Line #50 Film/TheSeaHawk


1	[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/The_Sea_Hawk.jpg]]
2	[[caption-width-right:300: By now you know the purpose of the Sea Hawks... in our own way, to serve England and the Queen.]]
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4	''The Sea Hawk'' is a 1940 Creator/WarnerBros {{Swashbuckler}} of {{pira\|te}}cy in the age of [[UsefulNotes/ElizabethI Elizabeth I]], directed by Creator/MichaelCurtiz, and starring Creator/ErrolFlynn, Brenda Marshall, and Flora Robson; notable minor roles were sustained by Donald Crisp, Alan Hale, Sr., Henry Daniell, and Creator/ClaudeRains. Though the film took its name from [[Literature/TheSeaHawk the 1915 novel]] by Creator/RafaelSabatini, it featured an almost entirely original screenplay by Howard Koch and Seton I. Miller, based loosely on the life of UsefulNotes/SirFrancisDrake and UsefulNotes/TheWarOfTheSpanishArmada. (It shows some influence from the 1937 Armada film ''Film/FireOverEngland'', which also starred Flora Robson, as well as a young Creator/LaurenceOlivier and Creator/VivienLeigh.)
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6	Sabatini's picaresque novel had [[Film/TheSeaHawk1924 already been filmed as a silent in 1924]], a version that hewed much more closely to the book. The 1940 film was deliberately designed not only as an adventure film, but also as a call to rally to the defense of Britain, then threatened by the [[UsefulNotes/WorldWarII Nazi juggernaut]]. The film was originally intended to end with a shot of England's modern-day battle-fleet; as it is, it ends with a speech by Robson denouncing "ambition of one man" who threatens peace for all -- the parallel between [[UsefulNotes/PhilipII Philip of Spain]] and [[UsefulNotes/AdolfHitler Adolf of Germany]] being all too obvious. It was, indeed, this timely message, delivered before America had entered the war, that caused this film to be ranked, along with ''[[Film/ThatHamiltonWoman Lady Hamilton]]'', as one of UsefulNotes/WinstonChurchill's favorite films.
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8	Creator/ErrolFlynn plays a much more controlled, subdued character as [[TheCaptain Captain Geoffrey Thorpe]] than in his previous swashbucklers; Thorpe is a man driven solely by his patriotic duty. Creator/OliviaDeHavilland having rejected the part of Doña Maria for fear of type-casting (she was, moreover, at odds with the Warners' management over her insistence on playing the part of Melanie in ''Film/GoneWithTheWind''), was replaced by Brenda Marshall, who made a lusciously raven-haired, sloe-eyed, aristocratic Spanish lady. Similarly fearing to play to type, Creator/BasilRathbone rejected the part of the scheming [[TheDragon Lord Wolfingham]], and was replaced by the icily evil-sounding Henry Daniell. Montague Love took the part of [[TheDragon King]] UsefulNotes/PhilipII, and Creator/ClaudeRains played Maria's Satanic-appearing but ultimately rather sympathetic uncle.
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10	The eminent Austrian composer, Music/ErichWolfgangKorngold, who had been driven from his home by the Nazi ''Anschluss'', having already produced outstanding scores for two previous Flynn swashbucklers, ''Film/CaptainBlood'' and ''Film/TheAdventuresOfRobinHood'', undertook to score ''The Sea Hawk'' as well. The resulting score was a lush Late Nineteenth Century evocation of the spirit of the sea, of adventure, and of romance, characterized by [[Music/RichardWagner Wagnerian]] themes and {{Leitmotif}}s, and seasoned with hints of Spanish rhythms and Elizabethan lute-songs (Maria sings the original song, "Stood a Maiden at Her Window," accompanying herself on a lute). The music garnered Korngold an UsefulNotes/AcademyAward nomination for Best Music Score (losing to Music/AlfredNewman's ''Tin Pan Alley'') and has been considered a classic of film music ever since.
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12	Other notable talents engaged for the film included fencing master Fred Cavens to [[{{Flynning}} choreograph]] the [[SwordFight duels]]. Unfortunately, Henry Daniell, though an outstanding actor, was absolutely hopeless as a fencer -- so, for the climactic DuelToTheDeath between Thorpe and Wolfingham, Cavens had Errol Flynn progressively snuff out with his rapier the candles lighting the scene, conveniently hiding the fact that Cavens himself was standing in for Daniel except in close up shots.
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14	----
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16	!!'''This film provides examples of:'''
17	* ActuallyPrettyFunny: Queen Elizabeth can't help but giggle at the antics of the capuchin monkey Captain Thorpe has brought from the ship - even when it gets into her powder puff.
18	* ArtisticLicenseHistory:
19	** In the prologue, Philip calls José Álvarez de Córdoba "Don Álvarez". Although this is mistake common in English-speaking media, "don" is a title meant to be attached to either a first name or a full name, never a surname. The correct usage in this particular scene would have been "Don José".
20	** The film vastly overstates the influence of the Spanish Empire on Northern Africa. At the time, even if the UsefulNotes/BattleOfLepanto had dealt a blow to the Ottomans and substantially reduced their influence in that part of the Mediterranean, Northern Africa was still basically the den of the Ottoman-oriented Barbary pirates and kingdoms, with the Iberian Union only having control over the fortified port cities of Orán, Mazagan, Tanger, Ceuta, Melilla, Mazalquivir and Vélez de la Gomera, which were besieged from land almost by default. Philip's attention and manpower were fully focused in the wars of Europe and this would not change for more of a century.
21	** King Philip also claims that, with England conquered, they will rule Europe as far east as the ''Urals'', which is basically fantasy. Had the Spanish Armada been successful, it's probable the Spaniards would have been able to drown the Dutch Revolt, and with the Dutch problem solved, they might have also found the chance to flatten the UsefulNotes/FrenchWarsOfReligion and install Philip's daughter as Queen of France as he wanted. The House of Habsburg also loosely controlled already the UsefulNotes/HolyRomanEmpire, which a Spain in control of England, France and the Netherlands might have helped to unify. However, the best case scenario stops there; in order to reach the Urals, they would have had to conquer Norway, Sweden, Poland-Lithuania and the Tsardom of Russia, nations which at the time Philip had virtually no reason to merely think about. The geographical reference seems thrown in solely to make the Spaniards-Nazi allegory all the clearer.
22	** Crazy as it might sound, there were real Spanish plans to try and conquer China and use it as a stepping stone and source of strength to do the same to Southeast Asia and India, the so-called ''Empresa de China''. However, the film errs in attributing those interests to Philip himself, or just in painting him as an absolute megalomaniac who wants to Hispanicize the entire world. The real Philip was mainly focused on Europe and not particularly crazy about remote expansionism, especially because, costs aside, the influence of the UsefulNotes/SchoolOfSalamanca had turned the whole concept of conquest a morally questionable topic for the Hispanic Monarchy. In fact, Philip of all people had put an official end to Amerindian conquering ventures in 1573, and although he did allow the invasion of China to be entertained before the disaster of the Armada, having been persuaded by churchmen that the Chinese were endangering local Christians, he was still not fond of the idea and preferred to engage in diplomacy and trade with them instead.
23	** The film also presents the Spanish Armada as a treacherous attempt of invasion while in midst of seemingly friendly diplomatic ties, when in real life it happened three whole years of war between England and Spain.
24	* BladeLock: Happens during the duel with Thorpe and Wolfingham; unusually, they do not exchange taunts, perhaps because Wolfingham is conceived of as a much colder villain than most swashbuckling villains are.
25	* DefrostingIceQueen: The perfect description of Geoffrey and Maria's relationship.
26	* DuelToTheDeath: Between Thorpe and Wolfingham.
27	* EvilChancellor: Privy Councillor Wolfingham's interest in aiding Philip is to see "a ruler friendly to Spain on the throne of England" -- himself, for instance.
28	* {{Expy}}: Miss Latham, Maria's lady-in-waiting (Una O'Connor), is somewhat similar to Bess, Marian's lady-in-waiting (also Una O'Connor), in ''Film/TheAdventuresOfRobinHood'', and likewise carries on an amour with one of Creator/ErrolFlynn's character's men.
29	* {{Fanfare}}: Notably, Korngold uses a repeated [[{{Leitmotif}} horncall]] to symbolize the ''Albatross'', at least once explicitly performed as [[LeftTheBackgroundMusicOn source-music]] by a bugler in the crew.
30	* {{Flynning}}: The philosophy of Fred Cavens, who choreographed the duels, was to take the basic fencing moves and to exaggerate them, to make them more spectacular for film audiences.
31	* HangingJudge: Fritz Leiber (the father of [[Creator/FritzLeiber the science fiction writer]]) appears as a merciless judge from UsefulNotes/TheSpanishInquisition.
32	* HistoricalDomainCharacter: [[UsefulNotes/ElizabethI Queen Elizabeth I]]; [[UsefulNotes/PhilipII King Philip II]]; Captain Hawkins and Captain Frobisher.
33	* HistoricalVillainUpgrade: Philip II is generally considered now not to have been so much a cruel tyrant, as a rigidly conscientious man who felt he had a duty in maintaining his Habsburg patrimony and re-establishing the Roman Catholic faith in Europe. He was certainly not seen as a tyrant by his subjects, although there were many who saw him as an incompetent war leader.
34	* HollywoodCostuming: It would take a small book to analyse, but among the common Hollywood variations from Elizabethan design seen in this film are [[http://en.wikipedia.org/wiki/Pannier_(clothing) panniers]] in place of the [[http://en.wikipedia.org/wiki/Farthingale farthingale]], either English or Spanish; an avoidance of the ubiquitous Elizabethan [[http://en.wikipedia.org/wiki/Ruff_(clothing) ruff]]; the substitution of patterned fabrics for embroidery, and a tendency to replace stockings with a sort of modified trousers, at least for heroic characters.
35	* InsultBackfire: When tried by the [[UsefulNotes/TheSpanishInquisition Inquisition]], Thorpe is accused of plundering seven cities and forty-three ships. He corrects this, by saying he has plundered nine cities and fifty-four ships.
36	* InNameOnly: The novel was a tale of an English gentleman framed for murder by his fiancée's brother, getting shanghaied to the Mediterranean, and converting to Islam that he might become a pirate and wreak vengeance on the people that threw him away. The movie is a tale of an English privateer and his mission for Queen Elizabeth, with a bit of background about the Spanish Armada.
37	* {{Knighting}}: In the finale of the film, Geoffrey Thorpe is knighted by the Queen aboard the ''Albatross''.
38	* {{Leitmotif}}: Korngold employs several in the score, including the {{Fanfare}} mentioned above, a sweeping love theme for Geoffrey and Maria, and a jaunty march to represent the Spanish treasure caravan in Panama.
39	* MadeASlave: Thorpe and his men are sentenced to serve as galley slaves by the [[UsefulNotes/TheSpanishInquisition Inquisitorial]] court.
40	* TheMole: Wolfingham is a spy for the Spanish.
41	* NoCelebritiesWereHarmed: The character of Captain Geoffrey Thorpe is almost certainly based on UsefulNotes/SirFrancisDrake, the English privateer who successfully robbed the Spanish Silver Train, as Thorpe fails to do in this film.
42	* NotEvenBotheringWithTheAccent: About half of the Spaniards are Mexican actors; the other half speak as if they were elocution coaches from Eton and Oxford.
43	* PeopleOfHairColor: Nearly all the Spaniards in the film are raven-haired -- the greatest exception is King Philip, who is grey-bearded.
44	* PimpedOutDress: Elizabeth and the ladies of the court of course wear them.
45	* {{Pirate}}: Strictly speaking, Thorpe is a privateer sharing his plunder with the English government, but the Spanish make no distinction.
46	* {{Privateer}}
47	* ReCut: The film originally had two endings: one with Queen Elizabeth's rousing anti-fascist speech and another without it. The former was used in Britain and other territories involved in the war at the time, while the latter was used in countries who were at the time neutral towards getting involved in the fight against Nazi Germany, particularly the United States. In recent years, the British version has become the default source for video and television copies.
48	* ShoutOut: The [[https://www.youtube.com/watch?v=2hg9qPei7W0 title theme-music]] to the 1990 Fox cartoon ''WesternAnimation/PeterPanAndThePirates'' deliberately echoes the [[https://www.youtube.com/watch?v=C-RPzAbW7No Main Title music]] of this film.
49	* SinisterMinister: The sinister [[UsefulNotes/TheSpanishInquisition Inquisitor]] who tries Thorpe and his men.
50	* SlaveGalley: Thorpe and the other surviving crew of the ''Albatross'' are sentenced to this by the [[UsefulNotes/TheSpanishInquisition Inquisition]]. [[WhyDontYouJustShootHim Why didn't they just hang him?]]
51	* SociallyAwkwardHero: "Him what's taken whole fleets of Spanish ships, can't say a word to a slip of a girl."
52	* StockFootage:
53	** Portions of the battle scenes are lifted from earlier Warners' silents (the studio shot the film in black-and-white instead of color specifically to take advantage of this old footage); the attentive viewer can catch glimpses of Napoleonic ship design and costumes among the 16th century piracy.
54	** The scenes of Doña Maria's carriage traveling through the countryside were taken from ''David Copperfield''. The film had to be darkened to disguise the fact that the carriage depicted was clearly too modern for this film's Elizabethan setting.
55	** Several shots in the battle at the beginning of the movie are re-used from ''Film/CaptainBlood'', a man sitting up in the rigging being shot and several crew members below decks in a flooded room.
56	* SwordFight: Notably, Geoffrey's duel with Captain Lopez (Gilbert Roland) at the beginning of the film, and especially his final climactic duel with Lord Wolfingham, one of the finest cinematic duels ever filmed.
57	* ATasteOfTheLash: How the Spanish motivate their galley slaves.
58	* TitleDrop: The Elizabethan privateers were actually known as "Sea ''Dogs''"; Koch and Miller deliberately changed the term to cash in on the Creator/RafaelSabatini title.
59	* WhyWontYouDie: Lord Wolfingham greets Geoffrey Thorpe, who has escaped from numerous perils, with the words, "Have you nine lives, Captain Thorpe? Surely most of them must be used up by now." Cue {{Flynning}}.
60	* WoodenShipsAndIronMen: It's set on this age, and it shows.
61	* YouFightLikeACow: Thorpe and Lopez exchange pleasantries as they duel aboard the ''Santa Eulalia''.
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Context Film / TheSeaHawk