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** Narrative purpose aside, most Isekai settings do not explicitly glorify cultures that subjugate women and often have the main character or allies speaking out against vile treatment; or, if they are obligated to participate in morally questionable practices, the main characters will try to be as "good" as the position will allow. Haru's observation that her new world isn't fair to women is something many Isekai works point out themselves.
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** Narrative purpose aside, most Isekai settings do not explicitly glorify cultures that subjugate women and often have the main character or allies speaking out against vile treatment; or, if they are obligated to participate in morally questionable practices, the main characters will try to be as "good" as the position will allow. Haru's observation that her new world isn't fair to women is something that many Isekai works protagonists point out themselves.
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** While Chiba is parodying isekai protagonists, he is closer in role to an isekai ''side character''; in particular, he resembles the "entitled reincarnator" archetype that often pops up in more self-aware works in the medium, such as Motoyasu from ''Literature/TheRisingOfTheShieldHero'' or Heronia Inderon of ''Literature/AnObservationLogOfMyFianceeWhoCallsHerselfAVillainess'', who often embody all of the criticisms normal readers would have with isekai main characters without the actual focus reincarnator of the work having those flaws themselves (or not having them as unsubtle as this character would). Even if it were an isekai that wasn't satirizing the genre, he would still be an annoying, entitled foil to the main character to make them look better.
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** While Chiba is parodying isekai protagonists, he is closer in role to an isekai ''side character''; in particular, he resembles the "entitled reincarnator" Isekaijin" archetype that often pops up in more self-aware works in the medium, such as Motoyasu from ''Literature/TheRisingOfTheShieldHero'' or Heronia Inderon of ''Literature/AnObservationLogOfMyFianceeWhoCallsHerselfAVillainess'', who often embody all of the criticisms normal readers would have with isekai main characters without the actual focus reincarnator of the work having those flaws themselves (or not having them as unsubtle as this character would). Even if it were an isekai that wasn't satirizing the genre, he would still be an annoying, entitled foil to the main character to make them look better.
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Changed line(s) 6 (click to see context) from:
** While Chiba is parodying isekai protagonists, he is closer in role to an isekai ''side character''; in particular, he resembles the "entitled reincarnator" archetype that often pops up in more self-aware works in the medium, such as Motoyasu from ''Literature/TheRisingOfTheShieldHero'' or Heroina Inderon of ''Literature/AnObservationLogOfMyFianceeWhoCallsHerselfAVillainess'', who often embody all of the criticisms normal readers would have with isekai main characters without the actual focus reincarnator of the work having those flaws themselves (or not having them as unsubtle as this character would). Even if it were an isekai that wasn't satirizing the genre, he would still be an annoying, entitled foil to the main character to make them look better.
to:
** While Chiba is parodying isekai protagonists, he is closer in role to an isekai ''side character''; in particular, he resembles the "entitled reincarnator" archetype that often pops up in more self-aware works in the medium, such as Motoyasu from ''Literature/TheRisingOfTheShieldHero'' or Heroina Heronia Inderon of ''Literature/AnObservationLogOfMyFianceeWhoCallsHerselfAVillainess'', who often embody all of the criticisms normal readers would have with isekai main characters without the actual focus reincarnator of the work having those flaws themselves (or not having them as unsubtle as this character would). Even if it were an isekai that wasn't satirizing the genre, he would still be an annoying, entitled foil to the main character to make them look better.
