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Film: They Might Be Giants

A 1971 film starring George C Scott and Joanne Woodward. Adapted from a stageplay. The main character believes he is Sherlock Holmes after the death of his wife leaves him with severe paranoia. Dr. Mildred Watson is an analyst caught up in the man's brother's scheme to control his money through having him committed, while at the same time the brother is being pursued by a shadowy blackmailer in sunglasses. The film spoofs classic Sherlock Holmes tropes and ponders the popular themes of insanity vs society's consensus reality.

Yes, the band named themselves after this story.

The film contains examples of:

  • Aww, Look! They Really Do Love Each Other: Initially they are very antagonistic towards each other, he annoyed and fed up with her attempts to 'cure' him and her exasperated by his maniacal antics.
  • Back for the Finale:
  • Clap Your Hands If You Believe: The story plays with the idea of how groups of individuals who have chosen to embrace a delusional reality can create their own consensus reality which just might, depending on how you interpret the ending, become real.
  • Detective Drama: Played with. The main character thinks he's Holmes, but all the deductions he makes are patently ridiculous (even if the story allows them to be true), the clues he constantly searches for are more like the manias of a schizophrenic finding meaning and messages in completely unconnected and unintentional words, and he commits the cardinal sin of theorizing without data (he posits the existence of Moriarty without any evidence). However, the presence of the plotting brother and the shadowy blackmailer turns this into an interesting, if off-kilter, example.
  • Everyone Calls Him Barkeep: Most of the people close to him call him Justin Playfair and he himself admits that "scarcely anyone" calls him Holmes, but most of the city crazies seem to know him as Sherlock Holmes.
  • Funny Schizophrenia: If you don't believe that Justin is right, his crazy antics come off this way, such as suspiciously observing pigeons with a magnifying glass.
  • Hey, It's That Guy!: Aside from the obvious Mr. Scrooge playing Justin, Grandpa from The Munsters makes an appearance in the film.
  • Intimate Psychotherapy: The Doctor assigned to "cure" him of his alleged monomania later falls in love with him and embraces his delusions by taking on the persona of Watson.
  • Mind Screw: The ending leaves one wondering, 'what just happened?' Did the pair see Moriarty? Did they get run over by a car, smiling wide-eyed all the while? Or was that the spotlight of the police?
  • Milk Man Conspiracy: Justin/Holmes points to such disparate incidents in the newspapers as people dying from crossing the street, grandmas being raped and beaten, and excursion boats exploding as evidence of Moriarty's near omnipresent nefarious influence.
  • No Means Yes:
    Justin/Holmes: "Did you enjoy your first detective work?"
    Watson: "No."
    Justin/Holmes: "Come on, I know girls—no means yes."
  • Ragtag Bunchof Misfits: The epic march near the end gathers together all of the city crazies as well as most of the people they've helped throughout the film, all marching in tandem alongside Justin/Holmes and Watson. Played for Laughs when he asks them, "Anyone who knows why we are here raise your hand." No one does.
  • Title Drop: Justin's speech in the taxi about why the Don Quixote spirit helped carry forward history and progress, by looking at things and thinking of what they might be—for example windmills because...They might be giants.
  • The Moriarty Effect: As a Sherlock film, this is predictable enough
The Testament of Sherlock HolmesFranchise/Sherlock HolmesWithout A Clue
Tales from Muppetland: The Frog PrinceFilms of the 1970sTHX 1138

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