Is there an issue? Send a MessageReason:
"Unfortunate Implications" is now Flame Bait.
Changed line(s) 3 (click to see context) from:
%%* SugarWiki/MomentOfAwesome -- The final moments of the play, when Johnny [[spoiler: summons the giants.]]
to:
%%* SugarWiki/MomentOfAwesome -- The final moments of the play, when Johnny [[spoiler: summons the giants.]]giants]].
Deleted line(s) 5,6 (click to see context) :
* UnfortunateImplications: When ''Jerusalem'' was revived in 2022, ''The Daily Telegraph'''s critic noted a couple of awkward moments:
--> [...] the Englishness which Jerusalem explores is now an even thornier concept than it was in 2009. The emphasis of much recent cultural commentary is the sense of shame we should feel about nationhood, while Butterworth’s wild, unexpurgated sprawling scream of a piece is in search of just the opposite: pride. [...] Johnny’s territorial claim to his land, which manifests itself in an extraordinary invocation of spirits and giants at the play’s conclusion, clobbers you with its plea for the importance of ancestral rights. In an ever more multicultural landscape, this feels like a problem.
--> [...] the Englishness which Jerusalem explores is now an even thornier concept than it was in 2009. The emphasis of much recent cultural commentary is the sense of shame we should feel about nationhood, while Butterworth’s wild, unexpurgated sprawling scream of a piece is in search of just the opposite: pride. [...] Johnny’s territorial claim to his land, which manifests itself in an extraordinary invocation of spirits and giants at the play’s conclusion, clobbers you with its plea for the importance of ancestral rights. In an ever more multicultural landscape, this feels like a problem.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* UnfortunateImplications: When ''Jerusalem'' was revived in 2022, ''The Daily Telegraph'''s critic noted a couple of awkward moments:
--> [...] the Englishness which Jerusalem explores is now an even thornier concept than it was in 2009. The emphasis of much recent cultural commentary is the sense of shame we should feel about nationhood, while Butterworth’s wild, unexpurgated sprawling scream of a piece is in search of just the opposite: pride. [...] Johnny’s territorial claim to his land, which manifests itself in an extraordinary invocation of spirits and giants at the play’s conclusion, clobbers you with its plea for the importance of ancestral rights. In an ever more multicultural landscape, this feels like a problem.
--> [...] the Englishness which Jerusalem explores is now an even thornier concept than it was in 2009. The emphasis of much recent cultural commentary is the sense of shame we should feel about nationhood, while Butterworth’s wild, unexpurgated sprawling scream of a piece is in search of just the opposite: pride. [...] Johnny’s territorial claim to his land, which manifests itself in an extraordinary invocation of spirits and giants at the play’s conclusion, clobbers you with its plea for the importance of ancestral rights. In an ever more multicultural landscape, this feels like a problem.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* CrowningMomentOfAwesome -- The final moments of the play, when Johnny [[spoiler: summons the giants.]]
to:
%%* SugarWiki/MomentOfAwesome -- The final moments of the play, when Johnny [[spoiler: summons the giants.]]
Is there an issue? Send a MessageReason:
Moved from the main page.
Changed line(s) 1 (click to see context) from:
* CrowningMomentOfAwesome -- The final moments of the play, when Johnny [[spoiler: summons the giants.]]
to:
* CrowningMomentOfAwesome -- The final moments of the play, when Johnny [[spoiler: summons the giants.]]]]
* StrawmanHasAPoint: The county workers are pale, callow caricatures, and Johnny is certainly right when he points out that his critics are by and large hypocrites--but that doesn't mean they're wrong about him.
----
* StrawmanHasAPoint: The county workers are pale, callow caricatures, and Johnny is certainly right when he points out that his critics are by and large hypocrites--but that doesn't mean they're wrong about him.
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,4 (click to see context) from:
CrowningMomentOfAwesome -- The final moments of the play, when Johnny [[spoiler: summons the giants.]]
[[Theatre/{{Jerusalem}} Back to the main page.]]
----
[[Theatre/{{Jerusalem}} Back to the main page.]]
----
to:
[[Theatre/{{Jerusalem}} Back to the main page.]]
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
[[Theatre/{{Jerusalem}} Back to the main page.]]
to:
[[Theatre/{{Jerusalem}} Back to the main page.]]]]
----
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
CrowningMomentOfAwesome -- The final moments of the play.
to:
CrowningMomentOfAwesome -- The final moments of the play.play, when Johnny [[spoiler: summons the giants.]]
[[Theatre/{{Jerusalem}} Back to the main page.]]
[[Theatre/{{Jerusalem}} Back to the main page.]]
