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About fandom trends. Specific works are Adaptational tropes.
Deleted line(s) 1,5 (click to see context) :
* AlternateCharacterInterpretation: A lot.
** "NON-EXISTENT MEET CUTE" portrays Spike and Rarity's relationship as an abusive one, with the former realizing this as they grow older. Oh, and Spike is depicted as non-binary.
** "LESBIAN PONIES WITH WEAPONS" portrays Pinkie as a gay, anarchist revolutionary. With a weapon.
** "the yak song" portrays Yona as holding HiddenDepths she struggles to explain to a friend of hers.
** "I DON'T NEED TO BE FIXED" depicts Bubbles (Derpy) as both autistic and in love with Maud Pie.
** "NON-EXISTENT MEET CUTE" portrays Spike and Rarity's relationship as an abusive one, with the former realizing this as they grow older. Oh, and Spike is depicted as non-binary.
** "LESBIAN PONIES WITH WEAPONS" portrays Pinkie as a gay, anarchist revolutionary. With a weapon.
** "the yak song" portrays Yona as holding HiddenDepths she struggles to explain to a friend of hers.
** "I DON'T NEED TO BE FIXED" depicts Bubbles (Derpy) as both autistic and in love with Maud Pie.
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Only applies to general fandom trends, not specific fanworks.
Deleted line(s) 8 (click to see context) :
* RonTheDeathEater: In "SYNDICATE", Rarity is rewritten as a prolific mob boss without much concern in killing competitors.
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None
Added DiffLines:
* PeripheryDemographic: Although her music is primarily aimed at the ''MLP'' fandom, her work has earned praise from people outside it.
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None
Changed line(s) 7 (click to see context) from:
* RonTheDeathEater: In "SYNDICATE", Rarity is rewritten as a prolific mob boss without much concern in killing competitors.
to:
* RonTheDeathEater: In "SYNDICATE", Rarity is rewritten as a prolific mob boss without much concern in killing competitors.competitors.
* WhatDoYouMeanItsNotForKids: Although her music is inspired by a family-friendly TV show, it's transparently intended for older audiences, as shown by the frequent swearing and discussion of more adult topics.
* WhatDoYouMeanItsNotForKids: Although her music is inspired by a family-friendly TV show, it's transparently intended for older audiences, as shown by the frequent swearing and discussion of more adult topics.
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None
Changed line(s) 6 (click to see context) from:
* FridgeBrilliance: ''ANTONYMPH'' tells the listener "Don’t stop, don’t stop until you hear the 'yay'". What seems like a normal line later becomes Fridge Brilliance when you realize that the sample isn’t repeated throughout the entire song. Considering the fact the song is about embracing one’s "cringe" side, the line is telling the listener to not stop.
to:
* FridgeBrilliance: ''ANTONYMPH'' tells the listener "Don’t stop, don’t stop until you hear the 'yay'". What seems like a normal line later becomes Fridge Brilliance when you realize that the sample isn’t repeated throughout the entire song. Considering the fact the song is about embracing one’s "cringe" side, the line is telling the listener to not stop.stop.
* RonTheDeathEater: In "SYNDICATE", Rarity is rewritten as a prolific mob boss without much concern in killing competitors.
* RonTheDeathEater: In "SYNDICATE", Rarity is rewritten as a prolific mob boss without much concern in killing competitors.
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None
Changed line(s) 2 (click to see context) from:
** "NON EXISTENT MEET CUTE" portrays Spike and Rarity's relationship as an abusive one, with the former realizing this as they grow older. Oh, and Spike is depicted as non-binary.
to:
** "NON EXISTENT "NON-EXISTENT MEET CUTE" portrays Spike and Rarity's relationship as an abusive one, with the former realizing this as they grow older. Oh, and Spike is depicted as non-binary.
Added DiffLines:
** "I DON'T NEED TO BE FIXED" depicts Bubbles (Derpy) as both autistic and in love with Maud Pie.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AlternateCharacterInterpretation: A lot.
** "NON EXISTENT MEET CUTE" portrays Spike and Rarity's relationship as an abusive one, with the former realizing this as they grow older. Oh, and Spike is depicted as non-binary.
** "LESBIAN PONIES WITH WEAPONS" portrays Pinkie as a gay, anarchist revolutionary. With a weapon.
** "the yak song" portrays Yona as holding HiddenDepths she struggles to explain to a friend of hers.
** "NON EXISTENT MEET CUTE" portrays Spike and Rarity's relationship as an abusive one, with the former realizing this as they grow older. Oh, and Spike is depicted as non-binary.
** "LESBIAN PONIES WITH WEAPONS" portrays Pinkie as a gay, anarchist revolutionary. With a weapon.
** "the yak song" portrays Yona as holding HiddenDepths she struggles to explain to a friend of hers.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FridgeBrilliance: ''ANTONYMPH'' tells the listener "Don’t stop, don’t stop until you hear the 'yay'". What seems like a normal line later becomes Fridge Brilliance when you realize that the sample isn’t repeated throughout the entire song. Considering the fact the song is about embracing one’s "cringe" side, the line is telling the listener to not stop.
