Line #1 Literature/Capital


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/capital.jpg]]
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3	->''I wanted the book to begin with the reader knowing something that the characters don't: that this moment in 2007 to 2008 is the peak of a bubble. It's a curious thing to say about a book set in such a recent past, but ''Capital'' was intended to be a historical novel.''
4	-->'''John Lanchester in the ''Guardian'', March 2013'''
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6	''Capital'' is a 2012 novel by British author and journalist John Lanchester, set in 2007 and 2008, just as the world is teetering over the edge of economic boom into financial crisis. It follows the people who live and work on a single street in Clapham (an expensive upper-middle-class area of London), [[ShoutOut Pepys Road]], taking as its starting point a mysterious harassment campaign in which all of the residents begin receiving postcards, photos of their houses, and eventually much nastier items bearing the message 'We Want What You Have'. However, it follows its cast through a myriad spiralling subplots, some linked and some independent. Lanchester has referred to it as his 'Big Fat London Novel', citing Creator/CharlesDickens as his primary influence, but almost every review it received at some point used the phrase 'state-of-the-nation novel', reflecting its expansive and varied portrait of a society straining at the seams.
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8	Its characters include:
9	* Petunia Howe, an eighty-four-year-old widow dying of a brain tumour
10	* Mary Leatherby, Petunia's daughter, who relocates from Maldon in Dorset to Pepys Road to look after her
11	* Smitty (real name Graham), a thinly-veiled {{Expy}} of Creator/{{Banksy}} who is also Mary's son and Petunia's grandson
12	* Parker French, Smitty's incredibly bitter ex-assistant, and his solicitor girlfriend Daisy
13	* Roger Yount, an investment banker, his oblivious and selfish wife Arabella, and their young children, Joshua and Conrad
14	* Mark, Roger's ambitious deputy at the bank
15	* Matya, the Younts' Hungarian nanny
16	* Zbigniew, aka Bogdan, a Polish builder who does work on both Petunia and the Younts' houses, and ends up falling for Matya
17	* Freddy Kamo, a preternaturally gifted seventeen-year-old Senegalese footballer who's just moved to London after being signed to a prestigious Premiership club, and his father Patrick
18	* Mickey Lipton-Miller, a manager for Freddy's club who acts as their main intermediary with the Kamos
19	* Ahmed Kamal, a Pakistani Muslim who runs the Pepys Road corner shop, his wife Rohinka, and their young children, Fatima and Mohammed
20	* Shahid and Usman, Ahmed's varyingly irresponsible younger brothers
21	* Quentina Mkfesi, a Zimbabwean asylum seeker working illegally as a traffic warden
22	* DI Mill, a - by the novel's standards - unusually well-balanced and non-dysfunctional policeman in charge of the 'We Want What You Have' investigation
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24	The book got a MiniSeries adaptation on Creator/TheBBC in 2015.
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26	Not to be confused with the work on economics by Creator/KarlMarx or the collection of science fiction short stories by Creator/OrsonScottCard.
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28	----
29	!!Tropes found in the novel include:
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31	* ArrangedMarriage: Rohinka and Ahmed have a very happy one. Shahid and Usman both consider it.
32	* BigFancyHouse: Some of the Pepys Road houses are bigger and fancier than others, but due to the massive increase in property prices, especially in London, they're all very valuable. This is a minor plot and significant thematic point.
33	* BlackComedy: Frequent. An example is the complete dissonance between Roger's perspective on life and that of the average reader; when his bank decides to tighten its belt and give out 2007 Christmas bonuses that are smaller than the recipients' annual salaries, searching for some way to describe 'the scale of the tragedy', he compares it to soldiers being bombed by their own side in Iraq.
34	* CoolCar: Used as a symbol of the wealthy characters' ConspicuousConsumption, particularly in relation to Quentina's job (she and her similarly underpaid colleagues have a running competition to ticket the most expensive car, and early in the novel she hits the jackpot by finding Mickey's Aston Martin parked illegally). The element of the 'We Want What You Have' harassment which everyone takes most seriously, other than possibly the threat to property prices, is the keying of all the cars in the street.
35	* {{Doorstopper}}: The paperback edition is 850 pages.
36	* DownerEnding: Approximately half of the subplots.
37	* DysfunctionJunction: It's a street rather than a junction, but otherwise Pepys Road is a near-literal, if reasonably realistic example.
38	* EatTheRich: One of the slogans that the 'We Want What You Have' writer superimposes on pictures of the street.
39	* EmpathicEnvironment: The rain on the day that Roger [[spoiler: is fired]] and the Lehman Brothers collapse hits the news.
40	* EthnicMenialLabour: Sadly but realistically, most of the immigrant characters are examples of this, including the two who have advanced degrees.
41	* GreenEyedMonster: Parker's bitter jealousy of Smitty.
42	* HandsOffParenting: Roger and Arabella, to the extent that they find it a struggle to cut down from two nannies to one. Both of them are all but incompetent when forced to take care of their children alone.
43	* HellholePrison: [[spoiler:Shahid and Quentina]] both end up in them, [[spoiler:Quentina]] indefinitely.
44	* IdleRich: Arabella and her best friend Saskia. Patrick is forced into this role by Freddy's success, and hates it.
45	* LaserGuidedKarma: Given the unlikeability of almost all the banker characters, the crash can be read a lot like this. Roger certainly sees it that way.
46	* MadMathematician: Mark has shades of this.
47	* MeaningfulName: 'Shahid' means 'martyr'.
48	* {{Narcissist}}: Mark and Arabella are the most egregious examples, but many characters show shades of it, particularly Parker, Smitty, and Zbigniew.
49	* OneWordTitle: Likely referring to money, as there are bankers, and money occurs in the plots, but could possibly refer to the story being set in London, the capital city of England and the United Kingdom.
50	* OppositesAttract: Sort of. One reason for Roger's attraction to Matya is that she represents a complete opposite to the lifestyle with which he is becoming increasingly disillusioned and the wife he can barely stand any more. Matya, however, finds him repellent.
51	* PointOfView: Lanchester takes the omniscient narrator to extremes, delving into the thoughts of any and (almost) all characters with ease, including incredibly minor ones like the judge who almost gets assigned to Quentina's hearing but doesn't.
52	* RagsToRiches: Freddy's story.
53	* ScrewTheMoneyIHaveRules: Zbigniew agonises over whether to [[spoiler:give Mary the money he found in her house]]. When he confesses all to Matya, she takes it utterly for granted that he will.
54	* SelectiveObliviousness: Arabella reacts to hers and Roger's [[spoiler:financial ruin]] this way, to the extent that she comforts herself by going shopping.
55	* SexlessMarriage: Roger and Arabella don't quite have one, but their marriage is so passionless that they might as well. When they [[spoiler:sell their house after Roger loses his job]], Roger goes into their bedroom and thinks that they must have had sex in there sixty times: once a month for five years.
56	* TheThingThatWouldNotLeave: Shahid's friend Iqbal, who invites himself to stay, is an incredibly annoying house guest, stays for seven months, and to add insult to injury [[spoiler:leaves incriminating evidence of his interest in jihadism which gets Shahid arrested for terrorism]].
57	* WhatHappenedToTheMouse: Some of the subplots have very open endings. This is to some extent a result of the novel's realistically cynical attitude; a storyline about [[spoiler:an illegal immigrant being caught and refused asylum]] was never going to get a neat resolution, let alone a happy ending.
58	* WomenAreWiser: Averted with Roger and Arabella. They're both vacuous, spoilt and living in a bubble of wealth and privilege, but Roger is at least partially aware of that and occasionally dreams of a more fulfilling life. Arabella, on the other hand, is completely oblivious to the ridiculousness of her lifestyle.
59	* WriteWhatYouKnow: Lanchester has clearly done a lot of research in order to convincingly portray such a wide range of characters, but some of them appear to draw on his own life experience. For example, his depiction of a Premiership football team was fairly obviously informed by his previous career as a football journalist.

Context Literature / Capital