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| 16 | [[folder:A]] |
| 17 | * '''Music/{{Aerosmith}}''': In 1979, at the peak of their drug use and in the middle of recording a record, guitarist Joe Perry left the band. The following two albums were disappointing musically and commercially (the second one in particular, as the other original guitarist left too). [[PuttingTheBandBackTogether They soon reunited]], moving from Creator/ColumbiaRecords to Creator/GeffenRecords. While ''Done with Mirrors'' did not make much impact, 1987's ''Permanent Vacation'' and a team-up with popular rap group Music/RunDMC on a remake of their old song "Walk This Way" brought them back to the spotlight, and the follow-up ''Pump'' is widely considered one of their best albums. By 1993, Aerosmith was popular enough to get their own video games, ''Quest for Fame'' and ''VideoGame/RevolutionX''. It wasn't until 1998 that Aerosmith finally topped the ''Hot 100'' with the ballad "I Don't Wanna Miss a Thing", from the movie ''Film/Armageddon1998''. Aerosmith was inducted into the Hall of Fame in 2001, the same year as their final hit single, "Jaded". |
| 18 | * '''John Anderson''' had a decent string of CountryMusic hits in the first half of TheEighties, including the #1 hits "Wild and Blue", "Swingin'" (which was also a pop crossover), and "Black Sheep". But after that, his momentum began slipping: his next two albums produced only one Top 10 hit ("She Sure Got Away with My Heart") between them, one single ("You Can't Keep a Good Memory Down") flopped so badly that it was never put on an album, and while "Honky Tonk Crowd" briefly returned him to the Top 10 in 1986, his next singles underperformed so badly that he left Creator/WarnerBrosRecords. He spent the rest of TheEighties largely below the top 40, with almost nothing to show for his next three albums (two for MCA Nashville and one for Capitol Records), and reached his nadir in 1990 when his second Capitol single "Tryin' to Make a Livin' on the Road" didn't even chart. Finally, in 1991, he signed with the newly-established BNA Records, and while "Who Got Our Love" only made it to #67, "Straight Tequila Night" went on to become his first chart-topper in nine years. The album containing that song, 1992's ''Seminole Wind'', became his best-selling, with three more Top 10 hits to boot (including the title track, one of his {{Signature Song}}s), and his 1993 followup ''Solid Ground'' was also successful off the #1 hit "Money in the Bank" before his momentum dropped off again by 1995. |
| 19 | * '''Music/RickAstley''' was a massively popular pop act in TheEighties, only to get sick of ExecutiveMeddling and leave his record label. He then did a dramatic shift and doing soul in the early 1990s (which he stated is the kind of music he always wanted to make in the beginning). Despite scoring another hit with 1991's "Cry for Help", Astley's career stalled shortly thereafter and he retired from the music industry in 1993. Fast forward to 2007, when his signature song "Never Gonna Give You Up" reached the internet as the JustForFun/{{Rickroll}} and [[MemeticMutation quickly hit critical mass, exploding even beyond the scope of the internet]], Rick Astley started to get back in gear. He then reached a level of popularity not seen since his peak in the late 1980s, and released his first single in many years, making him probably the first musician to have his career solely resurrected by the power of the internet. His appearance at the 2008 UsefulNotes/MacysThanksgivingDayParade didn't hurt either. [[DiscreditedMeme Despite the Rickroll experiencing a downturn in respect and popularity]], in 2016, his album ''50'' debuted on top of the British charts, becoming his first #1 album back home since ''Whenever You Need Somebody''. |
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| 22 | [[folder:B]] |
| 23 | * '''Music/GaryBarlow''' was, for the first half of TheNineties, the lead singer and songwriter of Music/{{Take That|Band}}, one of the biggest [[BoyBand Boy Bands]] in the world ([[AmericansHateTingle though not in America]]). He even managed to get some critical acclaim for his work, notably winning three [[https://en.wikipedia.org/wiki/Ivor_Novello_Awards Ivor Novello awards]] for the songs "Pray" and "Back For Good", as well as being songwriter of the year in 1994. When Take That broke up, he was widely tipped to be the BreakupBreakout and go on to a strong solo career. Barlow did have some initial success, but then quickly got overshadowed by the success of his former bandmate Music/RobbieWilliams, who had left the band a year before the split proper under less than amicable circumstances. Barlow's second solo album proved a [[CreatorKiller disastrous flop]] and led to him being dropped by his record label, after which he was widely mocked and ridiculed, labelled a talentless hack both by the press and by Williams, who, by his own admission, was still enormously, personally bitter towards Barlow. Barlow underwent a CreatorBreakdown that saw him sink into depression, withdraw from public life, and gain massive amounts of weight as a result of stress eating. Barlow did eventually manage to reform a career as a behind-the-scenes songwriter and producer, but his star was very much dead. Then in 2006, a greatest hits album and TV documentary in honour of the tenth anniversary of Take That's split proved a surprising success and shifted the public's perception of Barlow, [[TheWoobie mostly by making everyone feel really bad for the poor guy]]. This led to the band reforming and releasing a new album, which went to #1 on the British charts, as did its first two singles "Patience" and "Shine". It helped that Barlow had lost the weight and was now widely considered better-looking than he'd ever been in his BoyBand days. Since then, Barlow has been performing with Take That and racked up an enormous number of hits, alongside doing charity work and the like, and is frequently called a national treasure[[note]]he did catch quite a bit of flack in 2012 when he and his bandmates were accused of tax avoidance via music industry investment schemes, [[ControversyProofImage but it doesn't seem to have done much permanent damage]][[/note]]. He also managed to repair his relationship with Williams, who rejoined the band in 2010 before leaving again in 2014 – but on good terms this time. Barlow was even chosen to organise the concert for UsefulNotes/ElizabethII's Diamond Jubilee in 2012, as well as compose a commemorative song for the occasion alongside Lord Creator/AndrewLloydWebber, for which he was given a [[UsefulNotes/KnightFever OBE]].[[note]]And the opening act at that concert? One Robbie Williams.[[/note]] In 2013, he released his first solo album in over a decade, which, while getting mixed to negative reviews, was a major commercial success, going to number #2 on the British album charts. [[BrickJoke He's also won two more Ivor Novellos.]] |
| 24 | * '''Dave Bassett''' was a fairly prolific songwriter who got his start writing hits for Music/{{Shinedown}}, including their pop crossover "Second Chance". Unfortunately, the electronic-music explosion that killed mainstream rock happened shortly afterwards, and Bassett's profile vanished. Then in 2015, he wrote Rachel Platten's "Fight Song," which not only became his first crossover hit in six years but became an even bigger hit than "Second Chance" was. He continued to strike gold a few months later with Elle King's "Ex's and Oh's". Unfortunately, the songs' success came at the expense of his popularity on rock radio. Shinedown started to use him less and rarely used his songs as singles. Pop Evil continued their association with him, although they're largely criticized for being "commercial". |
| 25 | * '''Music/TheBeachBoys''' have gone through this at least four times. |
| 26 | ** They were one of the biggest bands of TheSixties, coming about as close to surpassing Music/TheBeatles in popularity as a band could at the time. But after their groundbreaking 1967 album ''Music/{{Smile|TheBeachBoys}}'' was never released, coupled with Music/BrianWilson's notorious reclusion and drug abuse, they faded into obscurity, continuing to make music but failing to penetrate the charts as they once had. In 1974, they released a greatest hits album, ''Endless Summer'', which went triple platinum and made the band a hot item again, leading to sold-out concerts for many years after that. |
| 27 | ** But as time went on, as a string of terrible/bizarre albums was released, and their beloved drummer Music/DennisWilson drowned, this success faded as the group went into the '80s. However, they found themselves becoming suddenly successful ''again'' when they released their 1988 hit "Kokomo", from the ''Film/{{Cocktail}}'' soundtrack, which gave the group a #1 record for the first time in decades. |
| 28 | ** The band's third noteworthy spurt of popularity came with the 1993 release of the ''Good Vibrations: 30 Years of The Beach Boys'' box set, which yielded their most successful tour in 13 years. |
| 29 | ** Their last came in 2012, when the group's first new album in twenty years, ''That's Why God Made the Radio'', met with critical acclaim, as did the ensuing 50th anniversary tour. |
| 30 | ** '''Music/BrianWilson''' himself went through a similar cycle. In the '60s, he was on top of the world as a singer, songwriter, and producer, but as his mental state fractured and his dream project ''Smile'' failed to be, he spent the latter half the decade holed up in his room, while the rest of the band produced albums. But then in the '70s, as the band was becoming popular again, he was called back into the studio to produce albums in order to complement the band's new touring success, as well as being called back onto the stage, with a big "Brian Is Back" campaign. Unfortunately, this mostly produced mediocre material, worsening his mental state. Then in the late '80s, his manipulative therapist/life coach Eugene Landy tried to invoke this trope with a string of Brian Wilson solo albums, but these failed to attract much attention. It wasn't until the late '90s/early 2000s that Brian's career really resurrected itself, first with an acclaimed live tour of ''Music/PetSounds'', and then with a move that nobody saw coming: a completed, re-recorded version of ''Music/{{Smile|TheBeachBoys}}'', that, for the longest time, was the highest-rated album on Metacritic. He's been fairly well with himself ever since. |
| 31 | * '''The Bellamy Brothers''', a country-pop duo from Florida, made it big in 1976 with their smash hit "Let Your Love Flow". The song was a #1 on the Hot 100 and #2 on the AC charts, with enough crossover airplay on country radio to reach #21. It also reached #1 or Top 10 in several other countries. For the next three years, the Bellamys struggled to get another hit and seemed relegated to OneHitWonder-dom. Then in 1979, the Bellamys got their first chart-topper at country radio with "If I Said You Had a Beautiful Body Would You Hold It Against Me", which was also a multi-national crossover. While they never had any more crossover success, "Beautiful Body" was the start of a very fruitful string of country hits that lasted through 1990, amassing ten #1 hits and several more Top 10s. |
| 32 | * '''Music/TonyBennett''' had been one of the biggest stars of TheFifties and early '60s. However, his career, like many other traditional pop singers, suffered with the rise of rock and roll and the British Invasion, while his attempts at more contemporary music were regarded by both critics and himself as embarrassments. He was dropped from his recording contract, and an attempt to break into acting failed, leaving him performing little outside Las Vegas by the end of the 70's. His lowest point came after a near-fatal drug overdose in 1979, after which he installed his son Danny as his manager. Danny's business sense helped to turn things around, getting his spending under control (Bennett being massively in debt to the IRS by this time), reuniting him with his old musical director Ralph Sharon, and getting him a new recording contract. Thanks to multiple media appearances on shows with youth appeal like ''WesternAnimation/TheSimpsons'' and various MTV programs, he won a new generation of fans, who saw him as a living legend keeping traditional pop alive. Bennett would continue to tour and record regularly until his retirement for health reasons in 2021. In 2013, at the age of 88, he even became the oldest person to have a #1 album on ''Billboard'', thanks to ''Cheek to Cheek'', his duet record with Music/LadyGaga. |
| 33 | * '''Music/JustinBieber''' exploded onto the scene in 2009/2010 thanks to homegrown [=YouTube=] and Twitter popularity. He quickly became the most dominating TeenIdol of a generation, snagging up five #1 albums in only three years and rapidly growing a fanbase ("Beliebers") that would become a social media juggernaut. Unfortunately, he was [[PeripheryHatedom near-universally hated]] outside of his teenage girl demographic. As people continued to wish death upon his career and create career-destroying propaganda, he just got more unstoppable by the day... that was, until the spring of 2012 when a large chunk of his demographic quickly deserted him in favor of red-hot British/Irish boy band Music/OneDirection. Bieber spent most of 2012 watching his career get thrashed by 1D, and his fandom continually was cannibalized by that of the boy band's day by day. Between his sudden popularity plunge and breakup with Music/SelenaGomez, Bieber's behavior took a turn for the worse, getting into scandal after scandal and quickly becoming a pop-culture pariah, as 1D continued to stand tall over his dying career. In 2015, Justin Bieber got his act together, and people decided to give him another chance after his song "Where Are U Now" with Skrillex and Diplo became an unexpected hit and eventually won a Grammy. That August, he released "What Do You Mean?", which debuted on top of the Hot 100, becoming the first #1 hit in his career. 1D and Bieber released their albums on November 13, 2015; with Bieber's ''Purpose'' snapping One Direction's streak of #1 albums and becoming the best-reviewed and biggest-selling album of his career. ''Purpose'' produced two more #1 singles, "Sorry" and "Love Yourself", proving that Bieber had [[WinBackTheCrowd won back the crowd]] and was bigger than ever, as he later featured on a few more Top 10 hits (including The Kid Laroi's "Stay" and the English remix of Luis Fonsi's "Despacito"). Meanwhile, One Direction has gone on an indefinite hiatus, with its members pursuing solo projects. |
| 34 | * '''Music/BigAndRich''' were one of the biggest CountryMusic success stories of 2004 when they took the genre by storm, coming from seemingly nowhere with their novelty hit "Save a Horse (Ride a Cowboy)". At the time, they were heralded as a breath of fresh air, taking hard rock and rap influences into their music and blending them with colorful lyrics and quirky stage personae. They also championed other artists in their songwriter clique, the [=MuzikMafia=], most notably Gretchen Wilson and Cowboy Troy. Co-founder John Rich (who was originally a member of Music/{{Lonestar}}, and had made a failed attempt at a solo career between leaving them and founding Big & Rich with Big Kenny) co-wrote and produced for a wide variety of acts at this time, including Music/FaithHill, Music/TimMcGraw, and Music/JasonAldean. "Save a Horse" came to be one of the defining country hits of the first decade of the 21st century. Despite their initial success, the novelty wore off fast, to the point that most of the [=MuzikMafia=]'s successive output came to be criticized as weak and forced. For quite a while, it looked like Big & Rich would be derided as a flash in the pan and a OneHitWonder for "Save a Horse" (even though [[ChartDisplacement it only got to #11]] and the BlackSheepHit ballad "Lost in This Moment" became their only #1 hit in 2007). But then came their 2014 album ''Gravity'', released independently after their tenure with Creator/WarnerBrosRecords ended. While the album hasn't exactly lit up the sales charts, it has been well-received for focusing entirely on ballads (which have always been a strong suit of theirs, a fact that many have forgotten in the wake of their novelties). It has also produced big hits like "Look at You" and "Run Away with You". |
| 35 | * '''Music/TheBlackEyedPeas''' became a definitive pop-rap act in the mid-2000s with the album "Elephunk" & hit singles such as "Where Is The Love?" and "Let's Get It Started". They continued to have growing levels of commercial success with their next 3 albums: 2005's "Monkey Business", 2009's "The E.N.D., and 2010's "The Beginning". Unfortunately, by the complete turn of the decade, BEP were starting to get viewed as old news and went on an extended hiatus. A comeback was attempted minus Fergie in 2018, to very little fanfare. Then came 2020, when the song "Ritmo", featuring J. Balvin, from the ''Film/BadBoysForLife'' soundtrack became a slow-burner hit, giving BEP their first significant hit single in many years. |
| 36 | * '''Music/Blink182''' was one of the biggest rock bands in the world from the late '90s to the mid-'00s, and are credited, together with Music/GreenDay and Music/TheOffspring, for launching PopPunk into the mainstream. On alternative radio, they were royalty, scoring hit-after-hit such as "Dammit", "What's My Age Again?", "All the Small Things" (which became an inescapable pop hit in 2000), "Adam's Song", "Man Overboard", and "I Miss You", among others. However, in 2005 they went on a hiatus due to both CreativeDifferences between Mark Hoppus and Travis Barker against Tom [=DeLonge=] and their excessive touring getting in the way of spending time with their families. They reformed in 2009 and released their sixth album ''Neighborhoods'' in 2011. While it did respectably, the album and its songs quickly faded out of public consciousness, due to both its GenreShift alienating many older fans and continued infighting between [=DeLonge=] and the rest of the band. This culminated with [=DeLonge=] leaving ''again''. After that, many assumed they were done for good. However, that wasn't the case. Instead, they got Alkaline Trio frontman Matt Skiba to join the band as an official member in the place of [=DeLonge=], and they began working on their seventh album ''California'', released in July 2016. It was practically an overnight success. The lead single "Bored to Death" became their third #1 on alternative, and their first in ''over ten years''. As a bonus, it was also their first Top 10 hit on mainstream rock, peaking at #6. The album itself debuted at '''#1''' on the Billboard 200 and went gold, a rare feat for a full-fledged rock band in the 2010s and doubly so for a pop-punk band. It also became their first chart-topper across UsefulNotes/ThePond, hitting #1 in the UK. Afterwards, they embarked on an arena-sized tour with fellow pop-punk bands Music/ADayToRemember and Music/TheAllAmericanRejects. In 2022, Tom [=DeLonge=] rejoined the band, spawning two massive rock radio hits: "Edging" and "One More Time". With the classic lineup now fully unified, they have proven that they can still remain relevant decades after they first hit the scene, and are currently showing no signs of going back. |
| 37 | * '''Music/MichaelBolton:''' After [[RoleEndingMisdemeanor a plagiarism scandal in 1994 killed his career]], Bolton was, for the longest time, a pop culture punching bag widely derided for recording ''nothing'' but SillyLoveSongs. And then Music/TheLonelyIsland [[http://youtu.be/GI6CfKcMhjY featured him in one of their videos]]. While he was hesitant to do [[ClusterFBomb a particularly filthy comedy song]] at first, "Jack Sparrow" proved to be a massive viral hit. It gave Bolton a semi-ironic [[NewbieBoom new generation of fans,]] which he embraced with a 2017 Creator/{{Netflix}} special, ''Film/MichaelBoltonsBigSexyValentinesDaySpecial.'' |
| 38 | * '''Music/BonJovi''' were one of the biggest rock bands in the world during the mid-to-late-80s, and are credited, along with Music/MotleyCrue and Music/TwistedSister (among others), with helping HairMetal become the biggest and most wide-spread {{rock}} genre since PunkRock and, along with ThrashMetal, one of the biggest HeavyMetal subgenres of the 1980s. However, they experienced a downturn in popularity following the rise of {{Grunge}}, and by the mid-1990s they were seen as has-beens in the U.S., with their then-latest album ''These Days'' (1995) only peaking at #9 on the ''Billboard'' 200 (compare that to the rest of the world, where peaked at no. 1 in several countries). After taking a break following ''These Days'', many assumed the band was done for good. And then the group worked with producer Luke Ebbin to create ''Crush'' (2000), which, while still only peaking at #9 in the States, spawned the international mega-hit "It's My Life", an unofficial anthem for the band and their fanbase, and introduced the band to a new generation of fans. Their next albums ''Bounce'' (2002) and ''Have a Nice Day'' (2005) were even more successful, with the latter peaking at #2 on the ''Billboard'' 200 and spawning hit singles in the form of the title track and "Who Says You Can't Go Home". Despite changes in the lineup, the band have proven multiple times that they can still remain relevant over a decade-and-a-half after they first hit the scene, and are showing no signs of going back. Meanwhile, the Grunge bands that took down Bon Jovi in the early 90s didn't do too well in the long haul; only Music/PearlJam survived, while the other bands had to replace their lead vocalist (Music/AliceInChains, Music/StoneTemplePilots) or disband (Music/{{Nirvana}}, Music/{{Soundgarden}}) |
| 39 | * '''Music/DavidBowie''' achieved his greatest commercial success with ''Music/LetsDance'' in 1983, but pressure to follow it up resulted in ''Music/{{Tonight}}'' and ''Music/NeverLetMeDown'', which despite good sales became viewed by fans, critics, and Bowie himself as a massive AudienceAlienatingEra. Bowie's attempts at breaking free of this with the {{grunge}} {{supergroup}} Tin Machine further garnered mixed responses despite initial hype, and by the early '90s he was widely seen as having lost his grip on the zeitgeist. However, his work in Tin Machine motivated him to return to focusing on making music for himself rather than others, leading to the commercial success of ''Music/BlackTieWhiteNoise'' in 1993 that reinvigorated critical interest in his work and presaged continued success for the rest of his life. By the time he died in 2016, his post-Tin Machine years were widely viewed as a major artistic renaissance. |
| 40 | * '''Music/BreakingBenjamin''' was one of the more popular HardRock bands in the 2000s, scoring major rock hits with "Breath", "The Diary of Jane", and "I Will Not Bow". Soon after "I Will Not Bow" became their only Top-40 pop hit in 2009, lead singer Ben Burnley put the band on hiatus because of personal illnesses caused by his alcoholism. In the interim, Hollywood Records released a greatest hits album, after former band members Aaron Fink and Mark Klepaski granted the label permission to remix "Blow Me Away" without Burnley's permission. By 2013, everyone except Burnley had left the band, and it looked like Breaking Benjamin was gone for good. Ig 2014, after settling and winning a lawsuit against his former bandmates, Burnley restarted the band with a new lineup, which didn't really make major news at the time. It wasn't until 2015 that Breaking Benjamin put out their first original music in six years. That single was "Failure", which was anything but its namesake. The song cracked the Hot 100, which is extremely rare for a HardRock song in TheNewTens and topped the Mainstream Rock charts for nine weeks. That song's success was enough for Breaking Benjamin's album ''Dark Before Dawn'' to debut at #1 on the ''Billboard 200'' (becoming the first album by an AlternativeMetal band to hit the top since Staind in 2005; beating such contemporaries as Music/ThreeDaysGrace, Music/{{Shinedown}}, Music/{{Seether}}, and Music/PapaRoach to the top – it didn't hurt that Breaking Benjamin is a much more acclaimed band), and in fall 2015, [[https://www.riaa.com/gold-platinum/?tab_active=default-award&se=Benjamin the RIAA gave the band seven gold and/or platinum certifications]]. ''Dark Before Dawn'' went gold in 2017, fueled by three #1 rock hits. |
| 41 | * '''Music/BrooksAndDunn''' were ''the'' CountryMusic duo of TheNineties, with a fantastic run from 1991-1999: their first ''four'' singles all went to #1, all of their albums to date had been certified multi-platinum, and they dominated every duo award from the Academy of Country Music and Country Music Association. But then in 1999, they released ''Tight Rope'', which barely made gold, only had one hit and was widely considered their weakest effort due to canned production and weak song choices. B & D had sunk so low that in 2000, the CMA awarded Duo of the Year to Music/MontgomeryGentry, who were still on their ''first'' album and hadn't yet had anything peak higher than #5. Much later on, Kix Brooks would reveal that he and Ronnie Dunn were very close to splitting up over the album's failure. But in 2001, a record exec suggested that they record "Ain't Nothing 'bout You". The song, released that year, was a six-week #1 smash, their biggest crossover hit, and the biggest country hit of the year. Fans and critics felt that the duo had come back stronger than ever with its corresponding album, ''Steers & Stripes'', and the new-found success revitalized them enough to stay together for another ten years before retiring in 2011. |
| 42 | * '''Music/ChrisBrown''''s career looked to be over in 2009 after his domestic assault on Music/{{Rihanna}}, as the album ''Graffiti'' flopped despite only producing one Top 20 hit featuring Music/LilWayne, and he was still under heavy media derision. A year later, after some time passed from the incident, he was in the well-received film ''Film/{{Takers}}'' and a year after that, he released his fourth studio album ''F.A.M.E'' to commercial acclaim, as it was a number one album with 3 hit singles, securing his A-list spot in the pop scene despite numerous other run-ins with the law in regards to domestic violence accusations toward women over the years, even scoring his first Top 5 hit since the assault with "No Guidance" in 2019, in the midst of the [=#MeToo=] movement. |
| 43 | * '''Music/JamesBrown''' had achieved reasonable success in the '60s and '70s, only to stall out by the decade's end. He was a huge star in the black community, but nowhere near as big in white circles. His appearance – [[OneSceneWonder all five minutes of it]] – in ''Film/TheBluesBrothers'' brought him to the attention of white audiences and won him many new fans there, revitalizing his career. In the '80s, he played to larger and more racially-mixed crowds than he ever had before; and by the end of the '90s, he was pop music royalty. |
| 44 | * '''Music/{{Bush}}''', a highly popular PostGrunge band in TheNineties, began falling off around the TurnOfTheMillennium. Since then, lead singer Gavin Rossdale became better known for being the now ex-husband of Music/GwenStefani than for his music. But after Rossdale's solo career netted him a surprise hit with "Love Remains the Same", Bush got back together and released ''The Sea of Memories'': their first album in a decade. It proved to be quite successful while its lead single, "The Sound of Winter", sent them back to the top of the rock radio charts. |
| 45 | * '''Music/KateBush''' accomplished this in 2005 with ''Music/{{Aerial}}''. One of the most eccentric yet influential female musicians of her generation, she first broke out in the late '70s with her debut album ''Music/TheKickInside'' and its lead single "Wuthering Heights" before expanding her oeuvre in TheEighties. Releasing several albums like ''Music/NeverForEver'', ''Music/TheDreaming'', ''Music/HoundsOfLove'', ''Music/TheSensualWorld'', etc., her music, which defied attempts at categorization by GenreBusting and blending, was widely hailed for her singular aesthetic, with "Babooshka" and "Running Up That Hill (A Deal with God)" becoming some of her most iconic songs. She was also known for her heavy involvement in her albums' creative process, guiding through each one's production. In the midst of recording ''Music/{{The Red Shoes|Album}}'' in the early '90s, though, Bush, struggling to cope with her mother's death plus her break-up with bassist Del Palmer, suffered a slight CreatorBreakdown. While that album was still generally acclaimed, she would later express dissatisfaction with how it turned out (mostly because she chose to record it digitally). The experience was so taxing that she took a hiatus initially meant to last for just one year, but then stretched out to twelve as she focused more on motherhood. ''Aerial'' was released with much fanfare and approval from fans who feared she had become a recluse, putting her back on the map. Her next album ''Music/FiftyWordsForSnow'' was yet another huge hit, while some of her older music has found a new audience with younger generations (notably "Running Up That Hill (A Deal with God)", which was featured prominently in ''Series/StrangerThings''). |
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| 49 | * '''Music/MariahCarey''' was one of the biggest pop stars of the '90s, only to suffer a nervous breakdown in 2001, coupled with a disastrous turn in the box office flop ''Film/{{Glitter}}'' and a series of bizarre media appearances (that culminated in an appearance on MTV's ''Total Request Live'' where she served ice cream to the audience, followed by a bout of hospitalization for "dehydration"). She was dropped from her record label and attempted a comeback in 2002, but she didn't have success until the release of 2005's ''The Emancipation of Mimi'' and her role in the critically acclaimed film ''Film/{{Precious}}'' in 2009. |
| 50 | * '''Music/JohnnyCash''', unlikely as it may now seem, once battled a number of personal and professional problems that led to his career floundering in the '80s. Having established himself as "The Man in Black" with several hit albums, live performances at prisons, and work in film and television, Cash relapsed back into addiction in 1983, which kept him from performing and writing music for several years. Coupled with Creator/ColumbiaRecords ending its 28-year association with Cash in 1986 (and an unsuccessful run with Creator/MercuryRecords into the very early '90s), it seemed as though Cash's career was over. However, he reignited his career by teaming up with producer Music/RickRubin and releasing the ''American Recordings'' series of albums (which included covers of popular songs and collaborations with other popular artists) beginning in 1994, which led to critical and commercial acclaim and popularity with audiences who weren't traditionally interested in CountryMusic. Cash would go on to win a Grammy Award in 1994 and release several more albums – even after his death, the 2006 release of ''American V: A Hundred Highways'' reached the #1 spot on the Billboard 200. |
| 51 | * '''Music/TheChainsmokers''' scored a massive [[MemeticMutation memetic]] hit in 2014 with their #16 hit "#SELFIE". Through sheer novelty, the song became a viral hit, despite widely being seen as one of the most annoying EDM songs ever made. After "#SELFIE" finished its run, they promptly faded back into obscurity as a quintessential 2010s OneHitWonder. Well, for a little while at least. The following year, they released "Roses", featuring guest vocals from little-known singer Rozes. Over time, the kind of dirty EDM ballad grew in popularity and then exploded in 2016. That year, "Roses" reached #6, or rather, ten spaces higher than their original hit, became the biggest EDM crossover of the year (so far), and established itself as being bigger than "#SELFIE" ever was. "Roses" proved that The Chainsmokers weren't just a one-off novelty act, rather a DJ duo set to become one of the biggest EDM stars in the industry. Their next single, "Don't Let Me Down", even cracked the Top 5, and "Closer" went to number one and stayed there for ''twelve weeks''. |
| 52 | * '''Music/ChelseaGrin''' was once a promising young upstart in deathcore and, along with Suicide Silence, Whitechapel, and Emmure, helped usher in the "scene" era of the deathcore genre that went strong from 2009 to 2014. By the mid-2010s, however, the band began a steady slide in popularity due to both a pair of polarizing albums and frontman Alex Koehler's out-of-control drinking problems, rapidly deteriorating voice, and live performances that had gone from dodgy to consistently terrible. When Dan Jones and Jake Harmon left in 2017, people began to assume that the band's days were numbered. This all changed in early 2018 when the departure of Koehler and the induction of Music/LornaShore vocalist Tom Barber was announced, along with the posting of "Dead Rose", a new track with Barber. The track was almost universally praised as one of their best in years, and while ''Eternal Nightmare'' wound up being at least somewhat polarizing due to its NuMetal elements, it was nonetheless seen as the band starting to get back on track. The real resurrection came when the band began touring on the album, as Barber's performances were consistently praised, and their live numbers skyrocketed to their best yet after years of steadily declining attendances. |
| 53 | * '''Music/{{Cher}}''' has had numerous career ups and downs and has gone through at least two resurrections. The first one came in the 1980s, when she gained notice for her acting in movies like ''Film/{{Silkwood}}'' and ''Film/{{Moonstruck}}'', the latter netting her an Academy Award for Best Actress. She also scored her first Top 40 hits since 1979's "Take Me Home" late in the decade, with songs like "I Found Someone" and "If I Could Turn Back Time". Her career hit a downturn after the early 1990s, and she became a popular pop culture punchline for quite some time. In 1999, she and writers Brian Higgins, Stuart [=McLennen=], Paul Barry, Steven Torch, Matthew Gray and Timothy Powell collaborated to write a song named "Believe". One use of a little-known audio technique known as AutoTune later, "Believe" became a #1 hit, and Cher achieved a second career resurrection, with her use of Auto-Tune on that song becoming a seminal influence on 2000s pop music. |
| 54 | * '''Music/EricClapton''': |
| 55 | ** He was one of the most influential guitarists of TheSixties, as a member of Music/TheYardbirds, John Mayall's Bluesbreakers, Blind Faith, Music/{{Cream}}, and Music/DerekAndTheDominos. His [[SelfTitledAlbum self-titled debut]] was released in 1970 to success and critical acclaim, but a massive heroin habit put Clapton into [[ReclusiveArtist hiding]] for a few years. An intervention by [[Music/TheWho his friend Pete Townshend]] led to the all-star, well-received Rainbow Concert, and after rehabilitation, Clapton released the ''very'' successful and critically acclaimed 1974 comeback album ''461 Ocean Boulevard'', scoring a #1 hit with a cover of [[Music/BobMarley Bob Marley's]] "I Shot The Sheriff" from Marley's album ''Music/{{Burnin}}''. |
| 56 | ** After a period of middling, laid-back, country-flavored solo albums in the late 1970s and early 1990s, he had another comeback with ''Behind The Sun'' in 1984, an album of adult contemporary, modern pop-rock co-produced by Music/PhilCollins. An appearance at UsefulNotes/LiveAid, followed by 1986's best-selling ''August'' and the acclaimed 1988 boxed set retrospective ''Crossroads'', along with high-energy tours, brought Clapton back and made an MTV star out of the veteran. |
| 57 | ** A newly sober Eric received another comeback after channeling his grief over his son Conor's tragic death through the acoustic ballad, "Tears in Heaven", first released in studio form for the movie ''Rush'' (1991), then performed on ''MTV Unplugged'', a well-received, #1 soundtrack album to his performance on the series, in 1993. |
| 58 | * '''Music/KellyClarkson'''. Hot on the heels of her 2004 album ''Breakaway'', which went on to become one of the defining pop albums of the 2000s, she released the more abrasive and far less commercial ''My December'' in 2007. The album alienated a significant portion of her fan base (especially her older fans), and thus, Clarkson was written off by many as a has-been. Her 2009 follow-up ''All I Ever Wanted'' was mostly a return to the lighter pop of ''Breakaway'', and although sales for that album still fell short of the 1 million mark in the US, it re-established her as a major force in the pop music world, with its lead single, "My Life Would Suck Without You", becoming a massive hit. Her comeback was solidified through her 2011 album ''Stronger'', which was both a critical and commercial success, spawning several hugely successful singles and fully bringing her career back on track. In 2013, she released a Christmas album, ''Wrapped in Red'', which included the instantly iconic ''Underneath the Tree'', a song many predicted would become a Christmas pop classic (and since it is often played during the holiday season, were proven right). Her following albums, ''Piece by Piece'' and ''Meaning of Life'', were also well received. In 2018, she joined ''Series/TheVoice'' as a coach. In 2019, she began hosting her own Emmy-winning daytime variety talk show on Creator/{{NBC}}. |
| 59 | * '''Music/AliceCooper''' defined ShockRock and bizarre stage acts in the first half of TheSeventies. But alcoholism, coupled with his signature style going out of fashion, resulting in fading in relevancy for the rest of the decade, which lasted right through the early 1980s. While he had a handful of hit singles in the late '70s, all of them were [[BlackSheepHit soft pop ballads]] instead of his usual heavier fare, and the popularity of that material caused him to lose his controversial reputation. By the mid-'80s, he had kicked the booze habit, picked up an infinitely healthier golf habit, and made his comeback with 1986's ''Constrictor'', followed by the wildly successful ''Trash''. Since then, he's diversified his interests and continues to record music. |
| 60 | * '''Music/BillyRayCyrus''' was a big star in the country music scene in the early nineties, with his debut album spawning breakout hit "Achy Breaky Heart" and his follow-up album debuting at #1 on the country charts, but by the early 2000s, he seemed largely washed up after a pair of Christian albums that failed to make an impact and his acting career didn't seem to be going anywhere. That changed after he played a CaptainErsatz of himself, Robbie Ray Stewart, in his daughter [[Music/MileyCyrus Miley's]] hit [[Creator/{{Disney}} Disney Channel]] series ''Series/HannahMontana''. This led to his first Top 5 hit of the 2000s, "Ready, Set, Don't Go" (a duet with Miley that was her first Top 5), and in 2019 his collaboration with Lil Nas X, "Old Town Road", became the longest-running #1 hit in the Billboard '''Hot 100''' history. Not bad for a formerly washed-up artist in a genre often derided by the mainstream for being "too conservative" or "redneck music." |
| 61 | * '''Music/MileyCyrus''' would go on to experience this herself. |
| 62 | ** After first appearing in a role in her father's series ''Doc'', she landed the aforementioned StarMakingRole as the title character of ''Series/HannahMontana''. Despite some controversies which strained her image as an all-American, clean-cut [[IdolSinger teen idol]], she was one of the biggest stars in pop, both in her ''Hannah'' persona and later under her own name. She adopted [[HotterAndSexier a more adult image]] in 2010 with her album ''Can't Be Tamed'', which suffered slower sales. Her films ''Film/{{LOL}}'' and ''Film/SoUndercover'' tanked, causing her to retire from acting, and this was followed by yet another scandal in which she sniffed a bong of salvia on a New Orleans street in a leaked video. After a low profile year, she departed Disney-based Hollywood Records for RCA, [[ImportantHaircut got a blonde-dyed pixie haircut]], and broke up with longtime boyfriend Creator/LiamHemsworth, her co-star in the film ''Literature/TheLastSong'' after a yearlong engagement. She released the NewSoundAlbum ''Bangerz'' in 2013, a more adult album with hip-hop influences and [[SirSwearsALot explicit]] [[ClusterFBomb lyrics]], and promoted the album with a notorious performance at the 2013 MTV Video Music Awards (teddy bear costume, dancing in lingerie, twerking on Robin Thicke, tongue sticking out). Interest skyrocketed with the "new Miley", and ''Bangerz'' became a best-seller, with "Wrecking Ball" topping the Hot 100. |
| 63 | ** However, many fans quickly grew tired of her antics surrounding the release of ''Bangerz'', and she then largely disappeared from the spotlight for a few years. Her 2015 album ''Miley Cyrus & Her Dead Petz'' was released to stream for free on [=SoundCloud=], and received mixed reviews. But in 2016, she took a gig as a judge on ''Series/TheVoice'' and rekindled her relationship with Hemsworth, and her 2017 single "Malibu" (about her relationship with Hemsworth) has been praised for its stripped-down production, marking her return to the top 40. While ''Younger Now'', the album that "Malibu" came from, met a mixed reception, Miley followed it with a string of better-received albums that, when combined with a more toned-down (if still sexy) public image and her activism, helped reestablish her as an elder stateswoman of pop. In 2023, her song "Flowers" became her first #1 hit in nine years. |
| 64 | [[/folder]] |
| 65 | |
| 66 | [[folder:D]] |
| 67 | * '''Music/DaftPunk''' were one of the most popular bands in the world during the [=Y2K=] era. Hits such as "Around the World" and "One More Time" were huge hits everywhere they charted (except in the United States), and their first two albums, 1997's ''Homework'' and 2001's ''Music/{{Discovery|DaftPunkAlbum}}'' earned them loads of praise, even though in the latter case it took a while for it to accumulate. Their third album, 2005's ''Human After All'', didn't do very well, meeting a critical and fan backlash for being DarkerAndEdgier and more simplistic than ''Discovery'', and it absolutely bombed in the US. Then, in 2010, they made a comeback when they recorded the soundtrack to ''Film/TronLegacy''. While the film got mixed reviews, the soundtrack was one consistent point of praise, and it proved to be their first top 40 album in the US. Then, in 2013, they released their first non-soundtrack album in eight years, the disco-influenced ''Random Access Memories'', and it topped the charts everywhere, ''including the United States'', and even held on top of the charts for its second week. Its lead single became their biggest hit ever and has finally brought Daft Punk not only to the ''Hot 100''[='=]s top 40, but to #2, along with Grammys for Record and Album of the Year. |
| 68 | * '''Craig David''': The British R&B singer became popular in the TurnOfTheMillennium with hits such as "Fill Me In" and "7 Days", in addition to massively successful albums like 2000's ''Born to Do It'' and 2002's ''Slicker Than Your Average''. While his following two albums, 2005's ''The Story Goes...'' and 2007's ''Trust Me'', were moderately successful, his popularity waned at the beginning of TheNewTens after the lacklustre reception of his 2010 CoverAlbum ''Signed Sealed Delivered''. As a result, he focused on other projects such as collaborating with several artists and as a radio presenter. That soon changed in 2015, when he collaborated with Big Narstie for the song "When the Bassline Drops", which ultimately became his most successful single since 2007 and led to a well-received RevisitingTheRoots album ''Following My Intuition'', which marked his comeback and became his first UK number-one album since his debut when it was released in September 2016. His single "I Know You" (featuring Music/{{Bastille}}) from the following 2018 album ''The Time Is Now'' (which also became a successful hit) became his highest-charted hit since 2005, proving that ''Following My Intuition'' wasn't just a fluke. |
| 69 | * '''Music/DefLeppard''' have had several "comebacks" from the various personal tragedies that have defied the band. |
| 70 | ** After finding middling success with their first two albums, 1980's ''On Through the Night'' and 1981's ''High and Dry'', they were sought out by legendary producer Music/RobertJohnMuttLange who "dragged them kicking and screaming" through recording 1983's ''Pyromania''. Three songs, "Photograph", "Rock of Ages", and "Foolin'", became top 40 singles in the US. However, during the band's hiatus, drummer Rick Allen lost his arm in a car crash. The band toiled, refusing to fire Allen in the interim (despite the seeming ForegoneConclusion). However, Allen discovered that he could keep time with songs on the radio with his feet and [[TakeAThirdOption designed a rig to allow him to use his left foot to keep drumming]]. The band then released ''Hysteria'' in 1987, which might have been their last album if it didn't sell well. Though fairly successful at first, it hadn't generated the sales Def Leppard needed until they released the single "Pour Some Sugar on Me" (which would become their SignatureSong), spiking record sales almost overnight, moving seven million units in under a week. |
| 71 | ** While recording ''Hysteria's'' follow-up, guitarist Steve Clark's addiction struggles became worse. Clarke took a six-month leave of absence from the band to try and clean up, but he died from an accidental overdose on January 8, 1991. Def Leppard hired ex-Dio guitarist Vivian Campbell and released the 1992 album ''Adrenalize'', spawning several Top 40 singles including "Let's Get Rocked", "(Stand Up) Kick Love into Motion", and "Have You Ever Needed Someone So Bad". The album went to #1 in several countries, even as {{Grunge}} was taking down other hair bands. |
| 72 | ** Leading into the recording of 1996's ''Slang'', guitarist Phil Collen went through a divorce, bassist Rick Savage's was diagnosed with Bell's Palsy and lost his father, Rick Allen was arrested for spousal abuse, and lead singer Joe Elliott was arrested for assault. They also split from producer Mutt Lange and embarked on a completely different recording process for the forthcoming album. ''Slang'' would feature less production in favor of a more organic sound. "We'd got so sick of recording the old way. We didn't want to do it anymore. We wanted the music to be more personalized and let the character of the individuals to come out," explains Rick Savage. However, the album flopped in the US (but did well in Britain) failing to achieve platinum status for the first time of any Leppard album. The band reunited with Lange to record 1999's ''Euphoria'', whose lead single "Promises" re-ignited fans' faith in the band and went to #1, and the album followed suit. Since then, Def Leppard has enjoyed good success for a band their age, including a successful long-term Vegas show. |
| 73 | * '''Music/BobDylan''' was very popular in TheSixties and maintained this until the mid-'70s, but by the end of the decade he had basically lost his fans ([[BrokenBase what little he had left]]) with his Christian albums. ''Saved'', released in 1980, is often considered to be Dylan's worst album (other than ''Dylan''). Because of the backlash against him, had a rather low profile in TheEighties and in the early Nineties apart from his participation in Music/TheTravelingWilburys. Then came an album called ''Music/TimeOutOfMind'', which was released to glowing reviews and won the Grammy for Album of the Year, restoring his place in the league of rock gods. All of his studio albums since ''Time out of Mind'' have not just reached, but '''debuted in''' the top ten of the ''Billboard'' album charts. |
| 74 | [[/folder]] |
| 75 | |
| 76 | [[folder:E]] |
| 77 | * '''Music/{{Eagles}}''', having disbanded in 1980, enjoyed a notable reunion in 1994. One of the catalysts was the 1993 album ''Common Thread: The Songs of the Eagles'', which had various CountryMusic artists covering Eagles songs. In particular, Music/TravisTritt asked for the original lineup to make a cameo in his video for "Take It Easy". In 1994, the Eagles reunited for the ''Hell Freezes Over'' tour, also made into a highly successful live album which even produced a #1 hit in "Love Will Keep Us Alive". They had a second resurgence in 2007 with the double album ''Long Road Out of Eden'', whose lead single "How Long" won them their first Grammy since 1979. |
| 78 | * '''Music/{{Eminem}}''': |
| 79 | ** Hot off the success of [[Music/TheSlimShadyLP three of]] [[Music/TheMarshallMathersLP the biggest]] [[Music/TheEminemShow albums]] of the [=Y2K=] era, he had a major downfall right after -- a near-fatal addiction to prescription drugs, the murder of his best friend Proof, and an album (2004's ''Encore'') that is often called his worst. His "first" comeback was supposed to be 2009's ''Relapse'', but he still had issues he was working out, and the album received a mixed reception. His full comeback began with his verse on "Forever" - his collaboration with Music/{{Drake}}, Music/KanyeWest and Music/LilWayne - in which, despite Drake ''and'' Kanye both rewriting their material just to avoid getting blown off the track, he had the obvious, consensus best verse that reminded people that it ''was'' so empty without him. But what was originally going to be a sequel to ''Relapse'' turned into the aptly-named ''Recovery'' in 2010, in which Eminem toned down or outright cut out a lot of aspects that had dragged his previous albums down (weird accents, skits, sensationalist grossout comedy), apologized for his last two albums, and delivered some top-notch rapping. The general consciousness was that it was a great return to the days of ''The Marshall Mathers LP'' and ''The Eminem Show'', and that Eminem was back. |
| 80 | ** Eminem's return with ''Recovery'' involved a GenreShift to a PopRap sound and image that met with initial acclaim, but led to increasing backlash over the course of the 2010s, culminating in 2017's ''Revival'' – an album blasted for its [[DancingBear empty]] hypertechnical rapping, {{Glurge}}y pop features, [[ConsciousHipHop earnest political tone]], overuse of puns, and Eminem's shock-humour style being outdated and inappropriate. (In addition, Eminem, previously known for his [[PrettyBoy delicate and slightly androgynous appearance]], grew a patchy beard.) Many viewed him as a [[TwoDecadesBehind relic of the Y2K era]] who was confused by modern hip-hop, and begged him to retire. In 2018, Eminem dropped ''Kamikaze'', in which he abandoned his pop elements for an up-to-the-minute sound and went fully into TakeThatCritics mode, insulting everyone who said horrible things about ''Revival'' as well as the state of the rest of hip-hop, creating a firestorm between critics (who still hated it), Eminem's fanbase (who hailed it as [[WeWantOurJerkBack the return of hip-hop's villain]]), and FandomRivalry with any of the "mumble rappers" he insulted on the album. Music/MachineGunKelly – a rapper he'd dissed on ''Kamikaze'' – responded with "Rap Devil", arguably the strongest [[TheDissTrack diss track]] Eminem had ever been hit with in his career, and seen at the time as a real threat to it. Eminem responded with "Killshot", a diss to Kells that became the highest charting diss track of all time, debuting at Number 3 on the Billboard Hot 100, and became the most viewed audio-only [=YouTube=] video ever, and the biggest debut for a hip-hop track on the site (eventually beaten by Daniel "Tekashi 6ix9ine" Hernandez's BileFascination record "GOOBA" two years later). The diss track was praised by critics, [[OvershadowedByControversy did serious damage]] to Kells' reputation to the point where he was [[https://twitter.com/alex_battoo/status/1042063497906016256 even being booed at shows]] for performing "Rap Devil", and served to re-establish Eminem's relevance and even his shock value, which had been thought [[RatedGForGangsta long extinguished]]. 2020's ''Music to Be Murdered By'' and ''Side B'', his following double album, was received by critics as a solid entry in his discography, and even generated some genuine moral panic not seen around him since 2002 with his mass-shooter concept song "Darkness" and the shock COVID-19 violence in "Gnat". (And his initially loathed beard filled out.) |
| 81 | [[/folder]] |
| 82 | |
| 83 | [[folder:F]] |
| 84 | * '''Music/FallOutBoy'''[='=]s 2013 album ''Save Rock and Roll'' was the band's first new album after reuniting, having previously [[CreatorKiller broken up due to the poor reception]] of their last album, 2008's ''Folie à Deux'', and the biggest thing it wound up saving was their careers. While it [[BrokenBase divided fans]], it also went Platinum, produced the massive hit single "My Songs Know What You Did in the Dark (Light 'em Up)", catapulted them back into the spotlight, and enshrined their status as PopPunk legends, much to the surprise of many music journalists who thought they'd flamed out for good after ''Folie à Deux'' and written them off as flashes in the pan of the 2000s {{emo|Music}} scene. |
| 85 | * '''Music/FleetwoodMac''': |
| 86 | ** The group became one of the biggest bands in the world with the album ''Music/{{Rumours}}'' in 1977 and dominated the charts for the next decade. In 1987, guitarist Lindsey Buckingham left, and the band pursued a bland adult contemporary sound, to a massive drop-off in sales. 1990's ''Behind the Mask'' only went to #18 on the Billboard charts and went gold, a far cry from the band's multi-platinum albums in the past. Then Music/StevieNicks left in the early '90s. The classic lineup did reunite for the inauguration of UsefulNotes/BillClinton (who had used "Don't Stop" as a campaign song) in 1993, only to go through even more lineup changes and commercial failure. 1995's ''Time'' fared even worse than ''Behind the Mask'' did – it didn't even make the Billboard charts. It looked like the band was truly finished until the ''Rumours''-era lineup finally came together for the live album ''The Dance'' in 1997, which hit the #1 spot on the Billboard charts. The subsequent tour was massively successful, filling arenas across the U.S. Fleetwood Mac continues to mount successful tours and release albums to this day. |
| 87 | ** ''The Dance'' was also a comeback for '''Music/StevieNicks''' as a performer, after the failure of her ''Street Angel'' album and ridicule for her Klonopin-induced weight gain. She vowed never to go on stage again unless she lost weight. She did, and ''The Dance'' also restored her to rock royalty. She's been a successful solo performer since then while still a member of Fleetwood Mac. |
| 88 | ** ''The Dance'' wasn't the first time Fleetwood Mac managed to pull this off. In the late '60s, Fleetwood Mac was the hottest band in the British blues scene but suffered the departure of several of its founding members: Peter Green, Jeremy Spencer, and Danny Kirwan in the early '70s. The band eventually reinvented itself as a Californian pop-rock band, but not after a long awkward phase. The band suffered even more setbacks in the first half of the '70s, including a bizarre incident where their former manager claimed the rights to the band's name and sent out a fake "Fleetwood Mac" on tour. Finally, Lindsey Buckingham and Stevie Nicks came on the scene in 1975 and the band's [[Music/FleetwoodMacWhiteAlbum self-titled album]] turned Fleetwood Mac into one of the decade's hottest acts. |
| 89 | * For '''Music/LuisFonsi''', the global smash hit "Despacito" was his breakthrough outside the Spanish-speaking world, but in the world of Latin music, it was this. Before "Despacito", he had been a former superstar, especially in his native Puerto Rico, but by that point, he had not had a major hit since the late 2000s. Since then, he hasn't looked back. |
| 90 | [[/folder]] |
| 91 | |
| 92 | [[folder:G]] |
| 93 | * '''Creator/JudyGarland''' was a FormerChildStar under contract to Creator/MetroGoldwynMayer, known for ''Film/TheWizardOfOz'', headlining movie musicals like ''Easter Parade'', ''Film/MeetMeInStLouis'', and ''For Me And My Gal'', and starring in a succession of films with Creator/MickeyRooney (including the hit ''Film/AndyHardy'' series). She had also branched into an equally successful singing career at the same time. However, erratic behavior caused by mental illness and addictions to alcohol and prescription pills (begun when Garland was filming ''Oz'' when the studio recommended she take diet pills to lose weight) culminated in multiple suicide attempts, which led to her being fired by MGM by 1950 and labeled a has-been. She slowly returned to the spotlight via stage performances, and a role in the Creator/WarnerBros 1954 remake of ''Film/{{A Star Is Born|1954}}'' followed, with the help of her second husband/manager Sid Luft, leading to the famous 1961 ''Judy At Carnegie Hall'' concerts, captured on a best-selling, Grammy Award-winning two-record set album. A short-lived TV variety show followed, and Judy had a new wave of popularity in the early [[TheSixties 1960s]]. |
| 94 | * '''Creator/SelenaGomez''' was one of the biggest stars to come from the Creator/DisneyChannel in the late 2000s, along with Miley Cyrus (see above) and Demi Lovato (see below). She not only had a hit on television with the KidCom ''Series/WizardsOfWaverlyPlace'' from 2007 through 2012, but also a decent singing career as the lead vocalist of her band Selena Gomez & The Scene, which released three well-received pop rock albums from 2009 to 2011 before disbanding. However, the 2013 film ''Film/{{Getaway}}'' sank her film career the same year that she released her first solo album, ''Stars Dance''. Though a decent financial success, it received divisive reviews from critics who took issue with its electronic-heavy production style. Her career cooled down considerably for the next two years before she released her next album, 2015's appropriately-named ''Revival''. It became both her best-selling and her most widely acclaimed album at the time, with reviews citing how she was finally able to break free from her Disney roots. She took over five years to release another album, but that album, ''Rare'', surpassed ''Revival'' both critically and commercially in 2020. As noted on the main page, around that time she also made a comeback in acting. |
| 95 | * '''Music/GreenDay'''[='=]s 2000 album ''Music/{{Warning}}'' almost killed the band. While it's since been VindicatedByHistory for its songwriting, at the time its LighterAndSofter tone and more experimental sound (influenced by FolkMusic, SurfRock, and SkaPunk) put off a lot of their PopPunk fans and caused it to badly underperform in sales, only going gold whereas their last three albums went at least double platinum. Between that and the 2001 GreatestHitsAlbum ''International Superhits!'', which they outright called "an invitation to midlife crisis", the band's members wondered whether or not they should just hang it up. Instead, they made the 2004 album ''Music/AmericanIdiot'', which became their first number one album, and put them right back on the rock map, and cemented their status as pop-punk legends. As of now, it's behind only 1994's ''Music/{{Dookie}}'' as their highest-selling album and a contender with it for the title of Green Day's defining album. |
| 96 | * '''Music/DavidGuetta''' was easily the biggest EDM artist of the early 2010s. By 2012, however, Americans were getting tired of his poppy sound and moved to more the hardcore stylings of Calvin Harris, Zedd, and Avicii. Thereafter, Guetta hit a dry spell in the U.S. although he remained popular in Europe. By 2015, Harris and Zedd were dependent on big-name guest stars and Avicii's career was cannibalized by one monster hit (and Mark Ronson had the misfortune of being hit from both sides). With an opening in the market, Guetta revamped his sound and teamed up with Music/NickiMinaj for "Hey Mama", the biggest hit he had in 3 years. |
| 97 | [[/folder]] |
| 98 | |
| 99 | [[folder:H]] |
| 100 | * '''Music/GeorgeHarrison''' found it hard to sustain a solo career by the early [[TheEighties 1980s]], after having started the previous decade by releasing the best-selling ''triple-length'' 1970 album ''Music/AllThingsMustPass'' and organizing ''Music/TheConcertForBangladesh'' in 1971. A tour of America marked by laryngitis and audiences puzzled by the appearance of Music/RaviShankar as opening act did not help matters, nor his increased piousness in Eastern religion. A brief comeback occurred with his 1981 ode to Music/JohnLennon, "[[GriefSong All Those Years Ago]]" (featuring Music/PaulMcCartney, his wife Linda, and Music/RingoStarr), but he semi-retired by 1982 to produce films and race cars; he decided he did not relate to the sounds of the '80s or to [[ExecutiveMeddling pressures on the industry for more commercial music]]. A meeting with Music/ElectricLightOrchestra leader Jeff Lynne led Harrison to produce a new album in 1987, ''Cloud Nine'', that combined Harrison's more traditionalist roots with light amounts of modern production values, and backing by the likes of Music/RingoStarr, Music/EltonJohn, and Music/EricClapton. He became a superstar again, helped by the #1 single "Got My Mind Set On You" (an obscure, CoveredUp '50s rockabilly number written by Rudy Clark) and a tongue-in-cheek video. Harrison stayed a star until his death in 2001, forming Music/TheTravelingWilburys with Lynne, Music/TomPetty, Music/BobDylan, and Music/RoyOrbison, and briefly reunited with Music/TheBeatles in 1995. |
| 101 | * '''Roger Hodgson''' was a founding member of the progressive rock band Music/{{Supertramp}}, penning many of the band's most enduring hits, including "The Logical Song", "Dreamer", "Give a Little Bit", "School", "Breakfast in America", and "Take the Long Way Home". His keening tenor voice was a trademark of the group's sound, along with his songs exploring spirituality and man's search for identity. He left the band in 1983 to start a family and get away from the trappings of fame. Hodgson started a solo career in 1984 with the Supertramp-like ''In The Eye Of The Storm'', followed by the more SynthPop-oriented ''Hai Hai'' in 1987. An accident later in 1987 where Hodgson fell out of a hammock, injuring both his wrists, led to his doctors believing Roger would not be able to play music again. After years of spiritual and physical therapy, Hodgson returned to the spotlight with a live album, ''Rites Of Passage'', in 1996. A studio album in 2000, ''Open The Door'', returned Hodgson to his prog roots, winning critical, but limited financial success. (The album [[NoExportForYou was only distributed overseas]].) After occasional live performances through the next decade, a divorce, and a spiritual rebirth, Hodgson took to the road by 2006, performing self-financed intimate shows accompanied only by Canadian saxophonist/keyboardist Aaron [=MacDonald=] An acclaimed live DVD, ''Take The Long Way Home'', was released the same year. He had performed at the ''Concert For Diana'' in 2007, performed with Music/RingoStarr's All-Starr Band, has a strong online presence, and has appeared on ''Series/CanadianIdol'' with ex-Music/{{Styx}} singer Dennis [=DeYoung=]. |
| 102 | * '''Randy Houser''' had a successful debut album in 2009 titled ''Anything Goes'', which produced hits in its title track and "Boots On". But lead singles to what would've been his second album stalled out at the lower regions of the charts, and when that album (''Call Me Cadillac'') was released, it made no noise at all. It also didn't help that his label, Universal South, was undergoing a merger with Music/TobyKeith's Show Dog label, thus spreading its resources thin and losing both him and nearly every other artist on the label in the shuffle. He left that label in favor of Broken Bow, where he quickly had his first two #1 hits in "How Country Feels" and "Runnin' Outta Moonlight", both of which sold platinum as well and earned him critical praise for blending traditional country with a modern edge. Two more Top 5 hits followed from his first Broken Bow album, also titled ''How Country Feels''. In 2016, he had his third #1 hit with "We Went" from his second Broken Bow album, ''Fired Up''. Despite this single meeting FollowUpFailure, he had a resurgence in critical acclaim with his 2019 album ''Magnolia''. |
| 103 | [[/folder]] |
| 104 | |
| 105 | [[folder:J]] |
| 106 | * '''Music/EltonJohn''' has had several comebacks: |
| 107 | ** He was perhaps the hottest star of TheSeventies, with a streak of hit albums, singles, and tours, dominant radio airplay, and a constant high profile in the media bordering on TeenIdol status, partially due to his [[UnlimitedWardrobe goofy costumes]] and [[MakingASpectacleOfYourself silly glasses]]. However, a ''Magazine/RollingStone'' magazine article in 1976 [[StraightGay outed him]], reducing his fanbase in Middle America, and his longtime lyricist Bernie Taupin took a prolonged hiatus from working with him. A string of middling albums, a reduced public profile, a change of labels, and poor sales followed. With some ExecutiveMeddling, Elton hired Taupin full-time, reunited his classic-era backing band, and produced a high-quality album, ''Too Low For Zero'', in 1983, combining his classic melodicism and Eighties production techniques/synthesizers. Hit singles and videos for "I'm Still Standing" and "I Guess That's Why They Call It The Blues" got major airplay on early Creator/{{MTV}}, and Elton was a star again. |
| 108 | ** One further CareerResurrection occurred when, after a couple of failed studio albums, Elton reunited with Bernie Taupin for the aptly titled ''Reg Strikes Back'' in 1988, became sober in 1990, toned down his costumes/glasses, and went from CampGay to StraightGay with a hair weave and Versace suits. This was motivated by a highly public feud over false allegations made against him by ''[[UsefulNotes/BritishNewspapers The Sun]]'' which Elton eventually won, forcing the tabloid to apologise. He wrote the soundtrack to the blockbuster animated film ''WesternAnimation/TheLionKing1994'', the same year he was inducted into the Hall of Fame. In 1997, Elton sent up his more diva-like tendencies with the reality TV movie ''Tantrums and Tiaras'',and released the best-selling single of his career: "Candle In The Wind 1997", which was dedicated to Princess Diana after her death in a car crash. |
| 109 | ** Another Elton comeback occurred in 2001. He changed to a more stripped-down, organic sound in albums like ''Songs From the West Coast'' and ''Peachtree Road'', reminiscent of his classic period, and he has success in Las Vegas with ''The Red Piano''. ''The Union'', a duets album with Leon Russell released in 2011, got Elton his strongest sales since 1976's ''Blue Moves'', and his best reviews since that time. |
| 110 | *** The video for "I Want Love", the single from the ''Songs From the West Coast'' album that heralded Elton's third comeback period, interestingly enough featured a newly sober Creator/RobertDowneyJr lip-syncing to Elton's recording. The performance was acclaimed and helped both Elton's career ''and'' Robert's. |
| 111 | * '''Music/TheJonasBrothers''', comprised of the brothers Music/{{Nick|Jonas}}, Music/{{Joe|Jonas}}, and Kevin, were hugely popular in the late 2000s, playing to large arenas and getting [[Series/{{Jonas}} their own show]] on the Creator/DisneyChannel. Eventually, of course, [[FleetingDemographic their fans moved on]] to [[Music/OneDirection newer]] [[Music/JustinBieber teen]] [[Music/ShawnMendes pop]] [[Music/FiveSecondsOfSummer idols]], and the band broke up in 2013 amidst CreativeDifferences and faltering ticket sales, seemingly destined to become an [[AnyoneRememberPogs obscure punchline]] remembered mainly for their association with the squeaky-clean "purity culture" of the 2000s. Within a few years, however... |
| 112 | ** '''Music/NickJonas''' went solo in 2014 and surprised everyone with a more mature sound, scoring a few big hits with "Jealous", "Close", and "Chains" while landing supporting roles in ''Series/ScreamQueens2015'', ''Series/Kingdom2014'', and ''Film/JumanjiWelcomeToTheJungle''. |
| 113 | ** '''Music/JoeJonas''' also found success independently from the band thanks to his band DNCE, who scored a top 10 hit with "Cake by the Ocean" in 2015. Although DNCE has yet to score a successful follow-up, it has at least helped him from escaping the shadow of his band. |
| 114 | ** Eventually, the group as a whole pulled this off in 2019, when they announced their reunion and released their comeback single "Sucker", which debuted at #1 on the Hot 100 and was a megahit internationally. Their fifth album, ''Happiness Begins'', followed suit upon release, and along with a well-received documentary and tour and several successful follow-up singles to boot, the [=JoBros=] have quickly gone from being viewed as just another flash-in-the-pan teen pop act to re-establishing their status in the pop music world. |
| 115 | [[/folder]] |
| 116 | |
| 117 | [[folder:K]] |
| 118 | * '''Music/TobyKeith''' has had two of these: |
| 119 | ** After a bit of a decline in the late '90s, he reached his nadir in 1998 when "If a Man Answers" became his first single not to hit Top 40. After getting frustrated with CreativeDifferences at Creator/MercuryRecords, who had rejected several tracks he had submitted to them, he moved to Creator/DreamWorksRecords. His first [=DreamWorks=] single, "When Love Fades", flopped too. But, at his insistence it was pulled for "How Do You Like Me Now?!", a song that Mercury had previously rejected. After a slow start, "How Do You Like Me Now?!" became his biggest hit and the top country song of 2000. This song led to his hottest streak of album sales and single success, which carried on for the most part until [=DreamWorks=] Records closed in 2005. |
| 120 | ** His momentum once again went on a slow decline once he founded his own label (Show Dog, which later merged with Universal South to become Show Dog-Universal), with more and more singles failing to reach Top 10. However, Keith had a brief resurgence and his biggest crossover ever in 2011-2012 with the viral hit "Red Solo Cup". The song was originally just an album cut for which he made a music video, but after said video caught fire, the song was shipped as a single, ultimately becoming a crossover smash and his best-selling digital single to date. However, this revival was short-lived, and he has all but fallen off the radar since. |
| 121 | * '''Music/{{Kesha}}''' accomplished this in 2017 with ''Rainbow''. She initially made a splash in late 2009 when her debut single "Tik Tok" became a surprise hit, with its success spilling into the following year when her debut album ''Animal'' became a big seller. However, her music, while popular with young listeners, attracted scorn outside of her demographic for what they perceived as very crass and juvenile content. Her second album ''Warrior'', released in 2012, earned similar criticism as well, while its lead single "Die Young" came under fire following the Sandy Hook Elementary School shooting that same year. Around this time, she had a CreatorBreakdown brought on from recurrent sexual abuse at the hands of her RecordProducer Dr. Luke behind closed doors. Stipulations in her contract prevented her from releasing any new music for five years, resulting in a drawn-out legal battle to liberate her from her obligations. She checked into rehab for bulimia too, brought on by the stress of the whole situation. In 2017, following the trial's resolution, Kesha, now free to make music again, released ''Rainbow'', which signified a significant departure from her previously-established style. Not only did it debut at #1 on the ''Billboard'' 200 chart and became her biggest-selling album to date, it also finally garnered the acclaim from critics that her past albums lacked. Her next one, ''High Road'', was also released to similarly positive reception in 2020, although its corresponding tour was cancelled due to the UsefulNotes/COVID19Pandemic. Her fifth album, ''Gag Order'', was well-received too upon its release in May 2023. |
| 122 | * '''Elle King''' had a surprise #10 hit on the Hot 100 and a #1 hit on alternative in 2015 with "Ex's & Oh's". Her follow-up "America's Sweetheart" sputtered out just below the bottom of the chart, and her next release on alternative, "Under the Influence", didn't do particularly well on that format either. The fact that she was also the daughter of the long-irrelevant actor and comedian Creator/RobSchneider didn't help,[[note]]and the timing couldn't have been worse, as this was right around the time Schneider's universally despised animated flop ''WesternAnimation/NormOfTheNorth'' came out[[/note]] as it was seen as too much of a novelty for audiences to take her seriously. She then had a #1 Country Airplay hit as a featured artist on Music/DierksBentley's "Different for Girls" a year later, and then she promptly faded back into obscurity as a quintessential 2010s OneHitWonder. Well, for a little while at least. In 2021, she was a featured artist on another country hit, Music/MirandaLambert's "Drunk (And I Don't Wanna Go Home)". The song entered the top 20 of the Adult Top 40 and Hot Country Songs charts, entered the Top 10 of the Hot Rock & Alternative Songs chart and became a slow-burner hit on the Hot 100, nabbing King her first significant single since "Ex's & Oh's". Technically she remains a one-hit wonder, as both "Different" and "Drunk" fell just short of Top 40 status. |
| 123 | * '''Music/TheKinks''', led by brothers Ray and Dave Davies, were an influential band of UsefulNotes/TheBritishInvasion in the mid-[[TheSixties 1960s]], and arguably the inventors of hard rock and Brit-Pop. Unfortunately, the band's in-fighting led to a five-year ban from American stages, and, isolated from much of American culture, they subsequently channeled their energies to writing [[ConceptAlbum concept albums]] with [[WriteWhatYouKnow very British themes]]. They started a comeback in 1970 with hits like "Lola" [[note]]an attempt to get the subject of [[DudeLooksLikeALady transvestitism]] past the censors]][[/note]], "Apeman", and "Celluloid Heroes", but a series of very English, music-hall and pantomime-influenced rock opera/stage musicals such as ''Soap Opera'' and the two-act ''Preservation'' series alienated audiences and were slow sellers. They bounced back after signing with Arista Records, on the condition that the Kinks would produce no concept albums or rock musicals. The late-[[TheSeventies 1970s]] albums ''Sleepwalker'', ''Misfits'', and ''Low Budget'' combined their hard-rock roots with NewWaveMusic and ArenaRock elements, catchy songs, and polished productions, and became critically acclaimed and strong sellers and they continued their success in TheEighties with hits like "Destroyer" and "Come Dancing". Interestingly enough, a live version of ''Lola'' from 1980 became one of their biggest hits of the time. |
| 124 | * '''Music/{{Korn}}''', the creators of NuMetal, spent nearly ten years on top of the rock world. Unfortunately, people started to get tired of them as their nu-metal sound devolved into generic alternative metal. 2010's ''Korn III'' was a throwback to their roots, but it didn't click with audiences. Then came ''The Path of Totality'', their even more polarizing dubstep album. Their big comeback came in 2013 with ''The Paradigm Shift'', which brought back their old guitarist Brian "Head" Welch, and had the dubstep elements still present but downplayed. As a result, Korn scored their first top 5 hits since 2007, including their ''first-ever #1'' on the mainstream rock charts with "Never Never". |
| 125 | [[/folder]] |
| 126 | |
| 127 | [[folder:L]] |
| 128 | * '''Music/LadyGaga''' was famous for the success of ''The Fame'' and ''Born This Way'' before recording the polarizing ''Artpop'' in 2013, which was criticized as a self-indulgent {{Flanderization}} of her persona [[OnceOriginalNowCommon that no longer seemed so shocking by that point.]] When it underperformed, she faded out of the mainstream music scene and spent some years away from the limelight finishing smaller projects (most notably ''Cheek to Cheek'', a collaboration with Tony Bennett) before the release of the very personal ''Joanne'' in late 2016 garnered far more favorable reception debuting at #1. Her profile was further restored by an acclaimed UsefulNotes/SuperBowl halftime performance, which helped her score her biggest radio hit in years with the ballad "Million Reasons". Her career kept rising when ''Film/AStarIsBorn2018'' later became one of the most critically and financially successful films of the year, which gave Gaga her first #1 single in years ("Shallow", a duet with Creator/BradleyCooper). It additionally opened a new avenue for Gaga as an actress when she also received an UsefulNotes/AcademyAward nomination for Best Actress (that she lost to Creator/OliviaColman, though "Shallow" did win her an Oscar for Best Song). She revisited her pop roots in 2020 with ''Chromatica'', which was viewed as a welcome return to form with good reviews and sales. Gaga then starred as Patrizia Reggiani in 2021's ''Film/HouseOfGucci'', with her performance praised despite the film's ambivalent reaction. The same year, she would collaborate with Tony Bennett one final time before his retirement with ''Love for Sale''. |
| 129 | * As detailed in the [[CreatorKiller/{{Music}} Music page for Creator Killers]], "The Killer" '''Music/JerryLeeLewis''' had a swift descent from rock 'n' roll superstardom to disgrace when it was confirmed [[KissingCousins he was married to his 13-year-old first cousin]] (once removed), Myra Gale Brown. After almost a decade and a couple of lukewarm comeback attempts, Lewis became a big star again in 1968, albeit in the world of country music. He's since returned to rock 'n' roll, been the subject of a critically-acclaimed biopic in the early '90s, and continued to perform until his death in 2022. |
| 130 | * '''Music/LLCoolJ''' was rejected by the rap community as a SellOut for 1987's ''Bigger and Deffer'' and 1989's ''Walking With a Panther'', and so he enlisted Marley Marl as producer and came back in a big way in 1990 with ''Mama Said Knock You Out'', even if the famous title track's opening line is actually "Don't call it a comeback! I've been here for years!". He also included the song "Cheesy Rat Blues", which [[SelfDeprecation hilariously mocked his career derailment and how people didn't like him anymore]]. |
| 131 | * '''Music/DemiLovato''' was one of the top stars of the Creator/DisneyChannel in the late 2000s, thanks to lead roles in the ''Film/CampRock'' series of movies, her own KidCom ''Series/SonnyWithAChance'', and a successful IdolSinger career. Although her history as a childhood bullying victim was well known, she had secretly fallen into bulimia, self-harm, and fits of "self-medication" during the height of her stardom, which led to an infamous meltdown in which she began having vocal problems on her 2010 ''Camp Rock'' tour, then physically attacked a personal assistant in her dressing room after the assistant confronted her about her demons. Family and friends intervened, and Lovato went into rehab (where she was diagnosed as bipolar and given medication) to get better (she spent New Year's Eve in the rehab center, much to her sadness). Rehabilitated a year later, Lovato left ''Sonny with a Chance'' and completed her album ''Unbroken'', releasing singles such as the empowerment anthem "Skyscraper" and catchy dance floor hit "Give Your Heart a Break", arguably the biggest hit of her career. An inspirational documentary for {{Creator/MTV}}, "Stay Strong", documented Lovato's downfall and recovery. She later joined the judges' panel of ''Series/TheXFactorUS'' and released a new album for May 2013, the self-titled ''Demi''. |
| 132 | [[/folder]] |
| 133 | |
| 134 | [[folder:M]] |
| 135 | * '''Music/{{Madonna}}''' has experienced a couple of these throughout her decades-long career. Having first established herself in TheEighties as the Queen of Pop, she scored hit after hit with [[Music/MadonnaAlbum her self-titled debut album]], ''Music/LikeAVirgin'', ''Music/TrueBlue'', and ''Music/LikeAPrayer''. She got attention for re-inventing her image between albums, from the cutesy, "mall rat" image she was first known for to adopting a more risqué, "sex kitten" one starting around ''True Blue''. However, 1992's ''Music/{{Erotica}}'', her next album after ''Like a Prayer'', was criticized as an exaggeration of her new, sexually charged image to the point that it seemed to be provocative without a purpose. She toned down her racy side with ''Music/BedtimeStories'' and ''Music/RayOfLight'', with the latter album widely considered her MagnumOpus. While her follow-up album ''[[Music/MusicAlbum Music]]'' got positive notices, 2003's ''Music/AmericanLife'' became her worst-received yet. Released when the UsefulNotes/IraqWar just started, it became controversial for her attempts at espousing political and social commentary during a heated time in America. Critics even noted that what she had to say in the album was shallower than presumed, with the lyrics delving deeper into personal problems than the greater picture. It further divided fans for its failed forays into rap and folktronica, with the TitleTrack becoming her lowest-charting single (exacerbated by its anti-war first music video being swapped out by MTV for a less triggering one at her request) while none of its following singles even reached the chart. Fortunately, she soon bounced back with the well-received ''Music/ConfessionsOnADanceFloor''. It was considered her best album since ''Ray of Light'', with its corresponding concert tour becoming one of the top-20 highest-grossing tours of the 2000's. Lead single "Hung Up" topped the charts in 41 countries, despite peaking at #7 in the USA. She was inducted into the UsefulNotes/RockAndRollHallOfFame in 2008. Her following albums were also hits while dodging the divisive reception of ''American Life'', and she headlined the 2012 Super Bowl halftime show in a performance deemed one of the best in recent memory. |
| 136 | * '''Music/MarilynManson''' was more or less exiled from the American rock mainstream after the UsefulNotes/{{Columbine}} massacre in 1999, which brought the band under heavy fire from MoralGuardians who felt that [[MurderSimulators their music had turned Eric Harris and Dylan Klebold into killers]]. For a time, the music was still good enough that the diehard fans stuck by their side (in fact, many fans will rank 2000's ''Music/HolyWoodInTheShadowOfTheValleyOfDeath'' as a good candidate for their ''best'' album), and [[GermansLoveDavidHasselhoff their European fanbase was unaffected]]... until their 2007 album ''Eat Me, Drink Me'' heralded the beginning of an AudienceAlienatingEra. Written after Manson (the eponymous frontman) divorced his wife Dita Von Teese, and after Johnny 5 and Madonna Wayne Gacy both left the band on bad terms with him, the result came across to many fans as a {{wangst}}y mid-life crisis, and with it, the "most evil band in America" became a walking punchline. Their next two albums failed to pull them out of the rut, and Manson's attempt to make a movie about Creator/LewisCarroll fell into DevelopmentHell. In the mid-2010s, however, Manson began a charm offensive in the media, taking roles on shows like ''Series/OnceUponATime'', ''Series/SonsOfAnarchy'', and ''Series/{{Salem}}'' and appearing as a guest on a slew of talk shows, while the band's 2015 album ''The Pale Emperor'' brought the band the best reviews it had seen in over a decade. Having put their Dork Age behind them, they became elder statesmen of IndustrialMetal and GothRock... until 2021, when multiple women (including ex-girlfriend Creator/EvanRachelWood, Creator/EsmeBianco, and Music/PhoebeBridgers) came forward [[RoleEndingMisdemeanor accusing Manson of sexual misconduct and abuse, putting the band's (or at the very least, Manson himself's) career on ice permanently]]. |
| 137 | * '''Scotty [=McCreery=]''' won the 10th season of ''Series/AmericanIdol'' when he was only 17. While his first two albums were modest commercial successes, their singles didn't exactly light up the charts (other than "See You Tonight") and critical reception was mediocre at best. In 2013 he released "Southern Belle", widely considered his worst song ([[CreatorBacklash even by McCreery himself]]); when this song bombed at radio, Creator/MercuryRecords dropped him before he could get out a third album. It looked for sure as if [=McCreery's=] singing career was over before he was even old enough to drink legally, and he was not heard from again for years. But in late 2017, he independently released the song "Five More Minutes", which went viral thanks to his loyal fanbase; this attracted the attention of country radio, causing it to become the first song ever to make the ''Mediabase 24/7'' country music charts without support from a record label. Seeing a hit in the making, the newly-established Thirty Tigers label picked the song up for official release, [[SleeperHit causing it to progress naturally to #1 on the country music charts]] in the first quarter of 2018. The corresponding album on Thirty Tigers was released soon afterward to largely positive reviews; it even netted two more #1 hits for him with "This Is It" and "In Between" and was certified gold. While his next album wasn't as successful, it brought him a fourth consecutive chart topper with "You Time", suggesting that [=McCreery=] has established himself as a rising star in TheNewTwenties. |
| 138 | * '''Music/MeatLoaf''' lost his voice after the enormous success of 1977's ''Bat Out of Hell'', and then fell out with songwriter Jim Steinman, which stymied the success of his second album. Going through drug addiction, bankruptcy, and a string of moderately to poorly received albums, he reunited with Steinman in 1993 to record ''Bat Out of Hell II: Back Into Hell'', an album frequently credited as facilitating one of the greatest comebacks in popular music history. |
| 139 | * '''Music/TheMonkees''' were instantly successful – tellingly, the first single, "Last Train to Clarksville", started climbing the charts ''before'' the TV series went on the air – and the "4 insane boys" soon found themselves second only to Music/TheBeatles in popularity. Still, musical director Don Kirshner rarely let them play on their records (or write their own songs) – which was kept secret until the frustrated band revealed it to the media, losing some credibility in the process. The hits continued for a while, even after the Monkees gave up their TV series after its second season. However, the group's 1968 film ''Film/{{Head}}'', a surreal, deliberately plotless {{Deconstruction}} of the band's journey through the ShowBusiness meat grinder, was a flop (although it's become a CultClassic). Eventually, their record sales dropped, and Peter Tork left, followed by Music/MichaelNesmith. In 1969, Saturday morning reruns of the TV series got good ratings, which led to Mickey Dolenz and Davy Jones doing ''Changes'', a return to the bubblegum pop of the early albums. However, the songs on ''Changes'' were not as catchy or distinctive as the ones on the band's early albums. ''Changes'' didn't chart, and that was the end of the Monkees. The four ex-members went on with their lives... until 1986, when Creator/{{MTV}} began celebrating the Monkees' 20th anniversary by rerunning their TV series. The reruns got great ratings, and suddenly the Monkees were a viable proposition again. The band had a top 20 hit with a new single ("That Was Then, This Is Now", which featured only Dolenz and Tork), started playing reunion concerts, and recorded a new album, 1987's ''Pool It!'' (which featured Dolenz, Tork, and Jones). Then, for the band's 30th anniversary in 1996, Nesmith returned for the album ''Justus'', the only Monkees album that had no outside writers, musicians, or producers. They then went their separate ways until 2011, when Dolenz, Tork, and Jones had a hugely successful 45th anniversary concert tour. After Jones died in 2012, Nesmith joined the other surviving Monkees for tours in 2012 and 2013. Those three would work on a Christmas album in 2018, and Dolenz and Nesmith toured again as The Monkees in the same year (Tork sat out, as he was battling the cancer that would end his life in early 2019). After Tork's passing, Dolenz and Nesmith toured again in 2019 and announced a farewell tour for 2020, only to have it delayed until late 2021 by COVID. The farewell tour ended in November 2021, and Nesmith passed away less than a month later, with Dolenz putting The Monkees on ice for good. |
| 140 | [[/folder]] |
| 141 | |
| 142 | [[folder:N]] |
| 143 | * '''Music/{{Nas}}''' released a debut album (''Illmatic'') that is widely regarded as one of the greatest rap albums of all time, but didn't sell very well initially. This caused him to change his style to appeal to a wider audience and sell more copies (partly due to ExecutiveMeddling). His next album, 1996's ''It Was Written'', was less "Nasty Nas the street poet" and more "Nas Escobar the drug dealer", and his two albums in 1999, ''I Am...'' and ''Nastradamus'', were more poppy and radio-friendly. It's universally agreed that ''Nastradamus'' is his worst album, and many accused Nas of selling out – most notably Music/JayZ, who dissed him for going from "Nasty Nas to Esco-Trash" on his song ''Takeover''. Nas responded to this criticism with 2001's ''Stillmatic'' (more precisely in the brutal diss track ''Ether''), an album in which he both returned to his ''Illmatic'' roots and defended his status as one of rap's greatest emcees. Critics loved it, as did listeners, and Nas' following albums have all met similar success. For example, the ''Lost Tapes'' compilation was critically acclaimed, was loved by fans and some songs are even considered to be on par with ''Illmatic''. |
| 144 | [[/folder]] |
| 145 | |
| 146 | [[folder:O]] |
| 147 | * '''Music/OzzyOsbourne''' has experienced several over the course of his career. He helped pioneer heavy metal music as the frontman of Music/BlackSabbath, but years of drug abuse, financial fumbles, and creative strife led to him being kicked out of the band in 1979. After this, he hit rock bottom, moved into a hotel room, and went on a massive drug binge. The daughter of Sabbath's manager, Sharon Arden, took pity on him and helped him assemble a solo career that rocketed him to stardom. Eventually, it all started to come down again, this time due to MoralGuardians, rampant drug abuse, and more of a glam sound and image. He recovered by hiring guitarist Zakk Wylde, revamping his sound, and taming his behaviour, culminating in the release of his hit ballad, "Mama, I'm Coming Home". He briefly retired after, and when he returned to music in the mid-'90s, the scene had changed. He was viewed as a dinosaur who didn't fit with modern crowds and styles, so much so that Lollapalooza turned him down. He responded by founding Ozzfest, his own heavy metal festival. This comeback peaked with a highly successful reunion with Sabbath. |
| 148 | ** When '''Music/BlackSabbath''' fired Ozzy in 1979, they too were at rock bottom, with poor album sales and a lack of focus. When Music/RonnieJamesDio joined the group as Ozzy's replacement, they gained new life through the 1980s. Things petered out by the mid-'90s, but they came full circle by rejoining with Ozzy for a massively successful reunion. And when that started dying down, they joined back with Dio for another huge success, bringing new exposure to the often neglected post-Ozzy era. And when Dio died, they reunited with Ozzy once more and finally recorded the long-awaited reunion album, bringing things full circle... again. |
| 149 | [[/folder]] |
| 150 | |
| 151 | [[folder:P]] |
| 152 | * '''Music/PanicAtTheDisco''' debuted hot with one of the defining {{Emo}}-pop hits of the 2000s, "I Write Sins Not Tragedies". The band's second album, 2008's ''Pretty. Odd.'', took their sound in a radically different and polarizing direction towards psychedelic Beatles-style rock, and members of the band steadily left due to CreativeDifferences until [[IAmTheBand only Brendon Urie remained]]. While the band retained a strong core fanbase, it seemed likely that the band would remain a OneHitWonder in the eyes of the general public until over a decade after their debut, when the second single from the band's sixth album, "High Hopes", unexpectedly picked up traction on Top 40 radio, surpassing "I Write Sins" #7 peak by climbing to #4 on the Hot 100. Urie subsequently was featured on the lead single for Music/TaylorSwift's next album, "Me!", which reached an even higher peak, and then the band's own follow-up single, "Hey Look Ma, I Made It" also reached the top 20, seemingly securing their return to mass popularity. |
| 153 | * While '''Music/PinkFloyd''' has always been popular, they weren't heard from much for a majority of the '80s following their insanely expensive 1980-81 tour supporting ''Music/TheWall'' and the release of their polarizing 1983 album ''Music/TheFinalCut'', considered by many to be a Music/RogerWaters album in all but name. Waters left shortly after and Gilmour told him that they would continue, leading to Waters' infamous lawsuit trying to stop Gilmour from continuing to make music under the "Pink Floyd" name. The lawsuit was settled in time for the release of their 1987 album ''Music/AMomentaryLapseOfReason''. The album, while receiving mixed reviews from fans and critics for its weaker lyrics, horribly dated '80s production, and the fact it was not a ConceptAlbum, was a huge commercial success and the band scored a big radio and MTV hit with the song "Learning to Fly", exposing the band to a new generation of fans in the process. The tour supporting the album was only supposed to be a quick 11-week tour, but it ended up lasting for over ''two years'', becoming the highest-grossing tour of the 1980s by ''any musical act''. Their next album, 1994's ''Music/TheDivisionBell'', sounding more like a true Floyd album compared to the previous one (which was essentially a David Gilmour solo album in all but name), was also a big hit and supported by high grossing stadium tour as well. The album also marked the reinstatement of keyboardist Richard Wright as a full band member (compared to his session work on the album before) after Waters fired him in 1979. Ironically, it was their last studio album for 20 years and the last to feature Wright before his death in 2008. |
| 154 | ** '''Music/RogerWaters''' was done with Pink Floyd by 1983 and released the introspective, moody solo album ''The Pros and Cons of Hitchhiking'' a year later. A ''Pros And Cons'' tour, with help from Music/EricClapton as guest guitarist (he had played on the album), was scarcely attended, and the reunited lineup of Pink Floyd featuring guitarist David Gilmour, drummer Nick Mason, and returning keyboardist Richard Wright became successful in the late 1980s and mid-1990s. Waters considered the band a "spent force" and felt the band should call it a day, right before the lawsuit. The commercial failure of Waters' solo albums, rows of empty seats at concerts, and his feud with the rest of the band severely damaged his professional reputation, while Pink Floyd mounted a massively successful comeback. But with favorable reviews for 1992's ''Music/AmusedToDeath'' comparing it to Pink Floyd's classic albums and Gilmour's Floyd inactive since 1995, Waters returned to touring in 1999, expertly performing Pink Floyd and solo works to strong audiences. Subsequent solo tours with Waters and his band performing ''Music/TheDarkSideOfTheMoon'' and ''Music/TheWall'' further raised his popularity, and a ''much'' more relaxed attitude towards fans, the media, and his Floyd bandmates erased his InsufferableGenius ControlFreak stigma in the press. His renewed friendships and occasional musical and personal reunions with Gilmour, Mason, and Wright over the years also helped his image. |
| 155 | * '''Music/{{POD}}''' was one of the hottest bands in America in 2002 thanks to the smash hit album ''Satellite''. Unfortunately, their popularity dipped as NuMetal began to die. Ten years later, they had a huge comeback with ''Murdered Love'', which gave them their biggest hit in years with "Lost in Forever". P.O.D. were not crossing over like they used to, but at least they found a way to fit into the new environment. |
| 156 | * '''Mike Posner''' had a massive hit in 2010 with "Cooler Than Me". His follow-ups "Please Don't Go" and "Bow Chicka Wow Wow" both cracked the Top 40 and went platinum, but were quickly forgotten. Creator/RCARecords then shelved his next two albums, and the closest he came to the top was co-writing #2 hits for Music/JustinBieber and Music/MaroonFive. He faded back into obscurity and was seen by the public as a defining example of a 2010s OneHitWonder for his debut single. Then, in 2015, he released "I Took a Pill in Ibiza", which gained massive attention due to both an EDM remix and its [[SelfDeprecation self-deprecating]] lyrics that told a truthful story. It became his second Top 10 hit in the United States after six years and his first-ever Top 5 hit in the country, rivaling "Roses" as the biggest EDM crossover of the year (before the Chainsmokers' next two songs eclipsed them), and became his first '''#1''' hit in several countries, including the United Kingdom. |
| 157 | * '''Music/ElvisPresley''' began as the "King of Rock and Roll" in TheFifties, sustaining his success in TheSixties after a stint in the Army with hit singles and movies. However, the declining quality of his formulaic rock musicals kept Elvis from being seen as a serious actor, and the soundtracks were increasingly hokey and detached from his early rock spirit. Elvis bounced back via his 1968 comeback special, ''Music/{{Elvis|NBCTVSpecial}}'', showing Presley as lean, mean, and back in touch with his rock sound via the impromptu proto-"Unplugged" concert section. A concert film in 1973, ''Aloha From Hawaii Via Satellite'', cemented his popularity. Though his health declined spectacularly in the [[TheSeventies mid-'70s]], he continued to have hit singles and albums and a residency in Las Vegas and attracted concert crowds for the rest of his life. |
| 158 | * '''Music/{{Prince}}''', after becoming one of the most critically and commercially successful {{funk}} acts of TheEighties, spent TheNineties becoming an increasing subject of public mockery thanks to his feud with Creator/WarnerBrosRecords, which led to diminishing returns in his output and him adopting a deliberately-unpronounceable stage name that resulted in the press referring to him with the unwieldy and widely-mocked nickname "the Artist Formerly Known as Prince". However, 2004's ''Musicology'' would result in renewed success for Prince, peaking at number 5 on multiple countries' album charts. With a few exceptions, his following albums would continue to be critical and commercial successes, and he would further rebound as an in-demand live act until his death in 2016. |
| 159 | [[/folder]] |
| 160 | |
| 161 | [[folder:Q]] |
| 162 | * '''Music/{{Queen}}''' had been a highly successful band in TheSeventies, but by TheEighties they were largely seen as old and washed up, and their reputation had taken multiple body blows: the poor reception of their 1982 album ''Hot Space'' (a {{disco}}-driven pop rock album that heavily contrasted the band's typical GlamRock sound and was released during the height of the [[DiscoSucks anti-disco backlash]] in the United States), the American controversy over the music video for "I Want to Break Free", and, perhaps most significantly, the band being duped into playing in South Africa during a UN-led cultural boycott against the nation in protest of [[UsefulNotes/TheApartheidEra apartheid]]. Then UsefulNotes/LiveAid happened. In 1985, among one of the largest collections of rock bands ever, Queen gave a show-stopping twenty-minute performance that is widely regarded as the single greatest live performance in modern music history, with frontman Music/FreddieMercury at numerous points unprecedentedly getting the 72,000 people in the non-Queen audience to clap and sing along in perfect unison. This shocking comeback revitalized interest in the band that has continued to this day, an interest that only became larger with Mercury's untimely death six years later (which, in combination with the "Bohemian Rhapsody" bit in ''Film/WaynesWorld'' the following year, finally restored Queen's American popularity as well). |
| 163 | [[/folder]] |
| 164 | |
| 165 | [[folder:R]] |
| 166 | * '''Music/{{Robyn}}''' attained some hit singles as a teen pop singer in the late '90s, then fell off the radar for a few years before returning with her self-titled NewSoundAlbum in 2005. It garnered critical acclaim and even earned her a Grammy nomination. She now [[GenreShift performs]] [[{{Retraux}} old-school]] SynthPop that sharply contrasts her former style, which continues to be well-received. |
| 167 | * '''Music/KennyRogers''' had slowly been slipping since the end of TheEighties, as the PopularityPolynomial of CountryMusic shifted back from more pop-styled country such as his to a more traditional sound brought on by then-rising stars such as Music/RandyTravis. After hitting #1 in 1987 with the quickly forgotten Music/RonnieMilsap duet "Make No Mistake, She's Mine", he was dropped by Creator/RCARecords, and had virtually no success with his next four major-label albums all on divisions of Creator/WarnerBrosRecords. He spent most of TheNineties hopping around various indie labels, with such diminishing returns that he stopped charting entirely by 1991, except for a guest appearance on Music/WynonnaJudd's 1997 Christmas release "Mary, Did You Know?" By 1999, he had settled with founding his own label, Dreamcatcher Records; his first album for his own label, ''She Rides Wild Horses'', provided two hits in "The Greatest" and "Buy Me a Rose", the latter going to #1 and helping the album to go platinum. While his later Dreamcatcher releases were not as successful, he did manage enough momentum to once again sign with a major label (Capitol) in 2005 for ''Water & Bridges'', which produced the semi-hit "I Can't Unlove You". He had another resurgence in 2013 when he returned to Warner for ''You Can't Make Old Friends'', which was a commercial success despite a near-total lack of airplay. Rogers concluded the 2010s with a successful farewell tour, giving a sense of closure to his career prior to his death in 2020. |
| 168 | * '''Music/{{Rush|Band}}''' released ''Music/TestForEcho'' in 1996, widely considered by fans to be their worst album. In 1997, drummer-lyricist Neil Peart's teenage daughter died in a car accident; In 1998, his wife died of cancer. For a few years, it seemed as if Rush was done until they reunited to record the amazing ''Music/VaporTrails'' in 2002. Their following albums were also wildly successful before ultimately disbanding for good in 2018 and Peart's death in 2020. |
| 169 | [[/folder]] |
| 170 | |
| 171 | [[folder:S]] |
| 172 | * '''Music/BobSeger''' reached his peak in the late 1970s and early 1980s with his hit albums ''Night Moves'' (1976), ''Stranger in Town'' (1978), and ''Against the Wind'' (1980). His subsequent '80s albums ''The Distance'' (1982) and ''Like A Rock'' (1986) weren't quite as big, but still sold well and had a few hit singles, with the title track of the latter being famously used on Chevrolet commercials for quite some time. It wasn't until the 1990s that it was evident that Seger's star was fading. His [[VocalEvolution voice was shot]] and his then-new albums ''The Fire Inside'' (1991) and ''It's a Mystery'' (1995) were poorly-received and didn't sell well. Seger stepped away from music in the late '90s to focus on his family life and didn't release another album of entirely new material until ''Face the Promise'' in 2006 (where he finally got the hang of singing with his new voice), which was #2 on the ''US Billboard's Top Rock Albums'' and had people talking about him again. |
| 173 | * '''Music/BlakeShelton''' had an inconsistent track record for many years, and often struggled to get more than one big hit off an album, with his debut smash "Austin" (five-week stay at #1 on the country charts, #18 on the pop charts) casting a huge shadow. After neither of the singles from his fourth album, 2007's ''Pure BS'', performed well, the album was re-released with a cover of Music/MichaelBuble's "Home" that went all the way to #1. Although the next album, 2008's ''Startin' Fires'', produced another #1 in "She Wouldn't Be Gone", the next single fizzled out and the album sold terribly. So he decided that he would start releasing [=EPs=]; while these themselves didn't light up the sales charts, the three singles from his two [=EPs=] (the Music/TraceAdkins duet "Hillbilly Bone", "All About Tonight", and "Who Are You When I'm Not Looking") all went to #1 within the course of a year. This provided him with enough momentum for him to return to full albums, with the next three in the cycle (2011's ''Red River Blue'', 2013's ''Based on a True Story...'', and 2016's ''Bringing Back the Sunshine'') all becoming smashes and maintaining a massive streak of #1 hits on the country charts (from "Hillbilly Bone" to "Came Here to Forget" in 2016, he hit #1 ''seventeen'' times in a row, one of the longest streaks achieved by any country artist ever). Even better, he managed to outpeak "Austin" ''twice'' on the pop charts, with "Honey Bee" and "Boys 'Round Here", which are also tied with "God Gave Me You" as his best-selling digital singles. Also helping was his gig as a coach on ''Series/TheVoice'' (started in 2011), which exposed him to a wider and more diverse audience. |
| 174 | * '''Music/{{Slade}}''' were hands down ''the'' biggest band in the UK around 1973, but by 1980 their records were selling next to nothing and they were ready to call it a day. Then Ozzy Osbourne had to pull out of the Reading Festival and Slade were offered his slot instead, so they took it up - still with the intention of just going out for one last show and then splitting. But they went down so well that they were hailed as the hit of the festival, and instead of splitting up they remained together for another decade, enjoying a second run of hits in the UK and even achieving the US success that had (not for lack of trying) eluded them in TheSeventies. |
| 175 | * '''Music/BritneySpears''', one of the biggest pop stars in the world between 1999 and 2004, saw her career fly off the rails from 2004 to 2008 in one of the defining examples of a CreatorBreakdown. Highlights include: a 55-hour Vegas marriage to a childhood friend, her turbulent relationship with Kevin Federline, shaving her head, the cancelled ''Original Doll'' album, delivering a critically-thrashed performance at the [[Creator/{{MTV}} 2007 MTV Video Music Awards]] (which spawned the "LEAVE BRITNEY ALONE!" {{meme}} from Chris Crocker), and finally, the court putting her into conservatorship of her father (which she wouldn't get out of until ''November 2021''). However, the release of the album ''Circus'' in late 2008, combined with a reduced profile in the tabloids, has turned her career and reputation around, giving her some of her first hit singles since her days as a TeenIdol. And two hits from her album ''Femme Fatale'' prove that ''Circus'' wasn't just a fluke. |
| 176 | * '''Music/DustySpringfield''' was huge during TheSixties, and is considered one of the icons of "blue-eyed soul" with her landmark 1969 album ''Dusty in Memphis''. However, due to personal troubles stemming from anxiety, alcoholism, and tabloids prying into her personal life (including her bisexuality), she had a career slump throughout the 1970s and '80s until Neil Tennant of Music/PetShopBoys asked her to collaborate with them on "What Have I Done to Deserve This?" The song was a hit and revived her career and reputation in the general public's eye until her death in 1999. |
| 177 | * '''Music/BruceSpringsteen''': One of the biggest artists and songwriters of the TheSeventies and especially TheEighties, Springsteen had a string of acclaimed albums across the two decades, with his commercial peak being ''Music/BornInTheUSA''. By TheNineties, major changes had occurred: he had broken up his longtime backing band and moved to Los Angeles. He released two of his least acclaimed albums in the form of ''Human Touch'' and ''Lucky Town''. Although he had some success with the song "Streets of Philadelphia" and the acoustic album ''The Ghost of Tom Joad'', TheNineties is generally seen as a period of creative slump with little material released and less cultural relevance. It was his reunion with the E Street Band and especially his new album ''The Rising'', with its timely 9/11 relevance which cemented his return to general prominence and critical acclaim. |
| 178 | * The UK dance-pop group '''Music/{{Steps}}''' formed in 1997 and had a good career for over four years, selling over 22 million records worldwide and supporting Britney Spears on tour in 1999. Personal differences, however, led to discord within the group, with members Claire Richards and Ian "H" Watkins departing to work on their own thing while the remaining three members disbanded in December 2001. Every one of them tried making their own forays into solo work, though none of their projects were that successful. By 2011, all five members had drifted into obscurity before they reunited for a documentary special. That gave the group renewed exposure and led to them releasing their greatest hits album, which was a smash success in Europe. They promptly got back together and went on to release three new albums, making them popular to a new generation. |
| 179 | * '''Music/CatStevens''' did this three times: |
| 180 | ** 1970's ''Mona Bone Jakon''. After a lukewarm career in his teens and a long period of health problems, he figuratively and literally started GrowingTheBeard. |
| 181 | ** 1977's ''Izitso''. The merely moderate success of 1975's ''Numbers'' (#13) following the successes of his previous five albums almost became a CreatorKiller for him, but ''Izitso'' peaked at #7 on the Hot 200. He only made one more album after that before going on a long hiatus, but that had less to do with any career downturn and more to do with him converting to Islam. |
| 182 | ** 2006's ''An Other Cup''. This was his first album since 1978's ''Back to Earth'' and marked his return to popular music as Yusuf Islam. |
| 183 | [[/folder]] |
| 184 | |
| 185 | [[folder:T]] |
| 186 | * '''Teena Marie''' was one of the most popular R&B artists of the '80s, reportedly becoming the most successful white act in the history of Creator/{{Motown}} and still attaining mainstream success after a [[ChannelHop Label Hop]] to Creator/{{Epic Records}} with hit singles like "Lovergirl" and "Ooo La La La". However, Teena parted ways with Epic as a result of CreativeDifferences with the label during the creation of her 1990 album ''Ivory''. She attempted an indie comeback in 1994 by founding her own label, Sarai Records, where she released her next album ''Passion Play'', but [[TechnologyMarchesOn in an era before music distribution on the Internet was possible]], she struggled to find sufficient distribution for the album, causing ''Passion Play'' to come and go without many of her fans even knowing of its existence. Although she recorded a second album independently, ''Black Rain'', Teena decided to hold back its release and secure a major-label deal in order to prevent replicating what happened with ''Passion Play''; she eventually scored a deal with Cash Money Records in 2002, and the first album she released on the label, 2004's ''La Doña'', ended up becoming the highest-charting album of her three-decade career, while its lead single "Still in Love" became her first top 40 hit on the R&B charts since 1990 and her first entry on the Billboard Hot 100 since 1988, and it is now regarded as one of her most iconic songs. The final two albums she released before her death, 2006's ''Sapphire'' on Cash Money and 2009's ''Congo Square'' on Creator/{{Stax Records}}, were also met with commercial success and critical acclaim. |
| 187 | * '''Music/{{Thrice}}''' were a critically adored band that began as a HardcorePunk outfit before branching out into PostHardcore, [[EmoMusic Emo]], ProgressiveRock, AlternativeRock, IndieRock, Folk, Blues, NewAge, PostRock, and just about anything else. Then, they disbanded for five years, before returning in 2016 with ''To Be Everywhere Is To Be Nowhere'', their highest-charting album to date. |
| 188 | * '''Music/TanyaTucker''' was only 13 when she had her first hit single, "Delta Dawn", in 1972. She continued to have hits throughout TheSeventies, including six #1 hits and a Top 40 pop crossover with "Lizzie and the Rainman". But come TheEighties, the pressures of stardom had hit her hard: she was drinking heavily and using cocaine, and had romantic entanglements with Glen Campbell. During the first few years of the decade, she was hopping from label to label, and having almost no success at radio, other than "Can I See You Tonight" in 1980. But after a three-year absence from the charts, she came back cleaned up and re-focused in 1986 on Capitol Records with "One Love at a Time". That song got her back on track, and in the 11 years she spent on Capitol, she scored a boatload of Top 10 hits, four more #1 hits, and four gold and two platinum albums. |
| 189 | * '''Music/TinaTurner''' attained recognition alongside her then-husband Ike in TheSixties and TheSeventies as one of that epoch's most iconic musical duos, before she called it quits both personally and professionally after enduring Ike's DomesticAbuse for too long. After the split, Tina kept a low profile for the next few years before majorly rebounding in 1984 with ''Music/PrivateDancer''. The multi-platinum status album contained the now-legendary song "What's Love Got To Do With It", which won the Grammy for Record of the Year while also becoming her first and only #1 on the ''Billboard'' Hot 100. She went on to sell over 100 million records globally and thus affirmed her iconic status as music royalty. |
| 190 | * '''Music/{{Train}}''' had hits in the late 1990s with "Meet Virginia", "Drops of Jupiter", and "Calling All Angels", but were pretty quiet after that, and in a few years, they were only remembered for "Drops of Jupiter". The massive crossover "Hey, Soul Sister" in 2009 finally got Train [[{{pun}} back on track.]] Their 2012 album was a hit as well. |
| 191 | [[/folder]] |
| 192 | |
| 193 | [[folder:U]] |
| 194 | * '''Music/{{U2}}''' was one of the biggest rock acts of TheEighties with plenty of chart-topping hits. But they eventually struggled to produce hits in TheNineties with their album ''Pop'' and another album they didn't even release under the U2 name. A few years later, though, they came back in a huge way with 2000's ''All That You Can't Leave Behind'', whose leadoff single "Beautiful Day" got them the most airplay they'd had in ''years'', and re-cemented their role as rock royalty. |
| 195 | [[/folder]] |
| 196 | |
| 197 | [[folder:V]] |
| 198 | * '''Music/VanHalen''' was considered one of the biggest bands of TheEighties, with a huge multi-platinum debut and a string of successful follow-ups, including the spectacular ''1984''. Lead guitarist Eddie Van Halen was one of the seminal players of that decade's shred movement. In 1985, Van Halen replaced lead singer David Lee Roth after a bitter and public divorce and didn't skip a beat when they brought in former Montrose vocalist Sammy Hagar, who managed to catapult them to an even greater height of stardom. While many fans of Roth see "Van Hagar" as the band's SellOut period, this era produced four #1 albums: 1986's ''5150'', 1988's ''[=OU812=]'', 1991's ''For Unlawful Carnal Knowledge'' and 1995's ''Balance''. Then, another messy and public divorce with a lead singer saw Hagar leave the band in 1996. They tried to regroup in 1998 with ''Van Halen III'' with former Extreme frontman Gary Cherone, which flopped despite producing a #1 rock hit in "Without You". From there, Eddie's personal life went to Hell; he divorced from longtime spouse Valerie Bertinelli, was in and out of rehab for drinking and drug problems, and had a bout with cancer. The band released a compilation album which kept their name relevant and charted at #3 in 2004, but the band further suffered from the departure of founding bassist Michael Anthony, who joined Hagar's touring band, and later his supergroup Chickenfoot with Music/JoeSatriani and [[Music/RedHotChiliPeppers Chad Smith]]. The band also did not show up for its induction into the Rock and Roll Hall of Fame in 2007 (Hagar and Anthony were the only members who showed up and played a few Van Halen songs with guest artists). Eddie emerged from rehab in early 2010 alcohol and cancer-free and rumors surfaced that the band, now with Eddie's son Wolfgang on bass, was writing with founding singer David Lee Roth. In February 2012, the band released ''A Different Kind of Truth'', their first studio album in 14 years. The album shot up to #2 on the charts and received rave reviews, and the band embarked on a successful tour in support of the album. Any chance of a comeback ended into October 2020, when Eddie died of tongue cancer. |
| 199 | * '''Music/GiuseppeVerdi''' with ''Theatre/{{Otello}}'' in 1887. Following the success of ''Theatre/{{Aida|Verdi}}'' in 1871, the aging Verdi spent a good fifteen years in virtual retirement, only writing two major works, a string quartet, and a requiem upon the death of the Milanese poet Alessandro Manzoni, and revising an earlier opera, ''Simon Boccanegra'', in that time frame. But it was ''Otello'' that truly brought him back. |
| 200 | [[/folder]] |
| 201 | |
| 202 | [[folder:W]] |
| 203 | * '''Music/RichardWagner''' had his career nearly destroyed by the UsefulNotes/RevolutionsOf1848, by which time he had completed the opera ''Theatre/{{Lohengrin}}'', which premiered in 1850. ''Theatre/TristanUndIsolde'' in 1865 brought him back to the world of op- uh, [[InsistentTerminology the music-drama]]. |
| 204 | * '''Music/SteveWariner''' had a fairly consistent streak as a country hitmaker from 1981 to 1993, but he hit a dry spell after that. However, a few artists ended up recording songs that he wrote, most notably Music/ClintBlack ("Nothin' but the Taillights"), Music/GarthBrooks ("Longneck Bottle", which also featured Wariner on lead guitar and background vocals), and Bryan White ("One Small Miracle"). He also got a duet vocal on OneHitWonder Anita Cochran's late 1997-early 1998 hit "What If I Said", and some stations even played these four songs in dedicated blocks. Their success led to him signing with Capitol Records in 1997, and he had three more Top 10 hits off his next two albums (1998's ''Burnin' the Roadhouse Down'' and 1999's ''Two Teardrops''), plus a Top 5 guest spot on Black's 2000 hit "Been There" and a co-writer credit on Music/KeithUrban's 2001 hit "Where the Blacktop Ends" before the hits dried out again. |
| 205 | * '''Music/{{Weezer}}''' was one of the few acts to experience a resurrection solely through the power of the internet. In late 2017, a young fan created a Twitter account called @weezerafrica with the goal of convincing Weezer to cover "Africa" by Music/{{Toto}}. After months of the campaign spreading around social media, Weezer responded, although first with a cover of "Rosanna" before releasing "Africa" days later. The "Africa" cover went on to become Weezer's biggest hit in many years, hitting the Billboard ''Hot 100'', crossing over to pop radio (rare achievements for a veteran rock band in the late 2010s), and becoming their first #1 on alternative radio in the 2010s. With the one-two punch of the surprise all-covers "Teal Album" & the long-awaited "Black Album" in 2019, aided by the success of their HairMetal[=/=]ArenaRock-inspired 2021 album ''Van Weezer'', as well as being announced as part of the lineup for the Hella Mega Tour alongside Music/GreenDay and Music/FallOutBoy (initially scheduled for 2020, but pushed back to 2021–22 due to the UsefulNotes/COVID19Pandemic), it seems they won't be looking back anytime soon. |
| 206 | * '''Music/PharrellWilliams''', as one-half of the Neptunes, was one of the defining producers of the early 2000s, scoring number one hits with Music/BritneySpears and Music/SnoopDogg and grabbing critical acclaim for his work with Music/JustinTimberlake and Music/JayZ. Come 2006, and the lack of success generated by his solo album ''In My Mind'' diminished his profile; the most notable work he did for a while was the soundtrack for ''WesternAnimation/DespicableMe1'', and mostly worked as a producer-for-hire. Then 2013 happened. He collaborated with Music/DaftPunk for their critical and commercial darling ''Random Access Memories'' (which also resurrected that band's career), and scored the two hottest songs of the summer: "Get Lucky" with Daft Punk and Nile Rodgers, and the controversial "Blurred Lines" with Music/RobinThicke and Music/{{TI}}. Then he pulled out another international hit with "Happy" from the [[WesternAnimation/DespicableMe2 second]] ''Despicable Me'' film, which also scored an Oscar nomination for Best Original Song. His work co-producing Music/MileyCyrus' NewSoundAlbum ''Bangerz'' gained him more exposure and acclaim. He had a very impressive year. |
| 207 | * '''Charlie Wilson''' was the lead singer of The Gap Band, which was at its peak in the late '70s and early '80s, recording such RAndB classics as "Outstanding", "Oops Upside Your Head", "Early In The Morning", and "You Dropped A Bomb On Me". However, by the late '80s, he was heavily involved in alcohol and cocaine and became homeless. He ended up going to rehab but found that many record labels wouldn't give him a chance after he got out. Music/RKelly and Music/SnoopDogg would, however, and by 2005 he released his first solo single, "Charlie, Last Name Wilson". He has been nominated for four Grammys since his comeback and is hailed by many as one of the best ContemporaryRAndB singers. |
| 208 | * '''Music/WizKhalifa''' was the hottest new rapper of 2011, whose song "Black & Yellow" became a very rare #1 hit in a time where rap songs didn't gain nearly as much crossover appeal to hit #1 (unless they were mixed with EDM, pop, or R&B) as much as they did in the '90s and 2000s and would later in the decade. He continued to remain relevant through hit collaborations with the likes of Music/SnoopDogg ("Young, Wild, and Free") and Music/Maroon5 ("Payphone"). But by 2015, his hype died down as he was being overshadowed by the likes of Music/KendrickLamar and Music/JCole. His second and third albums didn't sell nearly as well as his first, and he proved unable to score another major hit. That year, he recorded "[[Music/Furious7Soundtrack See You Again]]" for the movie ''Film/Furious7''. Khalifa had previously provided a song for the ''Fast 6'' soundtrack, "We Own It", which was red-hot for a week after the movie came out thanks to his and Music/TwoChainz' fanbases buying it off [=iTunes=], but it quickly plummeted off afterwards. Expectations for "See You Again" were the same, especially given that it was more of a pop song than his signature rap style and that his collaborator, Music/CharliePuth, was almost completely unknown at the time. Then the film came out, and the song suddenly struck a chord with listeners. The song's message about death connected with audiences, especially considering it was recorded [[RealitySubtext in memory of the film's late star]] Creator/PaulWalker. After seeing the movie's emotional ending scene, audiences rushed to buy it on [=iTunes=], and thanks to strong word-of-mouth it quickly caught on with the general public. It shot to #1 just two weeks after the movie came out, dethroning Mark Ronson and Music/BrunoMars's seemingly immovable megahit "Uptown Funk!" off the top spot after 14 weeks on its way to its own lengthy 12-week stay on top, and re-established Wiz Khalifa as a hip-hop megastar. The most surprising part about it is that despite ''Furious 7'' having been an enormous blockbuster, the song turned out to be ''[[BreakawayPopHit even bigger]]'', as it became a bona fide pop-cultural phenomenon; thanks to perfect mid-spring timing, ''Again'' was easily repurposed into a graduation anthem (thanks in no small part to lines like "we've come a long way from where we began"). Needless to say, Khalifa's career was back on track. |
| 209 | [[/folder]] |
| 210 | |
| 211 | [[folder:Y]] |
| 212 | * '''Music/WeirdAlYankovic''' went through two of these: |
| 213 | ** His first was during the turn of TheNineties. Following the failure of both the ''Film/{{UHF}}'' film and its [[Music/UHFOriginalMotionPictureSoundtrackAndOtherStuff companion soundtrack]] and Music/MichaelJackson politely declining him permission to parody "Black or White" as "Snack All Night", Al was at a crossroads in his career. Then an idea presented himself when Music/{{Nirvana}} took off with "Smells Like Teen Spirit", inspiring Al to write "Smells Like Nirvana". This song and its album, ''Music/OffTheDeepEnd'', reignited his career after that downturn, earning him another Top 40 pop hit and praise from Music/KurtCobain himself. |
| 214 | ** While his Nirvana parody helped him remain relevant through the decade, it was clear by the end that returns were diminishing with the general public, not helped with his makeover, where he got rid of his afro and glasses and curled out his hair, not appealing to many people. Then came his 2003 album ''Music/PoodleHat'', which was both a critical and commercial failure that audiences dismissed as Al being out of touch with culture. Matters with his personal life didn't help, [[note]]He was busy raising his newborn daughter and both of his parents tragically passed away in 2004 from carbon monoxide poisoning while he was on tour.[[/note]] which all resulted in Al taking an extended break from music. However, when he came back with his album ''Music/StraightOuttaLynwood'' in 2006, it scored him a massive hit single with "White & Nerdy", becoming his sole Top 10 song. From there, he has elevated himself as a legend among geek culture and has been more popular than ever since, eventually scoring his first #1 album ''Music/MandatoryFun'' in 2014. |
| 215 | * '''Music/{{Yes}}''' was one of the most successful ProgressiveRock groups of TheSeventies. By the end of the decade, however, the failure of the controversial, patchy 1978 album ''Tormato'', a seismic line-up shift incorporating Music/TheBuggles for the 1980 followup album ''Music/{{Drama|YesAlbum}}'', and prog-rock going out of fashion in general led to a drop in popularity and the breakup of the band in 1981. 1982 saw a new lineup co-led by South African guitarist/keyboardist/vocalist Music/TrevorRabin and original singer Jon Anderson, which produced a groundbreaking, state-of-the-art prog-pop style for the multi-platinum 1983 album ''Music/NineOhOneTwoFive'' and the #1 hit "Owner of a Lonely Heart" (aided by an eye-catching music video directed by famed graphic artist [[Creator/{{Hipgnosis}} Storm Thorgerson]]), revitalizing the band in TheEighties. [=AllMusic=]'s review of the album called it "a stunning self-reinvention by a band that many had given up for dead." |
| 216 | [[/folder]] |
| 217 |
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