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Quai d'Orsay is a Franco-Belgian comic book by Christophe Blain and Abel Lanzac. Based on Lanzac's personal recollections of his career at the French Ministry of Foreign Affairs (usually referred to as the Quai d'Orsay since that's where its main offices are located), it tells the story of Arthur Vlaminck, a young and impressionable university graduate who gets hired by the minister as a "language expert" — a fancy term for speechwriter.Vlaminck discovers from the inside the workings of the foreign ministry: the bureaucratic wheelings and dealings, the petty personal rivalries, the high-stakes crisis management, and looming over the whole thing, the driven, charismatic figure of the minister himself, Alexandre Taillard de Vorms, a transparent alter ego of Dominique de Villepin. Vorms's overriding concern is preventing the American invasion of a certain Middle Eastern country.A film adaptation of the comic has been released in November 2013.
Quai d'Orsay provides examples of the following tropes:
Bunny-Ears Lawyer: How his staff perceives the minister. Like the Irresponsible Captain Tylor or Ciaphas Cain (HERO OF THE IMPERIUM), it can be very hard to tell when he's being a genius and when he's being an overly pompous buffoon full of hot air. Lampshaded in-story: one of his older collaborators tries to vaguely explain it, but it looks like wishful thinking since his being Married to the Job has ruuined his private life. Vladimir, the narrator, who looks headed for the same direction, explains it in a way that feels like weird mix of Obfuscating Stupidity, Obfuscating Insanity, Feigning Intelligence and Chewbacca Defense: basically the Minister, in a confrontation, escapes the technicalities of any problem by ranting with furious passion about higher concepts. "We must uphold Responsibility, Unity, Progress. The specter of the Third World War is looming on us, and only Trust, only Synergy can drive that threat away!"... to Spanish officials complaining that French fishermen were stealing their fish: they end up so dumbfounded ("Responsibility? Buh?") they just sort of give up.
Colbert Bump: Being caricatured in this comic has made De Villepin grow in popularity in Francenote Something similar happened in 1995 when Les Guignols De L Info made a very sympahtetic, very funny caricature of presidential candidate Jacques Chirac, who was already pretty funny and Closer to Earth to begin with, and had just been brutally backstabbed by most of his political allies, who supported an opposing candidate from the same party., and has the press gushing about his "fascinatingly hammynote the word used is flamboyant, which doesn't have the campy connotations the loanword took in English megalomania"
Office Lady: Odile, Maupas's secretary. She even nurses a crush on him and has very Silk Hiding Steel ways of helping and protecting him from his whirlwindnote Literally, most of his gestures are accompanied by lines showing all the vortexes he creates in the air with all his gesturing and posturing of a boss.
Qurac: The fictional Middle Eastern country of Lousdem (Lousdemistan in the film adaptation) is a dictatorship about to be invaded by the USA.
Ripped from the Headlines. Well, the 2001-2003 headlines. Actually Invoked Trope: it is stated by one of the characters because there's so much stuff to do, the highest spheres of power (Ministries, Parliaments) can only be bothered to keep in mind the ones that are actually in the headlines and media-relevant at the moment. The Media as a very real Fourth Power is kind of an underlying theme.
Running Gag: The minister launching in his very idiosyncratic speeches at the slightest provocation. Taken Up to Eleven when he gets to have dinner with a Nobel-laureate poet and barely lets her get a word in throughout the dinner, lecturing her about what it means to be a poet! What's important about poetry! The fire! Courage! An uncompromising will to word the feelings! You get the idea...
We Can Rule Together: Arthur fancies himself as Luke Skywalker being talked by Vorms's Darth Vader into ruling the galaxy together.
"Well Done, Son!" Guy: De Vorms to his father. When we get to meet him, we finally see who De Vorms got many of his mannerisms from... The work relationship between Vladimir and De Vorms ends up looking a lot like this.
Write What You Know: The work is basically a fictionalized account of the writer's experience as a speechwriter for De Villepin.