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Changed line(s) 8 (click to see context) from:
** "A Day in the Life" is a simulation of the loss of John Lennon's mother.
to:
** "A Day in the Life" is a simulation of the loss of John Lennon's mother.mother.
** The very end, which features a clip of John Lennon laughing and saying "This is Johnny Lennon just sayin' good night to ya's all, and God bless ya's." There's just something about it...
** The very end, which features a clip of John Lennon laughing and saying "This is Johnny Lennon just sayin' good night to ya's all, and God bless ya's." There's just something about it...
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Track titles go in quotes, "Within You Without You" doesn't have a comma in the title, the last song from Side 1 of Sgt. Pepper is called "Being for the Benefit of Mr. Kite!" (the first take on Anthology even has John correcting the title when it is announced as "For the Benefit of Mr. Kite"), and "She's So Heavy" goes in parentheses, not after a comma.
Changed line(s) 2,5 (click to see context) from:
** The mashup of Within You, Without You and Tomorrow Never Knows was the proof of concept song for the entire project and it only takes one listen to see why it single-handedly got people on board.
** Special shoutout to the beginning of the show, which starts with a very quiet, dynamic acapella version of "Because" and then launches into sublime chaos with the infamous opening chord of "A Hard Day's Night" giving way to the drum and guitar solos of "The End" with the building atonal cacophony of strings from "A Day in the Life" before settling on the raucous "Get Back".
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams from "Helter Skelter" over the top and burying the laughter from "Piggies" under it.
* SugarWiki/MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet.
** Special shoutout to the beginning of the show, which starts with a very quiet, dynamic acapella version of "Because" and then launches into sublime chaos with the infamous opening chord of "A Hard Day's Night" giving way to the drum and guitar solos of "The End" with the building atonal cacophony of strings from "A Day in the Life" before settling on the raucous "Get Back".
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams from "Helter Skelter" over the top and burying the laughter from "Piggies" under it.
* SugarWiki/MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet.
to:
** The mashup of Within You, "Within You Without You You" and Tomorrow "Tomorrow Never Knows Knows" was the proof of concept song for the entire project and it only takes one listen to see why it single-handedly got people on board.
**Special shoutout to the The beginning of the show, which show starts with a very quiet, dynamic acapella version of "Because" and then launches into sublime chaos with the infamous opening chord of "A Hard Day's Night" giving way to the drum and guitar solos of "The End" with the building atonal cacophony of strings from "A Day in the Life" before settling on the raucous "Get Back".
** Second mention should go to"For "Being for the Benefit of Mr. Kite", Kite!", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's You (She's So Heavy" Heavy)" and then adds Paul's hell-ish screams from "Helter Skelter" over the top and burying the laughter from "Piggies" under it.
* SugarWiki/MomentOfAwesome: "WithinYou, You Without You" features an amazing effect in which the audience is covered by a giant sheet.
**
** Second mention should go to
* SugarWiki/MomentOfAwesome: "Within
Changed line(s) 7,8 (click to see context) from:
** "While My Guitar Gently Weeps" a poetic dance done by a female artist with a paper mâché figure representing the Beatles splitting up.
** "A Day in the Life" which is a simulation of the loss of John Lennon's mother.
** "A Day in the Life" which is a simulation of the loss of John Lennon's mother.
to:
** "While My Guitar Gently Weeps" Weeps", a poetic dance done by a female artist with a paper mâché figure representing the Beatles splitting up.
** "A Day in the Life"which is a simulation of the loss of John Lennon's mother.
** "A Day in the Life"
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Added DiffLines:
** The mashup of Within You, Without You and Tomorrow Never Knows was the proof of concept song for the entire project and it only takes one listen to see why it single-handedly got people on board.
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formatting
Changed line(s) 2,3 (click to see context) from:
** Special shoutout to the beginning of the show, which starts with a very quiet, dynamic acapella version of "Because" and then launches into sublime chaos with the infamous opening chord of "A Hard Day's Night" giving way to the drum and guitar solos of The End with the building atonal cacophony of strings from A Day in the Life before settling on the raucous Get Back.
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams from Helter Skelter over the top and burying the laughter from Piggies under it.
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams from Helter Skelter over the top and burying the laughter from Piggies under it.
to:
** Special shoutout to the beginning of the show, which starts with a very quiet, dynamic acapella version of "Because" and then launches into sublime chaos with the infamous opening chord of "A Hard Day's Night" giving way to the drum and guitar solos of The End "The End" with the building atonal cacophony of strings from A "A Day in the Life Life" before settling on the raucous Get Back.
"Get Back".
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams fromHelter Skelter "Helter Skelter" over the top and burying the laughter from Piggies "Piggies" under it.
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams from
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awesome music
Added DiffLines:
** Special shoutout to the beginning of the show, which starts with a very quiet, dynamic acapella version of "Because" and then launches into sublime chaos with the infamous opening chord of "A Hard Day's Night" giving way to the drum and guitar solos of The End with the building atonal cacophony of strings from A Day in the Life before settling on the raucous Get Back.
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams from Helter Skelter over the top and burying the laughter from Piggies under it.
** Second mention should go to "For the Benefit of Mr. Kite", which takes the already vaguely psychedelic vaudeville of the original, smashes it into a halftime feel to open up the beat using Billy Preston's wild organ solo from "I Want You, She's So Heavy" and then adds Paul's hell-ish screams from Helter Skelter over the top and burying the laughter from Piggies under it.
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None
Changed line(s) 4 (click to see context) from:
** "While My Guitar Gently Weeps" a poetic dance done by a female artist with a paper mâché figure.
to:
** "While My Guitar Gently Weeps" a poetic dance done by a female artist with a paper mâché figure.figure representing the Beatles splitting up.
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Changed line(s) 2,3 (click to see context) from:
* SugarWiki/MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet in which images are projected above them.
* TearJerker: "While My Guitar Gently Weeps" and "A Day in the Life".
* TearJerker: "While My Guitar Gently Weeps" and "A Day in the Life".
to:
* SugarWiki/MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet in which images are projected above them.
sheet.
*TearJerker: TearJerker:
** "While My Guitar Gently Weeps"and a poetic dance done by a female artist with a paper mâché figure.
** "A Day in theLife".Life" which is a simulation of the loss of John Lennon's mother.
*
** "While My Guitar Gently Weeps"
** "A Day in the
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Changed line(s) 2 (click to see context) from:
* MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet in which images are projected above them.
to:
* MomentOfAwesome: SugarWiki/MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet in which images are projected above them.
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Added DiffLines:
* SugarWiki/AwesomeMusic: Well, ''duh''. But seriously, the remixing of some of the Fab Four's bigger hits is very cool.
* MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet in which images are projected above them.
* TearJerker: "While My Guitar Gently Weeps" and "A Day in the Life".
* MomentOfAwesome: "Within You, Without You" features an amazing effect in which the audience is covered by a giant sheet in which images are projected above them.
* TearJerker: "While My Guitar Gently Weeps" and "A Day in the Life".
