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* Mimi recounts Angel's epic TakeThat against someone who was harassing her: "I'm more of a man than you'll ever be, and more of a woman than you'll ever get."
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* Mimi recounts Angel's epic TakeThat against someone a skinhead who was harassing her: "I'm more of a man than you'll ever be, and more of a woman than you'll ever get."
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Up To Eleven is a defunct trope
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* Mimi showing off her wild side in "Out Tonight," which is subsequently a CMOA for whichever given actress is playing her. It's an extremely difficult song, because not only does Mimi constantly switch between belting in her chest voice and howling like a wolf in her head voice, she does it while flipping, bending, kicking, pole dancing, and a ton of other crazy stuff ''[[UpToEleven while also]]'' flaunting her sexiness with all the confidence in the world. An actress playing Mimi is required to do ''all'' of that ''at the same time.'' Ladies, pull that off and you win musical theatre forever.
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* Mimi showing off her wild side in "Out Tonight," which is subsequently a CMOA for whichever given actress is playing her. It's an extremely difficult song, because not only does Mimi constantly switch between belting in her chest voice and howling like a wolf in her head voice, she does it while flipping, bending, kicking, pole dancing, and a ton of other crazy stuff ''[[UpToEleven while also]]'' ''while also'' flaunting her sexiness with all the confidence in the world. An actress playing Mimi is required to do ''all'' of that ''at the same time.'' Ladies, pull that off and you win musical theatre forever.
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** RENT: Live takes it UpToEleven - a tribute to Jonathan Larson set to Finale B, culminating in the original Broadway cast returning for a final rendition of Seasons of Love. The OBC hugging and singing next to their live cast counterpart just takes the cake.
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** RENT: Live takes it UpToEleven - a tribute to Jonathan Larson set to Finale B, culminating in the original Broadway cast returning for a final rendition of Seasons of Love. The OBC hugging and singing next to their live cast counterpart just takes the cake.
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* Mark's quitting Buzzline near the end of 'What You Own' sends shivers down this troper's spine every time, for as relatively subtle a moment as it is.
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* Mark's quitting Buzzline near the end of 'What You Own' sends can send shivers down this troper's spine every time, viewers' spines, for as relatively subtle a moment as it is.
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* The Stage version of RENT. Finale B (which is SugarWiki/AwesomeMusic in itself), at the very end. Singing along, and then suddenly, everyone looks stage-right... and on runs Angel, who joins in singing. When this troper saw RENT, he knew perfectly well that it was coming, and he still burst into hysterically joyful tears.
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* The Stage version of RENT. Finale B (which is SugarWiki/AwesomeMusic in itself), at the very end. Singing along, and then suddenly, everyone looks stage-right... and on runs Angel, who joins in singing. When this troper saw RENT, he knew perfectly well that it was coming, and he still burst into hysterically joyful tears.
