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* SeinfeldIsUnfunny: Much of the novel's innovation falls victim to this effect, such as the idea of a vampire with fangs, puncture marks on the throat, and [[AntiVillain the sympathetic vampire]], all of which have become standards in later vampire fiction.
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* SeinfeldIsUnfunny: OnceOriginalNowOverdone: Much of the novel's innovation falls victim to this effect, such as the idea of a vampire with fangs, puncture marks on the throat, and [[AntiVillain the sympathetic vampire]], all of which have become standards in later vampire fiction.
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* SocietyMarchesOn: Unfortunately, the AlliterativeTitle now sounds like a children's book about a FriendlyNeighbourhoodVampire, something that would have not occurred to anyone in the ninteenth century when vampires were neither portrayed as friendly nor considered suitable subjects for children.
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* CultClassic: while Dracula is one of modern fiction's most well-known characters, Varney remains known to a small but dedicated fanbase (and you do have to be pretty dedicated to read 2000 pages of dense, ''dense'' Victorian prose) over a century and a half later.
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* CultClassic: while While Dracula is one of modern fiction's most well-known characters, Varney remains known to a small but dedicated fanbase (and you do have to be pretty dedicated to read 2000 pages of dense, ''dense'' Victorian prose) over a century and a half later.
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Changed line(s) 6,7 (click to see context) from:
* SocietyMarchesOn: Unfortunately, the AlliterativeTitle now sounds like a children's book about a FriendlyNeighbourhoodVampire, something that would not occurred to anyone in the ninteenth century when vampires were neither portrayed as friendly nor considered suitable subjects for children.
to:
* SocietyMarchesOn: Unfortunately, the AlliterativeTitle now sounds like a children's book about a FriendlyNeighbourhoodVampire, something that would have not occurred to anyone in the ninteenth century when vampires were neither portrayed as friendly nor considered suitable subjects for children.
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typo fix
Changed line(s) 6,7 (click to see context) from:
* SocietyMarchesOn: Unfortunately, the AlliterativeTitle now sounds like a children's book about a FriendlyNeighbourhoodVampire, something that would not occurred to anyone in the ninteenth century when vampires were neither potrayed as friendly nor considered suitable subjects for children.
to:
* SocietyMarchesOn: Unfortunately, the AlliterativeTitle now sounds like a children's book about a FriendlyNeighbourhoodVampire, something that would not occurred to anyone in the ninteenth century when vampires were neither potrayed portrayed as friendly nor considered suitable subjects for children.
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to:
* SocietyMarchesOn: Unfortunately, the AlliterativeTitle now sounds like a children's book about a FriendlyNeighbourhoodVampire, something that would not occurred to anyone in the ninteenth century when vampires were neither potrayed as friendly nor considered suitable subjects for children.
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Changed line(s) 5,6 (click to see context) from:
* SeinfeldIsUnfunny: Much of the novel's innovation falls victim to this effect, such as the idea of a vampire with fangs, puncture marks on the throat, and [[AntiVillain the sympathetic vampire]], all of which are standards in later vampire fiction.
to:
* SeinfeldIsUnfunny: Much of the novel's innovation falls victim to this effect, such as the idea of a vampire with fangs, puncture marks on the throat, and [[AntiVillain the sympathetic vampire]], all of which are have become standards in later vampire fiction.
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* CultClassic: while Dracula is one of modern fiction's most well-known characters, Varney remains known to a small but dedicated fanbase (and you do have to be pretty dedicated to read 2000 pages of dense, ''dense'' Victorian prose) over a century and a half later.
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* SeinfeldIsUnfunny: Much of the novel's innovation falls victim to this effect, such as the idea of a vampire with fangs, puncture marks on the throat, and [[AntiVillain the sympathetic vampire]], all of which are standards in later vampire fiction.
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* SeinfeldIsUnfunny: Much of the novel's innovation falls victim to this effect, such as the idea of a vampire with fangs, puncture marks on the throat, and [[AntiVillain the sympathetic vampire]], all of which are standards in later vampire fiction.fiction.
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