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** Kirk is still a fan of the Music/BeastieBoys' "Sabotage", like he was as a child in ''Film/StarTrek2009''.
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** Kirk is still a fan of the Music/BeastieBoys' "Sabotage", like he was as a child in ''Film/StarTrek2009''.
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* FutureMusic: The Music/BeastieBoys are now considered "classical". Ironically, Scotty doesn't like Music/PublicEnemy because it's "''too'' old-fashioned."
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* FutureMusic: The Music/BeastieBoys are now considered "classical". Ironically, Scotty doesn't like Music/PublicEnemy because it's "''too'' old-fashioned."
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* GaleForceSound: Taken to the LogicalExtreme: both [[spoiler:the ''Franklin'' and Starbase Yorktown, using "Sabotage" by the Music/BeastieBoys]]. While not 100% accurate, as they use [[spoiler:the music broadcasted over VHF frequencies]], the editing makes it look like this (provided you forget about SoundInSpace). Works exceptionally well in case of [[spoiler:Yorktown, the activation of its powerful transmitters being synced to the MetalScream in the song]].
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* GaleForceSound: Taken to the LogicalExtreme: both [[spoiler:the ''Franklin'' and Starbase Yorktown, using "Sabotage" by the Music/BeastieBoys]]. While not 100% accurate, as they use [[spoiler:the music broadcasted over VHF frequencies]], the editing makes it look like this (provided you forget about SoundInSpace). Works exceptionally well in case of [[spoiler:Yorktown, the activation of its powerful transmitters being synced to the MetalScream in the song]].
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* KeystoneArmy: Krall's lethally swift and highly coordinated swarm of hive-minded drones are easily disrupted and defeated [[spoiler:by jamming their control signal with "Sabotage" by the Music/BeastieBoys]].
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* KeystoneArmy: Krall's lethally swift and highly coordinated swarm of hive-minded drones are easily disrupted and defeated [[spoiler:by jamming their control signal with "Sabotage" by the Music/BeastieBoys]].
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** Likewise, Spock has no problem quoting Shakespeare, to [=McCoy's=] annoyance. He also apparently has no problem with the Music/BeastieBoys.
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** Likewise, Spock has no problem quoting Shakespeare, to [=McCoy's=] annoyance. He also apparently has no problem with the Music/BeastieBoys.
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* NotSoAboveItAll: Spock can be seen bobbing his head slightly to the Beastie Boys.
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* NotSoAboveItAll: Spock can be seen bobbing his head slightly to the Beastie Boys.
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* ThePowerOfRock: Spock comes up with the idea of using radio jamming to disorient Krall's fleet, but they need a signal to broadcast. [[spoiler:Cue the Music/BeastieBoys.]] Judging from the reactions of the characters, the music itself is broadcast on the ship and Yorktown as well. (The trope's best shown as the biggest explosion occurs right at a MetalScream.)
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* ThePowerOfRock: Spock comes up with the idea of using radio jamming to disorient Krall's fleet, but they need a signal to broadcast. [[spoiler:Cue the Music/BeastieBoys.]] Judging from the reactions of the characters, the music itself is broadcast on the ship and Yorktown as well. (The trope's best shown as the biggest explosion occurs right at a MetalScream.)
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** Creator/DannyPudi of ''Series/{{Community}}'' (for which Justin Lin directed an episode) appears under heavy makeup as one of the stranded aliens that accost Scottie when he lands on Altamid.
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** Creator/DannyPudi of ''Series/{{Community}}'' (for which Justin Lin directed an episode) appears under heavy makeup as one of the stranded aliens that accost Scottie Scotty when he lands on Altamid.
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missed that it was already there
Deleted line(s) 134 (click to see context) :
* CreatorCameo: Co-writer Doug Jung plays Sulu's husband Ben.
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* CreatorCameo: Co-writer Doug Jung plays Sulu's husband Ben.
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** Danny Pudi of ''Series/{{Community}}'' (for which Justin Lin directed an episode) appears under heavy makeup as one of the stranded aliens that accost Scottie when he lands on Altamid.
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** Danny Pudi Creator/DannyPudi of ''Series/{{Community}}'' (for which Justin Lin directed an episode) appears under heavy makeup as one of the stranded aliens that accost Scottie when he lands on Altamid.
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Anything That Moves is a disambiguation
Deleted line(s) 36,38 (click to see context) :
* AnythingThatMoves:
** [[DownplayedTrope Downplayed]]: Chekov seems to have developed this, though there aren't many examples of his conquests seen.
** Averted with Kirk. Despite him chasing {{Cat Girl}}s or {{Green Skinned Space Babe}}s in the previous movies, being TheCaptain on a lengthy deep space mission means [[LonelyAtTheTop he can't get involved with a crewmember]], and even his interactions with Kalara and Jaylah are chaste. [[YouNeedToGetLaid No wonder he's seriously contemplating a desk job.]]
** [[DownplayedTrope Downplayed]]: Chekov seems to have developed this, though there aren't many examples of his conquests seen.
** Averted with Kirk. Despite him chasing {{Cat Girl}}s or {{Green Skinned Space Babe}}s in the previous movies, being TheCaptain on a lengthy deep space mission means [[LonelyAtTheTop he can't get involved with a crewmember]], and even his interactions with Kalara and Jaylah are chaste. [[YouNeedToGetLaid No wonder he's seriously contemplating a desk job.]]
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Renamed to Birthday Beginning per TRS
. Removing examples were the story didn't begin with a birthday.
. Removing examples were the story didn't begin with a birthday.* BirthdayBeginning: The film opens three days before Kirk's birthday, and he's a little morose, because this year he'll be older than [[Film/StarTrek2009 his father ever was]].
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* TheHerosBirthday: The film opens three days before Kirk's birthday, and he's a little morose, because this year he'll be older than [[Film/StarTrek2009 his father ever was]].
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TheOneWith the ''Enterprise'' getting destroyed. [[Film/StarTrekIIITheSearchForSpock Again.]]
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TheOneWith the ''Enterprise'' getting destroyed. [[Film/StarTrekIIITheSearchForSpock Again.]]
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* AdaptationalEarlyAppearance: [[spoiler: The ''Enterprise-A'' was only introduced fifteen years after the events of the five year mission. Here it appears three years in.]]
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* CostumeEvolution: The Starfleet Uniforms get a overhaul dropping the delta patterned tunic from the first two films for solid colored ones closer to the ''[[Series/StarTrekTheOriginalSeries Original Series]]'' designs with a tweaked collar.
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* OffscreenAirplanePullup: Because the ''Franklin'' wasn't designed with atmospheric flight in mind, the ship can't take off from its cliffside perch, and has to fall down said cliff to pick up enough speed for the thrusters to provide lift. Right as it reaches the bottom of the cliff, you see the ship nose-up like it's trying to pull up, but it keeps falling straight down regardless and falls out of view. A few seconds later, the ship races overhead as if atmospheric flight was trivial.
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Added a couple new entries
Changed line(s) 256 (click to see context) from:
* OutsideContextProblem: Krall's fleet of swarm ships. They're too numerous for phasers to destroy many of them, they're too small and nimble for torpedoes to lock onto them, and they have tech that lets them pass straight through shields. They behave in much the same way as [[PiranhaProblem piranhas in movies do]], and can destroy a starship in minutes.
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* OutsideContextProblem: OutsideContextProblem:
** Krall's fleet of swarm ships. They're too numerous for phasers to destroy many of them, they're too small and nimble for torpedoes to lock onto them, and they have tech that lets them pass straight through shields. They behave in much the same way as [[PiranhaProblem piranhas in movies do]], and can destroy a starship inminutes.minutes.
** The swarm ends up on the receiving end when the ''Franklin'' gets involved, as it not only has a means to disable the swarm's coordination (getting VHF on a high-tech starship is trivial when the ship has a 20th-century "boombox" stereo on board), but since it uses armor instead of shields for defense, the biggest chunk of damage it takes in the film[[note]]not counting the wear-and-tear that sitting on a cliff for 100 years must have done to it[[/note]] is when [[BarrierBustingBlow ramming a bulkhead]], which would obliterate a more "modern" ship like the ''Enterprise'', does [[ScratchDamage cosmetic]] damage to the ''Franklin''.
** The aforementioned boombox is itself an OCP, as it's not very likely you'd find one that far into the future when they're already ancient by 21st-century standards.
** Krall's fleet of swarm ships. They're too numerous for phasers to destroy many of them, they're too small and nimble for torpedoes to lock onto them, and they have tech that lets them pass straight through shields. They behave in much the same way as [[PiranhaProblem piranhas in movies do]], and can destroy a starship in
** The swarm ends up on the receiving end when the ''Franklin'' gets involved, as it not only has a means to disable the swarm's coordination (getting VHF on a high-tech starship is trivial when the ship has a 20th-century "boombox" stereo on board), but since it uses armor instead of shields for defense, the biggest chunk of damage it takes in the film[[note]]not counting the wear-and-tear that sitting on a cliff for 100 years must have done to it[[/note]] is when [[BarrierBustingBlow ramming a bulkhead]], which would obliterate a more "modern" ship like the ''Enterprise'', does [[ScratchDamage cosmetic]] damage to the ''Franklin''.
** The aforementioned boombox is itself an OCP, as it's not very likely you'd find one that far into the future when they're already ancient by 21st-century standards.
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* {{Technobabble}}: When discussing how to defeat Krall's swarm.
-->'''Spock:''' Captain, the flight patterns of bees are determined by individual decisions. Krall's swarm formations are too complex not to rely on some form of unified cyberpathic coordination. I surmise that if we--\\
'''Kirk:''' Spock! Skip to the end.\\
'''Uhura:''' What he's saying is that if we disorient the swarm, we can kick its ass!\\
'''Spock:''' Precisely.
-->'''Spock:''' Captain, the flight patterns of bees are determined by individual decisions. Krall's swarm formations are too complex not to rely on some form of unified cyberpathic coordination. I surmise that if we--\\
'''Kirk:''' Spock! Skip to the end.\\
'''Uhura:''' What he's saying is that if we disorient the swarm, we can kick its ass!\\
'''Spock:''' Precisely.
