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Live Blogs A return to ''The Room'' of kids' books - The Adventures of Archie Reynolds! - a truly special kind of awesome awfulness
BonsaiForest2015-04-16 12:41:35

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Chapter 17 and final thoughts

Let's watch this stupid come to an end. The worst (or best) of it is long past us anyway, but there's still more to come in the final short chapter. I'll then follow that up with my final thoughts on the book.

When Archie and Billy arrived at police headquarters, they were joined by Hank, whom they had phoned. The three boys told the police everything they knew. They told them about the secret passage, the tunnels behind the old house, the buried box there, the coded note on the back of the buried box, the Sofield headstone, the jewels and jewelry in the buried box, the brick-shingled door in the tunnel, Archie's finding of Amanda while looking for his lost watch, and, finally, Archie's and Billy's escape with Amanda from one of the pursuing crooks. Further, the three boys handed over the six bags of jewels and jewelry, now knowing it to be stolen.

A run-on sentence, followed by the characters finally acknowledging the obvious. They read about jewel thieves in the newspaper (because twelve-year-olds read the newspaper, right?), then encounter jewels, and don't put two and two together. I mean, even before the Amanda kidnapping incident, the utterly dead obvious was right there.

However, because three of the crooks were still at large, the police were especially interested in the boys' mentioning of the coded message on the back of the buried box, leading to the name Sofield on the cemetery headstone.

I don't follow. Three crooks are still at large, therefore the police are interested in the message that led to the combination for the lock being discovered?

Either way, they run a check on the name and find

that a Katherine B. Sofield was the name of the widowed lady who formerly owned, and resided at, the house with the tunnels. They learned that she had died not too long ago, in 1999, and had passed the property on to her only son, a former cemetery worker at Riverwood cemetery. But the police learned the son had recently fallen into debt through gambling, and had failed to pay his home loan and property taxes. Consequently, the house was now in a situation of foreclosure, illegally occupied.

That just makes the existence of the coded message (C - SOFIELD HEADSTONE - CORNER AVE. D & E for a refresher) even more stupid! Why? A bunch of reasons:

  • Katherine B. Sofield was not just the person buried under the gravestone that had the combination to the lock written on it, but is also the mom of one of the jewel thieves. Therefore, he had no reason to write down that the combination was written on his mom's gravestone, and mention her by name in the note. Why mention her by name? She's his frigging mom! He knows his own mom's name; he wouldn't forget that he wrote the combination on his mom's grave!
  • If the thief who wrote the combination there is a cemetery worker, then presumably he'd remember perfectly where his mom is buried. Thus, he wouldn't need to remind himself in a note where her grave is located. He should already know!
  • Essentially, the note says "C - my mom, my mom's last name, where she's buried", but explicitly spelling all that out for any random twelve-year-old who digs it up. If the criminal was really afraid of forgetting the combination and where it was written, he could just have easily written down "combination on my mom's gravestone" or something, and our heroes would have been lost.

Yes, that massive amount of idiocy helped drive a big part of the Idiot Plot.

The police manage to catch the other three men at a police roadblock, which makes me wonder how they knew this particular car and these particular men were the ones to nab. The book doesn't even explain that way. It says that after "questioning and a search", they were discovered to be the jewel thieves and kidnappers. But what were they hiding onhand that would prove them to be the thieves or kidnappers? And how did the police know where to set up the roadblock? None of this makes sense!

The police later commend the boys for their bravery. I would too, actually, since they did do something very brave. In this world of fools and dullards, being ever so slightly smarter than their enemies allowed them to win.

The police told them they were glad the crooks had made the dumb mistake of putting the coded note on the back of the buried box, containing the name Sofield on it. That greatly helped in the capture of the three fleeing crooks.

It was a dumb mistake alright, but not because it helped the police capture them (how??), but instead because it made it very easy to find the combination for the lock and dig up the jewels.

Consequently, they were recommending the three boys be given the ten thousand dollar reward money. The boys were elated.

That reading is just so dull.

Amanda told Archie she was having a special pool party at her house this Saturday afternoon, and he and Billy and Hank were most certainly invited. Archie decided to accept the invitation, not just out of politeness, but because he now felt more comfortable about Amanda and her girlfriends. He was sure Billy and Hank would come along to the party with him.

And then get beat up by her older brother, Jeffrey, in retaliation for being such huge douches before.

THE END

Final thoughts

Oh my god, was that story full of lunacy, idiocy, stiff writing, dumb characters, characters with no personality, events that violate the laws of physics, inappropriate dialog, awkward descriptions, and more. If I were to rate this book based on quality, I'd rate it ★★ out of 5. Based on enjoyment, it easily gets ★★★★★. It was hilariously awful. Not Latawnya the Naughty Horse Learns to Say No to Drugs hilarious (that book had me laughing so hard I pulled a muscle that hurt for days), but amazing just the same. It truly is to kids' books was The Room is to movies - so consistently bad, while so constantly full of surprises as to how it will be bad next, that it continues to entertain. It's the sort of thing that can hold one's attention throughout simply to see what sheer epic fail will happen next.

Now, why would I rate its genuine quality two stars and not one? Because there is one big positive I can honestly say about this book. Its pacing. I have read too many books that take forever to get to the point, that take too long to have anything happen, that spend so much time establishing their characters that the book forgets to make them do anything until 1/3 or halfway through the book, that it's honestly refreshing to see a book that wastes no time getting started, and then keeps having things happen in almost every single chapter. For that alone, I will give it credit.

I also give it credit for combining Slice of Life with suburban adventure.

That said, pacing aside, the execution is godawful, the story nonsensical, the characters bland, the- I don't need to repeat myself.

Why did the story turn out so badly?

Why did the story turn out this way? I think I have an answer. Now I don't mean for this to be an insult, but I'm convinced the author is autistic, whether or not he knows it. I'm not one of those "so much autism" or "this is the height of autism" idiots who throws the word around to insult anything that's eccentric, random, immature, rigidly structured or dumb. I was diagnosed with autism when I was a toddler. (Course, my parents didn't tell me until after I'd discovered it on my own by reading things they'd written about me) Meeting other autistics online and learning more about the condition has helped me understand it better, to the point where I "know it when I see it", and have helped people who are unaware that they have autism discover for themselves and get diagnosed.

Anyway, let's look at the evidence for the author being autistic.

  • His use of language is very matter-of-fact. It's common for autistics to have a matter-of-fact speaking style that oftentimes borders on the formal. Conversely, they sometimes tend to be informal all the time and/or in situations where it's inappropriate to be informal.
  • He describes things in exact numbers. I did that a lot when I was a kid, and not just as a kid either. I would say that things happened 17 minutes ago or 9 years ago, and use other exact measurements. I hated how people tend to round things to nice round numbers that end in 0, and wished they would be more direct. Well, that shows up in this book's writing, with things being described in exact terms a lot.
  • Some of the weird uses of time and other measurements used. While it's a common autistic obsession to measure things exactly, that doesn't mean all autistics do it right. In this case, characters hold celebrations that last minutes or even hours - hours - and it makes no sense at all. The author apparently combined an obsession with measuring things with a lack of understanding of how big or small they are, and the results are a mess.
  • Lack of self-awareness and understanding of the world. I spent much of my life not knowing what other people really thought of me or having any idea how much of the world worked. The author has the same problem. We get utterly wrong portrayals of absolutely everything you can imagine, indicating both a lack of research and a lack of living in the world and doing the things the characters do. Simply using a squirt gun or living in suburbia should teach the author that squirting a couple of passing bees is just plain silly. Spending time with kids the age of the target audience, or having family members of that age, would teach him how kids actually talk (so would going online on websites shared by both kids and adults, such as YouTube). But the author did zero research. He also seems to have assumed the world didn't change since he was growing up, judging by the character dialog and the total lack of things such as television.
  • Putting his apparent pet interest - tunnel construction - into the story in detail. It's very common for autistics to have obsessive interests or at the milder end, hobbies they are very interested in and read about a lot. I don't doubt the author knows what he's talking about when it comes to tunnel construction, which helped with the details in the scene where Archie and Billyhank enter the tunnel. He then put that knowledge in Archie's mouth, having Archie point out details that prove the tunnel was built recently and was being maintained. The author seemed to want to share his pet interest with the readers.
  • Doing the same thing over and over again. Now, this is a problem with many authors, particularly if they're either inexperienced (and therefore have a lack of ideas) or prolific (and therefore have a lack of time to try new ideas in their busy schedule). But the whole "crushing something on someone's head" thing seems like the author came up with something he thought would be interesting, then he recycled it multiple times because he couldn't come up with anything else. But I will concede that this could very well be just an "amateur writer" mistake.

Not all of the bad writing in this book can be chalked up to autism, but certain very specific types of bad or weird writing can.

Now, autism can come in many forms, and it's possible in many (most?) cases for an autistic to realize their mistakes and learn from them, even if it takes longer than for most people. For example, I know that character and dialog are important. So I would at least have someone proofread my dialog or help out if I needed to write, say, characters from a subculture or way of life I was unfamiliar with. I know that the plot has to make sense, so I'd make sure to iron that out as well.

And I have, in fact, written some short stories (they're not published anywhere online), some of which are embarrassing, some of which aren't that bad. I made mistakes that I'm not proud of. I tried to compensate for what I didn't know. I have experienced anxiety at not knowing what to write next, and feeling pressure and fear of failure. I don't think I read enough prose to really be able to write it that well. But to quote Ole Golly in the Harriet the Spy movie, "Well, I want to sing opera. But I can't, so I don't." I wrote my short stories, crappy as they (mostly) were, and I decided that writing is not for me; at least not fiction, anyway.

What would have fixed this story?

I actually think the foundation for The Adventures of Archie Reynolds is sound, even if the structure built on it is a mess.

The core story - three boys deal with Slice of Life situations such as bullies and neighbor girls, while also discovering a jewel thief plot in the meantime - is sound. But here's what I think could have made it better:

  • Have the boys stop referring to the route they take through backyards as "the secret passage", and instead have them just say that hopping fences is fun, so we should do it next time we hang out. Make it so that instead of calling Billy and Hank on the phone and tell them about his "secret passage", Archie simply brings up the idea of hopping fences and roaming backyards just for fun the next time they hang out.
  • Have the bullies act more realistically. I actually have heard of storing snowballs in the refrigerator for use in the summer, and there are parents who are unaware what their kids are really up to, so a brief explanation of that would help that part be more believable. The pirate thing has to go, though. As does the soccer net.
  • Have Archie already know what water balloons and squirt guns are. I can't believe that section. Just have Archie already own them and think about what effect they would have on the bullies. And show the realistic effects of getting soap in the eyes, while implying that the sheer amount of pain is actually something Archie desires the bullies to experience.
  • Come up with a different way to defeat Ziggy and Huie.
  • Replace "tackleball" with a game that would make more sense. Not really sure what it would be, though, since Amanda trying to get Archie to tackle her is a major part of that scene.
  • Have Billy and Hank disagree with Archie, and not have Archie always be the leader. Show differences of opinion, different interests and different personality traits.
  • Am I supposed to believe that twelve-year-old boys aren't interested in girls? Assuming they're not gay, have Archie, Billy and Hank react to Amanda, Janet and Cindy differently. They could still think the girls are crazy or weird or be confused by their behavior, but what they do would have to be different.
  • Replace juggling rotten apples from an apple tree with something el-

I give up. This book is a mess. It would have to be nearly totally rewritten, keeping only the basic plot elements, in order to work. There's really no way to include, say, the scene of riding an inflatable boat down into a reservoir, or actually requiring it to enter the graveyard in the first place, or some of the other more insane scenes that are required for the story. And the Idiot Plot elements are so integral that I just can't imagine what to replace them with.

Any of you got any ideas?

Well, that's it. Leave your comments down below and let me know what you think. I'd love to have a conversation in the comments section.

Comments

dreamedkestrel Since: Dec, 1969
Dec 8th 2014 at 1:01:55 PM
i think, and i am no expert on childrens narratives, but maybe having the bully stuff and even the girl antics have more to do with the main story than literally nothing would have helped. i feel like my time was wasted, or like my time was wasted through your time being wasted, or whatever.

maybe a gift from his grandpa could have helped them defeat the bad guys instead of the inconsequential bullies.

maybe they could have caved the tunnel in on the bad guys, hearing their cries of terror being muffled by dirt as they suffocated

or you know, whatever
Jinxmenow Since: Dec, 1969
Dec 8th 2014 at 12:55:50 PM
I feel like this author needs a copy of How Not To Write A Novel crushed on his head.
BonsaiForest Since: Dec, 1969
Dec 8th 2014 at 1:15:59 PM
@dreamedkestrel: Caving the tunnel in on the bad guys makes me think of how, from what I'd read, early Nancy Drew books had Nancy using dynamite and blowing things up at times. Ah, the times when kids' books had balls...

What kind of gift from his grandpa could have helped him defeat the bad guys?

And I disagree about the bullies and girls having nothing to do with the story being a bad thing. I think the idea, to have the book be semi-episodic, was actually a decent one.

@Jinxmenow: If not for the authors saying that every part of How Not To Write A Novel was created by them specifically, I'd say they could use this book as a perfect example! Murphy's Law incarnate. Everything that could go wrong, went wrong.
MetaFour Since: Dec, 1969
Dec 8th 2014 at 1:54:31 PM
I'm not sure offhand how to have Archiebillyhank get the best of the jewel thieves without the Idiot Plot. How are a bunch of 12 year olds supposed to realistically outsmart adult criminals?

The kids ought to figure out on their own, a lot quicker, that they're dealing with thieves. That much is obvious. But then you need some plot contrivance to explain why the kids don't immediately go to their parents or the police.

Maybe the kids could discover the lock combination by eavesdropping on the thieves, rather than through that bizarre subplot with the gravestone.
BonsaiForest Since: Dec, 1969
Dec 8th 2014 at 1:58:45 PM
I agree that plot contrivances are usually needed for kids to defeat adults. We're talking about something that happens rarely (though it does happen on occasion) in real life, after all.

Eavesdropping would probably work best. Though when would they talk about the combination? I think instead, it would be better for the box to either not be locked (it's buried already!) or be locked in a different way. But how? If it has a keyhole, wouldn't the fact that it's buried result in dirt filling the keyhole? Come to think of it, how is it openable even now??
Valiona Since: Dec, 1969
Dec 8th 2014 at 3:31:36 PM
The conclusion seemed somewhat rushed, especially if they skip over so much of the talk with the cops.

I'm also autistic, and my style of writing differs from that of the author on some regards, while being similar on others.

  • My language is often "matter of fact," and slightly "formal" (for example, one person took note of my using a salutation in a PM).
  • I tend not to use exact time amounts, typically using "a few minutes," or "shortly after," among others.
  • I try to be more self-aware, and have actually been told that Character Development and getting inside the heads of the characters I write are strong suits of mine.
  • I tend to like to talk about interests of mine, and often make liveblogs for the purpose of discussing works that I find interesting for one reason or another.

I'm somewhat more hesitant to diagnose other autistic people by reading their writing, since I know that people with this condition can vary from one another.

It's nice to see you give this a two star rating in the end and acknowledge some of the things it did well.

As for fixing the Idiot Plot, eavesdropping might work well as a means of helping the heroes find out how to open the box, particularly if one of the thieves has to be reminded of the conversation. Granted, it's still somewhat contrived, but criminals generally have to be very stupid or very unlucky to lose against children.

All in all, despite not having read or heard of this series before, I enjoyed this liveblog pointing out the many things this story does wrong.
Ellowen Since: Dec, 1969
Dec 8th 2014 at 3:33:03 PM
to be fair, I know lots of guys who weren't into girls at age 12 for many reasons. And I would have called the fence hopping a secret passage—until I found the tunnel—but. I mean, I named paths in the forest near my house "tar monster trail" and "The birdnest" and uh..." the secret passage"( in my defense, it was a more hidden trail.) AND my city has an actual, on the maps pathway through the hills called "Covert Path" Covert meaning secret.

That said, yeah, so many issues. I do like that there is some closure though—it doesn't just end with them bursting into the police station or something. we find out the cops got arrested, and they get the reward money, and start to make friends with the girls. if it had been written better, it would have been a good ending.

also, as someone seriously into sending coded messages and vague information only someone in on whatever it was would be able to figure out, the fact that he spelled out his mom's name and stuff to be where the code was is just. so. stupid. maybe the crook's partners could never remember how to spell the last name? maybe they were out of town on a Job when he got the lock and...nah, I give up. but if he'd been smarter we wouldn't have had that much of a plot so. meh.

would have commented sooner but I had to go to a friend's because my internet is Spectacularly sucky today.
BonsaiForest Since: Dec, 1969
Dec 8th 2014 at 5:47:30 PM
@Valiona: I like being honest with reviews. Even stuff that's considered great has flaws, and stuff that's considered awful sometimes did do some things right. And honestly, it's refreshing that the pacing in this book keeps things happening when so many other books can't manage even that.

I'm sure almost no-one has ever heard of this book before! I wanted to share this little "treasure" I'd discovered with everyone, which is why I made this liveblog.

I'm thinking my next book liveblog will be an obscure gem called Samantha Stone and the Mermaid's Quest. It's really weird, but I enjoyed it. Rather than mocking it, I'd likely be pointing out its weirdness while being much more positive.

@Ellowen: I would have thought that at least one of the three boys would have been interested in girls. But it's possible. Named paths does make sense, but I think it would have worked better if the book had gone into more detail about other named paths. It did actually mention an alleyway known as "the minefield" due to all its, uh, dog doo. Like the two separate piles of doo that Jeffrey slipped and fell in, defeating him.

I agree about the closure. That's another thing I can say about the author; while he fails on so many of the basics and all of the specifics of writing a story, he actually got some of the basics done very well. The pacing, and the fact that there's a real conclusion. So more congratulations are genuinely in order.

It really sucks that an Idiot Plot was the only way this could work. It's hard to come up with believable ways to make the major story events happen. They're either based on people being dumb or the world being unrealistic. How did no-one discover that tunnel in the backyard of that house when the slate covering it is bright as day and made of stone? There's got to be a better way of covering it up. I'll at least buy the idea of a tunnel being built under a home if it was handled more plausibly.
Tuckerscreator Since: Dec, 1969
Dec 10th 2014 at 11:24:41 AM
I'd argue the thieves should have been present in person earlier and been more dangerous. It'd make a nice contrast from idyllic suburban kid to fun to suddenly turning more serious and scary. The kids didn't feel like they were in any danger during this.
BonsaiForest Since: Dec, 1969
Dec 10th 2014 at 11:39:13 AM
Good point, Tuckerscreator. The closest we got to the feeling of danger was the boat scene (which is entirely the kids' own fault for being dumbasses). The bullies were more of a threat than the kidnappers were. And that's taking into account what happened to poor Amanda, which isn't something the heroes ever had to experience.

So the threats we got were:

  • The bullies
  • Amanda's big brother, Jeffrey
  • The dangerous storm on the river while they ride the inflatable boat
  • The actual bad guys

And yet, despite Amanda's ordeal, the actual bad guys feel like a more abstract concept than a real upfront threat. The river scene was killed through awful writing. Well, the whole story was, but honestly, the suburban mean people feel like the biggest threat in the story.
MetaFour Since: Dec, 1969
Dec 10th 2014 at 1:59:43 PM
Here's an idea that might spice up the story a bit: The kids discover the buried jewels before they learn about any thieves. I think that would make it more believable that they would conclude that these jewels don't belong to anyone. (Maybe you could work the pirate theme back into the story by making Billy or Hank obsessed with pirates—and he convinces the others that this must be buried pirate treasure!)

Only after hauling the loot back to his garage does Archie hear about the thieves. He puts two and two together immediately—and realizes that he's in big trouble. The thieves might know who he is, and that he has their loot. But if he goes to the police, the police might decide that he's the thief, since he has all the stolen jewels! (A mistake on Archie's part, but a believable mistake, I think.) Archie has to sneak back to thieves' base again, either to gather more incriminating evidence, or to return the jewels.

And if the thieves aren't idiots, then they've beefed up their security since Archie stole their loot... or it's a trap, and Archie winds up captured.
BonsaiForest Since: Dec, 1969
Dec 10th 2014 at 4:13:10 PM
I love all these ideas! They'd really improve the story a lot. Having only Billy or Hank be into pirates would be one thing to differentiate their personalities.

Instead of Archie rescuing Amanda, him getting captured would add the story some much needed genuine threat to the protagonists that it was lacking.

I think these ideas would do great to change the flow of the story into something workable, while keeping its main elements. Ziggy and Huie would presumably become more regular bullies, and I wonder what would happen to the subplot with Amanda, Janet, Cindy, and Jeffrey.
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