosing how they're going to have sex by referring to page numbers in one of her novels. Eventually they settle on "page 214", which apparently [[NoodleImplements requires masks, a drum and "preparing the deck".]]
** Booth and Bones choosing how they're going to have sex by referring to page numbers in one of her novels. Eventually they settle on "page 214", which apparently [[NoodleImplements requires masks, a drum and "preparing the deck".]]
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* "The Last Shot at a Second Chance":
** Booth and Bones choosing how they're going to have sex by referring to page numbers in one of her novels. Eventually they settle on "page 214", which apparently [[NoodleImplements requires masks, a drum and "preparing the deck".]]
** Booth and Bones choosing how they're going to have sex by referring to page numbers in one of her novels. Eventually they settle on "page 214", which apparently [[NoodleImplements requires masks, a drum and "preparing the deck".]]
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Changed line(s) 308 (click to see context) from:
** Booth and Bones choosing how they're going to have sex by referring to page numbers in one of her novels. Eventually they settle on "page 214", which apparently requires masks, a drum and "preparing the deck".
to:
** Booth and Bones choosing how they're going to have sex by referring to page numbers in one of her novels. Eventually they settle on "page 214", which apparently [[NoodleImplements requires masks, a drum and "preparing the deck".]]
