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Spelling/grammar fix(es)
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* SugarWiki/VisualEffectsOfAwesome: Mechagodzilla and Titanosaurus’ rampage through Japan during the final act, which is often seen as some of the best effects work from the 70’s Godzilla films. From Titanosaurus’ tail shake that causes rubble to fly all over to the buildings blowing up by Mechagodzilla’s finger middles and eye beams, it’s a visual treat to behold.
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* SugarWiki/VisualEffectsOfAwesome: Mechagodzilla and Titanosaurus’ rampage through Japan during the final act, which is often seen as some of the best effects work from the 70’s Godzilla films. From Titanosaurus’ tail shake that causes rubble to fly all over to the buildings blowing up by Mechagodzilla’s finger middles missiles and eye beams, it’s a visual treat to behold.
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* HilariousInHindsight: "Clair de Lune" can be heard in the background during a café scene involving Ichinose and Katsura. Now "Clair de Lune" is used in the trailer for ''Film/GodzillaKingOfTheMonsters2019''.
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* HilariousInHindsight: HilariousInHindsight:
** "Clair de Lune" can be heard in the background during a café scene involving Ichinose and Katsura. Now "Clair de Lune" is used in the trailer for''Film/GodzillaKingOfTheMonsters2019''.''Film/GodzillaKingOfTheMonsters2019''.
** Godzilla, who is modeled after ''Tyrannosaurus,'' battles Titanosaurus, who greatly resembles ''Spinosaurus,'' a full 26 years before ''Film/JurassicParkIII'' made SpinosaurusVersusTRex a common trope.
** Speaking of ''Spinosaurus'', in 2020 it was determined that this dinosaur possessed an unusual paddle-like tail, suited to an aquatic lifestyle. Titanosaurus has a similar structure on its tail, decades before paleontology would support such a concept.
** "Clair de Lune" can be heard in the background during a café scene involving Ichinose and Katsura. Now "Clair de Lune" is used in the trailer for
** Godzilla, who is modeled after ''Tyrannosaurus,'' battles Titanosaurus, who greatly resembles ''Spinosaurus,'' a full 26 years before ''Film/JurassicParkIII'' made SpinosaurusVersusTRex a common trope.
** Speaking of ''Spinosaurus'', in 2020 it was determined that this dinosaur possessed an unusual paddle-like tail, suited to an aquatic lifestyle. Titanosaurus has a similar structure on its tail, decades before paleontology would support such a concept.
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moved to Fridge page
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* FridgeBrilliance: Scientists not believing Mafune's story of a dinosaur in Japan seems silly at first, considering how kaiju attacks are taken as everyday occurrences in the '70s films, until you remember that his initial discovery of Titanosaurus took place fifteen years prior. People would still often react with "A giant monster? Surely you're joking!" well into the 1960s, especially considering that fifteen years would've made it 1960 - Major events like ''Film/{{Mothra}}'' and ''Film/KingKongVsGodzilla'' hadn't even happened yet.
** That, and considering Japan had already suffered the wrath of two Godzillas, two Rodans, Anguirus, and Varan (plus two Mogueras and their accompanying alien invaders), perhaps the scientific community were ProperlyParanoid, and were in denial about the possibility of such events happening again.
** What actually seemed to have gotten Dr. Mafune excommunicated from the scientific community was his claim that he could control Titanosaurus and by extension ''all of sea life.'' Imagine the kind of power Japan would possess -- except this is the exact kind of scenario Dr. Serizawa feared if his Oxygen Destroyer device ever saw widespread use as a weapon. Perhaps their scorning of Dr. Mafune was the scientific community taking heed of Serizawa's fear and sacrifice.
** That, and considering Japan had already suffered the wrath of two Godzillas, two Rodans, Anguirus, and Varan (plus two Mogueras and their accompanying alien invaders), perhaps the scientific community were ProperlyParanoid, and were in denial about the possibility of such events happening again.
** What actually seemed to have gotten Dr. Mafune excommunicated from the scientific community was his claim that he could control Titanosaurus and by extension ''all of sea life.'' Imagine the kind of power Japan would possess -- except this is the exact kind of scenario Dr. Serizawa feared if his Oxygen Destroyer device ever saw widespread use as a weapon. Perhaps their scorning of Dr. Mafune was the scientific community taking heed of Serizawa's fear and sacrifice.
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* TrueArtIsAngsty: It’s often highly regarded as one of the best films from the Showa era and an underrated gem within the series overall. It’s also the bleakest entry of the Showa era since the original, dealing with darker themes like the loss of identity and how the lust for revenge can consume a grieving man.
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** What actually seemed to have gotten Dr. Mafune excommunicated from the scientific community was his claim that he could control Titanosaurus and by extension ''all of sea life.'' Imagine the kind of power Japan would possess -- except this is the exact kind of scenario Dr. Serizawa feared if his Oxygen Destroyer device ever saw widespread use as a weapon. Perhaps their scorning of Dr. Mafune was the scientific community taking heed of Serizawa's fear and sacrifice.
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* {{Narm}}: Even by the standards of the Showa series, Katsura has the most over the top dramatic acting when she is in pain.
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* EnsembleDarkHorse: Titanosaurus has gotten a lot of love from the fandom for its unique design and tragic backstory.
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* EnsembleDarkHorse: Titanosaurus has gotten a lot of love from the fandom for its unique design and tragic backstory. Alongside Gorosaurus and Varan, Titanosaurus is probably the most popular kaiju from the Showa series to not appear in any film since (especially because, unlike Gorosaurus and Varan, Titanosaurus has only appeared in a single film).
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* VindicatedByHistory: It has its flaws, as do all Godzilla movies to various levels. This film had the lowest box office attendance but is well liked by many fans today, mainly due to EnsembleDarkhorse Titanosaurus, it’s darker themes and the large amount of SceneryGorn during the final act.
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* VindicatedByHistory: It has its flaws, as do all Godzilla movies to various levels. This film had the lowest box office attendance ([[FranchiseKiller putting the franchise on hiatus for a decade]]) but is well liked by many fans today, mainly due to EnsembleDarkhorse Titanosaurus, it’s its darker themes themes, and the large amount of SceneryGorn during the final act.act. It's generally considered a respectable sendoff and final entry for the Showa Era, albeit an unintentional one.
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* NarmCharm: The film's final shot - Godzilla's wave as he heads back to sea. Cheesy? Oh, yeah. But considering that it would be another 10 years until Toho made another Godzilla movie, it's a bit poignant.
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* NarmCharm: The film's final shot - Godzilla's wave as he heads back to sea. Cheesy? Oh, yeah. But considering It would have been just another ending, seeing as how there are a number of unmade films and proposed treatments that would have seen the series continuing through the 1970's with a shorter hiatus, if any hiatus at all, but all this was not to be. Considering that it would be another 10 years until Toho made another Godzilla movie, it's the ending's a bit poignant.
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* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], and one of the most highly praised entires in the series with themes such as loss of identity and how revenge can consume a grieving man to a path of destruction. The rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films. Needless to say, this installment doesn’t mess around.
* VindicatedByHistory: It has its flaws, as do all Godzilla movies to various levels. This film had the lowest box office attendance but is well liked by many fans today, mainly due to EnsembleDarkhorse Titanosaurus and the large amount of SceneryGorn.
* VindicatedByHistory: It has its flaws, as do all Godzilla movies to various levels. This film had the lowest box office attendance but is well liked by many fans today, mainly due to EnsembleDarkhorse Titanosaurus and the large amount of SceneryGorn.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], and It’s often highly regarded as one of the most highly praised entires in best films from the Showa era and an underrated gem within the series overall. It’s also the bleakest entry of the Showa era since the original, dealing with darker themes such as like the loss of identity and how the lust for revenge can consume a grieving man to a path of destruction. The rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films. Needless to say, this installment doesn’t mess around.
man.
* VindicatedByHistory: It has its flaws, as do all Godzilla movies to various levels. This film had the lowest box office attendance but is well liked by many fans today, mainly due to EnsembleDarkhorseTitanosaurus Titanosaurus, it’s darker themes and the large amount of SceneryGorn.SceneryGorn during the final act.
* VindicatedByHistory: It has its flaws, as do all Godzilla movies to various levels. This film had the lowest box office attendance but is well liked by many fans today, mainly due to EnsembleDarkhorse
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Changed line(s) 13 (click to see context) from:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], and one of the most highly praised entires in the series with themes such as loss of identity and how revenge can consume a grieving man to a path of destruction. The rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], and one of the most highly praised entires in the series with themes such as loss of identity and how revenge can consume a grieving man to a path of destruction. The rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]].films. Needless to say, this installment doesn’t mess around.
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* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], and one of the more highly praised entires in the series with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], and one of the more most highly praised entires in the series with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the destruction. The rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
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* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], and one of the more highly praised entires in the series with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
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** ''[[https://m.youtube.com/watch?v=Go7VoU-YJ34 The Appearance of Godzilla]]'', which plays when Godzilla first appears in the movie, is probably the most triumphant the classic theme has ever sounded.
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* HilariousInHindsight: "Clair de Lune" can be heard in the background during a café scene involving Ichinose and Katsura. Now "Clair de Lune" is used in the trailer for Film/GodzillaKingOfTheMonsters2019.
to:
* HilariousInHindsight: "Clair de Lune" can be heard in the background during a café scene involving Ichinose and Katsura. Now "Clair de Lune" is used in the trailer for Film/GodzillaKingOfTheMonsters2019.''Film/GodzillaKingOfTheMonsters2019''.
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* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up to get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up to and get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
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Changed line(s) 12 (click to see context) from:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, is portrayed as a tragic creature forced to fight with the Black Hole Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, kids show up to get killed by Titanosaurus, heck even the ''ending'' is more [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this installment doesn’t mess around.
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** Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues, thus isn’t considered an "original score" [[/note]] and delivers on a score that just screams "''this is the end''". [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
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** Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues, scores, thus isn’t considered an "original score" soundtrack" [[/note]] and delivers on a score that just screams "''this is the end''". [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
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** [[https://m.youtube.com/watch?v=KpSgxqkUXOQ Katsura’s Death II]], a slow, bitter piece that plays when Katsura [[spoiler:kills herself, realizing she has Mechagodzilla’s remote built inside her.]]
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** [[https://m.''[[https://m.youtube.com/watch?v=KpSgxqkUXOQ Katsura’s Death II]], II]]'', a slow, bitter piece that plays when Katsura [[spoiler:kills herself, realizing she has Mechagodzilla’s remote built inside her.]]
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** ''[[https://m.youtube.com/watch?v=W3FvzZr0e10 Katsura’a Memory]]'', a simplistic, yet tragic organ piece about the [[spoiler:death and reconstruction of Dr. Mafune’s only child.]]
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** ''[[https://m.youtube.com/watch?v=W3FvzZr0e10 Katsura’a Memory]]'', Memories]]'', a simplistic, yet tragic organ piece about the [[spoiler:death and reconstruction of Dr. Mafune’s only child.]]
** [[https://m.youtube.com/watch?v=KpSgxqkUXOQ Katsura’s Death II]], a slow, bitter piece that plays when Katsura [[spoiler:kills herself, realizing she has Mechagodzilla’s remote built inside her.]]
** [[https://m.youtube.com/watch?v=KpSgxqkUXOQ Katsura’s Death II]], a slow, bitter piece that plays when Katsura [[spoiler:kills herself, realizing she has Mechagodzilla’s remote built inside her.]]
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* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since the [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a remote control for Mechagodzilla]] and how revenge can consume a man to a path of destruction, Titanosaurus, the rival monster is portrayed as a tragic creature forced to fight with the Black Hole Aliens, Godzilla is noticeably outnumbered and alone in his final battle, heck even the ''ending'' is more of a DownerEnding than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this entry doesn’t mess around.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since the [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a robot, and later on as a remote control for Mechagodzilla]] and how revenge can consume a grieving man to a path of destruction, the rival monster, Titanosaurus, the rival monster is portrayed as a tragic creature forced to fight with the Black Hole Aliens, Aliens against its will, Godzilla is noticeably outnumbered and alone in his final battle, heck even the ''ending'' is more of a DownerEnding [[DownerEnding bleak and depressing]] than the past 70’s Godzilla films which ended on either happy or bittersweet notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this entry installment doesn’t mess around.
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* SugarWiki/AwesomeMusic: Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues, thus isn’t considered an "original score" [[/note]] and delivers on a score that just screams "''this is the end''". [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
to:
* SugarWiki/AwesomeMusic: SugarWiki/AwesomeMusic:
** Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues, thus isn’t considered an "original score" [[/note]] and delivers on a score that just screams "''this is the end''". [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristicmarch.march.
** ''[[https://m.youtube.com/watch?v=W3FvzZr0e10 Katsura’a Memory]]'', a simplistic, yet tragic organ piece about the [[spoiler:death and reconstruction of Dr. Mafune’s only child.]]
** Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues, thus isn’t considered an "original score" [[/note]] and delivers on a score that just screams "''this is the end''". [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic
** ''[[https://m.youtube.com/watch?v=W3FvzZr0e10 Katsura’a Memory]]'', a simplistic, yet tragic organ piece about the [[spoiler:death and reconstruction of Dr. Mafune’s only child.]]
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Changed line(s) 9 (click to see context) from:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since the [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a remote control for Mechagodzilla]] and how revenge can consume a man to a path of destruction, Titanosaurus, the rival monster is portrayed as a tragic creature forced to fight with the Black Hole Aliens, Godzilla is noticeably outnumbered and alone in his final battle, heck even the ''ending'' is more of a DownerEnding than the past 70’s Godzilla films which ended on either happy or bittersweet notes. Needless to say, this entry doesn’t mess around.
to:
* TrueArtIsAngsty: This is easily the darkest entry in the Showa series since the [[Film/Godzilla1954 the original]], with themes such as loss of identity with Katsura [[spoiler:being killed and remade as a remote control for Mechagodzilla]] and how revenge can consume a man to a path of destruction, Titanosaurus, the rival monster is portrayed as a tragic creature forced to fight with the Black Hole Aliens, Godzilla is noticeably outnumbered and alone in his final battle, heck even the ''ending'' is more of a DownerEnding than the past 70’s Godzilla films which ended on either happy or bittersweet notes.notes as [[spoiler:Katsura ''kills herself'' [[HeroicSacrifice as a way to help Godzilla defeat Mechagodzilla for good]]]]. Needless to say, this entry doesn’t mess around.
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* SugarWiki/AwesomeMusic: Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues, thus isn’t considered an "original score" [[/note]] and delivers on a score that just screams "''this is the end''. [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
to:
* SugarWiki/AwesomeMusic: Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues, thus isn’t considered an "original score" [[/note]] and delivers on a score that just screams "''this is the end''.end''". [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
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None
Changed line(s) 1 (click to see context) from:
* SugarWiki/AwesomeMusic: Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues [[/note]] and delivers on a score that just screams "''this is the end''. [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
to:
* SugarWiki/AwesomeMusic: Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues cues, thus isn’t considered an "original score" [[/note]] and delivers on a score that just screams "''this is the end''. [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
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* SugarWiki/AwesomeMusic: Series regular Akira Ifukube returns to compose the film 7 years after ''Film/DestroyAllMonsters'' [[note]] ''Film/GodzillaVsGigan'' was comprised of stock music from past Ifukube composed music cues [[/note]] and delivers on a score that just screams "''this is the end''. [[https://m.youtube.com/watch?v=YOEtc7W0MY4 The main title]] exemplifies this with a more heroic sounding Godzilla theme contrasted with the sound of a dark militaristic march.
