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Also featuring Creator/DebbieReynolds as Grandma Mazur, in what ended up being her final film performance.
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* AdaptationDyeJob: Stephanie's mother has brown hair in the books, but is blonde in the film.
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Added “Running Gag”
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* RaceLift: Novel character John Kuzack ( a slightly alcoholic Vietnam veteran) becomes John Cho (a marijuina smoker and drummer).
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* RaceLift: Novel character John Kuzack ( a (a slightly alcoholic Vietnam veteran) becomes John Cho (a marijuina smoker and drummer).drummer).
* RunningGag: Lula’s hairstyle changes in every scene.
* RunningGag: Lula’s hairstyle changes in every scene.
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** Grandma Mazur, as a result of editing. B-roll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 40 minutes.
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** Grandma Mazur, as a result of editing. B-roll BRoll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 40 minutes.
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* LighterAndSofter: Though retaining the same main story as its source novel, the film is noticeably more comedic and less overtly violent, in an attempt to make the film feel more tonally in line with later books in the series.
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* LighterAndSofter: Though retaining the same main story as its source novel, the film is noticeably more comedic and less overtly violent, in an attempt to make the film it feel more tonally in line with later books in the series.series. As an example, Stephanie’s interactions with Lula and Jackie are considerably more humorous, eliminating the often graphic descriptions of Ramirez’s known abuse.
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** Stephanie’s showdown with [[spoiler: Jimmy Alpha]] occurs at her apartment in the book, but the film merges this with the events at the marina.
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** Stephanie’s showdown with [[spoiler: Jimmy Alpha]] occurs at her apartment in the book, but the film merges this with the events at the marina. Stephanie also subdues and pepper sprays [[spoiler: Benito Ramirez]] during this sequence, an event which occurred earlier in the book.
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** William Earling has slightly more screentime compared to his book counterpart as a result of taking Clarence Sampson’s place in the novel.
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** William Earling has slightly more screentime compared to his book counterpart as a result of taking Clarence Sampson’s place in the novel.story as Stephanie’s first FTA.
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** William Earling has slightly more screentime compared to his book counterpart as a result of taking Clarence Sampson’s place in the novel.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/One_for_the_Money_8264.jpg]]
''One for the Money'' is a 2012 comedy film starring Creator/KatherineHeigl, [[Literature/StephaniePlum based upon the book by the same name]] by Janet Evanovich.
Heigl plays Stephanie Plum, a born-and-bred {{Joisey}} girl who finds herself in financial straits after being fired from her job as manager of the lingerie department at Macy's. After being turned down for a variety of demeaning jobs, she blackmails her cousin Vinnie, a bail-bondsman, into letting her recover some of his bail-jumpers for him.
Taking in small-time quarries for the money, Plum has her sights set on the $50,000 bounty for the capture of her ex-boyfriend, vice cop and murder suspect Joe Morelli. As she gathers evidence to track Morelli, she suspects he may not actually be guilty.
''One for the Money'' is a 2012 comedy film starring Creator/KatherineHeigl, [[Literature/StephaniePlum based upon the book by the same name]] by Janet Evanovich.
Heigl plays Stephanie Plum, a born-and-bred {{Joisey}} girl who finds herself in financial straits after being fired from her job as manager of the lingerie department at Macy's. After being turned down for a variety of demeaning jobs, she blackmails her cousin Vinnie, a bail-bondsman, into letting her recover some of his bail-jumpers for him.
Taking in small-time quarries for the money, Plum has her sights set on the $50,000 bounty for the capture of her ex-boyfriend, vice cop and murder suspect Joe Morelli. As she gathers evidence to track Morelli, she suspects he may not actually be guilty.
to:
''One for the Money'' is a 2012 American crime comedy film
Heigl plays
Stephanie
Taking in small-time quarries for the money, Plum has her sights set on the $50,000 bounty for the capture of her ex-boyfriend, vice cop and murder suspect Joe
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* LighterAndSofter: Though retaining the same story as its source novel, the film is noticeably lighter and less overtly violent, in an attempt to make the film feel more tonally in line with later books in the series.
to:
* LighterAndSofter: Though retaining the same main story as its source novel, the film is noticeably lighter more comedic and less overtly violent, in an attempt to make the film feel more tonally in line with later books in the series.
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Added “Adaptation Personality Change” and expanded “Demoted to Extra”
* AdaptationPersonalityChange: Compared to his book counterpart, Morty Beyers is a lot more outwardly nasty and condescending, and doesn’t put on a nice guy act when talking to Stephanie.
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* DemotedToExtra: Grandma Mazur, as a result of editing. B-roll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 40 minutes.
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* DemotedToExtra: DemotedToExtra:
** Grandma Mazur, as a result of editing. B-roll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 40minutes.minutes.
** Though still threatening, most instances of Benito Ramirez harassing Stephanie were omitted, reducing his screentime significantly compared to the novel (also see AdaptationDistillation above).
** Grandma Mazur, as a result of editing. B-roll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 40
** Though still threatening, most instances of Benito Ramirez harassing Stephanie were omitted, reducing his screentime significantly compared to the novel (also see AdaptationDistillation above).
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Added “Adaptation Name Change”
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* AdaptationNameChange: The novel’s Mrs. Santiago becomes Rosa Gomez for the film.
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* Stephanie’s showdown with [[spoiler: Jimmy Alpha]] occurs at her apartment in the book, but the film merges this with the events at the marina.
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* Stephanie’s showdown with [[spoiler: Jimmy Alpha]] occurs at her apartment in the book, but the film merges this with the events at the marina.
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** [[spoiler: References to Vinny's alleged relations with a duck, which Stephanie used to blackmail him in the novel, were omitted. Stephanie blackmails Vinny in the film by mentioning his drunkenly making out with her at her own wedding, plus threatening to tell his wife about his encounters with a dominatrix.]]
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** [[spoiler: References to Vinny's Vinnie’s alleged [[ExtremeOmnisexual relations with a duck, duck]], which Stephanie used to blackmail him in the novel, were omitted. Stephanie blackmails Vinny Vinnie in the film by mentioning his drunkenly making out with her at her own wedding, plus threatening to tell his wife about his encounters with a dominatrix.]]
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Added “Setting Update.”
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* SettingUpdate: The film takes place in 2011, the year of intended release, instead of 1994, the year the book was published and set. This makes sense, not only for budgetary reasons but also because each subsequent book always reflects the time and technology of when it was written.
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** Lula and Jackie have larger roles here than in the novel, partly because [[spoiler: Ramirez’s attack does not put her into a coma.]]
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** Lula and Jackie have larger roles here than in the novel, partly because [[spoiler: Ramirez’s attack does not put her Lula into a coma.]]
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** Lula has a larger role here than in the novel, partly because [[spoiler: Ramirez’s attack does not put her into a coma.]]
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** Lula has a and Jackie have larger role roles here than in the novel, partly because [[spoiler: Ramirez’s attack does not put her into a coma.]]
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Added “Ascended Extra”
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* AdaptedOut: Clarence Sampson does not appear, though he is briefly mentioned.
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* AdaptedOut: Clarence Sampson does not appear, though he is briefly mentioned. His omission also led to Carl Constanza being removed.
* AscendedExtra:
** Lula has a larger role here than in the novel, partly because [[spoiler: Ramirez’s attack does not put her into a coma.]]
** Mary Lou also has more to do, with Stephanie frequently calling her to give updates on the Morrelli case.
* AscendedExtra:
** Lula has a larger role here than in the novel, partly because [[spoiler: Ramirez’s attack does not put her into a coma.]]
** Mary Lou also has more to do, with Stephanie frequently calling her to give updates on the Morrelli case.
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Modified “Compressed Adaptation”
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** Screenwriter Liz Brixius revealed that she used the abridged audiobook as her template, feeling it was a shortened version of the story that was approved by I the author and therefore a useful guide.
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** Screenwriter Liz Brixius revealed that she used the abridged audiobook as her template, feeling template. As it was a shortened version of the story that was approved by I the had author and therefore approval, she felt it would be a useful guide.
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* AdaptedOut: Clarence Sampson does not appear, though he is briefly mentioned.
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Minor time correction
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* DemotedToExtra: Grandma Mazur, as a result of editing. B-roll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 45 minutes.
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* DemotedToExtra: Grandma Mazur, as a result of editing. B-roll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 45 40 minutes.
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* DemotedToExtra: Grandma Mazur, as a result of editing. B-roll footage and publicity stills show a number of scenes with Debbie Reynolds were either shortened or removed entirely. She disappears from the film completely after 45 minutes.
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* TookALevelInBadass: Stephanie isn't very impressive at the end of the movie, but is leaps and bounds ahead of where she started.
* WhatCouldHaveBeen: According to Katherine Heigl, the initial cut didn’t feature Stephanie’s narration. It was added in afterwards in an attempt to capture more of the book’s narrative touches.
* WhatCouldHaveBeen: According to Katherine Heigl, the initial cut didn’t feature Stephanie’s narration. It was added in afterwards in an attempt to capture more of the book’s narrative touches.
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* TookALevelInBadass: Stephanie isn't very impressive at the end of the movie, but is leaps and bounds ahead of where she started.
* WhatCouldHaveBeen: According to Katherine Heigl, the initial cut didn’t feature Stephanie’s narration. It was added in afterwards in an attempt to capture more of the book’s narrative touches.started.
* WhatCouldHaveBeen: According to Katherine Heigl, the initial cut didn’t feature Stephanie’s narration. It was added in afterwards in an attempt to capture more of the book’s narrative touches.
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* TookALevelInBadass: Stephanie isn't very impressive at the end of the movie, but is leaps and bounds ahead of where she started.
to:
* TookALevelInBadass: Stephanie isn't very impressive at the end of the movie, but is leaps and bounds ahead of where she started.started.
* WhatCouldHaveBeen: According to Katherine Heigl, the initial cut didn’t feature Stephanie’s narration. It was added in afterwards in an attempt to capture more of the book’s narrative touches.
* WhatCouldHaveBeen: According to Katherine Heigl, the initial cut didn’t feature Stephanie’s narration. It was added in afterwards in an attempt to capture more of the book’s narrative touches.