Line #109 DoingItForTheArt/LiveActionFilms


1	* Creator/DarrenAronofsky turned down a chance to direct ''Film/ManOfSteel'' so he could direct ''Film/TheFountain'', despite knowing that it wouldn't make anywhere near as much money. He still insisted on getting it made, even after the studio cut half of his budget, forcing him to do the whole movie (an epic sci-fi film that includes a big portion set ''in space'') without any CGI at all. When it looked like the studio would never approve the movie, he wrote it as a graphic novel and got Creator/VertigoComics to publish it. Whether or not you like the movie, it's undeniable that Aronofsky cared about it. A lot.
2	* Creator/FrancisFordCoppola paid for most of ''Film/ApocalypseNow'' himself, even though the budget was massive, and the movie is known as the biggest example of DevelopmentHell.
3	* Creator/JamesCameron has made a career out of never compromising on his vision. His reputation as a perfectionist paints him as a prima donna director (with stories to back it up), but actors who have collaborated with him often, like Creator/BillPaxton and Creator/SigourneyWeaver, state that it is precisely that that what makes him stand out--a director who stays true to his vision of a film with no compromises and staves off ExecutiveMeddling:
4	** It might be hard to believe today, but ''Film/{{Titanic 1997}}'' was a film of epic proportions which frankly had most of Cameron's producers worried. It was a pure passion project made entirely because of Cameron's lifelong obsession with the ship. This thing cost $200 million to produce, but Cameron never balked even at the production's lowest points.
5	** When making ''Film/TheTerminator'', executives barred Cameron from filming a key scene where the T-800 picks up on Kyle and Sarah's trail. The director snuck out with a camera and Creator/ArnoldSchwarzenegger to the back of the hotel set and shot the scene anyway.
6	** During the shooting of the hive sequence in ''Film/{{Aliens}}'', Cameron fired his cinematographer, Dick Bush, for not lighting the hive set in the "right way". Cameron, who had a start as a visual effects cinematographer (doing things like the wireframe in ''Film/EscapeFromNewYork'') wanted the set to be lit with the lights from the actors. Bush however was an old school cinematographer who went against Cameron's wishes and added fill light.
7	** Cameron spent close to a decade continually refining the script for ''Film/{{Avatar}}'', even stating that he left it in his office desk for months at a time while he brainstormed new ideas.
8	* Creator/AndySerkis' [[SerkisFolk work]] on ''Film/TheLordOfTheRings'' trilogy and ''Film/KingKong2005''. Painstakingly crafting memorable MotionCapture performances even knowing that no one would ever actually see him on screen. Going to Africa to study gorillas in the wild ''on his own time and money'' to make sure he played the most convincing gorilla he could. And in the process, he almost singlehandedly elevates Motion Capture to a full-fledged art form. All For The Art.
9	** To this day, Creator/PeterJackson is upset that Serkis [[AwardSnub wasn't nominated for an Oscar]] for Gollum. Serkis himself doesn't appear to dwell on it.
10	* ''Film/OceanHeaven'': Widely promoted as action legend Creator/JetLi's first drama-slash-non-action film, a touching tearjerker about a single father trying to raise a mentally-ill son while battling cancer himself. Li's salary for the movie is '''1''' USD, enough for a cup of coffee (sans sugar and cream), because Li has been interested in making a drama film after being an action legend for decades.
11	* ''Franchise/StarWars'' episodes I and II. Love it or hate it, Creator/GeorgeLucas was determined to make sure his vision was brought to life. He relented a little for episode III, and [[ExecutiveMeddling the old trilogy]]...
12	** Creator/MarkHamill has commented before on the fact that Creator/GeorgeLucas seemed down in all of the interviews that he gave around the time that the original trilogy was made on account of the fact that he wasn't able to do things the way that he'd envisioned. As unfaithful as people feel the rereleases may be, they're closer to Lucas' original vision than what was initially shown in cinemas (Except the HanShotFirst thing, that was the [=MPAA=]).
13	* Creator/RichardDonner's work in ''Film/{{Superman\|TheMovie}}'' went notoriously over-budget, and got him fired. His main concern was to make the best, most believable film he could.
14	* If you were a studio executive, would ''Film/{{Eraserhead}}'' put dollar signs in your eyes? But [[Creator/DavidLynch somebody]] made it. And all his movies are exactly what he had in mind. Well, except ''Film/Dune1984''.
15	** That's just the beginning. It took ''five years'' to finish, working on weekends and vacations, and with Lynch putting up all the cash. There's one sequence where Henry passes through a door. A full year passed between shooting him outside the door and him walking through it.
16	* As a good example of Administrivia/TropesAreNotGood, ''Film/ManosTheHandsOfFate'' is a terrible movie, but it is exactly what Hal P. Warren wanted. Only with worse production values.
17	** A more successful example of the "really cheap horror movie made by a guy who loves what he's doing" would be ''Film/TheEvilDead1981''. And ''Film/EvilDead2'' was actually more so: he wanted to do it with all the crazy humor, but it wasn't until the first was a hit he dared to do it.
18	** A more recent example is the filmography of actor/writer/director Creator/NeilBreen whose self-financed movies show low production values, SpecialEffectsFailure, nonsensical storytelling and BadBadActing in spades. Breen's passion for his work is undeniable and helps deliver a SoBadItsGood viewing experience for each of his films.
19	* Most things Creator/DavidCronenberg does, he does because he really wants to. This is especially evident in his version of ''Film/TheFly1986''--he has admitted to disliking [[Film/TheFly1958 the 1958 original]], mainly because he was aware of its fallacies even as a kid, so he wanted to make a film that wouldn't annoy any [[SomewhereAnEntomologistIsCrying entomologists]] in the audience. Is it any wonder this version is widely considered better than the original?
20	* The films of Creator/QuentinTarantino and Creator/RobertRodriguez are typically full of AuthorAppeal (sexual and otherwise). ''Film/{{Grindhouse}}'' was made because they felt like it, and when Rodriguez made ''ComicBook/SinCity'', he got Creator/JoshHartnett and Creator/MarleyShelton to come by to film a short, which he digitally edited and gave to Creator/FrankMiller just to convince him to give Rodriguez the rights to make a full movie out of it.
21	* Creator/EdWood's work was for the art, even though his films are SoBadItsGood (at ''best'').
22	* Avant-Garde & Experimental filmmakers mostly under low budgets from grants and all.
23	* Creator/JohnTravolta wanted to make a film version of ''Film/BattlefieldEarth'' for years, and it was only after years of effort, and agreeing to a discount salary for his performance, that it finally got made. Once again, another Administrivia/TropesAreNotGood example.
24	* [[Creator/SeltzerAndFriedberg Aaron Seltzer and Jason Friedberg]] are probably the only people on this list who can straddle the line between this trope ''and'' its polar opposite. While their parodies [[ShallowParody are lazy]] and few would argue that their films constitute as "art", the two continue to make them even though people stopped seeing their films years ago (compare the $86 million gross of ''Epic Movie'' in 2007 to ''The Starving Games''' $3 million gross in 2013). And so, despite the fact that they no longer have any major studio backing them, they persist in making and self-distributing their parody films rather than moving on to more lucrative film-making opportunities.
25	* The production of ''Film/HeavensGate'' became a disaster thanks to Creator/{{Michael Cimino\|Director}}'s adherence to this trope. For example, he demanded 50 takes of at least one scene, and refused to start shooting for another until a cloud he liked rolled across the sky. Sadly, in this case the attention to detail did not pay off. The film was extremely delayed, went badly over the budget, is one of the least profitable movies of all history, and more or less killed the New Hollywood era. On top of that, for decades after its release it was regarded as a critical failure; it's only in the past few years with the release of a new, much-improved cut that it's been critically re-evaluated.
26	** The Creator/WarrenBeatty film ''Film/TownAndCountry'' had similar problems due to Beatty insisting on re-takes of almost every scene, which caused the 40 million dollar budget to double, and more than likely contributed to the film's financial failure at the box-office [[CreatorKiller and resulted in Beatty not doing any more films since]].
27	* For ''Film/TheWickerMan1973'', Creator/ChristopherLee was so keen to see it finished and released, he waived his fee for playing Lord Summerisle to keep the budget in check, and then called round all his friends and associates to drum up support, and hit the talk circuit to promote the film.
28	* For ''Film/ThePassionOfTheChrist'', Creator/MelGibson fronted $30 million for production costs and $15 million for advertising out of his own (not-insubstantial) pocket. The film was distributed through independent distributor Newmarket Films, as none of the established film distribution companies wanted to touch it (th), thanks to the controversy surrounding the film. As it happened, [[NoSuchThingAsBadPublicity said controversy helped make the film a blockbuster in the end]].
29	* Creator/TheWachowskis have made absolutely no excuses for ''Film/SpeedRacer'', and probably never will. They said they were going to make a live action version of a cheesy-yet-revered anime, and that is '''exactly''' what they gave us. Not "''Film/TheMatrix'' with Cars" as oh so many critics expected (and demanded), but an honest-to-God live action anime. It is quite possibly the incarnation of pure awesomeness... Or at least the incarnation of [[SoBadItsGood pure Speed Racer]].
30	** On the note of the Wachowski siblings: Their adaptation of ''Literature/CloudAtlas'' is one of the most expensive independent films '''ever made'''.
31	* Creator/ChristopherWalken will accept ''any'' role that is offered to him, regardless of the paycheck. He just plain loves making movies.
32	** Creator/JohnCarradine was reputed to be the same way.
33	** And Creator/BenKingsley. He even ''chose'' to be in ''Film/BloodRayne'' because he [[AwesomeDearBoy always wanted to play a vampire and be in the get-up]], and the movie offered him that.
34	** Creator/WillemDafoe's career consists of equal parts of {{Oscar Bait}}s, action blockbusters, art films (like ''Antichrist'' mentioned below) and B movies.
35	** Creator/GlennClose has stated that she's "always have been up for anything", particularly [[AwesomeDearBoy different things]], hence credits in art films, blockbusters, television, theater...
36	* Creator/LarsVonTrier. Let's put it this way--he sure didn't make ''Film/{{Antichrist}}'' because it was going to [[OscarBait win a bunch of awards]] or be a huge box office success.
37	* Creator/AkiraKurosawa was incredibly meticulous in the production of his movies. Every shot was done over and over until it was perfect and he once removed the roof from a house for a single shot. ''That'' is dedication. Also: draining a town's entire water supply to get rain shots right and having an actual castle built only so he could burn it to the ground for one shot.
38	* This can sometimes be a trap for directors who have too much power and influence, especially if they have done it for the art in the past and seen great success. This is what capsized the UsefulNotes/NewHollywood movement of the 1970s; such luminaries as Creator/FrancisFordCoppola and most notoriously Creator/{{Michael Cimino\|Director}} bet the farm on deeply personal labours of love and lost their shirts.
39	* However, it's not always just actors, writers, and directors who feel that art should transcend the profit motive. Sometimes, it's producers and movie studio executives themselves who put creativity over profitability. A prime example of this is Irving Thalberg, director of production at Creator/MetroGoldwynMayer. Three instances of this suffice:
40	** The first instance of this involved the 1925 silent film, ''Film/TheBigParade''. Although preview audiences responded favorably when they were shown the rough cut, Thalberg decided to expand the scope of the picture as director King Vidor had created a war picture without many scenes of war. He had Vidor restage the famous marching Army column sequence with 3,000 extras, 200 trucks and 100 airplanes, adding about $45,000 to the negative cost of the film. After Vidor moved on to another project, Thalberg had other battle scenes shot by director George W. Hill.
41	** The second instance of this involved the 1933 Creator/WallaceBeery-Marie Dressler film, ''Tugboat Annie''. After seeing a preview of the film, Thalberg asked director Mervyn [=LeRoy=] if a scene could be improved by making Beery's shoes squeak. [=LeRoy=] agreed, but detailed how it would be economically prohibitive to re-shoot the scene as the sets had been dismantled and the cast had dispersed. Thalberg responded, "Mervyn, I didn't ask you how much it would cost, I asked you whether it would help the picture." The scene was summarily re-shot.
42	** Last, but not least, the final instance of this involved the Creator/MarxBrothers. At the time, the brothers were in a rut as they had just left Creator/{{Paramount}} over creative differences and financial issues and were considering exiting the film business, when Thalberg signed them to a five picture contract with MGM. When the brothers joined MGM, one of the provisions in their contract was that before filming would commence on any of their pictures, they would first go out on the road and perform their material on the vaudeville stage in front of live audiences, allowing them to work on comic timing and to learn what earned laughs and what did not. Many people, including Groucho Marx, believed that this helped to strengthen many of the routines. In addition, Groucho repeatedly said that their first two films, ''Film/ANightAtTheOpera'' and ''Film/ADayAtTheRaces1937'', were the best they ever made. Unfortunately, Thalberg's immediate superior, Louis B. Mayer, MGM's vice president of studio operations, did not think that the Marx Brothers were funny at all and was beyond ill-pleased when Thalberg offered them a five-picture contract. When Thalberg died in 1936 while ''A Day At The Races'' was still in production, Mayer used his position as studio chief to deny the brothers their favorite gag writers and limit the budgets of their remaining films.
43	*** The Marx Brothers issue wasn't the only bone of contention between Mayer and Thalberg. The two men just in general usually fought over what content the studio would release, with Thalberg pushing for more literary fare and Mayer pushing instead for more glitzy, crowd-pleasing films, and if it wasn't for Thalberg's connections with Nicholas Schenck, president of MGM corporate parent Loew's Theaters, he probably wouldn't have lasted long at MGM.
44	* A smaller example, compared to all of the above, but when Creator/BillMurray agreed to play Herman in ''Film/{{Rushmore}}'', he also kept the budget down by agreeing to do it for union scale wages, which comes to about $300 per day.
45	** When Creator/{{Disney}} denied Creator/WesAnderson the money for a helicopter scene that would have cost $75,000, Murray paid for the shot out of his own pocket.
46	** Bill Murray is like this a lot: he refused to let his name appear in marketing for ''Film/{{Zombieland}}'' to hide the surprise, and has admitted he only did ''Film/{{Garfield}}'' because it was written by Joel Cohen and he misread the name and thought it was Joel Coen of Creator/TheCoenBrothers. At which point he signed up without reading the script.
47	* Creator/BruceWillis appeared in ''Film/TwelveMonkeys'' entirely because he wanted to work with Creator/TerryGilliam. To keep the film from going over budget, he agreed to a significantly reduced salary to be paid after the film was complete.
48	** He did the same thing for ''Film/PulpFiction''. They considered him a long-shot for the role as he was an A-List star, but he wanted to do a more indie-project and took a big pay-cut to play Butch.
49	* Creator/ChristopherNolan wrote the script for ''Film/{{Inception}}'' immediately after his success with ''Film/{{Memento}}''. He then spent the next ''ten years'' revising the extremely complex story until he was satisfied that everything made sense and was the best he could make it.
50	** In addition, he took on ''Film/TheDarkKnightTrilogy'' in order to gain experience with handling a blockbuster production so he would be ready to perfect what was needed for ''Inception'' when it was done. ''Film/BatmanBegins'' and ''Film/TheDarkKnight'' were warm-ups!
51	* Creator/ZackSnyder has said he only agreed to do ''Film/{{Watchmen}}'' because if he turned it down there was a chance of someone who didn't love the source material making it. His goal was to compress large amounts of detail into every frame of the movie and during the editing process he was constantly battling with the studio execs over the length (he declared himself to be "Gatekeeper of the Easter Eggs").
52	* Creator/StevenSpielberg didn't take a salary when he made ''Film/SchindlersList'', which he considered his most personal project. [[note]] Although this is now standard practice for him. He just gets a percentage off the gross of the film, which especially for him, is more lucrative in the long run[[/note]] He felt like it'd be blood money and donates all of the royalties off the film to a charity called the Shoah Foundation which works to visually document genocide around the world.
53	* ''Film/HardCandy''. This is a film with a very low budget, from a first-time director, and with very strong sexual themes and implied torture. This is not the kind of film one signs on to make for a quick buck. In addition, Creator/ElliotPage (and this is before ''Film/{{Juno}}'') was chosen for his {{Bifauxnen}} look over several 14-year-olds who looked older than they were.
54	* Creator/BorisKarloff essentially made the movie ''Film/{{Targets}}'' for free, because he liked the script so much.
55	* Creator/KevinSpacey wanted to keep his name off ''Film/{{Se7en}}'' (at least until the end credits) for suspense purposes. In addition, Creator/BradPitt refused to promote the film unless the ending, as planned by director Creator/DavidFincher, ended up in the film. [[ItWasHisSled You know the one.]] In the end, it did.
56	** Fincher himself only agreed to direct the film if the twist ending (which he only found out about because he was mistakenly sent the unrevised script) stayed in.
57	* Similarly, Creator/EdwardNorton requested not to be credited for ''Film/KingdomOfHeaven'', as his character is constantly masked [[spoiler:until after his death, when his leprosy-ravaged face is revealed.]]
58	* After ''Film/StarTrekTheMotionPicture'' went over budget, was panned by critics and audiences, and just barely made a profit, Paramount just wanted a sequel to be more profitable, even if the series just turned into a FranchiseZombie. So they brought on TV producer Harve Bennet for the next movie, mainly because he promised he could do it on a fifth of the last film's budget. Instead of just making a slapdash sequel, he brought on the best people he could with the money he had, including Creator/NicholasMeyer to direct. The result was ''Film/StarTrekIITheWrathOfKhan'', a monster critically hailed hit that made the ''Franchise/StarTrek'' film franchise one of the longest and most successful film series in Hollywood history.
59	** The first film (nicknamed for good reason ''Star Trek the Motionless Picture'') was ''also'' this, proving once again that Administrivia/TropesAreNotGood. Taking creative control away from Creator/GeneRoddenberry was part of what allowed the subsequent movies to succeed, as without him the writers and directors could temper For The Art with at least a little bit of What People Actually Want, and it turned out the latter ''wasn't'' a recycled 46-minute TV episode plot from a decade and a half ago blatantly and obviously padded with a long, dull sequence consisting entirely of ambient music and expensive SFX (that by today's standards looks like a cheap screensaver).
60	* Kevin Pollack insists that he only works on projects that he thinks will be good, and has managed to get into some major hits like ''Film/AFewGoodMen''. While ''Film/JuwannaMann'' seems like an obvious [[MoneyDearBoy cash grab]], he signed on because the lead role was originally going to be played by Creator/WillSmith.
61	* ''Film/SuckerPunch'': Creator/ZackSnyder himself doesn't even understand why he did that movie, but he did it anyway, the amount of work which went to all the levels of reality, the girls' clothes, the girls' training, the camera angle editing, and the phrasing of the words in the story. All for the art. Seriously. The studio wanted the film post-converted to 3D, but Snyder refused. He didn't film ''Sucker Punch'' for 3D, as it's a more mental movie, and he felt converting it would make an inferior film. What makes this especially odd is that he claimed not to know why he made such an odd film, saying "That is basically my comment on the film as well; "Why are you making this movie? You need to make a movie more commercial. It shouldn't be so dark and weird."
62	* The whole motivation behind the founding and continued operation of Creator/HandmadeFilms was for Music/GeorgeHarrison to allow film-makers to make the sort of films they wanted without interference (he started the company because giving the Creator/MontyPython team £2million was the only way he'd get to see ''Film/MontyPythonsLifeOfBrian''). Sadly, his partner Denis O'Brien was more of a CorruptCorporateExecutive.
63	* Originally, ''Film/{{Livid}}'' was going to be shot in English, but when the directors' creative freedom was compromised they opted instead to make it at a much lower budget and in French.
64	* Creator/JeanPierreJeunet started to write ''[[Film/{{Amelie}} Le Fabuleux Destin d'Amélie Poulain]]'' in 1974. The movie was released in 2001. He was saving money for this project, doing movies like ''Film/AlienResurrection'', in order to have freedom to work.
65	* Creator/MichaelBay took on ''Film/PainAndGain'' because he loved the story so much (the film was also his PlayingAgainstType project, as he is known for his explosion-heavy popcorn movies). He also chose to take scale pay instead of his usual salary (the actors doing the same) so he could make the film the way he wanted to instead of doing a more compromised, studio-friendly version (the final budget was $25 million, less than half the average for a studio film).
66	** He also initially turned down directing ''Film/{{Transformers\|2007}}'' due to this trope, as he thought it would just be making a glorified toy commercial. When Hasbro convinced him there was more to this franchise than meets the eye, Bay realized the potential for making a film.
67	* Even though all three ''Film/AtlasShrugged'' movies did abysmally in terms of both ratings and sales, they kept making them, and each one did even worse and had a smaller budget. Considering that the book was written Creator/AynRand to promote her ideas of free-market capitalism, it is especially ironic that this particular work would be made other than for profit.
68	* Many Mexican directors are notorious, both inside and outside the country, for sticking to their guns, no matter what. This is in part as a result of years of living under government censorship, having to compete against Hollywood films, and tired of living under the shadow of the older films and actors from other eras. In fact, for some Mexican directors, the ''sole'' idea to do an Hollywood-style film is borderline a '''BerserkButton''' for them, especially when they do [[SlidingScaleOfIdealismVersusCynicism extremely cynical movies]]. Their answer for doing those films? ''A movie is for showing the reality, NOT for hiding it''.
69	** This is somewhat subverted by some Mexican directors like Creator/GuillermoDelToro and Creator/AlfonsoCuaron: While they also stick to their ideas, at least they try to cover other topics other than drama.
70	** Mexican comedian Creator/EugenioDerbez was lambasted in Mexico for doing ''Film/InstructionsNotIncluded'', a Hollywood-style comedy film, and from a Mexican point of view, it completely deviates from the actual kind of movies Mexican studios are doing, and as such, it gives an "erroneous" image of the country, [[spoiler:albeit the movie itself still sticks with the Mexican status quo somewhat by giving an BittersweetEnding]].
71	* Even people who loved Creator/SpikeJonze's adaptation of ''Literature/WhereTheWildThingsAre'' were forced to admit that practically everything about it seemed like box-office poison. When audiences heard that a film adaptation of a beloved children's book was in the works, they had every reason to expect a cute, upbeat, crowd-pleaser that parents could take their kids to--and most of them ''wanted'' just that. Jonze apparently didn't get the memo, and instead made a poignant, surreal fable about the fear and uncertainty of childhood, refusing to sacrifice an ounce of his famous SignatureStyle in the process. While it debuted at #1 at the domestic box office, it barely broke even, but it earned a devoted circle of fans--including Creator/MauriceSendak himself, who personally defended Jonze against critics who disapproved of the movie's somber tone. The monsters themselves could have very well been CGI, but Jonze insisted on using PeopleInRubberSuits courtesy of Creator/JimHensonsCreatureShop, with CG only used for the faces.
72	* Creator/SergioLeone was a meticulous perfectionist filmmaker who wanted every take to be perfect. This is what got him and Rod Steiger into several arguments during the making of ''Film/DuckYouSucker'', as Steiger preferred the spontaneity of the first take. Also, Creator/EliWallach notoriously cheated death five or six times making ''Film/TheGoodTheBadAndTheUgly'', including having a train narrowly missing his head, and Eastwood himself once after they blew up a bridge. They built a bridge and blew it up.
73	* For ''Film/YoungFrankenstein'', when Columbia Pictures balked at Creator/MelBrooks' idea to shoot the film entirely in black and white, Brooks took the project the very next day to 20th Century Fox instead.
74	* ''Film/TheWitch'', a horror film set in [[UsefulNotes/TheThirteenAmericanColonies colonial-era Puritan]] [[LovecraftCountry New England]], was [[http://www.indiewire.com/2015/10/how-robert-eggers-combined-history-and-childhood-horrors-in-the-witch-56333/ a passion project]] for writer/director Robert Eggers, a New Hampshire native who had grown up fascinated with the history of the region. When his low budget forced him to shoot the film in Canada rather than New Hampshire for tax credit purposes, he went "off the map" to find a place in Canada that looked like rural New England, eventually finding the remote town of Kiosk in northern Ontario (population: 60).
75	* Creator/ChristopherLloyd was {{Typecast}} for decades after ''Franchise/BackToTheFuture'', so he jumped at the chance to play a complex, serious role in the screen adaption of ''Literature/IAmNotASerialKiller'', even though it was a low-budget indie production filming over the period of a few months in subzero temperatures.
76	* Creator/EmmaWatson and Creator/KateWinslet are examples of actors who moved directly from blockbuster productions (''Franchise/HarryPotter'' and ''Film/Titanic1997'', respectively) to smaller, independent productions because of a stated desire to do stories they felt were more worthwhile than another billion-dollar moneymaker.
77	* Creator/NigelHawthorne, inexperienced in cinema, took the role of Cocteau in ''Film/DemolitionMan'' to prove that he had screen presence for the producers of ''Film/TheMadnessOfKingGeorge''. Hawthorne wanted to reprise his stage role as the title character for the movie version--though as it transpired, this was unnecessary as Hawthorne was the producers' automatic choice for the lead.
78	* Film/XMenFilmSeries
79	** ''Film/Deadpool2016'': Creator/RyanReynolds, himself a [[JustForFun/OneOfUs huge Deadpool fan]], made many sacrifices to ensure that the film would work. Not only did Reynolds accept a reduced $65 million working budget and a salary cut to keep the movie's R-rating, but [[http://www.slashfilm.com/ryan-reynolds-deadpool-writers/ he also paid the writers out of his own pocket]].
80	** ''Film/{{Logan}}'': Just like Reynolds, Creator/HughJackman took a pay cut to ensure that the movie would be R-rated. Jackman also refused to appear in future ''X-Men'' movies as he didn't want to diminish the sense of closure for his swan song performance as Wolverine. (Though he did finally decide to revive the role one more time when offered the chance to work with Reynolds in a third Deadpool movie.)
81	* When Creator/ArnoldSchwarzenegger read the script for the zombie horror-drama ''Film/{{Maggie}}'', he loved it so much that he refused to accept any salary for starring in it. Perhaps it's not a coincidence, then, that many viewers had a SugarWiki/HeReallyCanAct reaction, with several critics sincerely proclaiming it as the performance of his career.
82	* As it turns out, this is part of the shtick of Creator/KeanuReeves' career, given that he is notable for believing that every project, no matter the subject matter, should have the highest quality cast possible and will frequently give up his upfront salary so that films can hire top-level talent that wouldn't be affordable otherwise. In addition to that, he's not afraid to try new movie genres regardless of the end result's reception.
83	* Creator/OliviaHussey became famous worldwide at sixteen for ''Film/RomeoAndJuliet1968'', even getting offered parts in ''Film/TrueGrit'' and ''Film/AnneOfTheThousandDays'' (that she turned down due to youthful nerves). For her first role after that fame, she chose the smaller British indie film ''All the Right Noises''. In her autobiography, she has said that she wasn't particularly good at choosing roles that might be best for her career - but she always drifted towards scripts and parts that appealed to her deeply.
84	* The 2021 Irish thriller ''[[https://www.youtube.com/watch?v=QuDo22sNHSQ Spears]]'' took two years to shoot, had to accommodate a few cast changes, was done entirely with NoBudget and only a two-person crew - yet was filmed in four different locations (Florence, London and Berlin in addition to director Gerard Lough's native Letterkenny, Ireland) purely because Gerard Lough wanted to make something exciting for his second film.
85	* ''Film/ZackSnydersJusticeLeague'' features yet another case of this for director Creator/ZackSnyder, he declined a salary for the film, seeing the chance to finish it on his terms as its own reward -- which, in turn, led to him having more creative freedom. He also said that a portion of the revenue would go to suicide prevention (his departure from [[Film/JusticeLeague2017 the original film]] was due his daughter, Autumn, taking her own life, and several of the fans who wanted the Snyder cut donated to charities related to such causes). He even initially refused to do it because the cut was originally a workprint and only did so if he could finish it up. Likewise, Music/JunkieXL, who left due to being sympathetic to Snyder, completely reworked the score from what he originally did before being replaced by Music/DannyElfman, both due to new material he'd thought of and to distance it from Snyder's tragedy.
86	* Tommy Wiseau spent years raising six million dollars in order to write, produce, and direct his dream project without help from a studio. Say what you want to about the finished product, but Wiseau's dedication to making ''Film/TheRoom2003'' is nothing but astonishing.
87	* Joe Camp created ''Film/{{Benji}}'' out of frustration with the flood of cheap family movies released through [[https://en.wikipedia.org/wiki/Four_wall_distribution four wall distribution]], often of poor quality, which led to the perception that, as Camp put it, "[[AvoidTheDreadedGRating If it's G, it can't be for me.]]" Thus, he made ''Benji'' as a high-quality alternative to those mediocre films. It worked; the first movie was a critical and commercial success, making $45 million worldwide on a paltry $500,000 budget.
88	* This is the reason why the ''Film/SpiderManTrilogy'' ended as a trilogy. There was planning for a ''Spider-Man 4,'' but director Creator/SamRaimi couldn't make it work and didn't want to disappoint the fans with a subpar film.
89	* Tarsem Singh's ''Film/TheFall'' was done for the art ''and'' for cultural preservation. Half of the film is a globetrotting adventure, and every shot of [[SceneryPorn scenic landscapes, landmarks, and architecture]] is real, filmed on location in 20 countries across four years (as a show of just how gratuitous this was, there's a single insert of the characters running across the Great Wall of China that lasts for ''one second''). All of the shoots were covered pretty much out of Tarsem's own pocket from his job in directing advertisements (he reportedly only took jobs in places where he wanted to do location scouting), with the intent to cinematically preserve all of the ancient landmarks and their beauty for future generations. While filming in [[https://en.wikipedia.org/wiki/Jodhpur the Blue City of Jodhpur]], he even provided locals with fresh blue paint to refresh their houses to make the scene featuring them even more vibrant.
90	* The makers of the Ugandan comedy movie ''Film/WhoKilledCaptainAlex'' had a budget of only 85 US dollars and worked through several hardships just because they wanted to make a movie.
91	* The late Filipino child actress Julie Vega reportedly [[https://www.facebook.com/photo.php?fbid=1534459033601189&set=p.1534459033601189&type=3 offered her role for free]] in the [[MissingEpisode now-lost]] 1982 religious drama film ''Milagro sa Porta Vaga'' (lit. ''Miracle at Porta Vaga'') out of devotion to her Catholic faith.
92	* Creator/ChrisDiamantopoulos was so excited by the idea of playing [[Film/TheThreeStooges Moe Howard]] for the 2012's ''Film/TheThreeStoogesTheMovie'' that he offered to do the role for free (due to union laws, Creator/TwentiethCenturyStudios had to settle for the next best thing of paying him the minimum amount). Diamantopoulos later admitted that being in the film ''lost'' him money since he moved his wife and baby to Atlanta with him for filming while still paying for their house in Los Angeles, [[IRegretNothing but has no regrets]] since it was the role of a lifetime.
93	* During the production of ''Film/MortalKombatTheMovie'', it was determined by the production studios that Creator/ChristopherLambert (who played Raiden, the crucial mentor character for the main cast) would be too expensive to have fly over to Thailand for on-set filming, with the plan being that they would film him for minimal scenes in Los Angeles and edit the rest using stunt doubles. When Lambert got word of this, he insisted on traveling to and staying in Thailand out of his own pocket, definitively working unpaid, simply because he thought the film would be far better with him actually present.
94	* Creator/GeorgeARomero envisioned ''Film/DayOfTheDead1985'' as "the ''Film/GoneWithTheWind'' of zombie films," a ZombieApocalypse film done as a legitimate EpicMovie. One thing he was not willing to compromise on, however, was making sure that all of the violence and gore would pass uncut. To that end, when distributors balked at the prospect of releasing such a grisly film in theaters, he let the budget be cut in half, from $7 million to $3.5 million, in exchange for allowing the film to be released unrated rather than edited for an [[MediaNotes/RestrictedRating R rating]].
95	* Creator/KenRussell financed ''Film/SavageMessiah1972'' himself and risked losing his home if it didn't do well because he felt he owed it to Henri Gaudier-Brzeska, the movie's subject.
96	-->'''Russell''': It would have been so easy to go into my father's business and opted for the easy life but Gaudier taught me there was a life outside commerce and it was well worth fighting for.
97	* ''Film/TheGreenGoblinsLastStand'' was made on a budget of only $400. When asked why he stood on top of a moving car and swung around a fire escape with no safety features, Dan Poole said they needed the shot.

Context DoingItForTheArt / LiveActionFilms