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Changed line(s) 30 (click to see context) from:
* AmusingInjuries: Bond pops a compressed air pellet into [[spoiler:Kananga]]'s mouth with alarming and jarring effects: he literally ''swells up like a balloon'' and hovers up into the air, where he continues to expand until he explodes ''with no gore whatsoever''. Such a sudden, cartoonish moment in a movie that has so far been at least vaguely grounded in the laws of physics was a bit hard to stomach for most. It's no surprise that this was Roger Moore's first Bond movie, signifying the beginning of a sillier, more outlandish Bond than before.
to:
* AmusingInjuries: Bond pops a compressed air pellet into [[spoiler:Kananga]]'s mouth with alarming and jarring effects: he literally ''swells up like a balloon'' and hovers up into the air, where he continues to expand until he explodes ''with no gore whatsoever''. [[note]]There ''is'' a brief shot of the shark pool showing something red floating in it, but not ''nearly'' enough to be indicative of an entire human body's worth of blood, let alone the rest of Kananga.[[/note]] Such a sudden, cartoonish moment in a movie that has so far been at least vaguely grounded in the laws of physics was a bit hard to stomach for most. It's no surprise that this was Roger Moore's first Bond movie, signifying the beginning of a sillier, more outlandish Bond than before.
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General clarification on work content
Changed line(s) 326 (click to see context) from:
** The last we see of TeeHee is Bond throwing him out the window of a train and his artificial arm being rippped off. We don't know if he's injured/killed by the fall or escapes.
to:
** The last we see of TeeHee Tee Hee is Bond throwing him out the window of a train and his artificial arm being rippped off. We don't know if he's injured/killed by the fall or escapes.
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Added example(s)
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* WhatHappenedToTheMouse: Several of Kananga's minions suffer ambiguous fates.
** The last we see of Whisper is Bond locking him in a container meant to smuggle heroin into the United States. We don't know if he dies of asphyxiation, is released and continues his criminal career, or some other fate.
** The last we see of TeeHee is Bond throwing him out the window of a train and his artificial arm being rippped off. We don't know if he's injured/killed by the fall or escapes.
** The last we see of Whisper is Bond locking him in a container meant to smuggle heroin into the United States. We don't know if he dies of asphyxiation, is released and continues his criminal career, or some other fate.
** The last we see of TeeHee is Bond throwing him out the window of a train and his artificial arm being rippped off. We don't know if he's injured/killed by the fall or escapes.
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Changed line(s) 26 (click to see context) from:
** Bond and ''Film/{{Coffy}}'' {{Expy}} Rose Carver pretend to be husband and wife on vacation. [[spoiler:Turns out she's TheMole]].
to:
** Bond and ''Film/{{Coffy}}'' {{Expy}} Rose Carver pretend to be husband and wife on vacation. [[spoiler:Turns out she's TheMole]]. When Bond tries to seduce her, she comments that Felix Leiter had warned her that would happen.
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Trope was cut/disambiguated due to cleanup
Deleted line(s) 86 (click to see context) :
* CoolGuns: Bond uses a Smith and Wesson Model 29 as part of rescuing Solitaire and his confrontation with Baron Samedi.
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Changed line(s) 217 (click to see context) from:
* NewhartPhoneCall: Felix Leiter with Mr. Bleeker after James wrecks his airplane and terrorizes his student.
to:
* NewhartPhoneCall: Felix Leiter with Mr. Bleeker after James Bond wrecks his airplane and terrorizes his student.
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added Newhart Phone Call
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* NewhartPhoneCall: Felix Leiter with Mr. Bleeker after James wrecks his airplane and terrorizes his student.
-->'''Felix:''' Mr. Bleeker, any suggestion of that kind should be forwarded in writing to Washington.
-->'''Felix:''' Mr. Bleeker, any suggestion of that kind should be forwarded in writing to Washington.
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Changed line(s) 6,7 (click to see context) from:
'''Mr. Big:''' Names is for tombstones, baby! Y'all take this honky outside and waste him now!
to:
'''Mr. Big:''' Names is for tombstones, baby! Y'all take this honky outside out and waste him now!
him. Now!
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Specifying that Totally Not A Criminal Front is for poorly-veiled fronts.
Changed line(s) 78 (click to see context) from:
* ConspicuouslyPublicAssassination: It would seem that every black person in UsefulNotes/NewYorkCity, [[TheBigEasy New Orleans]], and the fictional San Monique works for the BigBad, or knows him enough not to be surprised when Bond's table at a restaurant is suddenly lowered into the villain's lair as the singer taunts him. Kananga is the dictator of his island, while the Fillet of Soul restaurants in New York, New Orleans and other places are a [[TotallyNotACriminalFront cover for Mr. Big's operation]], so presumably everyone there works for him or knows to keep their mouth shut. However this doesn't explain the murder of two surveillance agents (one of the [=MI6=] agents in the prologue, and later Strutter) which both take place on the street in broad daylight with a large number of witnesses -- not all of whom are in the funeral procession.
to:
* ConspicuouslyPublicAssassination: It would seem that every black person in UsefulNotes/NewYorkCity, [[TheBigEasy New Orleans]], and the fictional San Monique works for the BigBad, or knows him enough not to be surprised when Bond's table at a restaurant is suddenly lowered into the villain's lair as the singer taunts him. Kananga is the dictator of his island, while the Fillet of Soul restaurants in New York, New Orleans and other places are a [[TotallyNotACriminalFront cover for Mr. Big's operation]], operation, so presumably everyone there works for him or knows to keep their mouth shut. However this doesn't explain the murder of two surveillance agents (one of the [=MI6=] agents in the prologue, and later Strutter) which both take place on the street in broad daylight with a large number of witnesses -- not all of whom are in the funeral procession.
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Changed line(s) 78 (click to see context) from:
* ConspicuouslyPublicAssassination: It would seem that every black person in UsefulNotes/NewYorkCity, [[TheBigEasy New Orleans]], and the fictional San Monique works for the BigBad, or knows him enough not to be surprised when Bond's table at a restaurant is suddenly lowered into the villain's lair as the singer taunts him. Kananga is the dictator of his island, while the Fillet of Soul restaurants in New York, New Orleans and other places are a [[LegitimateBusinessmensSocialClub cover for Mr. Big's operation]], so presumably everyone there works for him or knows to keep their mouth shut. However this doesn't explain the murder of the surveillance agents which both take place on the street in broad daylight, with a large number of witnesses not all of whom are in the funeral procession.
to:
* ConspicuouslyPublicAssassination: It would seem that every black person in UsefulNotes/NewYorkCity, [[TheBigEasy New Orleans]], and the fictional San Monique works for the BigBad, or knows him enough not to be surprised when Bond's table at a restaurant is suddenly lowered into the villain's lair as the singer taunts him. Kananga is the dictator of his island, while the Fillet of Soul restaurants in New York, New Orleans and other places are a [[LegitimateBusinessmensSocialClub [[TotallyNotACriminalFront cover for Mr. Big's operation]], so presumably everyone there works for him or knows to keep their mouth shut. However this doesn't explain the murder of the two surveillance agents (one of the [=MI6=] agents in the prologue, and later Strutter) which both take place on the street in broad daylight, daylight with a large number of witnesses -- not all of whom are in the funeral procession.
Changed line(s) 80 (click to see context) from:
** Bond's reaction when the San Monique concierge tells him "Mrs. Bond" has already checked in would suggest that [[Film/OnHerMajestysSecretService certain events]] still strike a nerve.
to:
** Bond's reaction when the San Monique concierge tells him that "Mrs. Bond" has already checked in would suggest that [[Film/OnHerMajestysSecretService certain events]] still strike a nerve.
Changed line(s) 91 (click to see context) from:
** Also, as always, [=MI6=]. You just can't ever tell when your agents might find a use for a wristwatch that's also a buzzsaw ''and'' a high-powered magnet.
to:
** Also, as always, [=MI6=]. You just can't ever tell when your agents might find a use for a wristwatch that's also a buzzsaw high-powered magnet ''and'' a high-powered magnet.buzzsaw.
Changed line(s) 98 (click to see context) from:
* DeadpanSnarker: Strutter gets a gem on Bond after observing him escape Mr. Big's clutches on his first encounter: Strutter was able to follow Bond into Harlem despite Bond's 'clever disguise' being a 'white face in Harlem'.
to:
* DeadpanSnarker: Strutter gets a gem on Bond after observing him escape Mr. Big's clutches on his first encounter: Strutter was able to follow Bond into Harlem despite Bond's 'clever disguise' "clever disguise" being a 'white "white face in Harlem'.Harlem".
Changed line(s) 105,106 (click to see context) from:
** Solitaire wants so to know how they're going to get out of Kananga's underground base. Bond indicates a nearby monorail. "We take the train of course." Cut to Bond and Solitaire getting on a full-sized train.
* DeusExMachina: Quite unusually, Bond's magnet watch also turns out to have a serrated edge that can cut ropes when the face is spun, which comes out of nowhere in the climax.
* DeusExMachina: Quite unusually, Bond's magnet watch also turns out to have a serrated edge that can cut ropes when the face is spun, which comes out of nowhere in the climax.
to:
** Solitaire wants so to know how they're going to get out of Kananga's underground base. Bond indicates a nearby monorail. "We take the train train, of course." Cut to Bond and Solitaire getting on a full-sized train.
* DeusExMachina: Quite unusually, Bond's magnet watch also turns out to have a serrated edge that can cut ropes when the face is spun, which comes out of nowhere in the climax. M most certainly did not mention that when he gave Bond the watch at the beginning, but then, he didn't seem to know about the magnet either until Bond demonstrated it for him.
* DeusExMachina: Quite unusually, Bond's magnet watch also turns out to have a serrated edge that can cut ropes when the face is spun, which comes out of nowhere in the climax. M most certainly did not mention that when he gave Bond the watch at the beginning, but then, he didn't seem to know about the magnet either until Bond demonstrated it for him.
Changed line(s) 114 (click to see context) from:
* DrinkBasedCharacterization: In order to establish Moore's Bond as different from Connery's, he drinks bourbon and water with no ice as opposed to vodka martini. Felix orders a couple of Sazeracs and jibes Bond for it. "Where's your sense of adventure? This is New Orleans. Relax!"
to:
* DrinkBasedCharacterization: In order to establish Moore's Bond as different from Connery's, he drinks bourbon and water with no ice (despite the fact that "no ice" actually costs ''extra'' as far as the Fillet of Sole bars are concerned) as opposed to vodka martini. Felix orders a couple of Sazeracs and jibes Bond for it. "Where's your sense of adventure? This is New Orleans. Relax!"
Changed line(s) 119 (click to see context) from:
* EnigmaticMinion: Baron Samedi is perhaps the most enigmatic villain/henchman the cinematic Bond has ever faced. The character is an ambiguous one, and the audience [[MaybeMagicMaybeMundane cannot tell]] if he really is the Voodoo god Baron Samedi himself, or simply a mortal who has assumed Samedi's identity and can keep up a convincing enough act to make people think he is said Voodoo god. Contributing to the mystery is the fact that Samedi seems to operate as an aide to Dr. Kananga, but is not entirely under his control.
to:
* EnigmaticMinion: Baron Samedi is perhaps the most enigmatic villain/henchman the cinematic Bond has ever faced. The character is an ambiguous one, and the audience [[MaybeMagicMaybeMundane cannot tell]] if he ''he really is is'' the Voodoo god Baron Samedi himself, or simply a mortal who has assumed Samedi's identity and can keep up a convincing enough act to make people think he is said Voodoo god. Contributing to the mystery is the fact that Samedi seems to operate as an aide to Dr. Kananga, but is not entirely under his control.
Changed line(s) 127 (click to see context) from:
* EvilPlan: Mr. Big wants to corner the heroin market by flooding the United States with free heroin, driving TheMafia out of the drug business and doubling the number of addicts, whom he will then sell to once the free heroin runs out.
to:
* EvilPlan: Mr. Big wants to corner the heroin market by flooding the United States with free heroin, driving TheMafia out of the drug business and doubling the number of addicts, to whom he will then sell to once the free heroin runs out.
Changed line(s) 144,145 (click to see context) from:
** Earlier Quarrel Jr says they'll be back any minute as he saw Bond's wetsuit was missing, only to cut to a scene where Kananga says he knew Bond was there because his men found the wetsuit.
** While waiting for Bond to return to Quarrel jr.'s boat, Leiter comments "He must have gotten tied up somewhere", followed by a cut to Bond and Solitaire tied to a death trap.
** While waiting for Bond to return to Quarrel jr.'s boat, Leiter comments "He must have gotten tied up somewhere", followed by a cut to Bond and Solitaire tied to a death trap.
to:
** Earlier Quarrel Jr Jr. says they'll be back any minute as he saw Bond's wetsuit was missing, only to cut to a scene where Kananga says he knew Bond was there because his men found the wetsuit.
** While waiting for Bond to return to Quarreljr.Jr.'s boat, Leiter comments "He must have gotten tied up somewhere", followed by a cut to Bond and Solitaire tied to a death trap.
** While waiting for Bond to return to Quarrel
Changed line(s) 155 (click to see context) from:
** Inverted when Bond sleeps with inept CIA agent Rosie Carver....then pulls a gun on her, revealing he knows she's actually TheMole for BigBad Kananga. He threatens to kill her if she doesn't spill what she knows; when she says he wouldn't do that, they've just made love, he replies:
to:
** Inverted when Bond sleeps with inept CIA agent Rosie Carver....Carver... and then pulls a gun on her, revealing he knows she's actually TheMole for BigBad Kananga. He threatens to kill her if she doesn't spill what she knows; when she says he wouldn't do that, they've just made love, he replies:
Changed line(s) 159 (click to see context) from:
* HollywoodPoliceDrivingAcademy: Arguably turned up to eleven as several police cars are wrecked during a ''boat'' chase. Not that Mr. Big's mooks do any better--when chasing Bond who's driving a Cessna airplane around on the ground, they somehow manage to wreck their cars even though they should be able to maneuver them better than Bond's plane.
to:
* HollywoodPoliceDrivingAcademy: Arguably turned up to eleven as several police cars are wrecked during a ''boat'' chase. Not that Mr. Big's mooks do any better--when better -- when chasing Bond who's driving (who's in a Cessna airplane aeroplane that's simply taxi-ing around on the ground, airfield with ''a little old lady'' at the controls), they somehow manage to wreck their cars even though they should be able to maneuver them better than Bond's out-manoeuvre the plane.
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Changed line(s) 14,15 (click to see context) from:
James Bond is assigned to a case involving a drug lord who leads a huge African-American crime network spanning several cities and a Caribbean island where HollywoodVoodoo is practiced. After rescuing the drug lord's tarot fortune teller from her virginity, it becomes a plot of everybody trying to kill them. It is the first film where Bond deals with both organized crime and the supernatural, and the first film since ''Film/{{Goldfinger}}'' to not involve [=SPECTRE=], as well as the first one not to have music by Music/JohnBarry. It is noteworthy in that amongst the things it did to try and distance it from the later Creator/SeanConnery films, it didn't include a scene with Q (he's mentioned though). Also includes a boat chase in Louisiana, which resulted in at least a dozen speedboats being written off when they filmed it.
to:
James Bond is assigned to a case involving a drug lord who leads a huge African-American crime network spanning several cities and a Caribbean island where HollywoodVoodoo is practiced. After rescuing the drug lord's tarot fortune teller from her virginity, it becomes a plot of everybody trying to kill them. It is the first film where Bond deals with both organized crime and the supernatural, and the first film since ''Film/{{Goldfinger}}'' to not involve [=SPECTRE=], SPECTRE, as well as the first one not to have music by Music/JohnBarry. It is noteworthy in that amongst the things it did to try and distance it from the later Creator/SeanConnery films, it didn't include a scene with Q (he's mentioned though). Also includes a boat chase in Louisiana, which resulted in at least a dozen speedboats being written off when they filmed it.
Changed line(s) 26 (click to see context) from:
** Bond and ''Film/{{Coffy}}'' {{Expy}} Rose Carver pretend to be husband and wife on vacation. [[spoiler: Turns out she's TheMole]].
to:
** Bond and ''Film/{{Coffy}}'' {{Expy}} Rose Carver pretend to be husband and wife on vacation. [[spoiler: Turns [[spoiler:Turns out she's TheMole]].
Changed line(s) 28,30 (click to see context) from:
* AllBalloonsHaveHelium: Bond kills Mr. Big by blowing him up with compressed air so that he floats up to the ceiling before exploding.
-->He always did have an inflated opinion of himself.
* AmusingInjuries: Bond pops a compressed air pellet into Kananga's mouth with alarming and jarring effects: he literally ''swells up like a balloon'' and hovers up into the air, where he continues to expand until he explodes ''with no gore whatsoever''. Such a sudden, cartoonish moment in a movie that has so far been at least vaguely grounded in the laws of physics was a bit hard to stomach for most. It's no surprise that this was Roger Moore's first Bond movie, signifying the beginning of a sillier, more outlandish Bond than before.
-->He always did have an inflated opinion of himself.
* AmusingInjuries: Bond pops a compressed air pellet into Kananga's mouth with alarming and jarring effects: he literally ''swells up like a balloon'' and hovers up into the air, where he continues to expand until he explodes ''with no gore whatsoever''. Such a sudden, cartoonish moment in a movie that has so far been at least vaguely grounded in the laws of physics was a bit hard to stomach for most. It's no surprise that this was Roger Moore's first Bond movie, signifying the beginning of a sillier, more outlandish Bond than before.
to:
* AllBalloonsHaveHelium: Bond [[spoiler:Bond kills Mr. Big Kananga by blowing him up with compressed air so that he floats up to the ceiling before exploding.
-->Heexploding.]]
-->'''Bond:''' He always did have an inflated opinion of himself.
* AmusingInjuries: Bond pops a compressed air pellet intoKananga's [[spoiler:Kananga]]'s mouth with alarming and jarring effects: he literally ''swells up like a balloon'' and hovers up into the air, where he continues to expand until he explodes ''with no gore whatsoever''. Such a sudden, cartoonish moment in a movie that has so far been at least vaguely grounded in the laws of physics was a bit hard to stomach for most. It's no surprise that this was Roger Moore's first Bond movie, signifying the beginning of a sillier, more outlandish Bond than before.
-->He
-->'''Bond:''' He always did have an inflated opinion of himself.
* AmusingInjuries: Bond pops a compressed air pellet into
Changed line(s) 37 (click to see context) from:
* ArtisticLicencePhysics: In the finale, Bond [[spoiler: shoves a pressured carbon dioxide capsule down Kananga's throat, leading to Kananga inflating rapidly and rising above water and to the ceiling before exploding]]. CO[[subscript:2]] is heavier than air, [[spoiler: Kananga's body should have stopped going up when it reached water surface.]]
to:
* ArtisticLicencePhysics: In the finale, Bond [[spoiler: shoves [[spoiler:shoves a pressured carbon dioxide capsule down Kananga's throat, leading to Kananga inflating rapidly and rising above water and to the ceiling before exploding]]. CO[[subscript:2]] is heavier than air, [[spoiler: Kananga's [[spoiler:Kananga's body should have stopped going up when it reached water surface.]]
Changed line(s) 42 (click to see context) from:
* AwkwardSilenceEntrance: When James Bond walks into the Fillet of Soul restaurant in New York the entire crowd slowly goes completely silent. It might be because the Fillet of Soul is in Harlem and everyone in the crowd is black, while Bond is white. Or it might be because all of them [[spoiler: work for Kananga/Mr. Big and the situation is a trap]].
to:
* AwkwardSilenceEntrance: When James Bond walks into the Fillet of Soul restaurant in New York the entire crowd slowly goes completely silent. It might be because the Fillet of Soul is in Harlem and everyone in the crowd is black, while Bond is white. Or it might be because all of them [[spoiler: work [[spoiler:work for Kananga/Mr. Big and the situation is a trap]].
Changed line(s) 52 (click to see context) from:
* BondOneLiner
to:
* BondOneLinerBondOneLiner:
Changed line(s) 98 (click to see context) from:
* DeadpanSnarker: Strutter gets a gem on Bond after observing him escape Mr. Big’s clutches on his first encounter: Strutter was able to follow Bond into Harlem despite Bond’s ‘clever disguise’ being a ‘white face in Harlem’.
to:
* DeadpanSnarker: Strutter gets a gem on Bond after observing him escape Mr. Big’s Big's clutches on his first encounter: Strutter was able to follow Bond into Harlem despite Bond’s ‘clever disguise’ Bond's 'clever disguise' being a ‘white 'white face in Harlem’.Harlem'.
Changed line(s) 103 (click to see context) from:
* DescriptionCut
to:
* DescriptionCutDescriptionCut:
Changed line(s) 110 (click to see context) from:
** In the novel, Mr. Big is eaten by various forms of marine-life after his yacht explodes. In the film, he swells up and explodes after ingesting a compressed air bullet.
to:
** In the novel, Mr. Big is eaten by various forms of marine-life after his yacht explodes. In the film, he [[spoiler:he swells up and explodes after ingesting a compressed air bullet.]]
Changed line(s) 136 (click to see context) from:
* FollowThatCar: {{Subverted}} when Bond gets a taxi driver to follow Mr. Big and his entourage into Harlem. As they drive along however, various people on their route warn him via radio that he's being followed. When they finally arrive and Bond enters the building, ''the taxi driver'' then uses his radio to tip off Mr. Big that Bond has arrived.
to:
* FollowThatCar: {{Subverted}} {{Subverted|Trope}} when Bond gets a taxi driver to follow Mr. Big and his entourage into Harlem. As they drive along however, various people on their route warn him via radio that he's being followed. When they finally arrive and Bond enters the building, ''the taxi driver'' then uses his radio to tip off Mr. Big that Bond has arrived.
Changed line(s) 150 (click to see context) from:
* AHandfulForAnEye
to:
* AHandfulForAnEyeAHandfulForAnEye:
Changed line(s) 154 (click to see context) from:
* HighHeelFaceTurn
to:
* HighHeelFaceTurnHighHeelFaceTurn:
Changed line(s) 156 (click to see context) from:
--->'''Bond''': [[{{Jerkass}} I certainly wouldn't have killed you before.]]
to:
Changed line(s) 176 (click to see context) from:
* InflatingBodyGag: Kananga dies from getting inflated by the gas in the shark pellets.
to:
* InflatingBodyGag: Kananga [[spoiler:Kananga]] dies from getting inflated by the gas in the shark pellets.
Changed line(s) 179 (click to see context) from:
* ItsAlwaysMardiGrasInNewOrleans: {{Averted}}. It's actually not Mardi Gras when Bond visits TheBigEasy. The parades of people dancing on Bourbon Street are [[http://en.wikipedia.org/wiki/Jazz_funeral funeral processions]].
to:
* ItsAlwaysMardiGrasInNewOrleans: {{Averted}}.{{Averted|Trope}}. It's actually not Mardi Gras when Bond visits TheBigEasy. The parades of people dancing on Bourbon Street are [[http://en.wikipedia.org/wiki/Jazz_funeral funeral processions]].
Changed line(s) 188 (click to see context) from:
* LargeHam
to:
* LargeHamLargeHam:
Changed line(s) 197 (click to see context) from:
* MaybeMagicMaybeMundane
to:
* MaybeMagicMaybeMundaneMaybeMagicMaybeMundane:
Changed line(s) 210 (click to see context) from:
* MusicalNod: If you listen carefully, you’ll realize that the song being played during the funeral procession in the opening sequence is “[[Film/OnHerMajestysSecretService We Have All The Time In The World]]”
to:
* MusicalNod: If you listen carefully, you’ll you'll realize that the song being played during the funeral procession in the opening sequence is “[[Film/OnHerMajestysSecretService "[[Film/OnHerMajestysSecretService We Have All The Time In The World]]”World]]".
Changed line(s) 216 (click to see context) from:
* NeverSmileAtACrocodile: Bond is trapped on a small island in the middle of a pond at a crocodile farm. [[spoiler: He manages to escape by jumping on the backs of the reptiles.]] Tee Hee points out one in particular that tore off his arm before the events of the movie.
to:
* NeverSmileAtACrocodile: Bond is trapped on a small island in the middle of a pond at a crocodile farm. [[spoiler: He [[spoiler:He manages to escape by jumping on the backs of the reptiles.]] Tee Hee points out one in particular that tore off his arm before the events of the movie.
Changed line(s) 229 (click to see context) from:
** Tee Hee, when Bond [[spoiler: cuts the cables to his prosthetic arm, locking him in place on a window handle.]]
to:
** Tee Hee, when Bond [[spoiler: cuts [[spoiler:cuts the cables to his prosthetic arm, locking him in place on a window handle.]]
Changed line(s) 239 (click to see context) from:
* PopGoesTheHuman: Bond force feeds Dr. Kananga an oxygen bullet, which causes to inflate like a balloon. He rises up like a helium balloon and pops, with nothing but clothing shreds left.
to:
* PopGoesTheHuman: Bond force feeds Dr. Kananga [[spoiler:Dr. Kananga]] an oxygen bullet, which causes to inflate like a balloon. He rises up like a helium balloon and pops, with nothing but clothing shreds left.
Changed line(s) 243,244 (click to see context) from:
-->'''Agent''': Whose funeral is it?
-->'''Assassin''': Yours! ''(stabs agent)''
-->'''Assassin''': Yours! ''(stabs agent)''
to:
-->'''Assassin''':
'''Assassin:''' Yours! ''(stabs agent)''
Changed line(s) 252 (click to see context) from:
* RealityIsUnrealistic: One of the most unbelievable and cartoonish stunts, [[spoiler: Bond jumping on some crocodiles to safety after being left to die on a small island]] was actually an authentic feat by the owner of the crocodile ranch. [[spoiler: Yes, those were real crocodiles (though their feet were tied down).]]
to:
* RealityIsUnrealistic: One of the most unbelievable and cartoonish stunts, [[spoiler: Bond [[spoiler:Bond jumping on some crocodiles to safety after being left to die on a small island]] was actually an authentic feat by the owner of the crocodile ranch. [[spoiler: Yes, [[spoiler:Yes, those were real crocodiles (though their feet were tied down).]]
Changed line(s) 259,260 (click to see context) from:
* RuleOfDrama: Yaphet Kotto's "Mr. Big" is Blofeld in all but name, something the actor is clearly enjoying. There’s no real reason for Mr. Big to have a top-secret underground cave-system headquarters, but most Bond villains do, so why not? There’s no obligation for him to keep a shark tank in his headquarters, either. In fact, it was this movie which inspired the “Unnecessarily Slow Dipping Mechanism™!” from the first ''Film/AustinPowers'' movie.
* ScaryBlackMan:
* ScaryBlackMan:
to:
* RuleOfDrama: Yaphet Kotto's "Mr. Big" is Blofeld in all but name, something the actor is clearly enjoying. There’s There's no real reason for Mr. Big to have a top-secret underground cave-system headquarters, but most Bond villains do, so why not? There’s There's no obligation for him to keep a shark tank in his headquarters, either. In fact, it was this movie which inspired the “Unnecessarily "Unnecessarily Slow Dipping Mechanism™!” Mechanism™!" from the first ''Film/AustinPowers'' movie.
*ScaryBlackMan: ScaryBlackMan:
*
Changed line(s) 267 (click to see context) from:
* SexSignalsDeath: [[spoiler: Rosie Carver, who's quickly killed by a gun hidden in a scarecrow after Bond outs her as a spy. Averted with Solitaire, who survives the film]].
to:
* SexSignalsDeath: [[spoiler: Rosie [[spoiler:Rosie Carver, who's quickly killed by a gun hidden in a scarecrow after Bond outs her as a spy. Averted with Solitaire, who survives the film]].
Changed line(s) 277,278 (click to see context) from:
-->'''Kananga (calm)''': If he finds it, kill him.
-->'''Kananga (concerned)''': At any cost - ''any'' - Bond must die.
-->'''Kananga (concerned)''': At any cost - ''any'' - Bond must die.
to:
-->'''Kananga (concerned)''':
'''Kananga:''' ''(concerned)'' At any cost - ''any'' - Bond must die.
Changed line(s) 310 (click to see context) from:
** Dr. Kananga was named after the guy who owned the crocodile farm seen in the film. [[spoiler: The feet you see running on top of the crocodiles when Bond escapes said farm? Those were Kananga's, and those were real crocodiles.]]
to:
** Dr. Kananga was named after the guy who owned the crocodile farm seen in the film. [[spoiler: The [[spoiler:The feet you see running on top of the crocodiles when Bond escapes said farm? Those were Kananga's, and those were real crocodiles.]]
Changed line(s) 312 (click to see context) from:
* TuxedoAndMartini: ''{{Downplayed}}'' as much as the producers feasibly could. As a conscious effort of distinguishing him from Creator/SeanConnery's Bond, Creator/RogerMoore's Bond goes tuxedo-free for the entire movie (the second and last instance, after ''Film/YouOnlyLiveTwice''), [[CigarChomper favours cigars]] over cigarettes, and by the third act replaces the classic Walther with a gigantic [[RevolversAreJustBetter S&W Model 29]]. The direction and set elements follow suit, with much heavier emphasis on down-and-dirty location photography (Harlem, New Orleans, etc.) than the glossy SceneryPorn and over-the-top lairs of movies past.
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* TuxedoAndMartini: ''{{Downplayed}}'' ''{{Downplayed|Trope}}'' as much as the producers feasibly could. As a conscious effort of distinguishing him from Creator/SeanConnery's Bond, Creator/RogerMoore's Bond goes tuxedo-free for the entire movie (the second and last instance, after ''Film/YouOnlyLiveTwice''), [[CigarChomper favours cigars]] over cigarettes, and by the third act replaces the classic Walther with a gigantic [[RevolversAreJustBetter S&W Model 29]]. The direction and set elements follow suit, with much heavier emphasis on down-and-dirty location photography (Harlem, New Orleans, etc.) than the glossy SceneryPorn and over-the-top lairs of movies past.
Changed line(s) 329 (click to see context) from:
* WhyDontYouJustShootHim
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* WhyDontYouJustShootHimWhyDontYouJustShootHim:
Changed line(s) 331 (click to see context) from:
** Likewise the "put him in an easily-escapable deathtrap and then just walk away and assume it worked" meme is exemplified when Bond is marooned on a rock in a lake full of hungry crocodiles without even a single {{mook}} left behind to watch him, though to be fair, nobody could have predicted him running across their backs to shore.
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** Likewise the "put him in an easily-escapable deathtrap and then just walk away and assume it worked" meme is exemplified when Bond is marooned on a rock in a lake full of hungry crocodiles without even a single {{mook}} {{mook|s}} left behind to watch him, though to be fair, nobody could have predicted him running across their backs to shore.
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Changed line(s) 1,2 (click to see context) from:
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/live_and_let_die_poster_02.jpg]]
[[caption-width-right:300:''[[Music/PaulMcCartney ♫ Why does it matter to ya\\
[[caption-width-right:300:''[[Music/PaulMcCartney ♫ Why does it matter to ya\\
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Changed line(s) 328 (click to see context) from:
* WithinArmsReach: In the last scene, [[DragonTheirFeet Tee Hee attacks Bond in his train room]] and is about to kill him with his hook arm when Bond reaches into his suitcase and pulls out some tweezers, which he uses to snip the wires controlling his arm, leaving his hook stuck on a window handle, with Bond throwing him out.
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* WithinArmsReach: In the last scene, [[DragonTheirFeet Tee Hee attacks Bond in his train room]] and is about to kill him with his hook arm when Bond reaches into his suitcase and pulls out some tweezers, nail clippers which he uses to [[FakeArmDisarm snip the wires controlling his the arm, leaving his hook stuck on a window handle, handle]], with Bond throwing him out.
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Changed line(s) 265 (click to see context) from:
* ScoobyDooHoax: As in the novel, Mr. Big uses Voodoo, as his mistress/servant Solitaire, who has "the power of the Obeah" (which supposedly lets her see the future), to maintain an iron grip over his island nation and drug empire. He even has someone pretending to be Baron Samedi on his side, plus a host of traps and tricks. Subverted in that Solitaire seems like she really does have the power to see the future, and the ending has Samedi (who was apparently killed by snakebite earlier) riding the front of a train, laughing, implying he was RealAfterAll. Most of the other stuff really is just an elaborate hoax, like scarecrows promising death to anyone who trespasses on the poppy fields (and hidden cameras and guns in case you don't take the hint).
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* ScoobyDooHoax: As in the novel, Mr. Big uses Voodoo, as his mistress/servant Solitaire, who has "the power of the Obeah" (which supposedly lets her see the future), to maintain an iron grip over his island nation and drug empire. He even has someone pretending to be Baron Samedi on his side, plus a host of traps and tricks. Subverted in that Solitaire seems like she really does have the power to see the future, and the ending has Samedi (who was apparently killed by snakebite earlier) riding the front of a train, laughing, implying he was RealAfterAll. Most of the other stuff really is just an elaborate hoax, like scarecrows promising death to anyone who trespasses on the poppy fields (and (with hidden cameras and guns in case you don't take the hint).hint), or underground lift platforms to enable Baron Samedi to rise from his grave.
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* BehavioralConditioning: A classic Pavlovian version; the moment Tee-Hee rips open a tin of meat, all the alligators in the area know it's feeding time. Too bad Bond's the main course.
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Changed line(s) 293 (click to see context) from:
** In her introductory scene, Solitaire reads of James Bond's arrival in the cards.
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** In her introductory scene, Solitaire reads of [[TravelMontage James Bond's arrival arrival]] in the cards.
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Curse Cut Short or Mouthing the Profanity?
Changed line(s) 92 (click to see context) from:
* CurseCutShort: When Adam radios the other henchmen to pursue Bond, he screams, "Now ''move'', you mother--".
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* CurseCutShort: CurseCutShort:
** When Adam radios the other henchmen to pursue Bond, he screams, "Now ''move'', youmother--".mother--".
** Doubles as MouthingTheProfanity: When Bond's boat jumps over Sheriff J.W. Pepper, he says "What the" and clearly mouths the word "fuck", but any sound is drowned out by the boat's overrevving motor.
** When Adam radios the other henchmen to pursue Bond, he screams, "Now ''move'', you
** Doubles as MouthingTheProfanity: When Bond's boat jumps over Sheriff J.W. Pepper, he says "What the" and clearly mouths the word "fuck", but any sound is drowned out by the boat's overrevving motor.
Changed line(s) 204 (click to see context) from:
* MouthingTheProfanity: When Bond's boat jumps over him, Sheriff J.W. Pepper says "What the" and mouths the word "fuck".
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* MouthingTheProfanity: When Bond's boat jumps over him, Sheriff J.W. Pepper says "What the" and mouths the word "fuck"."fuck" (although it's likely a CurseCutShort with him simply being drowned out by the boat's overrevving motor).
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Changed line(s) 22 (click to see context) from:
* AdaptationalLocationChange: In the book, Mr. Big's lair is in Jamaica. In the film, he resides on the fictional island of San Monique, which was portrayed by - Jamaica. Also, the film doesn't go to Florida, unlike the book.
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* AdaptationalLocationChange: In the book, Mr. Big's lair is in Jamaica. In the film, he resides on the fictional island of San Monique, which was portrayed by - by... Jamaica. Also, the film doesn't go to Florida, unlike the book.
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* RecordedAudioAlibi: The BigBad Dr. Kananga enters the San Monique consulate in New York and starts dictating a long-winded speech. A short way in, he switches on a tape recorder that continues the speech on from where he left off. He and his entourage change into street clothes and exit thorough a SecretPassage, while the agents monitoring his office continue to listen to the speech; unaware that he has left.
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* BorrowinSamedi: The BigBad uses an EnigmaticMinion who acts the part of Baron Samedi in some kind of festival for tourists in Haiti, played by Creator/GeoffreyHolder. One of the [[RiddleForTheAges bigger mysteries]] in the film is exactly who the guy is, with the [[MaybeMagicMaybeMundane implication]] that he may be the Baron himself.
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* PickACard: Played, a bit unusually, with Tarot cards. Bond manipulates Solitaire into sleeping with him by having her pick "The Lovers" from a stacked deck.
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Changed line(s) 59 (click to see context) from:
* BookcasePassage: When Bond enters the Filet of Soul restaurant, he sits at a table while casing the joint, only for the wall behind him to spin around and send him right to Mr. Big's office. It's subverted later on when 007 enters another Filet of Soul location and, clearly remembering what happened last time, takes a seat as far away from the back wall as possible… only for a trap door to open beneath him.
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* BookcasePassage: When Bond enters the Filet Fillet of Soul restaurant, he sits at a table while casing the joint, only for the wall behind him to spin around and send him right to Mr. Big's office. It's subverted later on when 007 enters another Filet Fillet of Soul location and, clearly remembering what happened last time, takes a seat as far away from the back wall as possible… only for a trap door to open beneath him.
Changed line(s) 114 (click to see context) from:
* EnemyEatsYourLunch: In the Filet of Soul, after Bond is sent to Kananga's secret office via BookcasePassage, the waiter steals Bond's bourbon.
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* EnemyEatsYourLunch: In the Filet Fillet of Soul, after Bond is sent to Kananga's secret office via BookcasePassage, the waiter steals drinks Bond's bourbon.
Deleted line(s) 173 (click to see context) :
* InnocentFanserviceGirl: Miss Caruso in the post-credits opening. Solitaire herself.
Changed line(s) 179 (click to see context) from:
* JustBetweenYouAndMe: Zigzagged; first Mr. Big has no interest in talking to Bond, ordering his men to take him outside and shoot him. Then when Mr. Big unmasks himself as Kananga it's played straight, with him casually revealing his plan to flood the country with free heroin. Then at the climax of the movie Kananga casually shows off his underground base to Bond, filling him in on the technical details of how he intends to smuggle the heroin into the United States.
to:
* JustBetweenYouAndMe: Zigzagged; first Mr. Big has no interest in talking to Bond, ordering his men to take him outside and shoot him. Then when [[spoiler:when Mr. Big unmasks himself as Kananga Kananga]] it's played straight, with him casually revealing his plan to flood the country with free heroin. Then at the climax of the movie Kananga casually shows off his underground base to Bond, filling him in on the technical details of how he intends to smuggle the heroin into the United States.
Changed line(s) 198 (click to see context) from:
* MilkmanConspiracy: The Fillet of Soul Jazz Bars all seem to have secret lairs behind the booths or underground. They are part of a massive heroin ring run by drug baron Mr. Big for Caribbean dictator Dr. Kananga (who are actually the same person), through which is employed nearly every black person everywhere.
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* MilkmanConspiracy: The Fillet of Soul Jazz Bars all seem to have secret lairs behind the booths or underground. They are part of a massive heroin ring run by drug baron Mr. Big for Caribbean dictator Dr. Kananga (who [[spoiler:(who are actually the same person), person)]], through which is employed nearly every black person everywhere.
Changed line(s) 232 (click to see context) from:
* ParanormalEpisode: Even Bond had a run of this here, where he faces off with a henchmen claimed to be Baron Samedi. He's seemingly killed, but shown alive at the end of the film, hinting he [[MaybeMagicMaybeMundane may have been]] the genuine article.
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* ParanormalEpisode: Even Solitaire's PsychicPowers seem to real. Bond had a run of this here, where he also faces off with a henchmen claimed to be Baron Samedi. He's Samedi, who's seemingly killed, but shown alive at the end of the film, hinting he [[MaybeMagicMaybeMundane may have been]] the genuine article.
Changed line(s) 243 (click to see context) from:
** Solitaire looks at Bond's future and sees Death. [[spoiler:Kananga isn't happy when Rosie Carver dies instead, so Solitaire claims it must have been her death she foresaw.]]
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** Solitaire looks tells Kananga that she looked at Bond's future and sees saw Death. [[spoiler:Kananga isn't happy when Rosie Carver dies instead, so Solitaire claims it must have been her death she foresaw.]]
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Changed line(s) 164 (click to see context) from:
** Bond is smoking a cigar while he's shaving, when a villain lets a venomous snake into the bathroom. Bond notices it, and ever resourceful, kills it by using the cigarette and an aerosol can of aftershave to fashion a makeshift flamethrower and spraying it at the reptile.
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** Bond is smoking a cigar while he's shaving, when a villain lets a venomous snake into the bathroom. Bond notices it, and ever resourceful, kills it by using the cigarette cigar and an aerosol can of aftershave to fashion a makeshift flamethrower and spraying it at the reptile.
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Changed line(s) 139 (click to see context) from:
* GilliganCut: While waiting for Bond to return to Quarrel jr.'s boat, Leiter comments "He must have gotten tied up somewhere", followed by a cut to Bond and Solitaire tied to a death trap. Earlier Quarrel Jr says they'll be back any minute as he saw Bond's wetsuit was missing, only to cut to a scene where Kananga says he knew Bond was there because his men found the wetsuit.
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* GilliganCut: GilliganCut:
** Earlier Quarrel Jr says they'll be back any minute as he saw Bond's wetsuit was missing, only to cut to a scene where Kananga says he knew Bond was there because his men found the wetsuit.
** While waiting for Bond to return to Quarrel jr.'s boat, Leiter comments "He must have gotten tied up somewhere", followed by a cut to Bond and Solitaire tied to a death trap.Earlier Quarrel Jr says they'll be back any minute as he saw Bond's wetsuit was missing, only to cut to a scene where Kananga says he knew Bond was there because his men found the wetsuit.
** Earlier Quarrel Jr says they'll be back any minute as he saw Bond's wetsuit was missing, only to cut to a scene where Kananga says he knew Bond was there because his men found the wetsuit.
** While waiting for Bond to return to Quarrel jr.'s boat, Leiter comments "He must have gotten tied up somewhere", followed by a cut to Bond and Solitaire tied to a death trap.
Changed line(s) 154 (click to see context) from:
* HookHand: Tee-Hee has a hook hand, but for the [[ArtificialLimbs larger part of his lower arm]]. He says he lost it to a crocodile at Kananga's croc farm (the croc is still alive, so clearly it was NothingPersonal).
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* HookHand: Tee-Hee has a hook hand, but for the [[ArtificialLimbs larger part of his lower entire arm]]. He says he lost it to a crocodile at Kananga's croc farm (the croc is still alive, so clearly it was NothingPersonal).