| 1 | [[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/warner_records_logo.jpg]] |
| 2 | [[caption-width-right:350:The new logo introduced in 2019. ''“We are Warner Records: Born in the UsefulNotes/{{California}} sun, at home everywhere on UsefulNotes/{{Earth}}.”'']] |
| 3 | |
| 4 | [[quoteright:350:[[Music/TheDoobieBrothers https://static.tvtropes.org/pmwiki/pub/images/wb_records_9484.jpg]]]] |
| 5 | [[caption-width-right:350:The mid-70s "Burbank label". The street doesn't exist, at least not in Burbank; the painting was inspired by art from a 1920s orange crate.]] |
| 6 | |
| 7 | ->''"Whenever a mystique forms around a corporation, as it has with Apple or Microsoft, and as it did around Warner/[[Creator/RepriseRecords Reprise]], I always think it's excessive, because it's still a corporation. And when you dealt with Warners on business, you may as well have been dealing with a mortgage broker. They were tough. Mo [Ostin], Joe Smith, whomever you dealt with. Though not on record budgets -- I never heard that I couldn't use an orchestra, for instance. The main thing about the label, though, is that they gave you the chance to fail. They put up with you if what you were doing was good in, let's say, an aesthetic way. There was no A&R department that passed judgment. If it felt like somebody was doing something -- they'd let you fail, and fail again, and fail again. And fail forever. Like me, and [Ry] Cooder, and [[Music/BonnieRaitt Bonnie [Raitt]]], for a time. Now that's gone. You can't find it. And that's a very big thing."'' |
| 8 | -->--'''Music/RandyNewman''' on his old employer |
| 9 | |
| 10 | Warner Bros. Records, now known as [[https://warnerrecords.com Warner Records]], began in 1958 as an offshoot of the [[Creator/WarnerBros film studio]]. Like many of its artists, it was given "the chance to fail" until it emerged not only as a successful label, but a major force in the music industry. |
| 11 | |
| 12 | Warners had dabbled in the record business as early as the late [[TheRoaringTwenties 1920s]], when the company bought Brunswick Records and several music publishers. Like the rest of the record industry, Brunswick suffered due to both TheGreatDepression and the introduction of broadcast radio, so WB sold the label in 1931. Warners stayed out of music, licensing film soundtrack albums (and Creator/MelBlanc's ''WesternAnimation/LooneyTunes'' discs) to other labels, for the next 27 years. |
| 13 | |
| 14 | By the late [[TheFifties 1950s]], the film industry was in decline thanks to TV and other factors. Meanwhile, the music industry was on an upswing in the wake of post-war innovations in audio technology, including the LP and 45 rpm vinyl record formats, tape recording, the transistor radio, FM radio, high fidelity, and stereo sound. Movie studios wanted a piece of the action. Creator/MGMRecords had been successful for years; Creator/{{Paramount}} had just bought Dot Records; Creator/UnitedArtistsRecords, Creator/TwentiethCenturyFox Records, and Creator/ColumbiaPictures' Colpix label (one of the corporate ancestors of Creator/AristaRecords) were entering the fray; even Creator/{{Disney}} had a small pop label, Buena Vista, and way-past-its-prime Creator/RKOPictures had a short-lived attempt with the RKO Unique label. (Creator/{{Universal}} reversed the pattern -- they were owned ''by'' a record company, [[Creator/DeccaRecords US Decca]].) [[note]](It's interesting to note that the movie studios' then-arch-enemies, the TV networks, were also involved, with RCA owning both Creator/{{NBC}} and [[Creator/RCARecords RCA Victor]], Creator/{{CBS}} owning Creator/ColumbiaRecords, and Creator/{{ABC}} having recently started their [[Creator/ABCRecords ABC-Paramount]] label.)[[/note]] The final impetus was provided by Tab Hunter, a Warners contract player who moved into music and had several hit singles -- for Dot. After a failed attempt to buy the Imperial label, WB took the plunge; on 19 March 1958, Warner Bros. Records opened for business. |
| 15 | |
| 16 | The label's formative years provided a lot of EarlyInstallmentWeirdness. Besides the expected soundtrack [=LPs=], there were stereo demonstration records, {{Concept Album}}s with titles like ''Terribly Sophisticated Songs (A Collection Of Unpopular Songs For Popular People)'', and musical excursions by actors like ''Franchise/{{Dragnet}}'' creator/star Creator/JackWebb, who released an album where he ''recited'' love songs in his Sgt. Friday monotone. In addition, many of the early releases on the label were by Warner Bros. contract actors; whether they could sing or not was beside the point. Space Age GenreMotif/{{Jazz}} and GenreMotif/EasyListening ruled, and RockAndRoll was almost non-existent. Unsurprisingly, only a handful of WB's releases charted. The few hits it managed were tied to the studio's popular TV series ''Series/SeventySevenSunsetStrip''; the soundtrack album sold well, and actor Edd Byrnes (who played the show's BreakoutCharacter Kookie) had a fluke novelty hit with "Kookie, Kookie (Lend Me Your Comb)". Still, the successes were far outweighed by the failures. Warner Bros. Records was losing money, and the company was almost shut down -- but fortunately, it was given one more chance to fail. And as with society in general, TheSixties changed everything. |
| 17 | |
| 18 | Warner Bros.' salvation began with another group of siblings -- Music/TheEverlyBrothers, who had been consistent hitmakers for the independent Cadence label. Warners wooed them away with an unprecedented million-dollar contract in 1960, and while the hits dried up after a while, the Everlys sold well enough to stay on the label for years afterward. WB's next major act was Creator/BobNewhart, whose chart-topping debut album established Warner Bros. as ''the'' label for RecordedAndStandUpComedy for decades to come. The next big signing was FolkMusic trio Music/PeterPaulAndMary, whose numerous hits included "Music/PuffTheMagicDragon". |
| 19 | |
| 20 | In 1963, Warners bought Music/FrankSinatra's struggling indie label Creator/RepriseRecords, just in time for Ol' Blue Eyes to begin a CareerResurrection. A few years later, Reprise manager Mo Ostin helped bring both labels into the PsychedelicRock era by signing Music/JimiHendrix to Sinatra's imprint. Music/TheGratefulDead were already part of the Warner Bros. stable, and these two acts became the wave of Warners' future, attracting the new generation of GenreMotif/{{Rock}} musicians with their combination of artistic credibility and high sales. Around this time, WB started releasing its "Loss Leaders", a popular set of label samplers with detailed liner notes (often by Barry "Creator/DrDemento" Hansen) that were sold through the mail for a dollar a disc. The company also developed a reputation for clever, witty advertising, although punk-era imprints like Stiff and Creator/SubPop took this even further. |
| 21 | |
| 22 | By TheSeventies, Warners had become one of the biggest labels in the music business, with a diverse roster ranging from soft rock performers like Music/JamesTaylor and Music/{{America}} to HeavyMetal bands like Music/BlackSabbath and Music/DeepPurple. It also became part of WEA Records (now Creator/WarnerMusicGroup), an entity formed when Warners' corporate parent bought two more record labels, [[Creator/ElektraRecords Elektra]] and [[Creator/AtlanticRecords Atlantic]]. The company purchased half of reissue label Creator/RhinoRecords in 1992, acquiring the other half of the company in 1998. While the founders of Rhino later departed to found Creator/ShoutFactory in 2003, Rhino handles reissues of catalog titles from Warner and its subsidiary labels. |
| 23 | |
| 24 | Warner's artist-friendly ethos would continue into the '80s as it and other WMG-owned labels would become outlets for AlternativeRock as it was getting mainstream recognition, with the signing of bands such as Music/HuskerDu, Music/TheFlamingLips, Music/JanesAddiction, the Music/RedHotChiliPeppers, and Music/{{REM}}, and securing U.S. distribution deals with British bands like Music/NewOrder (on Music/QuincyJones' Qwest imprint) and Music/TheJesusAndMaryChain throughout the decade. Warner's signing on R.E.M. was particularly notable, as they were the only label to guarantee total creative control for the band, something the Georgia quartet adamantly prioritized. Despite this, Warner would also see its artist-friendly reputation decline considerably over the decades, as the likes of Music/FrankZappa in the 70's, Music/{{Devo}} in the 80's, and especially Music/{{Prince}} in the 90's publicly and relentlessly mocked the label's more restrictive practices. Retrospective analysis of Warner generally leans towards characterizing the label as subject to a dichotomy of being willing to take risks with less commercially viable artists while simultaneously getting cold feet if those risks look like they'll stop paying off. |
| 25 | |
| 26 | Today, the company remains an industry leader, despite the decline of record labels in general and the loss of key executives and artists during corporate shakeups in the 2000s. After Time Warner sold Warner Music Group in 2004, Warner Bros. Records was no longer under the same corporate umbrella as the Creator/WarnerBros film studio, but it still had a 15 year royalty-free license to use the name and trademarks, including the WB shield. When the license expired in May 2019, the label rebranded as "Warner Records," swapping out the old Warner Bros. iconography with a minimalist sunset logo, similar to how Creator/UnitedArtistsRecords changed its name back to Creator/LibertyRecords after being purchased by Creator/{{EMI}}, to much derision from music fans. (The movie studio now uses [=WaterTower=] Music, the former [[Creator/NewLineCinema New Line]] Records, for soundtrack releases. This label happens to be distributed by Warner Music.) |
| 27 | |
| 28 | For an exhaustive look at the company, read Warren Zanes' 2008 book ''Revolutions in Sound: Warner Bros. Records -- The First Fifty Years'', source of the Randy Newman page quote. Another book about the company, Peter Ames Carlin's ''Sonic Boom: The Impossible Rise of Warner Bros. Records from Hendrix to Fleetwood Mac to Madonna to Prince'', was published in 2021. |
| 29 | |
| 30 | Like its then parent company, the label was known as Warner Bros.-Seven Arts Records between 1967 and 1970. |
| 31 | |
| 32 | Also see Creator/SireRecords, which Warner distributes. |
| 33 | |
| 34 | !!Warner (Bros.) Records performers, past and present, with Website/TVTropes pages: |
| 35 | [[index]] |
| 36 | * Music/TenCc* |
| 37 | * Music/{{aha}}++ |
| 38 | * Music/{{Aespa}} |
| 39 | * Music/AirSupply |
| 40 | * Music/AlBSure* [[note]]His first two albums were released under Creator/{{MCA}}'s Creator/UptownRecords imprint, but Warner Bros. retained the distribution rights. Sure!'s third album was released exclusively under the Warner Bros banner.[[/note]] |
| 41 | * Music/AliceCooper |
| 42 | * Music/{{Alphabeat}} |
| 43 | * Music/{{Alphaville}} |
| 44 | * Music/{{America}} |
| 45 | * Music/LaurieAnderson |
| 46 | * Music/Apollonia6 |
| 47 | * Music/{{Ashnikko}} |
| 48 | * Music/{{Auryn}} |
| 49 | * Music/AvengedSevenfold |
| 50 | * Music/TheB52s *++[[note]]plus Latin America and ANZ; when the band transferred to Reprise, their new contract with that label became worldwide[[/note]] |
| 51 | * Music/{{Badfinger}} |
| 52 | * Creator/LongJohnBaldry |
| 53 | * Music/TheBand |
| 54 | * Music/TheBeeGees++ |
| 55 | * Music/BiffyClyro |
| 56 | * Music/BigAndRich |
| 57 | * Music/BizMarkie |
| 58 | * Music/TheBlackKeys |
| 59 | * Music/BlackSabbath*++ |
| 60 | * Creator/MelBlanc |
| 61 | * Music/TheBlueNile |
| 62 | * Music/{{Blur}}* |
| 63 | * Music/BensonBoone |
| 64 | * Music/DavidBowie*[[note]]He issued one early single, "Can't Help Thinking About Me", on the label in 1966; it was his first American release. His 1992 single [[Film/CoolWorld "Real Cool World"]] was also distributed on Warner, and the American CD single release holds the distinction of being the only David Bowie CD release to feature the distinctive [[https://img.discogs.com/Nl2VUxEryrgQVWySUt-kiJhRqtY=/fit-in/599x600/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-1012924-1184710749.jpeg.jpg "banner" label]] characteristic of early Warner Records [=CDs=].[[/note]] |
| 65 | * Creator/CharlesBoyer[[note]]When Warner bought Valiant Records it reissued ''Where Does Love Go'', an album of Boyer reciting love songs (a la Jack Webb) that he recorded for Valiant[[/note]] |
| 66 | * Music/MichelleBranch[[note]]In partnership with WMG subsidiary Maverick, Madonna’s management and vanity label[[/note]] |
| 67 | * Creator/LennyBruce[[note]]through Warner-Spector records, a short-lived joint venture with Music/PhilSpector[[/note]] |
| 68 | * Music/MichaelBuble+ |
| 69 | * Music/TimBuckley |
| 70 | * Music/BuiltToSpill |
| 71 | * Music/DavidByrne[[note]]In partnership with Luaka Bop.[[/note]] |
| 72 | * Creator/HamiltonCamp |
| 73 | * Music/CaptainBeefheart*+ |
| 74 | * Creator/ShaunCassidy |
| 75 | * Music/RayCharles |
| 76 | * Music/CheapTrick |
| 77 | * Creator/CheechAndChong |
| 78 | * Music/{{Cher}} |
| 79 | * Music/KennyChesney |
| 80 | * Music/{{Chic}} |
| 81 | * Music/{{Chicago}} |
| 82 | * Music/TheChurchBand |
| 83 | * Music/{{Ciara}} |
| 84 | * Music/EricClapton++ |
| 85 | * Music/PetulaClark* |
| 86 | * Music/PaulaCole |
| 87 | * Music/LeonardCohen[[note]]US only, for all of [[Music/DeathOfALadiesMan one album]][[/note]] |
| 88 | * Creator/BillCosby |
| 89 | * Music/ElvisCostello |
| 90 | * Music/BingCrosby++ |
| 91 | * Music/{{Crosses}} |
| 92 | * Music/SherylCrow |
| 93 | * Music/DanAndShay |
| 94 | * Music/MilesDavis |
| 95 | * Music/DeathFromAbove1979* |
| 96 | * Music/DeepPurple*[[note]]plus Japan[[/note]] |
| 97 | * Music/{{Devo}} |
| 98 | * [[Music/RonnieJamesDio Dio]]* |
| 99 | * Music/DireStraits* |
| 100 | * Music/TheDoobieBrothers |
| 101 | * Creator/DrDemento[[note]]Besides his work on the Loss Leaders albums, his first novelty compilation, ''Dr. Demento's Delights'', was released by Warner[[/note]] |
| 102 | * Music/DuranDuran |
| 103 | * Creator/JimmyDurante |
| 104 | * Music/{{E40}} |
| 105 | * Music/EarthWindAndFire |
| 106 | * Creator/ClintEastwood |
| 107 | * Music/{{Echosmith}} |
| 108 | * Music/TheElectricBananaBand |
| 109 | * Music/ElectricLightOrchestra[[note]]not in America, but in some international markets[[/note]] |
| 110 | * Creator/BillEngvall |
| 111 | * Music/BrianEno |
| 112 | * Music/TheEverlyBrothers |
| 113 | * Music/{{Faces}} |
| 114 | * Creator/JimmyFallon |
| 115 | * Music/AgnethaFaltskog |
| 116 | * Music/FlamingLips |
| 117 | * Music/FleetwoodMac+ |
| 118 | * [[Music/CreedenceClearwaterRevival John Fogerty]] |
| 119 | * Creator/JeffFoxworthy |
| 120 | * [[Music/GeorgeClinton Funkadelic]] |
| 121 | * Music/GangOfFour* |
| 122 | * Music/TerriGibbs |
| 123 | * Music/{{Glassjaw}} |
| 124 | * Music/GooGooDolls |
| 125 | * Music/{{Gorillaz}}* |
| 126 | * Creator/LouisGossettJr[[note]]Two late 60s singles as Lou Gossett[[/note]] |
| 127 | * Music/TheGratefulDead |
| 128 | * Music/GreenDay+ |
| 129 | * Music/JoshGroban++ |
| 130 | * Music/VinceGuaraldi |
| 131 | * Music/GuntherSinger |
| 132 | * Music/{{Guy}}[[note]]Signed to Creator/{{MCA}}[=/=]Creator/UptownRecords, but Warner internationally distributed their first two albums[[/note]] |
| 133 | * Music/BillHaleyAndHisComets [[note]]His signing in 1960 was the label's first attempt, before the Everly Brothers, to break into the rock-and-roll market. It failed miserably because Haley was past his prime by then.[[/note]] |
| 134 | * Music/HerbieHancock |
| 135 | * Music/FrancoiseHardy |
| 136 | * Music/GeorgeHarrison[[note]]His Dark Horse label was distributed by Warner Bros. after its deal with Creator/AAndMRecords expired, and his output remained distributed by Warner until EMI acquired his catalog in the early 2000s.[[/note]] |
| 137 | * Music/YoshikiHayashi |
| 138 | * Music/FaithHill |
| 139 | * Creator/ParisHilton |
| 140 | * Music/{{Hopsin}} |
| 141 | * Music/HuskerDu |
| 142 | * Music/IronAndWine* |
| 143 | * Music/TheIsleyBrothers |
| 144 | * Music/JanAndDean |
| 145 | * Music/JanesAddiction |
| 146 | * Music/TheJesusAndMaryChain* |
| 147 | * Music/JoanJett |
| 148 | * Music/JoJo |
| 149 | * Music/AntonioCarlosJobim |
| 150 | * Music/SpikeJones |
| 151 | * Music/CledusTJudd |
| 152 | * Music/WizKhalifa |
| 153 | * Music/{{Kimbra}} |
| 154 | * Creator/SamKinison |
| 155 | * Music/KingCrimson* |
| 156 | * Music/RahsaanRolandKirk |
| 157 | * Music/{{Kraftwerk}}* |
| 158 | * Music/AdamLambert |
| 159 | * Creator/LarryTheCableGuy |
| 160 | * Music/TracyLawrence |
| 161 | * Music/JennyLewis |
| 162 | * Music/GordonLightfoot+ |
| 163 | * Music/{{Lights}} |
| 164 | * Music/LilJon |
| 165 | * Music/LilPump |
| 166 | * Music/LinkinPark |
| 167 | ** Music/FortMinor |
| 168 | * Music/DuaLipa |
| 169 | * Music/LittleFeat |
| 170 | * Music/{{Madonna}}[[note]]In partnership with Maverick, her agency and management company; transferred from Sire from ''Music/RayOfLight'' onward[[/note]] |
| 171 | * [[Music/ManfredMann Manfred Mann's Earth Band]]* |
| 172 | * Creator/LauraMarano |
| 173 | * Music/JohnnyMarr [[note]]UK only[[/note]] |
| 174 | * Music/TheMarsVolta |
| 175 | * Creator/SteveMartin |
| 176 | * [[Music/JohnMartyn John and Beverley Martyn]]* |
| 177 | * Music/JohnMcLaughlin |
| 178 | * Music/MeekMill |
| 179 | * Music/MegAndDia |
| 180 | * Music/JohnMellencamp[[note]]Several albums on Riva, a vanity label run by his manager Billy Gaff in partnership with WB; all were distributed by WB outside North America, where he had a separate deal with [=PolyGram=][[/note]] |
| 181 | * Creator/IdinaMenzel |
| 182 | * Music/{{Metallica}}* |
| 183 | * Creator/BetteMidler |
| 184 | * Creator/DennisMiller |
| 185 | * Music/MacMiller |
| 186 | * Music/{{Ministry}} |
| 187 | * Music/JohnMichaelMontgomery |
| 188 | * Music/VanMorrison |
| 189 | * Music/MrBungle* |
| 190 | * Music/MysterySkulls |
| 191 | * Music/NapoleonXIV |
| 192 | * Creator/BobNewhart |
| 193 | * Music/RandyNewman+ |
| 194 | * Series/TheNewMonkees |
| 195 | * Music/NewOrder* |
| 196 | * Music/TheOakRidgeBoys |
| 197 | * Music/RitaOra |
| 198 | * Music/RoyalBlood |
| 199 | * Creator/PattonOswalt |
| 200 | * Music/JohnOtway |
| 201 | * Music/BuckOwens |
| 202 | * Music/VanDykeParks |
| 203 | * Music/PeterPaulAndMary |
| 204 | * Music/TomPetty++ |
| 205 | * Creator/SidneyPoitier[[note]]A spoken-word album in which Poitier read from the works of Creator/{{Plato}}[[/note]] |
| 206 | * Music/DanielPowter |
| 207 | * Music/{{Pretenders}} |
| 208 | * Music/ThePrettyThings |
| 209 | * Music/{{Prince}} |
| 210 | ** Music/PrincesAssociates |
| 211 | ** Music/SheilaE |
| 212 | ** Music/TheTime |
| 213 | * Music/TheProdigy* |
| 214 | * Creator/RichardPryor+ |
| 215 | * Music/PublicImageLtd* |
| 216 | * Creator/GildaRadner |
| 217 | * Music/BonnieRaitt |
| 218 | * Music/TheReadySet |
| 219 | * Music/RedHotChiliPeppers |
| 220 | * Music/LouReed++ |
| 221 | * Creator/CarlReiner |
| 222 | ** Creator/MelBrooks |
| 223 | * Music/{{REM}}[[note]]now owned by Concord Music Group[[/note]] |
| 224 | * Music/{{Renaissance}}[[note]]British and European releases of the group's Sire albums in the late 1970s[[/note]] |
| 225 | * Music/BebeRexha |
| 226 | * Music/CliffRichard* |
| 227 | * Creator/DonRickles |
| 228 | * Music/KennyRogers |
| 229 | * Music/DavidLeeRoth |
| 230 | * Music/RoxyMusic*+ |
| 231 | * Music/ToddRundgren[[note]]Several albums through Bearsville, a vanity label run by his manager Albert Grossman[[/note]] |
| 232 | * Music/TheRutles |
| 233 | * Music/SaintEtienne* |
| 234 | * Creator/AdamSandler |
| 235 | * Music/XimenaSarinana |
| 236 | * Music/ScrittiPolitti* |
| 237 | * Series/SesameStreet |
| 238 | * Music/SexPistols* |
| 239 | * Music/BlakeShelton |
| 240 | * Creator/AllanSherman |
| 241 | * Music/CarlySimon |
| 242 | * Music/PaulSimon |
| 243 | * Music/{{Slade}}*+ |
| 244 | * Music/{{Slayer}}[[note]]When WB distributed Creator/GeffenRecords[[/note]] |
| 245 | * Music/SleepingWithSirens |
| 246 | * Music/SlyAndTheFamilyStone |
| 247 | * Music/SonVolt |
| 248 | * Music/{{Sparks}}[[note]]''Sparks / Halfnelson'' and ''A Woofer in Tweeter's Clothing'' were released by Albert Grossman's joint venture with WB, Bearsville; WB released the ''Music/No1InHeaven'' album in France[[/note]] |
| 249 | * Music/PhilSpector[[note]]see note for Lenny Bruce above[[/note]] |
| 250 | * Music/ReginaSpektor[[note]]Transferred from Sire[[/note]] |
| 251 | * Music/RayStevens |
| 252 | * Music/JohnStewart |
| 253 | * Music/RodStewart[[note]]see note for John Mellencamp above, but unlike him, Stewart was also signed to Warner directly in North America[[/note]] |
| 254 | * Music/DonnaSummer (non-USA) |
| 255 | * Music/ColeSwindell |
| 256 | * Music/TakingBackSunday |
| 257 | * Music/JamesTaylor |
| 258 | * Music/TeganAndSara[[note]] Transferred from Sire[[/note]] |
| 259 | * Music/ThinLizzy* |
| 260 | * Music/RichardThompson* |
| 261 | * Music/ThrowingMuses |
| 262 | * Music/AshleyTisdale |
| 263 | * Music/AllenToussaint |
| 264 | * Music/TheTravelingWilburys |
| 265 | * Music/RandyTravis |
| 266 | * Music/TravisTritt |
| 267 | * [[Music/TinaTurner Ike and Tina Turner]] |
| 268 | * Music/ConwayTwitty |
| 269 | * Music/UriahHeep* |
| 270 | * Music/FrankieValliAndTheFourSeasons |
| 271 | * Music/VanHalen |
| 272 | * Music/ClayWalker[[note]]from Giant Records[[/note]] |
| 273 | * Music/WakaFlockaFlame |
| 274 | * Music/DionneWarwick |
| 275 | * Creator/JackWebb |
| 276 | * Music/TheWhiteStripes* |
| 277 | * Music/TheWho* |
| 278 | * Music/HankWilliamsJr |
| 279 | * Music/{{Wire}}* |
| 280 | * Music/RoyWood |
| 281 | * Creator/StevenWright |
| 282 | * Music/WuTangClan |
| 283 | * Music/TheYardbirds* |
| 284 | * Music/ZappAndRoger |
| 285 | * Music/FrankZappa+ |
| 286 | * Music/ZZTop |
| 287 | [[/index]] |
| 288 | |
| 289 | [=*=] Signed in the US and Canada only\ |
| 290 | [=+=] Transferred from Creator/{{Reprise|Records}}\ |
| 291 | [=++=] Transferred ''to'' Reprise |
http://tvtropes.org/pmwiki/context.php
FollowingContext Creator / WarnerBrosRecords
Go To
- Show Spoilers
- Night Vision
- Sticky Header
- Wide Load
