Line #6 Theatre/TheMerryWivesOfWindsor


1	!!As the play is OlderThanSteam and most twists in Shakespeare's plots are now [[ItWasHisSled widely known]], all spoilers on this page are [[Administrivia/SpoilersOff unmarked]].
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3	[[quoteright:276:https://static.tvtropes.org/pmwiki/pub/images/winsor_9078.jpeg]]
4	->''"I do begin to perceive that I am made an ass."''
5	-->-- '''Sir John Falstaff''', Act II, Scene 1.
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7	A comic play by Creator/WilliamShakespeare.
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9	Sir John Falstaff attempts to seduce two married ladies, Mistress Page and Mistress Ford; neither is impressed by him, and they conspire to subject him to a succession of practical jokes. A subplot concerns Mistress Page's daughter Anne, whose parents want her to marry, but can't agree on which of her suitors she should choose, while she herself prefers a man neither of her parents approves of.
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11	Falstaff had previously appeared as a supporting character in Shakespeare's historical plays, ''Theatre/HenryIVPart1'' and ''[[Theatre/HenryIVPart2 Part 2]]'', but here appears in what seems to be a contemporary setting, a rarity for Shakespeare.
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13	Not one of Shakespeare's stronger efforts, the play is thought to have been commissioned for a specific occasion and written in a hurry. The characters are all stock, the A-plot and B-plot are barely even aware of each other, the exposition gets especially clunky in the build-up to the finale and it's all StrictlyFormula. But Falstaff remains a joyously UnsympatheticComedyProtagonist, and the unsuccessful suitors are two of the purest buffoons in the Shakespearean canon. With a few edits and a good cast it's a great way to kill an hour and a half. There is a persistent story that Queen Elizabeth, after seeing ''Henry IV'', ordered Shakespeare to write a play about "Falstaff in love," but this story first appeared decades after Shakespeare's death in the writings of the dramatist John Dennis--who just happened to be promoting his own rewrite of the play at the time. (It was a flop.)
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15	This appears to be one of the few plays for which Shakespeare came up with an original plot[[note]] along with ''Theatre/LovesLaboursLost'', ''Theatre/AMidsummerNightsDream'', and ''Theatre/TheTempest''[[/note]]. At least four operas have been based on the play: ''Falstaff'' (1799), with music by Antonio Salieri, Otto Nicolai's ''Die Lustigen Weiber von Windsor'' (1849), ''Sir John In Love'' (1929) by Music/RalphVaughanWilliams, and the best-known, ''Theatre/{{Falstaff}}'' (1893), by Music/GiuseppeVerdi.
16	----
17	!!''The Merry Wives of Windsor'' provides examples of:
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19	* AbhorrentAdmirer:
20	** Falstaff sends love letters to mistresses Page and Ford. Neither woman appreciates his advances.
21	** Slender to Anne.
22	* AmbiguousTimePeriod: Since Falstaff and his friends are from the ''Henry IV'' plays, ''The Merry Wives of Windsor'' takes place in the same time period. However, there's nothing in the actual plot or setting to indicate that it's set anytime else than Shakespeare's own days.
23	* CuckoldHorns: When Ford, disguised as Master Brook, encourages Falstaff to go after his wife, Falstaff boasts that he will put the cuckold's horns on Ford and later mockingly describes him as a "peaking cornuto." Ford vows revenge on him: "If I have horns to make one mad, let the proverb go with me--I'll be horn mad." The wives con Falstaff into meeting them in Windsor Forest disguised as Herne the Hunter, the HornedHumanoid of myth. When Falstaff has been properly humiliated in his horned disguise, Ford points to the horns and tells him, "Now, sir, who's a cuckold now?"
24	* DogLatin: Played with during William's Latin exam and Mistress Quickly's comments throughout the lesson:
25	-->'''Hugh Evans''': What is he, William, that does lend articles?\
26	'''William''': Articles are borrowed of the pronoun, and be thus declined: ''Singulariter, nominativo, hic, haec, hoc''.\
27	'''Hugh Evans''': ''Nominativo'', ''hig, hag, hog''; pray you, mark:''genitivo:, hujus''. Well, what is your accusative case?\
28	'''William''': ''Accusativo, hinc''.\
29	'''Hugh Evans''': I pray you, have your remembrance, child; ''Accusativo, hung, hang, hog''.\
30	'''Mistress Quickly''': "Hang hog" is Latin for bacon, I warrant you.
31	* DisguisedInDrag: This is the only Shakespeare play where a man disguises himself as a woman, and not the other way around.
32	** Falstaff dresses up as the Witch of Branford to safely get out of the Fords' house after Master Ford comes home early.
33	** The decoy boy working for Mistress Page fits this trope on multiple levels. He's dressed up as the fairy queen, to scare Falstaff, but he's also pretending that it's Anne, and not him, underneath the costume. In other words, he's playing the role of fairy queen and the role of Anne simultaneously.
34	* EasilyForgiven:
35	** Once Fenton points out how unhappy Anne would have been in an arranged marriage, neither one of her parents has a single critical word to say about the young lovers' secret wedding.
36	** Mistress Ford doesn't hold a grudge against her husband for wrongly suspecting her of cheating on him with Falstaff.
37	* ExactWords: "To Master Brook [i.e. Ford] you yet shall keep your word/For he tonight shall lie with Mistress Ford."
38	* FunetikAksent: Shakespeare writes out Evans's Welsh accent and Doctor Caius's French accent. When Evans is disguised as a fairy, he tries to suppress his accent. He succeeds partially--it's not written out phonetically anymore, but it's still heavy enough to be recognizable as a Welsh accent.
39	-->'''Falstaff''': Heavens defend me from that Welsh fairy, lest he transform me to a piece of cheese!
40	* FunnyForeigner:
41	** Doctor Caius is an educated Frenchman who speaks with a very humorous French accent.
42	** Hugh Evans is a Welsh parson who makes constant errors in his English.
43	* GoldDigger: Falstaff is short on funds. Mistresses Page and Ford are not. So Falstaff sends them identically worded love letter (apart from their names), hoping that they might respond favorably.
44	* GracefulLoser: Falstaff happily accepts that he deserves his humiliation at the end.
45	* HaplesslyHiding: Falstaff, who is attempting to seduce a married woman who has no interest in him, is tricked by her into hiding in a laundry basket, which then gets dumped in the Thames.
46	* HumiliationConga: Falstaff's entire plotline is this.
47	* InternalReveal: The audience knows all along that "Anne" who sneaks away with Slender is actually a boy. Slender, of course, ''doesn't'' know this, and is none too pleased when he finds out.
48	* KansasCityShuffle: Attempted twice, successful once.
49	** During Falstaff's final humiliation by the "fairies" (that are actually normal humans in disguise) Anne's father, George Page, wants to sneak Anne--who will be disguised as the fairy queen--off with Slender so that Anne and Slender can get married like George wants. Anne's mother, Margaret, wants her to marry doctor Caius instead, so she's made arrangements for the role of the fairy queen to be played by [[WholesomeCrossdresser a boy]] instead. That way, the "Anne" in the fairy queen suit will be a decoy to fool George. The real Anne will be another of the masked "fairies," made to dress in green so that Margaret can tell which one is actually Anne.
50	** Or at least that's how Margaret expects things to go. The truth is that "Anne" in green is another decoy, set by Fenton whom Annie is actually in love with and ''wants'' to marry. So while George thinks he's outsmarted Margaret, and Margaret thinks she's outsmarted George, both of them are outsmarted by Fenton, who sneaks away with Anne for a secret wedding.
51	* MistakenForCheating: Ford learns of Falstaff's intentions toward his wife, and spends part of the play believing that she reciprocates them, even though she's just pretending in order to play a trick on Falstaff.
52	* TheMusical: Or rather, The {{Opera}}. It was adapted by both [[https://en.wikipedia.org/wiki/Falstaff_(opera) Giuseppe Verdi]] and [[https://en.wikipedia.org/wiki/Falstaff_(Salieri) Antonio Salieri.]]
53	* PaperThinDisguise:
54	** Falstaff dresses up as the Witch of Brentford to avoid Ford.
55	** Ford himself dresses up as Brook, talking to Falstaff.
56	* ScoobyDooHoax: A bunch of people disguised as fairies scare the living daylights out of Falstaff as revenge for his dishonest behavior. Falstaff falls for it.
57	* SisterhoodEliminatesCreep: The play is about a CasanovaWannabe who ends up getting taunted by practical jokes.
58	* ZanyScheme: Anne's parents each come up with one to let their respective preferred son-in-law-to-be elope with Anne while everybody's preoccupied with Falstaff's HumiliationConga. In the denouement, the two preferred suitors discover they've eloped with [[CounterZany decoy Annes]] while the real thing has eloped with ''her'' preferred suitor.
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